All Editing and No Writing Makes Sarah a Dull Creator

Posted on by sereichert

Before you get on some high horse about how editing is a part of writing, allow me to unbuckle your saddle while you’re still on it. I know that the process of being a novelist is a journey of different landscapes. The initial sunrise of bursting light (inspiration) is followed by rocky paths (writing and plotting) and raging storms (character development and killing darlings) to the darkest nights (getting stuck) and comforting moonrise (resolution the big story arcs). Then there’s editing. And it’s important, amazingly important. A piece of shit first draft only becomes a good book because of proper and often harsh rewrites.

But lately… Oh lately… I’ve been spending the majority of my time in edits for 4 different novels coming out this year.

And because it is a constant parade of fixing and rewriting, and cutting, and facing my inadequacies on the daily, editing to me feels like the endless beach scenes in The Drawing of the Three. Or slogging through an infinite desert on your way to somewhere but with no clear end in site. And though it’s repetitive you can never just let your feet (or your eyes in this case) zone out as you plod ahead. Because you’re traversing that same wondrous journey from an outside and judgmental perspective, and at least for the hundredth time and all the rocks seem to look the same, and the plot holes are huge, and there’s that lovely garden that serves no purpose so it must be felled. And when you reach the end, that moonrise? Well, it just skips forward again to the start. And you take smaller steps, sentence by sentence steps, every comma, period, flagrant and free-range POV that escaped the first dozen times. And you know this story and you’re sick of the characters and every step, every sentence feels heavier and heavier and…

You start to wonder why you’d ever want to write down another journey again.

Add to that, when you do sit down to write, you’re brain is in so much of a “Pick this shit apart and find what’s wrong with it” mode that you barely get two sentences in before you’re going back to the start of them to preemptively rewrite. The free flow of the sun coming up over the mountains looks more like a giant yellow strobe light over hills that you can no longer describe off the tip of your fingers like before.

What I’m saying is, I’ve been neck deep in editing now for months, and I’m grateful that I have so many projects coming out this year. I truly am. But if I don’t start limiting those hours of cuts and rewrites, I’m worried I’ll lose my joy in telling a story in the first place. I worry that the editor in me will take over the controls and I will be stuck in self-editing mode long enough, that I no longer am capable of telling a story. Just judging one. That I’ll be stuck in that deserted wasteland where no words are allowed out, because they don’t come out in 20th draft form.

What’s the point of this rant? I’m not sure, except that if you’re a writer, I’d love to hear how you balance out your creativity with the necessary clean up of editing. Right now, I am struggling and it’s left me frustrated, uninspired, and if I may say, more than a little disheartened. And a writer with no heart…

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Feel Like Makin’ Love

Posted on by sereichert

You’re welcome for getting that song stuck in your head.

Last week I talked about heat index and how to define your novels for submission or how to search for the right Goldilocks-level of heat for your preference. This week, I want to talk about writing engaging love scenes in your books.

No matter the level of heat you’re writing in, the sexiness of a scene doesn’t just depend on how many engorged members you’re throwing in there.

Photo by Pixabay on Pexels.com

Wow, what a visual. Yeah, that actually makes it less sexy thinking of it…penises getting thrown into bedrooms willy-nilly. Ha, willy-nilly…ugh. Ahem, let’s move on.

Let’s get something straight right away, sexiness isn’t about sex. Heat and desire, aren’t about sex. At least not for the majority of women. (Men, if you’re reading this, get a notebook.) Sexiness is about connection. Two strangers can have sex, and people will read it. Penthouse has proven this. But if you really want someone to read a whole book about two characters, follow them through the quagmire of plot arcs and dialogue, sex is the perfectly balanced frosting on the cake of it all. Two characters that are emotionally connected interacting in a physical way, drives up the excitement and anticipation in the reader tenfold.

It’s all about chemistry. It is vital when aiming to curl the toes of your readers, that you give your characters a connection that feels genuine, deeper than surface level, and tied to their emotional well-being. Then, when you get to the point of all that delicious teasing, it makes the ‘climax’ all the better. Because it isn’t just about physical satisfaction, it’s about connecting in the most intimate way with someone who really gets you. Who loves you. Who sees your scars and your war wounds, and kisses every one of them with acceptance and care.

So if you want to up the sexiness of your scenes, establish a good connection, (even if its enemies to lovers). Find a common ground between them, a exposition of trust that opens hearts, and a deeper understanding of one another that makes the sex even better because there will be less reserve, fear, or doubt involved.

And this brings me to another point, writing good connection between characters is a subtle art that you can employ in your dialogues, body language cues, and inner dialogue (if you write that POV).

Next, depending on your comfort level, what you crave in romance, the nature of your book, or the heat index you’re working on, be honest about the sex. It doesn’t always have to be pretty. Heads get bumped, knees get scraped, giggling ensues. Don’t shy away from the human experience and the parts that make it truly beautiful. With that remember that there are a lot of senses involved in the act. Sight, sounds, smells, touch, taste. Don’t be afraid to play around with them as a way to bring readers in. How far in you bring them is up to you, but even the best closed-door scenes have an awesome build up to the point the door slams shut.

Attraction, chemistry, and desire are the tenements of any good romance, but remember that it starts with connection. Human connection, in all its glorious messiness. Putting in those beautiful messy moments will help bring your characters in a place where the love they make is a natural and much anticipated progression in your book.

Heat Index: What Spicy Pepper is Your Novel?

Posted on by sereichert
Photo by Rosie Ann on Pexels.com

Hands down, one of the dumbest blog titles I’ve ever come up with. But what are you going to do? We all have seasons of creativity in our lives, and sometimes I’m in the winter of title production. Today is that sometime. On to the point.

What is a Heat Index?

Great question! Well, if you don’t write/sell/promote romance, you probably don’t need to worry about it, but as it’s the month of ‘love’ or whatever made-up Hallmark holiday craze February represents to you, I thought I at least owed ONE blog about passion, romance, and how to make sure the right readers for your work find you.

Heat Index is, as in spicy peppers, a way to grade the level of sexual interaction (description of and frequency) in your books. Now, romance has a wide and varying range of heat levels. This blog will help you understand where yours falls, where you might need to edit to keep it in a certain level, and how and who to market it to based on it’s score.

Below is the breakdown of Heat Index. Keep in mind, this may vary from publisher to publisher, but in general the levels correspond pretty closely.

  1. “Wholesome”, Sweet” or “Clean” (I’m not a fan of either of these terms as it denotes that anything outside of this classification suggests that sex is dirty or nasty–and those are ‘bad’?) These are sometimes called ‘inspirational’ romances, and often fall into Christian Romance sub genres. They might have kissing, holding, etc, but rarely is a bodily fluid exchanged and the romance is built heavier in the emotional/spiritual attachment.
  2. “Sweet”, “Closed Door”, “Off The Page”, “Gentle”, or “Quiet”— This level of heat says that there is sex in your novel, but it happens without the reader being included. The characters may kiss, fondle, make out, and get excited physically but they will shut you (the reader) out in the hall while they get down to business. Mainstream women’s fic will employ this index more often, and there’s something to be said for leaving a few things to the imagination of the reader. I’m not sure about the terms “gentle” or “quiet”–as we don’t know what’s going on behind that door. Ha. Sorry.
  3. “Sensual”, “Sex on Page” and “Minimal Description”–This level the readers definitely know that sex happened, as it’s written down, but not poured over. Minimal description can mean an author uses euphemistic language, very basic terms and ideas, or even is more mechanical in description. They sort of “beat about the bush,”….he…heeheheheheha. Ugh, sorry, I had to. Nobody else laughing their ass off, just me? Ok.
  4. “Sexy”, “Sex on Page” and “Explicit” also “Erotica”–In other words, if you’re at your kids karate/dance/hockey/ soccer practice, it would be wise to not let anyone read over your shoulder. These scenes get as close as any good OB/GYN or proctologist might (but in a less clinical way). Sometimes the lines between 3 and 4 are more blurred. My rule of thumb, is that if it makes me blush, feel warm all over, and a bit flustered after reading it (or writing it), it’s probably a level 4. What constitutes “Sexy” might be more based on the female main character’s exploration of fantasy. “Erotica”, has much more to do with the physical aspects of romance and can be broken down by ‘special interest’ (ie bondage, monogamous menage, reverse harem etc.). In both cases, these are not “letters to playboy” books, even with more descriptive love scenes, they still have emotional attachment and a satisfying (nearly said ‘happy’) ending.

Well, there you have it. If you write romance, and especially if you’re looking to query your manuscript, it helps to know what you’re selling and if the publisher is a good match. If you just like reading romance, look for these keywords (often in online descriptions and sometimes on jacket covers) to make sure you’re getting the romantic endorphin hit you crave most.

Happy Reading!

A Year in Review

Posted on by sereichert

Photo by u5f20u6210 on Pexels.com

Two days until we put to rest 2022, and I’m currently engaged in a battle with myself, whether or not this was a year of positive net.

It certainly was one of the most interesting ones I’ve survived.

On the bright and beautiful side, I pushed myself farther and to greater heights with my writing than I ever had before. I took chances and got out of my comfort zone, and thank goddess for that. Because those investments in myself and explorations into new experiences led me to some of the best connections I’ve made, the dearest of friends, more published pieces I’ve had in the last five years combined, and a publishing contract with a company I believe in. https://www.5princebooks.com/sarahreichert.html

Not only that, but when I put my fear of rejection aside, and made a deal with my writing bestie (Rebecca Cuthbert) I succeeded in my goal of 100 rejections for the year (along with about 15 acceptances that I’m so grateful for). My work was featured in awesome and quirky journals and sites and some even were accepted in more traditional venues. I co-wrote my first romance with my wonderful friend and mentor Kerrie Flanagan . I learned a lot about myself as a writer, how to manage my time in a busy world, how to write in different genres and formats, and how to shrug off the worry of failure. I learned that I can do things. Hard things. New things. Interesting things. Things I never even imagined. I learned that I can do whatever. I. Set. My. Mind. To.

On the darker side of things, I was, and still am engaging in a battle with my daughter’s worsening OCD. It is a constant in our lives and I am in a cyclical ride of refilling and emptying out my patience levels, trying to find and give to her compassion on the daily, reassurances to the virulent voices in her head that tell her on repeat horrible things will happen if she doesn’t follow its asinine rules. (More Info Here) I have to put aside my own anxieties and depression, I have to square my shoulders and tuck away my own mental strains so that I can be a solid rock for her during this ongoing storm. In turn, these pressures have left me very little space for other people’s bullshit, and maybe that’s a good thing.

I’ve become aware that I no longer tolerate the levels of injustice I used to. I no longer tolerate the levels of disrespect and flagrant wasting of my time that some people think is acceptable. That I’m not going to let assholes go on being assholes without telling them they’re being assholes. And I’ve come across some doozies in the last few months.

Not for the first time, I got a taste of gender imbalance and misogyny in my outside-of-writing-profession. It’s disheartening, especially, when it comes from men in a position of trust who have been my supposed ‘family’ for so long. It reminded me that the imbalance of power in our culture is always in play, no matter how safe you think a business or place is. I watched as a world that was once my sanctuary turned into a dark place where people I once trusted, threw dirt on the grave of my autonomy and denied my worth as a human being.

I’m still battling with if I should stay at my instructor position for the sake of the children and other females in the school. Is their instruction and safety worth more than having to put up with the culture that would allow and overlook frightening behavior and disrespect? Still battling over that one, and I guess if I give myself time to think (as I’m doing this week from social media) I will arrive at the solution that is the best for myself and the people I care about most.

But I have my writing, and I have my friends, and I have people who have stood by me and loved me and shook their fists for me when I just wanted to curl up and die. And that’s not nothing. Years like this teach you who your allies are. And who you should not put your faith or your respect in. They teach you who will stand by your side, and who will throw you under the bus, for their own personal gain. And that knowledge is not nothing either.

So as you look into the new year, I urge you to not forget the lessons you’ve learned. I urge you to write your own story. One worthy of you. I ask that you take leaps of faith, and do things outside of your comfort zone. I ask that you let yourself get rejected and keep moving forward. I ask that you let loose your imposter syndrome and know that you and your art are more than enough to be shared.

In this new year, surround yourself with people who put your safety in mind and value your worth. I urge you to stand up for the friend in need of some fist shaking. I urge you to not put up with anymore bullshit, especially the hateful, uneducated, dehumanizing kind. Use your heads, use your hearts. Build this year, 365 single days at a time, and find something at the end of it that has made you outgrow a little more of the old you.

Choose what to carry, and what to let go. Some things are too heavy, but more than their weight, they don’t belong to you. They are not yours; they serve no purpose to you or to the greater good of the world. They are merely weights that keep you from getting to where you’re meant to be. So know when to let them go, and don’t berate yourself for leaving them behind. Sometimes the absolutely strongest thing we can do, isn’t to keep holding on. It’s in the letting go. So you will have both hands open for the next, better opportunity.

Survival of The Writer: And What National Novel Writing Month Teaches Us

Posted on by sereichert

I’m going to keep it brief and give you a little excerpt at the end of this blog to tie up another great year of NANOWRIMO. I hope that your month was successful and that it taught you something about your ability to persevere, in the face of ominous word counts, writer’s block doldrums, and persnickety characters that don’t do as they’re told.

I for one am proud of you. The winner of the goodie bag will be chosen this week and I’ll announce the name on the blog this week. Think of it as an early Christmas. I’m still curious to know how it went for all of you and if you have any pitfalls or successes you’d like to share, please send them my way. If this was your first or your 25th, I know that you got something out of the process.

If anything, it teaches us how to manage our time better, how to flow with the writing even when its not going how we think it should, and how to keep going even when its hard. I hope the very best for your project. My final piece of advice is this:

Being the first day of December, I ask that you take that hard-earned manuscript you slaved over for a month, save it (Twice) and put it away. For a whole month. Don’t look at it, don’t tweak it. Don’t edit it. (the only exception is that if you’re really close to finishing something or the whole thing, keep extending your daily word count goal until you’re at a good stopping place). Don’t open it again until January 1st at the earliest. Give your brain and your thoughts time to settle and reflect, so you can come at it with fresh eyes and a begin the process of turning that beautiful raw material into a wondrous book.

Here’s a little (unedited) piece of my third novel in my new series. I was particularly excited to work on this one as it brings us back to a favorite family from the coast of Maine. Enjoy! (and Congratulations)

“Faith Harrison set up her camp with little effort and a practiced efficiency that showed she’d done it several times before. Setting up the tent and small awning from it in the protected berm of a small hill, she set out a small ring of rocks. She didn’t even think she could get a fire started. Everything was so damn wet here. She put what little fuel she had beneath the awning in hopes it would keep some of it dry for a fire tonight. A shiver ran through her body as a drip of rain fell from her piled up curls and down her neck, tracing between her shoulder blades, two fine and pale angel’s wings. Her brother Jackson called her scrawny, her mother called her scrappy. Her dad said she was lithe and strong, like her mother, but Faith never felt nearly as strong as her mother Destiny. She was bookish and quiet. The kind of girl that would disappear into the corner of a library or pub. If it weren’t for the striking red hair.

Iagan hated that he couldn’t reach out and see her like he could with his magic. He was decidedly a plain, human male with nothing special about him. Except his unfailing curiosity and strange stirrings of desire for the young woman who was trespassing on his land. Owen had laughed at him. Danika had gently slapped his cheek, said it was good for him to share his space. And that she liked the girl. There was something earthy and grounded about her. And she wasn’t afraid of a little dirt. Iagan wanted her gone as soon as possible. He grumbled as he searched for the binoculars, he’d purchased in a vain attempt to become a bird watcher fifty years ago. No birds lived here, nothing lived here. Except magical things. He climbed to the top most tower and peered out to the south ruins. She’d set up her small orange tent beneath a hillside for protection and had created a fire ring. She’d not get anything started in the rain. She’d be cold and miserable by the end of the week. Hadn’t she’d said she was a graduate student? The poorest, scruffiest excuses for humans of all. He watched her move, a small speck on the green hill, setting up her camp and moving with a grace that was calming.

What would that body look like moving through his house, quiet, calm, long limbed and warm. He felt his hand in hers, the warm brown eyes…the upturned nose and freckles. Faith Harrison. He wanted her. But he wanted her gone even more. He wasn’t in the business of ruining young women anymore, and she was too clever and disinterested to fall for his charms anyway. He’d simply have to suffer the summer until her research was done and then he’d be rid of her.”

NANOWRIMO: WEEK 4

Posted on by sereichert

Hey! You’re in the homestretch, and whether that is a cause for rejoicing or a cause for panic, it’s still your last week. Below are some thoughts. Remember to send me your email along with comments and stories about how its gone so far, what you’ve learned, what helped, what didn’t, what you’d do differently, or if you’d ever do it again. I’ll put your email into a drawing for a Writer Care Package, stuffed full of lots of useful goodies that every writer needs.

Here’s your final week pep talk.


Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only some of us will spend the last week resting and reaping the rewards of a month packed with hours of dedication to your project. A lot of us will find this final week to be the last, desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, that’s the whole point. This month is more about teaching us to prioritize our lives to include our writing first (or at least at the top of the to-do list) and to know that we CAN accomplish great things when we give it the time and love it needs. It’s more about building the habit of writing than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle won’t be worth the outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. The end result is not all we are working for. Its the journey in getting there.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are so that, no matter the outcome, we learn what we are capable of. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath, writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and one which you are grateful to work through. You can. You will.

NANOWRIMO: WEEK 3

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Hey! It’s week 3 and if you haven’t sent me a comment or update on how your process is going, please do! I have a drawing going on for a Writer Care Package, with all sorts of fun goodies for you to enjoy as a treat for surviving this month. And speaking of surviving, let’s take a look at the dreaded week 3.


Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum, (say that one a few times fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

Photo by Johannes Plenio on Pexels.com

With only days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s. All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.

NANOWRIMO: WEEK 2

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Remember, comment below with how it’s going or send me quick email with any frustrations or elations you have and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

And now, this:

Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mind set is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak non-stop all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of NANOWRIMO is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love, the honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the NANOWRIMO process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

A well rounded “story” is equal parts meeting the basic needs and getting to play in the creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.

NANOWRIMO: WEEK 1

Posted on by sereichert

Something new for this year, if you comment, share and/or email me with your frustrations, experiences, or adventures during this year’s NANOWRIMO, and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

Let’s talk about Week 1

Ah, yes, the glorious stage of excitement and foreplay. The thrill of fleshing out your characters, and having them say clever things to one another, and building beautiful worlds with soft hues and brilliant sunsets. It’s champagne and butterflies, it’s rainbows and 3 hour love-making sessions with your laptop (please, God, not literally…the keys are hard enough to keep clean with just my coffee and pastry habit).

The words come easy, the beginning is new and exciting, the chemistry is just right. Possibly you’ve been planning this novel for awhile, maybe you even used October to plan it out and things are running smoothly and in great gushes of inspiration and excitement. (I think ‘gushes’ might be just as bad as ‘moist’ for cringe-worthy words).

OR

You’re stuck in front of your blank page and wondering why in God’s name you agreed to this. The stress of completing such a herculean task is causing every neuron to march around your addled brain with tiny little picket signs protesting the ridiculous workload before they even endure it.

You’re thinking of giving up. It feels as though you agreed to do this on a brash weekend in Vegas and you might have done so under the influence of alcohol and you really don’t know this book that well and what will your parents say and… is it too late for an annulment?

In the first case: Congratulations, keep going! If you have the stamina and inspiration to do so, front load these first couple of weeks so you can have a few days to ride if you need to recover. (I can’t help but hear Sheriff Bart’s voice in my head “Man, them schnitzengrubens will wipe you out!” Come on, people…Blazing Saddles)

In the second case: Don’t give up just yet. So she/he’s a gamble and you may have rushed into things. It’s normal to be nervous. It’s normal to feel like there’s nowhere to go. But you’re a writer. And writer’s do best when they stop questioning the end product and just write. See where that impromptu spouse will lead you, let it play out for a few days and enjoy the crazy weird ride that you’re on.

The secret to NANOWRIMO is to not overthink it. Because that’s when you start looking for all the imperfections and plot holes that send you into editing mode and canceling out any forward movement you have.

If you’re having trouble with getting your word count every day here’s some tips that have helped me:

  1. Break it up into smaller sections. A little in the morning, a little at lunch, some at night. Carry the laptop or notebook with you and write a few lines whenever you have a chance
  2. Keep your characters in your head with you at all times. How would they react to what you’re doing? What would they say to each other in the grocery store line? Let them talk to each other while you’re doing the dishes or in that third useless meeting of the day (come on, we all know at least 2/3rds of all meetings are just wastes of time that allow one person to hear themselves talk).
  3. Strike when the fire is hot. If you are on a roll, do everything in your power to keep writing…then in the middle of a paragraph or even a sentence–stop. Yeah, you read that right. Stop. It will frustrate you and keep your mind on what will happen next until you pick it back up. Foreplay people…there’s nothing like a little flirtatious teasing to make the next interlude all the more passionate.
  4. DO NOT be discouraged if you have a short day. Every word counts and a 400 word day is still 400 words. Like running or training, or anything really–great things are accomplished not always in leaps and bounds but by small progressive steps forward.
  5. Rest your fingers and your brain. Take breaks, sleep well, eat well, exercise, and get away from it throughout the day. Burnout probably happens most in the first couple of weeks when our inspiration gets ahead of our ability to keep at it with the same frantic pace.

Okay. That’s all I’ve got for this week.

Remember for everyone who comments on this blog during the month of November, you’ll be enterd to win a goodie basket of Writer Stuff. (its capitalized because it’s official)

Good skill, Writer.

National Novel Writing Prep

Posted on by sereichert

It is that magical time of year again. That time where my blog posts get shorter, the house falls into disarray, and herd of cats goes unfed (not true, if it’s one thing that can take me away from my writing, its the screaming protest of three obviously starving felines).

National Novel Writing Month is upon us. In four days time, I hope you’ll be joining me on a journey of creativity, self discovery, and frustrating obstacles to overcome. Much like a marathon, NANOWRIMO is not just a test of the word count, but a test of your mental fortitude. As in years past, I will be offering a short blog each week to help inspire you through the process.

But this week, I want to help you get ready.

First, commit to the process. It’s daunting. It’s scary. It’s a mountain of words to conquer and so many people won’t even type the first ten. But it is also absolutely doable. It is within your reach, and you can accomplish it with a little hard work and determination.

Once you’ve decided to join me on the journey, go to this website: www.nanowrimo.org and register. The website has come a long way in recent years and provides opportunities to connect to local groups, online communities, offers articles and tips, fun little badges to click on as a way to motivate you, places to download your own inspiration (photos, pinterest boards, and playlists), and encouragement for every stage. Answer some of the questions, create a profile, and just set it up as detailed or as sparsely as you want.

Next, and I would recommend this, whether you’ve been plotting and daydreaming about this novel for years or the idea just hit you yesterday morning on the toilet…make yourself a rough outline. If you’re not sure how-search outline or plotting on my blog website and it will take you to some great articles on how to get started. I recommend at least breaking your novel into three arcs and giving a general timeline of what happens within each. This will give you direction if and when you start to falter.

Next, look at your schedule and decide when your most optimal times for writing are, and put it on your outlook or calendar as a ‘meeting’ or ‘appointment’. Don’t let it get taken over. Reserve the time so you and your family/work partners know you will be busy.

Make sure you take creative breaks (reading, watching a show, painting, whatever) and physical breaks (walks, runs, karate practice, naps etc) to keep your brain fresh and engaged and your body from being too stiff or jittery.

Stock up on snacks, coffee/tea, and water. Stay hydrated and healthy, and if all you have time wise for writing is night, make sure that you’re still giving yourself plenty of time to sleep. All in all, it’s only 1667 words a day you need to write. But some days it will feel more like 1,600,000, so do what you can to control the outside forces and story blocks that might make the process harder.

That’s your homework for the next four days. Get prepped. Get ready. Get set to go. You’ve got this.