Flash Fiction: A Raccoon, A Traffic Jam, and Another Call for Submissions

Mornin’

As promised, I’ve thrown together a couple of flash fiction pieces that I’ll be running in the next couple of weeks. Before we get into the fantasy, I want to give you a reminder that submissions are still be accepted for The Beautiful Stuff’s 2022 Anthology, “A Beautiful Twist”. Here are the details (the short version for folks like me with a minor attention span)

  • Dates: January 28th to September 16th
  • Winners notified September 19th 2022
  • Publication Date: TBA Early November
  • Submission guidelines: Short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), Personal Essays (up to 2000 words). Non fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email which will be a lovely cover letter about you (name, email, your submission title, brief bio). Email subject line should read BEAUTIFUL TWIST SUBMISSION_name. The submission file (please use .doc, .docx, or another Word friendly format) should be the title of your submission and your last name i.e. “Merry Krampus-Reichert”
  • Top 3 submissions will earn prizes as follows: 1st–$30, 2nd–$20, 3rd–$10 paid via PayPal or Venmo (or check if need be). Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.
  • You may submit in multiple formats, multiple times (ie poems and flash, or novel excerpt and essay) but each submission must be in a separate email.
  • PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.
  • Prohibited subject matter includes: overtly violent or gruesome content that does not further the story, non consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness.

Whew! Send in your stuff. I’m excited to read it. And now this:

FLASH 1: Raccoons and Moving On

“This is your fault.”

“Mine? How is this even remotely my fault?”

“You wanted to have the dinner party in that stupid farm to table place. With a stupid glamping theme. In the stupid middle of a stupid field!”

“Why is everything I do stupid?” he fired back. She glared over the dinner napkin pressed to her cheek and pulled away the bloodied cloth to show him, once again, the angry gashes that had undone the beauty of her Botox.

“This for one!” She put the cloth back on the wound and crossed her other arm in front of her low cut dress. The ER was always busy this time of the week, but she’d never had to wait for anything, and especially not with the general public, so it seemed even worse.

“I mean—the food wasn’t bad. The whole evening could have been worse.”

“Worse? Mark? Really? How could it possibly have been worse? A goddamn raccoon tried to take my face off!”

“You tried to pet it!”

“I was trying to scoot it out of the tent! Brought in by your ‘not bad food’ buffet!”

“Well, I mean, it was out in the woods. So technically, it was just like having a neighbor come over for dinner.”

“You’re a goddamn idiot.”

Mark laughed. He laughed so hard he doubled over. Hooting until tears came to his eyes.

“Wha—why are you laughing?”

“Just—the way your face looked when that little guy came at you! Eyes wide and—” he gasped for air between chuckles, “and shrieking like a banshee.”

“I want a divorce,” she yelled.

“I know you do. That’s why I planned the evening! To try and start to mend things.” At this he stopped laughing. “But I realized I can’t mend the past. I can only look at the future.”

She grumbled. “What does that mean anyway?”

“I’ve been seeing someone.”

“What?”

“She’s a park ranger, actually. The one that recommended the venue?”

“Are you out of your goddamn mind?”

“I probably won’t be once the papers get signed. Look, here’s your ride.” She failed to even notice as the nurse came to her with a wheelchair and an exasperated look.

“The doctor can see you now, Mrs. Sinclair.”

“Oh, it’s just Ms.” Mark corrected before helping to move his near catatonic wife, soon to be ex-wife, into the dingy wheelchair and watched it disappear with a squeaking tirade down the hall.

FLASH 2: The Longest Light

At first he didn’t notice when the light hadn’t changed. Louis could always find an excuse to look at his phone, play a quick game of Candy Crush, or text that hot little thing from accounting. He just figured it was a long light.

But it turned into an excruciatingly long light. Three games in and an unanswered tawdry text about how he’d like to ‘spread sheet’ with her, he finally looked up and found that the light had not changed. In fact, nothing had changed. Louis put down his phone and looked over at the driver in the lane next to him. Sipping her coffee. He watched for a good thirty seconds. Still sipping. He looked up towards the person in front of him.

The guy had been reaching into his back seat, not moving since they’d stopped.

“What the—“? Louis paused to adjust his radio, but the same note was still playing. The same long C. Echoing through frozen airwaves. Louis turned off the stereo and got out. That’s when the light would change right. Isn’t that how it always worked? But it remained, stuck on red.

The street was lit in the garish tone of a sun that had seemed to stop. No shadows moved. No sounds of tires against asphalt. No wind blew. He looked up into the sky and caught a strange dark shape. He thought it was a plane, tiny and glacially moving across the sky. But it wasn’t moving.

And it wasn’t a plane. Louis closed his door and looked closer at the pigeon, suspended in mid-air. His heart hammered against his chest, the only beat in the city. He looked at the woman in the car next to him, the drivers in the opposite lanes. Everyone, like some strange flash mob in reverse, was holding perfectly still.

“Hey!” Louis yelled, angry in his fear. “Hey, what’s the big deal! Move your car!” He jogged up to the first car in the lane. A woman, bags beneath her eyes, white knuckling the steering wheel and glazed over stare into the quiet nothing. In the backseat, a toddler, with his face red and sweaty mouth open in a silent and unending scream, clutching an empty applesauce packet in one hand and a sodden blankie in the other.

“What’s the big idea? What is this?” He pounded on her window with a force that have been loud enough to wake the dead. It did not wake her. Louis went from car to car, with the same method and the exact same reaction. Nothing moved.

The world was frozen in time and he was the only one outside the loop. Louis dove back into his car and grabbed his phone. Candy Crush was now dormant, he tried tapping on his messages but nothing budged. As if the moment his hands put it down, it too became frozen. A cold shiver shot up Louis’ spine and he spun in a circle.

“Knock it off! Whatever this is! It’s not funny anymore!” When the strangled universe refused to reply Louis took off down the street, looking for any sign of life, in a world without.

It would be the longest thirty years of his life.

Call For Submissions 2022 Anthology: “A Beautiful Twist”

Good morning, readers and writers. I can’t believe we’re already one trip around the sun from last year’s submissions call! The previous years have resulted in two wonderful poetry anthologies with a variety of contributors across the globe. This year, I’m changing things up.

The theme for this year is “A Beautiful Twist”. I will be looking for work that surprises and delights, causes a reader to pause and do a double take if you will. For instance, some of my own work will be myths retold in modern times (what if Bacchus was a recovering alcoholic, or Snow White was a dominatrix?) For poetry, think about a split between how it begins and how it ends. You start out thinking its about love but turns out to be about laundry. Twist a fairytale, turn over old paradigms and genre expectations, dust off any speculative fiction because that’s a goldmine for twists. Surprise me. Surprise yourself. Give yourself freedom to dabble in the ridiculous.

Photo by rikka ameboshi on Pexels.com

Below you’ll find the details for the anthology, submission guidelines, and publishing dates. Please follow the guidelines. They exist for a reason…mostly to make sure I don’t pull my hair out whilst trying to read and format them. You are always more than welcome to contact me via this website with questions (Please use subject line: QUESTION ANTHOLOGY 2022). Some changes this year will include the length and type of content I’m accepting, and a monetary prize for the top three entries, as well as publication. Good skill to all of the writers out there, newbies and old hats.

SUBMISSION GUIDELINES

  • Dates: Submission will open January 28th and will run until September 16th
  • Winners will be notified September 19th 2022
  • Publication Date: TBA Early November
  • Submission guidelines: The Beautiful Stuff will be accepting, short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), Personal Essays (up to 2000 words) all centered around the theme. I’m pretty lenient as far as genre. I will accept non fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email which will be a lovely cover letter about you (name, email, job, what you write, what you love to do, your submission’s title, and the secret of life–haha, just kidding we all know its 42). Email subject line should read BEAUTIFUL TWIST SUBMISSION_name (not just ‘name’–use your name). The submission file (please use .doc, .docx, or another Word friendly format) should be the title of your submission and your last name i.e. “Merry Krampus-Reichert”
  • Top 3 submissions will earn prizes as follows: 1st–$30, 2nd–$20, 3rd–$10 paid via PayPal or Venmo (or check if need be). Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.
  • You may submit in multiple formats, multiple times (ie poems and flash, or novel excerpt and essay) but each submission must be in a separate email. You can copy and paste your cover letter…I’m not going to make you rewrite that thing, they’re a pain in the ass.
  • PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. I can’t even begin to process the legalities, so just don’t. Don’t double dip. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.
  • Prohibited subject matter includes: overtly violent or gruesome content that does not further the story, non consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness. I’m cool with erotica done tastefully and along the lines of the theme. I’m also cool with expletives if they fit the character and scene and you’re not just using them like a 7th grade boy to look cool. Cool?

Well, that’s it! Start writing! Hopefully this will provide you the experience and drive to get some submitting done. Let me know if you have any questions. I will contact you to let you know your submission has been received and as we get near to September 16th I will keep you in the loop about your submission’s place in the anthology.

I’m so flippin’ excited to read your stuff. Truly. Don’t leave me hanging.

Photo by Suzy Hazelwood on Pexels.com

Diversity in Fiction: Crafting Characters Respectfully

I’m not one to go seeking out hot-button issues, but the truth is when we don’t address underlying, systemic problems of all the ‘isms’ in our culture (from government programs, to housing applications, to writing fiction–) they continue to hold power over and harm other human beings. So, I’m discussing today how we, as writers, can be not only sensitive to the characters we create but the effects of their existence on our world. After all, stereotypes exist because we fail to see them in all the subtle ways they permeate our lives. As ethical and compassionate people, we should work towards burning down those untruths as much as possible, even in our own work.

I’m not going to stand on a soap box and preach without starting with myself. I’ve probably, in my ignorant and un-learned past, created characters that simplified the complexities of a human into certain traits. I’ve tried not to. I tried to craft my characters as strong, independent and powerful, more tuned to their personalities than their physical traits. But there were still subtle things, I wasn’t even aware of at the time, that filtered from my limited white experience. As I look into rewriting this character, I am constantly questioning how I can do better.

We all should. We owe it to the character, to the reader (and to the world) to examine our writing and go forward with an eye to our own hidden (and not so hidden) biases or ideas.

The best advice I can give you is to strip yourself of any cloak of magnanimous “equality”. Start by reading some real, hard to stomach, but necessary soul-exploring books on the complexities of race and gender equality, the reason systemic problems exist, and how we can best eradicate them. Talk to people from every background, attend classes, lectures, and forums, open discussions of others’ experiences. Do it with an open heart, and a willingness to accept your part in the system. Have the dedication to do something about it.

When we are invested in writing characters different from ourselves (race, gender, religion, sexuality, age etc) one of the best things we can do is RESEARCH. In the expansiveness of the Internet, so much good information, written by diverse voices, can be found. The ones most important (and really the only viable ones) are those written in their own voice, about their own experience.

I also encourage you to talk to as many other people of all walks of life as you can. (And not just to research for your work…do it for the benefit of your humanity and compassion.) While I DO NOT advocate for you turning your ‘one black friend’ into your go-to for all questions about a diverse, varied and culturally rich part of our world (it’s not their job or duty to educate you), don’t shy away from respectful and honest conversations that come up, especially when they happen from immersing yourself in different situations and events from a standpoint of open mindedness and learning.

Above all, when you are writing diverse characters DON’T, for the love of god, assume that by describing their skin color/religion/orientation that you’ve described their character in total. DON’T stereotype them. DON’T include diverse characters just for the sake of checking off a box.

DO make them unique to their upbringing, their experience, and their situation. DO describe all of your characters equally and in rich and expansive ways.

I’ve always believed that good storytelling is universal. And in our connected and dynamic world, it would be a shame to only write one kind of person. But care for your characters and the people they may or may not represent. Here are some good resources that may help:

Good luck and don’t be afraid. Just be respectful, compassionate, and educated.

Lessons From The Year

It was a goal heavy year. I talked briefly a few weeks ago about how to set up your own yearly goals in a manageable way, but today I want to talk about you. That’s right…not some bullet list on a webpage or a chart of tick-them-off boxes. I want to talk about the beautiful human on the other side of the screen. Stop looking over your shoulder, it’s you. I mean you.

Now maybe I know you, personally. Maybe we’ve never met. The point is, I think you’re amazing. You may not believe me. It’s okay. I’ve talked A LOT about not believing everything you read…and my words are no different. So allow me to offer proof.

This year has been tough. Hell, the last two have been a raging dumpster fire…for nearly everyone who wasn’t making a personal rocket ship to go play Spaceman Spiff while countless other humans suffered in poverty, starvation, and lack of medical care on the Earth. No wonder they were so anxious to leave for ten minutes and show how awesome it is to have money… but I digress…

The point I’m trying to make is that you’ve survived 100% of all your worst days.

A moment of silence for 2021...

At the start of a new year we have a tendency to look back (sometimes like Indian Jones on the destructive explosions of warplanes and tanks going over cliffs, shaking on torn knees, dirty, bent, beat to hell, and wondering how we survived, still clinging to our favorite hats) and worry that the next year will only be worse—Nazis, aliens…Shia LaBeouf—it could get a lot worse.

But it could get a whole lot better.

And we have some say in that. Now, we don’t always have a say in the bigger things of the world. I’ll never change the inequality of women or be able to change the mind of every little girl who’s been told, (like her mother and her mother before her…and so on) that being skinny is the height of desirability and beauty.

Photo by Daria Obymaha on Pexels.com

But I can shift the way I speak around my daughters. I can shift the way I talk to my friends (and speak up for them when they cannot speak well of themselves). I can shift the way I talk to myself.

I can’t fight capitalism. But I can support companies that  pay their workers a living wage. I can’t change lobbyists, or billionaires, or any number of corrupt, societal ruining forces. But I can lend a helping hand. I can volunteer. I can protest. I can stand up and use my voice, I can vote…

When we look at the battles ahead of us in this new year, let us pick ones we can charge into wisely. And please, for the love of mental health, let us start with the ones in our own heads.

The direction of your life, the ability to lift yourself above old and destructive habits has everything to do with how you speak to yourself. Your voice is the only one in your head 24/7. Your body is the only one you live in. Your voice, your mind, your heart, your body—every single one of those things is beautiful. Every one of them is enough. And they (read: you) deserve to be taken care of, loved, and respected.

So when we look into this new year, I only ask that you change one thing.

I want you to change how you talk to yourself. Be bigger than what the world wants you to be. Take up space and use that space to spread compassion and acceptance. Be outspoken with your understanding, your need for justice, and most of all, be outspoken with love.

Life is short. This could be the first year of a long and beautiful rest-of-your-life.

It could be your last year on Earth.

You simply do not know, so spend it with your heart and passions in mind. Draw and hold boundaries where they need to be and do not apologize for cutting out the people who are hurtful or refuse to acknowledge that you are enough. Speak well of yourself. Speak kindly to yourself. Accept every soul-bump as part of being beautifully human. Don’t be cruel, but take no bullshit.

We humans–we’re a beautiful mess. Falling in and out of love, drunk on passion and enthusiasm one minute, and stumbling into the gutter of disappointment the next. I say, just do your best, little human. Until you know better, then do the better. Be kind to yourself, be kind to others. But don’t give away your light and energy to people who don’t appreciate and return it.

It’s just that simple. And just that complex. It’s just. that. human.

Stay safe until the new year and beyond.

Reflections on Goal Setting

When I first took a class on goal planning for writers last year, the intention was to create an environment and a year where I carved out space for my writing as I would a career. Now, as we reach the end of another year (yeah, I hate to tell you, but its only a few hours away) I wanted to take the time to look back and let you know what worked, what didn’t, and what I could do better next time. Not so much a bragging post, this is more to offer you ideas of your own on how to pursue your writing career without feeling too overwhelmed.

Every great endeavor seems impossible while you’re standing at the base of it, wondering how best to begin. But journeys are not made in great leaps and bounds, they are made by singular footfalls, one in front of another. Maybe your goal is to finish your novel, memoir, poetry book, cookbook and have it ready for publication by December next year. That’s a huge leap when you’re staring at an empty page.

I’ll be the first to admit, I’m not a planner when it comes to the creative process of my writing. I don’t outline in detail, I don’t diagram, and I sure as hell don’t employ computer programs to chart the course of my books…but–being the little virgo-seque, organizational lovin’ nerd I am, I do like a set plan for how I get from blank page to finished book.

So rather than try to eat this whole goal at once, try taking little bites. I realize it seems over simplified, but what what worked best for me was breaking down my goals by first naming the end result I wanted, then thinking about the benchmarks I needed to meet every three months to make it happen. Then I broke it down further, to what I needed to do every month to meet those benchmarks, and finally what I needed to do every week so that it was manageable within my life.

In example, I wanted to submit at least 55 pieces of work this year. That meant that every month I needed 4 to 5 submissions, or one + a week. It’s hard to think of 55 poems out for submission all at once. I don’t think I would have been able to feel capable. But one submission, every week was something I couldn’t find an excuse not to do.

I wanted to finish editng three novels and have them ready for publication. I didn’t try to cram them all into a month. I broke it down to 3-6 chapters a week, which gave me about four rounds of in-depth editing for each, including a Beta reading round.

Having defined goals in mind is essential, allowing yourself room to wiggle when life gets complicated (because life always does) is just as important. That’s why at every quarter, in my planner, I would write down a day to reassess. What was working? What wasn’t? What could I let go of? What was I ahead on? It helped me understand my work habits and held me accountable to myself more than just a post-it of ideas on the first of January.

When life got complicated, overwhelming, and sometimes down right depressing, I gave myself room to let go of what I no longer deemed as important (I didn’t read 100 books this year, but made it through about 15–plus 12 read-throughs of my own novels). I reprioritized the schedule so that the things most important to me (family) would have first dibs on my time and used what I had left to do my best.

Even while giving yourself grace, don’t give yourself the excuse to quit. I find, no matter what the task, if I’ve set a deadline on a particular project, I will almost always finish it on time or before. Having a date to work with helps boost the sense of urgency and makes you delete social media from your phone so you aren’t wasting even one minute that you could be writing/practicing/editing/researching/submitting.

So that’s pretty much it. Because I love you (of course I do!) here’s an easy bullet list reference:

  • Set defined, obtainable goals. Pick anywhere from 1-5, but don’t go crazy. You’re only human.
  • Break them down by quarter, month, week, even day if need be.
  • Schedule rewards for meeting your goals on these timelines.
  • Allow yourself room to drop/add/readjust if something isn’t working. The journey won’t go anywhere if you’re passed out on the side of the trail with exhaustion.
  • Set defined dates for benchmarks and completion of the steps toward your goal. In other words: Give yourself ‘Due Dates’.
  • Make sure you understand your “WHY”. Why are you doing this? What are you seeking? Is it fame? Closure? Justification? The “Why” is never wrong, and you will need to return to it when things get tough.
  • Set your goals and break down the schedule you’ll need a week to two before the start of the New Year. Nobody wants to wake up New Year’s Day and try to muddle through big plans. Start thinking about it now and give yourself time to figure out what’s obtainable and most desired.

Well, I’m done talking. I appreciate you giving this blog a look over and hopefully getting the gears turning about your goals for this new year ahead. Drop me a line and let me know what you’re planning to do (this is a good exercise in accountability–if you’ve told someone you’re gonna, its an extra source of drive when you don’t feel up to it.)

Happy Writing.

Poetry 12-09-2021

What Am I Made Of

The ghosts of hearts unfairly broken 
haunt me relentlessly
my own among their wreckage
and the ones still alive 
they kick down, through the floorboards of my brain
and reverberate
in the pit of my stomach

Ghosts of lovers
who loved me too much
those I rolled eyes at, 
and turned away from, 
to crawl for miles on bloodied knees
and claw at the departing feet
of those who did not love me enough.

Ghosts of the friends I picked apart
like the vulture's beak to carrion
and become angry when they
no longer fed me

Ghosts of friends who disappeared
into the ether of life
and forgot they were 
my solid ground

I think I'm made up of ghosts 
all vapor and energy
nothingness roaming
empty of touch
devoid of breath
but heavy,
oh so heavy
in soul.

Wilderness of Soul: The Beautiful Stuff Poetry Anthology 2020-2021 IS HERE!!!

Great day in the morning, it’s finally time! This year’s poetry anthology “Wilderness of Soul” is now available for purchase here:

https://www.amazon.com/dp/B09L3281ZN?ref_=pe_3052080_397514860

In addition, if you are looking for a copy signed by me, you can contact me via the blog with your information. A small launch party with a few of the poets in the area will take place later this month at William Oliver’s Publick House. Bring a copy your book to have it signed by some of the authors (limited copies will be for sale at the event), enjoy a few readings, and celebrate with us. More news on that to come as details are finalized.

A percentage of the proceeds from “Wilderness of Soul” will be donated to SummitStone Health Partners, a local organization that provides help for mental health and addiction disorders. You can find out more about them here: https://www.summitstonehealth.org/

Please think about buying a copy not only as a gift to yourself and others but as a way to support the arts, poets, and the dream of sharing the common human experience. If you do get a copy, know that even a short review will help every writer in the book be recognized for their work. A few sentences and a few clicks make all the difference. Thanks in advance and Enjoy!

Writing to Frighten: The Art of Suspense and Tension

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Good morning, writer. As we approach Samhain and the dark, twisty corners of the season I thought it would be a great time to bring up suspense in your writing. I’m not a horror writer and I’m not going to pretend to be just to fit in to the theme of the month but I do believe that being able to create suspense in any genre is key to keeping your readers engaged and turning the pages.

Suspense can help build emotion in your reader up to your critical moments of change (the top of your acts–the big doors–crisis of faith moments—etc.) And that helps them become more invested in your character and the outcome of the scene. Because it’s been awhile, I’m going to give you a good-ol’ bullet list. Everybody likes a bullet list. Here are some top tips to factor in while working the element of suspense into your novel/Work-In-Progress. Keep in mind, these are general so they can be applied to most genres, but within each tip, there are a hundred different directions you can go–from the benign to the macabre.

  • Tap Into Universal Fears: We all have some pretty basic fears that drive us. They are usually based in survival. Fear of death, loss of child/loved one, fear of physical pain, starvation, exposure–anything that can take away the basic needs for survival. Fear of the unknown–can mean anything from not knowing what’s making that bumping noise in the closet, to not have existential knowledge of where you’ll end up after death. Fear of emotional pain, fear of social stigma. We’re scared little apes, so there’s an endless well to tap into here.
  • Create the Right Atmosphere: Depending on your genre and the style you like to write in, you could use your scenes to strike psychological terror (inner thoughts, rampant and illogical emotions, mind-games, gaslighting, etc) physical/gross terror (think limbs stripped of their muscle fibers, blood spurting, eyeballs popped out, or any other gory, pain-inducing action), or subtle/unseen terror (the ever present feeling of dread–small sounds getting closer, lights flickering down long hallways, those two notes on the piano when Jaws was nearby)
  • Make The Stakes High: It’s not going to ruffle your readers feathers if your character meets the friendly neighborhood cat at night if they love cats and brought yum-yums to share. Make it ten mange-riddled cats with broken, sharp teeth, stalking down a feline-hater, from all directions on a deserted city street and then you have a show. Losing a job sucks–but make it the job with the benefits that her sick daughter needs the insurance for, and its a different game (let us pause for a moment when discussing terror and how the American medical system has actually become something that induces terror…think about that for a moment)
  • Consider Your Point of View: There isn’t a wrong POV for horror, it just depends on how you want the reader to feel. Are you aiming to put them in a shed with the axe murderer outside, holding their dying cell phone? (FIRST PERSON)Or are you sitting beside them in the shed with eyes on how close the bloodied axe is to the door, yelling out in the middle of the library “Make the call, you idiot!!! He’s coming for you!!” (THIRD PERSON)
  • Don’t Forget the Character: Listen, it all comes down to the basics, if the reader isn’t invested in your character, they aren’t going to feel the empathy needed to induce terror no matter what horrifying situation you put them into. Make your character someone worth following into the dark and twisted. If your character is the dark and twisted, give it/them the solid justification that makes the reader question who the bad guy really is.

OK! Well, that’s all you get today. Good luck out there creating some suspense. Use it as you need to in your own work and if you feel the Hallow’s Eve vibe, try your hand at a little horror. I always encourage dabbling outside your genre to help make your work stronger.

Happy Writing!

In the Dark and Light

So, last week, I hit a rough patch, and I appreciate all of the kind comments and voices of concern that were raised for my well being and in defense of the human. I wanted to take a moment, before I launch into today’s poetry (brought to you by the amazing NCW Writing Retreat I was able to attend) to reach out and say a few words.

I know all humans aren’t assholes. I also know it’s our job (each human) to try and do our best not to be assholes. To not raise assholes. To forgive those who are being assholes. I know these things. But just like holding a weight constantly can fatigue a muscle and cause injury, holding on to this dark while trying to be light can be draining, so it behooves us all to drop the weight once in a while and call out the asshole-ness when we see it. After all, our job as humans is to try to make it a better world and that sometimes means calling on others to do better by one another.

And now: Poetry:

Photo by Darius Krause on Pexels.com
Breakdown
When we break apart
to find the core of iron-will within
or the soft underbelly of a soul
too long denied air
Then we will understand the
driving nature of our force
Lies not in what covers us
but what centers us

When we give in to the churning
burn of a life outside our control
the masticating masses of teeth bared 
in anger and fear
Then we will understand that
we only control the product 
of our own mind
And we are the owners of
sanctuaries or hells
within our own creation

When we let go
of the idea that its our job
to dictate the perfections of others
to drive their engines
to direct the film of their lives
and focus instead on 
what beauty we can leave behind
Then we will find the only
fragile, and faltering peace
a human can own.

Humans are Assholes

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Yep. That’s where I’m going today. I know this blog is primarily about writing, but it’s also a blog about living. And in the course of living this past week I’ve come to the ultimate conclusion that humans, by and large, are assholes. You can argue the point. I admit there are some good ones out there…but as our society ‘progresses’ I swear I’m witnessing an overturn of kindness and compassion into a collective settling of “me-first” assholeness.

From people honking behind you if you pause too long at an intersection, to those that sprain your wrist in karate class because you threatened their fragile ego. To those judgmental mothers who raise judgmental daughters who body shame other girls, in the same nasty way it has always been since long before I was born, because we’re so caught up in tearing each other down that we don’t realize how much powerful we’d be if we built each other up.

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To those spewing venom on the internet, raging in hateful and hurtful ways without stopping to listen to their own disgusting thought-vomit long enough to ask if it’s truthful. To the creators of those social media worlds that know the beast they’ve created is addictive and harmful, a veritable cesspool of useless and divisive vitriol that has been proven to be suicide-inducing, yet charge ahead anyway because the pay is sweet and the power sweeter.

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To the world that’s declining around us, fires and drought, floods and monsoons, dead coral reefs and decimated animal populations, the earth itself dying a little more every day, racing headlong into environmental destruction.

To the countries that slaughter and enslave women. To our own that treats women as if they were only good for being incubators and objects of desire (really only a step up from the aforementioned countries).

To the drug epidemic, our addiction to technology, poverty, wars we shouldn’t fight, battles we can’t win, politicians (career assholes) who care more about being reelected than they do about what they accomplish towards the common good…

Man, with this slew of examples, what subset of assholery does one even pick to write about? Humans have so many veins of douchery to tap into, I just don’t think I can choose one. All of this has settled like heavy sediment inside my skull and I have little room to breathe in any creativity. I have little room to breathe at all. It’s no wonder people purposefully walk away from it all, permanently or otherwise.

Who wants to live with a bunch of assholes?

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