Write More Challenge: WEEK 2

Posted on by sereichert

Rehashing a few years’ ago blog, so I can focus my writing time and creativity on the Writing Heights Write More Challenge kind of makes me feel like I’m cheating. But mediocre advice is still advice. I hope you’re finding some inspiration this month. And if you need a little, here, have some of mine…

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Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mindset is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak, non-stop, all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of Write More Month is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love. The honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the writing challenge process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

Photo by Lisa Fotios on Pexels.com

A well rounded “story” is equal parts meeting the basic needs and getting to enjoy the playful creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.

Write More November: WEEK 1

Posted on by sereichert

Because I’ll be too busy trying to finish a novel this month for Writing Heights Write More Challenge (check it out, it’s free to join, you get a free month of membership and a chance to win three more months. Plus its a great community, super supportive, and the perfect space to finish that goal) I’m rehashing my old NaNo weekly posts. Work smarter not harder I say. Enjoy!

Let’s talk about Week 1

Ah, yes, the glorious stage of excitement and foreplay. The thrill of fleshing out your characters, and having them say clever things to one another, and building beautiful worlds with soft hues and brilliant sunsets. It’s champagne and butterflies, it’s rainbows and 3 hour love-making sessions with your laptop (please, God, not literally…the keys are hard enough to keep clean with just my coffee and pastry habit).

The words come easy, the beginning is new and exciting, the chemistry is just right. Possibly you’ve been planning this novel for awhile, maybe you even used October to plan it out and things are running smoothly and in great gushes of inspiration and excitement. (I think ‘gushes’ might be just as bad as ‘moist’ for cringe-worthy words).

OR

You’re stuck in front of your blank page and wondering why in God’s name you agreed to this. The stress of completing such a herculean task is causing every neuron to march around your addled brain with tiny little picket signs protesting the ridiculous workload before they even endure it.

You’re thinking of giving up. It feels as though you agreed to do this on a brash weekend in Vegas and you might have done so under the influence of alcohol and you really don’t know this book that well and what will your parents say and… is it too late for an annulment?

In the first case: Congratulations, keep going! If you have the stamina and inspiration to do so, front load these first couple of weeks so you can have a few days to ride if you need to recover. (I can’t help but hear Sheriff Bart’s voice in my head “Man, them schnitzengrubens will wipe you out!” Come on, people…Blazing Saddles)

In the second case: Don’t give up just yet. So she/he’s a gamble and you may have rushed into things. It’s normal to be nervous. It’s normal to feel like there’s nowhere to go. But you’re a writer. And writer’s do best when they stop questioning the end product and just write. See where that impromptu spouse will lead you, let it play out for a few days and enjoy the crazy weird ride that you’re on.

The secret to NANOWRIMO is to not overthink it. Because that’s when you start looking for all the imperfections and plot holes that send you into editing mode and canceling out any forward movement you have.

If you’re having trouble with getting your word count every day here’s some tips that have helped me:

  1. Break it up into smaller sections. A little in the morning, a little at lunch, some at night. Carry the laptop or notebook with you and write a few lines whenever you have a chance
  2. Keep your characters in your head with you at all times. How would they react to what you’re doing? What would they say to each other in the grocery store line? Let them talk to each other while you’re doing the dishes or in that third useless meeting of the day (come on, we all know at least 2/3rds of all meetings are just wastes of time that allow one person to hear themselves talk).
  3. Strike when the fire is hot. If you are on a roll, do everything in your power to keep writing…then in the middle of a paragraph or even a sentence–stop. Yeah, you read that right. Stop. It will frustrate you and keep your mind on what will happen next until you pick it back up. Foreplay people…there’s nothing like a little flirtatious teasing to make the next interlude all the more passionate.
  4. DO NOT be discouraged if you have a short day. Every word counts and a 400 word day is still 400 words. Like running or training, or anything really–great things are accomplished not always in leaps and bounds but by small progressive steps forward.
  5. Rest your fingers and your brain. Take breaks, sleep well, eat well, exercise, and get away from it throughout the day. Burnout probably happens most in the first couple of weeks when our inspiration gets ahead of our ability to keep at it with the same frantic pace.

Okay. That’s all I’ve got for this week.

Good skill, Writer.

Why Writing Good Characters is So Hard

Posted on by sereichert

Occasionally, I like to put off writing.

That’s not true.

Lately? I’ve been finding all kinds of excuses to not write. Why? Because my current project scares me a little. It’s darker than I thought it would be. There are great tsunamis of sadness that seem to engulf and overwhelm every page, and I worry. I worry that its not just a reflection of the times, but of my own psyche. I could abandon it. Try to churn out another HEA, enemies to lovers, satisfying romance, but something about this book, this idea, this yearning feels deeply important. And maybe that’s why I’m struggling so much with the characters.

yeah, I really do have that many things marked in this book… try to nerd on my level

So, in my procrastination this week, I went back to one of my favorite books on writing. “Naked Playwriting” by William Downs to rehash what it is about these characters that’s interrupting my flow. And also to refresh myself on themes that are not only applicable to theater.

Bcause I have a sneaking suspicion this book is a tragedy.

And I’m a romance writer. I write sins, not tragedies (Poise and Rationality). I write redemptions and happy ever-afters. I write feel-good and resolution because I want to see them in the world. I have a sneaking suspicion that the world has beaten that hope out of me. I suspect, my sense of romanticism and love has been steadily destroyed over these last ten years. I suspect that once that blindfold was tugged off by every heartbreak, disappointment, news article on the rape and abuse of women, and failing justice system, it became impossible for me to put any blinders of Happily-Ever-After back on.

So maybe this is the book I need to write. Maybe I need to get the tragedy out of my system. Maybe someone dies at the end. Maybe they’re already dead. Maybe the reason it feels so rainy and sad is that I have been out of the light for sometime now. And maybe these two ill-fated lovers, are the parts of myself who are desperate to do something in a world that constantly binds hands and hearts.

So back to Character. Just like steel, as Downs and Russin write, is boring as hell when it’s broken down to it’s bare facts, so characters are cardboard nothingness until…we shape them into agents of doing. Good stories happen when characters are doing something. Falling in love, struggling through crisis, winning, losing, overcoming etc, etc, etc… When I ask myself what these characters are doing, the obvious answer is incredibly boring. They’re suffering. They’re both stuck in past tragedies and meet along some astrological plane of existence, stewing in their own morbidities. Two depressed fucks just standing around staring at each other. Waiting for me to do something with them.

When we consider Micheal Foley’s “Age of Absurdity” he speaks of humans has having four ignoble truths:

  • We can’t sit still
  • We can’t shut up
  • We can’t escape self-obsession
  • We can’t stop wanting things

Pause for a moment and read that again. Am I the only one who feels personally attacked? Good, we should. We should consider our ignobility. Our flaws. The conflict we bring into our own lives and how it will apply to characters (both on stage and on the page) is what drives a story that seems to be stuck on a stormy, cold beach at the end of the world.

In addition to knowing those unflattering things about the character (and ourselves) we must consider that they are not in a vacuum. They are a part of the plot, inseparable. They are the drivers, the instigators, and they are all under this dark sky of theme. So while they don’t necessarily reflect real people, they need to feel natural within the context of both the plot and what the story is about, in total.

For the next couple of weeks, and leading up to November (where I intend to put myself in a social media time-out and focus on finishing this novel–tragedy or no) I will be asking myself how each of my characters display and act out these truths, I will ask where they are in the world, and what it is that they both so desperately want. What they’re willing to do to get it. It seems, at first, so easy to fit them into an appropriate box, but this process has proven to be deceptively simple and requires a lot of work. And it could be work that no one will end up reading. But that’s not the point of writing. As a good friend once reminded me on my last birthday:

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“Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”–Kafka

I hope that this gives you something to think about, when it comes to your characters, and how complex writing well really is. Why it can’t be done by a machine, not in the ways that matter. Not in the ways that tell real stories about human existence. But anything worth doing, is worth doing well. And if this one takes me a little longer, then that’s the time it takes. Good luck out there.

Writing Frequently Asked Questions

Posted on by sereichert

I’m on a bit of a respite this week, out of town and putting myself in a mandatory time-out while one of my kiddos is learning all about Paleontology and hopefully making some cool memories. So I’m sitting in a hundreds-year-old farm house, that may in fact be haunted, and catching up on some work and some rest…mental and physical.

Because of that, I’m rerunning a blog from about 4 years ago, updated to reflect what’s happening nowadays. Oddly, not too much has changed except the projects I’m working on. So, enjoy. And if I don’t call or email you back right away, just know that I’m retreating from the world in a healthy manner.

In the course of my career, as soon as people know I’m a writer, I’ve gotten a lot of questions, ranging from the concerned “What did your parents do to you?” to the outright rude, “Oh, so what restaurant do you bus tables at?” But some are genuine and interested.

I’ve picked out a few questions not just to give you my personal answers but as a way to think about your own journey as a writer and why having the answers to some of them is important, whether you get asked or not.

Writers Frequently Asked Questions:

How do you come up with your ideas?

I dunno man. It’s part magic and part just paying attention. Sometimes it’s a character from my childhood that I want to reformulate and expand upon. Sometimes I’m watching a nature show on octopods and flip the station to an expo on genetic research. I will say this for the good writers I know. Ideas are everywhere, and it’s all about paying attention to why each story, article, factoid, or fungi is interesting and how they could be moreso. Even though tropes and genres rarely change, the situations, characters, and actions are an endless pool of inspiration.

I’ve written about space captains and cowboys, Krampus’ nephew and Bacchus as a modern-day AA member. I’ve written about a nurse with OCD and a child who was the reincarnation of Peter Pan… Ideas are everywhere. Go on line, find prompts. Read the newspaper. Watch people. Read. Think about what makes a good story—a character you care about, an impossible situation, high stakes, dynamic growth. And give your brain down time to think and daydream (walking the dog, in the shower, at your kid’s soccer game—don’t look at me like that it’s okay to zone out for those once in a while too). Play with the What-If and don’t self limit.

Also—buy a small notebook and a pen (or you could use your phone, ugh) and write down things you notice, articles that were interesting, conversations you overhear, even the strangest ideas from out of nowhere. You never know…

How many hours do you write a day?

Pshhh… Listen, if all I needed to do in a day is write, I’d probably say at least 4 to 5 hours or more. But I don’t know any of us who don’t have some other job, a family, or otherwise adultish tasks to complete. So, I’m going to be completely honest and watch die-hard writing theorists gasp in shock.

Somedays I don’t write at all.

*gasp! How does she even call herself a writer!?*

Somedays I’m so plagued with class planning and familial obligations and oh-my-god-whats-growing-in-the-bathroom-sink, and teaching, and making dental appointments that I don’t get to sit down at my computer until late in the evening when my brain is effectively mush.

But it’s not always about the quantity.

Because sometimes on those nights, in the span of twenty minutes before bed, I can bang out three or four solid pages. Sometimes I only stare bleary eyed at what I wrote earlier in the week. The point is, it isn’t about the hours and hours of singularly devoted time you put in. It’s about concentrating and working with focus for every minute you do get and making it impactful over time.

So—on average in a week, I maybe write 1-2 hours a day. If you factor in editing and rewrites and marketing and advertising my stuff, that probably gets bumped up to about 3. It’s not as much as some…but for now, it’s what I have to work with and I capitalize on all the moments I can.

What are you working on now?

I’m not like other writers. I’m a goddamn, flighty scatterbrain. So my answer is…complicated *wheels out an old chalkboard packed full of a complex theory, diagrams, and stick figures*.

At any given moment I’ve got multiple projects and I’ll tell you why.

Because I get bored. And sometimes I’m tired. (hahahahaha—ah…that’s funny because I’m ALWAYS tired)

I’m not saying I can’t sit down, focus, and write a novel, end to end in about a month. I can. I have. I usually reserve all of November to do that. Or on projects with co-authors as there are expectations and deadlines to meet.

For me, having multiple projects that I enjoy helps to keep me engaged and inspired and lets me cater my writing to the state of my life that day.

Maybe I only have twenty minutes. So I write a poem, or submit a poem. Or both

Maybe I have an hour, but I’m not feeling very fictional—I work on my weekly blog or catch up on emails from other writing projects. Or get a solid chunk of editing done.

Maybe I have an uninterrupted afternoon, I’ve been daydreaming about my characters and what I can do to torture them…I’ll bust out a few chapters on my novel.

Being a writer is a career best done when diversified.

One, we learn how to write better when we give ourselves more variety.

Two, we will burn out less often when we can take breaks from something that’s got us stuck—AND, AND AND…sometimes being able to put down ‘stuck’ projects and work on something else will lead to that magical AHA moment of unstuckness, because your brain has stepped back and can look at it without so much intensity.

Three, in terms of getting paid? You might love your novel, but its your magazine articles that are paying for your PB and J’s while you wait for the next publisher to realize how amazing you are (and you are amazing)…so have something more lucrative if you want.

Four, I hate to say it, but marketing, editing, and submitting count as writing. It’s the new and best chance way to really make it as a writer these days.

So—what am I working on?

A new series. Tentatively: They Eynhollow Series. About an orphaned Fae who discovers her destiny was a lot bigger than a boxing ring in Detroit. I’m through the first heavy rounds of edits and will clean it up further to hand into my editor by the end of August. The next two in the series will follow in the coming months so that (she said fingers crossed) both will be completed and handed in by the end of the year for publishing in 2027. I’m also working on a new novel (that’ll get some extra love in Writing Heights Novel in a Month challenge). Midlife romantic comedy.

Getting ahead on my blog posts

10 poems planned to write in my little ‘mental reset’ vacation.

Organizing about 50+ poems for a new anthology that I’d like to shop around to publishers next year

1-2 Submissions a week (leading to new poetry and flash fiction pieces)

Marketing for my third novel in The Time Keeper Series out AUGUST 11th

Journaling every day

You make any money at that?

No.

Not at all.

After editing, marketing, and website fees are factored in, I’m actually, constantly, in a hole. In fact, I love writing so much, I started working a part time job just to afford it.

But this is important to know about yourself as a writer. Why do you write? For the money? Because there are ways to do that—freelance, magazine articles, content writing, textbook editing. But you should also know that getting published right away, with a good book deal and royalties is not common. It isn’t impossible but you’re going to have to work for it.

My suggestion is to write because you love it. Because if you do that, and you throw it out into the world to see if it lands with someone, and it doesn’t get picked up, then at least you loved what you did, enjoyed what you made, and created something that was meaningful. And that’s not nothing.

If you don’t enjoy it and try to meet a trend, or publish some MFA tome that you hated every minute of, I honestly believe that the chances of it ‘landing’ and being picked up, are less.

Stories with heart and passion behind them, are just better stories.

Do you get writer’s block?

I go back and forth about those two little words. Yes, I believe that writers can get blocked. but I prefer to call it “Life Blocked”.

Writing doesn’t get blocked. We block ourselves. We get in our own way. Life gets in our way. The other worries, concerns, judgments, conflicts, and comparisons surrounding us get in our way. The writing is always there, just waiting to come out. It’s not beyond our reach. Until we put up walls of insecurities and excuses in our own path.

Somedays the inspiration isn’t there. Write anyway (see my answer from above about switching up projects, doing something that is still writing but not what’s got you puzzled). Somedays you are burnt out. Take a day off. Watch stupid movies. Take a nap. Keep your hands off the computer until you’re gnashing to get back to putting words down. Writers forget that inspiration is always there, you just sometimes have to clear out the path before it will flow. That might mean writing that scene you’ve been dreading until it turns into one of your favorites. Or sitting in the chair, writing the worst shit you’ve ever written nonstop for thirty minutes via a timer until you realize that it’s not all bad and that you were just afraid admitting that we all write shitty stuff sometimes.

Don’t believe in writer’s block. Believe in normal human emotion and limitation, give yourself grace but don’t give yourself excuses.

Where can I find your work?

Always know this answer and, if possible, have a card with your info on it. You can find my work on Amazon, libraries, in some journals and newspapers as well as on my website. www.sarahreichertauthor.com (and yes, get a website). Also this reminds me to update my website, which I’m TERRIBLE at.

How do you finish a book, I just can’t!

How do people climb Mt. Everest? How do people raise children? How do people retire comfortably after 45 years of work?

One step at a time. Always forward. Never giving up. Pause if you need, catch your breath, remember why you’re putting in the work, eyes on that distant horizon and keep moving. You will get stuck. You will want to quit. There will be stories you do have to quit or rewrite completely. Just don’t stop writing. One page a day. One sentence. Six chapters. It doesn’t matter. People who don’t finish their books have let the world win. They let their doubt win. They let the aspect of editing and cutting out what wasn’t working win. They let the fear of finishing a book and what that might mean for expectations on them win.

Don’t let fear or hard work stop you. Just write. Because you love it. Because you love the character. Because you love the journey. Because you love being lost in that world. When it gets hard, shift course, skip over the dark and come back after you’ve written through some light. There are a million ways to quit. But there are at least as many to persevere. Find what makes you keep going and do that.

On Laurels and Mountains

Posted on by sereichert
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I was trying to think up a topic today, within the sphere of writing, that might be new and interesting. It was then that I realized I like to fall back on my favorites. Character writing, dynamics of character interactions, emotion on the page, building tension. Or perhaps turn the microscope on myself and talk about burn out and creativity, progress without production, heart without hustle. But I feel a little bored with those topics and if you read my blog enough, you’ve probably read more than you wanted to.

So what do you write about when you’re toolkit feels a little… empty?

Well, maybe just that. I’ve long been at war with myself over the worthiness of a higher degree in the Literary Arts. Let me preface by saying in no uncertain terms: Every Degree You Get is Meaningful. Education is never a waste. And time spent learning and perfecting your art and voice and style is a worthy pursuit. But I have to add, that economically speaking, it doesn’t always give you an advantage. And…if you are at an economic disadvantage due to student loans, it can be harder to pursue a writing career.

So, what does a financially unstable writer do, when faced with the knowledge that she could certainly use a little more education and a freshening up of her skillset? Well, honestly, I could just rest on my laurels. I’ve published books and had work in different literary magazines. I’ve won some awards. I could argue I know enough.

But that would be short sighted and frankly pretty fucking egotistical. I don’t know everything. I could know more. I could experiment more. I could find a new mountain to climb, and shouldn’t we all? After all, what are we doing with this life if not learning? So, I’ll be looking for some affordable alternatives and, for any other writer who might be, like me, looking for a new challenge in their skills department, share some interesting options from down below.

  • Research new or unknown forms of poetry. This is my new favorite. I’m working on pantoums and cinquinta, and all kinds of weird little funness
  • Take a class from a local writing group or community center: Like Writing Heights or Lighthouse Workshop
  • Try an online course like MasterClass or a YouTube channel: Currently I’m taking Aaron Sorkin’s Screenwriting, and Roxanne Gay’s Writing for Social Change
  • Join a Book Study or Writing Challenge: again–shameless plug for Writing Heights Writers Association
  • Check out what Harvard offers on line for free: Harvard Free Classes
  • Take a class or invest in a book, outside of your genre: I’m currently reading both a Screenplay book, and one called “Howdunit” all about how crimes are committed and solved.
  • Consider switching over to Fiction or Non-Fiction: whichever you don’t normally do
  • Attend a conference or workshop in your area: Despite the recent hubbub, (and it’s not in my area) I will be attending AWP with the hopes of taking some classes that can broaden both my poetic skill and my writing organization’s offerings.

Well, I hope those ideas have given you a little goose to the behind to get started on reclaiming your lifelong love of learning (or inspiring one if you lacked it).

Happy Writing!

Poetry 7-3-25

Posted on by sereichert

Travel leads to thoughts. Interesting new connections and inspirations do too… Travel also leads to not a lot of time getting to sit down and make up blog posts. So I hope you’ll forgive me for posting two poems in a row. This is an older one, not in my current headspace, but always, somehow, tattooed beneath my skin.






Remember Your Lines







What does depression feel like?





Like I want to sleep forever





but every time I fall into that





blissful unconsciousness,





I hope I never come back out





that it’s just a peaceful send off





So long…have a good flight





Don’t call when you get there.





Because…that would be weird





And freak everyone out…





It feels like…





I can’t feel





sunshine, or joy, or pride, or hope





I’m a slab of granite,





wavering on two crumbling pillars of sandstone





stuck in quicksand and sinking





and I don’t care if I go under





in fact, I welcome it and hope





it suffocates me





with calm commands,





breathe in…breath out…and hold





like an MRI of your final moment





but it never tells you





to breath in again





Depression feels like





I have no energy in my synapses





and even if I did, nothing I could do with it





would be worth anything to anyone





least of all myself





Depression is a gray, weighted blanket





only not for comfort, it’s for the unsurmountable load





that life gives you to carry





and you just can’t find a good enough reason





to carry it anymore;





but you can’t find your way out





from underneath it either





Depression is seeing through eyes





that are a movie screen





to an audience that lost its will to care





lacks empathy, doesn’t recognize





Art





or love





or fleeting time





or beauty





Depression is a cage that I shout meaningless words out of,





fake platitudes





in hopes no one else falls into the cage next to me





I’m fine!





You’re fine,





you’re fine, baby girl





you’re fine…





I love you





it’ll be okay





It’ll be okay is tattooed beneath my skin





so that I don’t forget these





lines to a play that I rehearse and repeat,





back to the world that asks





Are you?





Okay?





I look down to the scars I once cut





but can’t cut again; they’ll see





Children learn from watching





so I don’t show,





I tell…





I tell lines





I tell them the lines I need to tell





I tell them,





Though the world is burning around us





and women will never be safe





and human lives don’t matter





cattle for the breeding grounds or





simply to slaughter to the gods of capitalism





Stop!





don’t say that…





don’t project the hopeless…





Read the line





Read the provided line





not the truthful line





of scars….





It’ll be okay





I’m





Okay





You’ll be…





… will you be?





Okay?





Depression is lying to loved ones





so you never have to worry that you’ll be





their downward spiral,





the same scythe of your mother’s loss





that cut you down





Cause we’re all Ok





we just need to…





I just need to





Remember my lines



	


	



					
						


	

		
Honoring Your Quirk

				

			Posted on  by sereichert		

			


	
	
			


	

		

Hello writers. How are you fairing in this strange, unhinged, cacophony of terror? Despite the political, cultural, and technological mess that we’re in, I hope that you’re shutting out distractions for at least a couple of hours a day to find some peace, and your own voice again.





Today, I wanted to talk about writing style. Not so much our voices as writers (though I’ll be covering that in a later post) but the way at which we approach the art, and the process of engaging in it. I’m in a busy season after signing on with my publishing company for another three-book series. It wouldn’t be so bad, but this is the first time I’ve proposed a series that was not yet complete. Which means, I now have a very real, somewhat daunting deadline of trying to write a novel (and polish it as well as I can) by the end of August. The first two books are done (mostly) so they will both be in editing by the end of this week. But the last book…





Let me start by explaining my process. I’ve written three trilogies. Two have been published, one is complete but won’t come out until 2026-2027. This newest one (my 4th) began with a Vella novel on Amazon (remember that flash in the pan?) and grew to a two book project that includes my first male-male romance as the second book. Both are fun, time-traveling fantasy romances, set in one of my favorite eras. All very exciting, and I had no trouble at all banging through the first drafts of them. Because I wrote them, as I always do, by puttering through whatever scene I was in the mood for at the time. Then I hodgepodged them together, as I always do, and fill in the gaps where needed.





Now that you have a little insight to my style (non-chronological, emotionally driven panster) I must tell you what a struggle this last, unwritten novel in the series is becoming. Because I had to write a proposal, I outlined it for my publisher. I never outline anything. I let the characters lead along a generalized path where there are key scenes I know I want to include. I had no key scenes starting out. I just knew a general path. It was all going along pretty well, for the first 20,000 words. And now…I’m stuck. I’ve pretty much written along the lines of my outline and I think the book won’t even make the 60,000 mark. In addition to that, when I’ve gone back to read, it all feels very flat. Like a Marvel movie. Like a dime-a-dozen romance. There’s no quirk. There’s no character depth. Even though it contains the same characters that I loved and developed for two books. So…what’s the deal?





Last night, after being stuck all week at that 20,000 word mark, I just let myself write a scene between the protagonist and the antagonist, a pivotal scene concerning the loss of someone very important. The concept was not in my outline. The scene was not planned, but just something my brain had been toying with in the shower after edits to the first novel started kicking in. I knew before starting this new scene, that it probably wouldn’t end up in the final version. It was just play. 





But then…Suddenly there was passion. I saw true character coming out from underneath the gray and basic facade. I wrote over two thousand words in a matter of 20 minutes. That’s the kind of writing I’m used to. That’s my sweet spot. That’s my quirk. And I realized then, that for the last month I’ve been trying to write like other authors I know on deadlines. Straight through and stick to your outline. Keep it clean, time’s too limited to be able to waste it on multiple rounds of editing. The trouble is, there won’t be a book by the end of that limited time to edit, if I don’t write like my brain likes to write. I am not like any other writer. I’m quirky and I need to respect that. 





So, that’s my lesson for you today. Yes, it’s important to try new methods and fart around with writing in different ways as a means to experiment and freshen up your routine, but I encourage you to find your quirk and respect it. What works for you, works. And when you’re on a deadline, do what works.





Happy writing. Now back to the grindstone.

	


	



					
						


	

		
I saved an earthworm…

				

			Posted on  by sereichert		

			


	
	
			


	

		

To be exact, they were what I would deem a “nightcrawler”. On my rainy walk, with my rescue dog River, and her distaste for the wet (I think it’s the pit bull in her mix) we encountered the large under-dweller, struggling against the asphalt. I watched for a moment. Remembering, that as a child growing up in a dry state (Wyoming), we rarely saw worms that size. If ever you did, was a good omen to gardeners and those were the ones you never took fishing. I bent down lower than my 45 year old knees liked and gently picked up its twisting body, and placed them gently in my palm where it squirmed for freedom, even from a small safety. The rain poured down around us and I let myself feel all of the tickling, wriggling, slightly slimy motion of a life in peril. I took them tenderly towards the grass and out of the space where tomorrow’s sun on the blacktop would bake them, and set them down.





“There you go buddy, good luck.” I said and a woman walking her dog on the sidewalk, moved carefully away from me. 





Why don’t we care for things anymore? When did we become so crass? How is it we have become too busy to save even the smallest of consciousnesses? I’ve been thinking a great deal about ‘modern’ life these days, and how less like actual life it feels. “Life” is suddenly something we are fed, by those who control the information. Life is on screens, and filtered to be pretty, it’s reductive, or ridiculous. Competitive and unrealistic. It’s shallow and degrading. When was the last time you held something in your hand that was real? A worm? Your child’s hand? Dirt from your garden? A pen? An apple? Someone you loved (known or in secret) arms wrapped tight and trying to stop time, just for a minute? When did you notice last, a being in struggle? Did you stop? Did you help?





I no longer want to be part of an unreal world. I don’t have years to waste on anything not authentic. What is the point? If I only have so many days, why would I spend them sucked into an algorithm? I want to hear my friend’s voices. I want to read their handwriting. I want to see them across a table or next to me on a walk. I don’t want to be force fed advertising, and told that I need wrinkle cream. As though the natural progression of my body is not something to rejoice in and enjoy. I don’t want to be told in spiraling doom scroll what this world amounts to in the number of likes or angry faces it has. Watch the volley of hatred and hurtful ignorance between neighbors be slung around like poisoned arrows. See artists reduced to fodder for machines, and the brainwashing of it all being NECESSARY, take us over, as though we have no choice in the matter. How can we really justify, as artists, “needing” a platform that abuses and misuses our hard work? I can’t. I never had any big hopes of making it in the industry anyway, so I’m not going to keep buying into a system of false promises, while it robs me of my creativity and passion.





We haven’t always been this way. Don’t you remember?





I know I will miss out. Your faces, your lives, the beauty of your progression in the world. I will not see you. I won’t get to laugh at your memes or comfort you in times of loss. But I will think of you. Just because I’m not there, posting weird writing shit, or poetry, or my bastard of a cat…I am here, thinking about you. Whether we’ve been friends since the fourth grade, or you just joined my writing group, or you read my books, or you gave birth to me…I love you. You don’t need the algorithm to tell you that. You don’t need Facebook as a go-between to keep us connected. I’m here. Loving you. Hoping good things for you. Wishing you a day better than you thought it would be, every day. Each one of you. No likes necessary.





I feel a bit like Neo. Taking the pill. To wake back up to what is real. And it’s scary. And I don’t know if I’ll just be forgotten. Maybe I will. But I suppose the hearts that forget me, I never really had residence in to begin with. Today’s the last day and I’m a little scared. The connection it offered was wonderful, the addiction it’s brought me to and the worry it sustains, is not healthy. For any of us. Here’s where you can find me: 







    

  • BlueSky: @sereichertauthor 
    • 




  • SubStack: @sarahreichertauthor
    • 




  • Website: https://www.sarahreichertauthor.com
    • 




  • email: director@writingheights.com
    • 




  • Address (I love letters and will send you one if you provide a return address): NCW, 4128 Main St, #144, Timnath, Colorado 80547
    • 






I hope I see you in the real life. I hope you find the balance you need. I hope you don’t give in to the idea that you’re data points and not a living, breathing, squirming, fighting, good-omen of humanity. I won’t be there anymore, but I’ll be around.





Photo by Grafixart_photo Samir BELHAMRA on Pexels.com



	


	



					
						


	

		
Influenza, A Conversation

				

			Posted on  by sereichert		

			


	
	
			


	

		

I caught the flu. I was vaccinated last November but, I also know those things don’t always last. Also, I’ve been a little worn down so it should come as no surprise that my immune system let one slip through. I could get political about this. What with RFK in office and the refusal to allow the yearly meeting of flu vaccine doctors/experts to determine next year’s best guess at protecting the herd that is the United States population… but right now my little electric meatloaf is a little fried. So fried that I wrote a post about it. The only thing I’ve accomplished today, actually. Besides sleep and pumping in a lot of fluids. Enjoy?





(Please be aware, all of this was written mid 103 temperature. What seemed really funny to me at the time, probably doesn’t translate the same)





Am I struggling with the words and the thinking? As my Minnesotan conclave would say, “oh yea, sure, you betcha”. So I thought I might document the exchange inside my overheated brain while I was living it. For posterity. And a laugh. I mean, I think it’s funny as hell. But it’s also…not. Is this how schizophrenia starts?





Me: Okay brain, Listen. I know you’re having a rough time of it right now. Lot of pain, lot of general unpleasantness. The thing is, I really need you to work on this presentation and speech we have to give next week.





Brain: No prob, my main man. I got this. You just point me in the direction of…





Me: Brain?





Brain: Hmm? Sorry, why does my left big toe hurt, like really bad?





Me: It’s the flu. Its normal. You’re not going to die.





Brain: Oh, really? Tell that to my phalange! Fuck should I try to pop it?





Me: No brain, just…hang in there, it will go away.





Brain: Oh—oh you’re right. Huh. Whew, that’s so much—Sweet baby Jesus, my back!





Me: Brain! Can you try to focus, Here. Here’s a heating pad and your favorite jammies and lots of pillows. Let’s just bang out a quick…





Brain: Jammmmmmiiiiieeessss…nap time we must.





Me: No! Brain—Come on man, focus. Just the outline. Let’s just get the outline written.





Brain: Right, right. Work, big talk. Lots of people. We hate lots of people though, right? Staring at us?





Me: They asked us to be there. We submitted the proposal, they accepted it.





Brain: jammmmmiiiieesss.





Me: Brain!





Brain: Why can’t I keep my right eye open? Oh look, I can switch them off. But I don’t get the two at once.





Me: *sigh* Can we just focus? Ten minutes.





Brain: Yes. Absolutely.





Me: Wait, is that Instagram? Are you opening Instagram?





Brain: I just need a little treat, thinking about work and being berated is so stressful.





Me: I didn’t—





Brain: Look at the miniature donkeys!





Me: Yes, yes, very cute. They will be there after you finish the outline.





Brain: Oh the outline, that’s right…we have work to do…So I shouldn’t…swiiiiippe!?





Me: Goddamn it, Brain,





Brain: What is it about Scottish toddlers cursing that makes my whole heart believe in the goodness of humanity.





Me: No—no don’t laugh!





*coughing fit ensues, pain shoots everywhere, gunk comes out of my mouth. Me and my brain stare at it in fascination and horror*





Brain: I don’t like this. This is dumb. I’m tired now.





Me: How about just three bullet points.





Brain: Fuck you, do you know how hot it is in here? Can’t you open a window or something? I’m baking.





Me: Open a—what like trepanation?





Brain: pfff! HA, that’s not a word.





Me: Look it up, hot stuff.





Brain: *types several renditions of trepanation until spell check has mercy on us* Jesus christ you want to cut a hole into me? What are you a barbarian? Fucking anthropologist. Why do you remember that of all the things? Of all the classes?





Me: It’s supposed to ease the pressure!





Brain: Ever heard of a decongestant you fucking savage?





Me: *Quietly sobs from couch* Can we please just get a little work done?





Brain: *gives haughty look over the phone at me* No. You wanted to perform ancient brain surgery on us. Look at this.





Me: *sighs* what?





We stare at the screen together at a poem by Mary Oliver





I do know how to pay attention,
how to fall down, into the grass, how to kneel down in the grass.
How to be idle and blessed.
How to stroll through the fields which is what I have been doing all day.
Tell me what else I should have done?
Doesn’t everything die at last and too soon?
Tell me what it is you plan to do with your one wild and precious life.





pause 





We look into the screen that’s gone blank and dark. Into our flushed complexion and glassy eyes. Begging for rest. To kneel down in the grass. To pray to this body that is, right now, fighting battles we cannot know the extent of. While I stand on the sidelines of the fray and shout… ‘but my outline!’





ME: Hey, Brain. Wanna take a nap?





Brain: Fuck yes I do….jammmmiiieesss…

	


	



					
						


	

		
Poetry 2-20-25

				

			Posted on  by sereichert		

			


	
	
			


	

		

I’ve been participating in my own little poetry month challenge in an effort to get back into the swing of the art. For one, it’s a managable way for me to be able to write something every day, even in the chaos of my to do list. For two, I think it’s been very cathartic in helping me work through some of the things landing in my life (and all of our lives right now). The rage inside me finds a place on the page so I can clear a more rational path. The sadness gets to have its moment too, so I can move past the emotion and focus on how best to use my empathy. You don’t have to be good at it to write poetry. You just have to write it. 





Photo by aj povey on Pexels.com





Daylight

Poems written by daylight
are hopeful, funny creatures
not yet domesticated by the world
shackled by the weight of 
unbearable odds

Poems written in the high-sun hours
are words through clear eyes
not yet burning with the fire of 
thousands of thoughts, words read,
millions of stitches placed across the
wound of our burning, tumultuous world

Poems written when I've still got time in the day
are different
I haven't properly fucked anything up
yet
there is still hope that I may not
I'm a glowing human goddess
for whom possibilities still exist

Poems written by daylight
seem hopeful and clear
unweighted and resilient
but they are 
not me
not in total
It is the reticent dark, the weary and
mistake-riddled soul
sitting in the deep weighted night,
still choosing to pick up the pen 
who is truly
the poet.