Newsletter July-August 2026

Hey kids,

It’s Newsletter Time! Hold on to your hats my friends. There’s actually some news in this one. First thing’s first…

In, non-writing related news, the garden is going smashingly. Our tomatoes are enjoying the heat and the squash have put on several flowers. My radishes are out of control. With any luck things will start producing enough for at least one of us to get a salad (we shall fight over it with tiny forks). Beyond that, I find the necessity of getting in to weed, or water extra in these ridiculously hot afternoons, helps to calm my mind and give me a break from the made up world of adulting. Any day you can dig in the dirt, is a good day. Any day you can pause to watch how busily bees utilize your catmint is a day you’re reminded that there really is no such thing as society…silly humans.

We’ve had to put up traps for these little assholes that seem to be everywhere. I think it’s probably a good lesson for how climate change is probably causing an imbalance of certain species over others, but I that would probably be a college course, not a newsletter post. However, if you want to geek out over invasive species, perhaps the lady/gent/non-binary Captain would prefer this: Popillia japonica. In any case, for any of my fellow gardeners out there, we’ve been having good luck with the traps and I’ve found no noticeable difference between the “flower blossom” or “Japanese Beetle Sex Pheromone *Party” (*party added by author) scents . They are equally attracted to ‘food’ and ‘sex’. Listen, I’m not judging, because…well me too.

Photo by Cup of Couple on Pexels.com

What else? I’m attending a CSU Transfer Student/Parent Orientation this week for my oldest, and gearing up to take my youngest to a Paleontology camp in Thermopolis, Wyoming ran by the Wyoming Dinosaur Center and Dig Sites. There’s a bit of a lull in between the two things, which leads me to the next section…

Writing and Editing:

I’m in my final proofreading round for “Heir to Time”!! Which means this little gem is soon to hit the bookstands (AUGUST 11th). I will have some cover reveals happening on Friday (tomorrow), so be sure to check those out. The Timekeeper series is now complete. Stay tuned and I’ll let you know how you can order a complete boxed set or any of the individual books, signed with some goodies.

I’m waiting to hear back for my next round of edits for my anti-Hallmark novel, but I’m sure that’ll get wrapped up in time. Pray for our poor editor.

My edits for “FaeSpawn” (mythology-based, contemporary fantasy, set in the Ornkey Islands north of Scotland and south of Scandinavia) were interrupted for the proofreading for Heir that came up, but I have made it about fifteen chapters in and it’s not as bad as I remembered. There are a few things to clear up. I don’t generally write fantasy or even urban fantasy so I’m trying to remind myself that world building has to be both consistent and clear…without being so expositionary that your reader falls asleep. Who knew writing could be so complex? I did. I knew that. And I do it anyway.

I’m toying with the idea of gathering up some of these beautiful and generative poems I’ve collected over the last year for a possible anthology out next year (possibly from a publisher). I just need an accountability partner I think. I think I’ll bother one of my good friends (I’m looking at you Nina (9-uh)) who also has a book of poetry probably waiting for her to put together. Another reason why writers need other writers.

I started, and am keeping very close to my chest, an interesting new story inspired by a good friend who has always supported me. And over a recent breakfast of runny eggs, and discussions of oddest-family-stories-ever, reignited my creative spark. I’m not going to say much about it (writers are often afraid of good ideas being startled away), except, again, writers need writers and I’m so thankful he’s in my life. Every girl needs a Charlie.

Reading:

I finished “The Benevolent Society of Ill-Mannered Ladies by Allison Goodman, and loved it so much that I ordered the sequel: “The Ladies Road Guide to Utter Ruin”. The first was such a fantastic romp, with adventure, humor, and romance. Plus to get to read something, albeit fictional, about women in their forties destroying abusive systems that hurt and imprison women was pretty satisfying. Please check her out. It’s great writing.

I’ve also picked up “The Hitchhiker’s Guide to the Galaxy”. I read it before in middle-school and find that I’m enjoying it eve more now. Sometimes its good to get back to the classics. Especially if they’re smart, subversive, and absurd.

I’m also reading a couple of beta copies for friends. Both non-fiction. One from Ted Williams about the advent of the Alpine Rescue Team in the 70’s here in Colorado (check out “The Art of Rescue“). Basically middle and high schoolers, were partaking in high-stakes rescue missions before calling in CPS was a thing. It’s wild and so far, very good. I’m also reading a book soon to be released, from Michelle Ray, called “Lessons Unplanned”. Part travel memoir, part philosophical soul-search, I think it will appeal to so many readers. You can check out her Substack here: States of Matter.

Events and BOOK RELEASE

Heir to Time

It’s finally here!! The third and most soul-sucking (to write, not read I hope) novel in the Timekeeper Series will be released August 11th. I’ll be posting on my social where you can find and buy it. An exciting conclusion to the adventurous, romantic, time-traveling capers of Lillian Byrne. The third novel features a side sapphic romance, and brings back our beloved favorite couple (well they’re MY favorite couple) Richard and Thomas. It’s a bit “Mummy” and a bit “Indiana Jones” wrapped in pretty, romantic comedy paper. There are exciting chases, escapes, curses, and a bit of magic thrown in. If you want to know where time-travel came from, this is the capstone book that will tie the series all together again.

I do not have any book signing dates yet, but I’ll post them soon.

July Class with “The Pause” on The Feminine Divine

In July, I’ll be teaching a class for The Pause, a cool writing group devoted to mid-life women. The class will center on exploring the power of the Feminine Divine and the innate knowledge of body to explore expression. Its a topic I think about a lot, especially in a patriarchy where so much of what we ‘know’ is beaten down or ignored. And how so much of that knowledge would have actually saved the human race a heapful of grief, suffering and death. Anyway, we’ll be exploring how to tap into that, how to trust ourselves, and how to use what we know to help others. Here’s more about that organization: The Pause Writers

Fort Collins Comic Con

Ya’ll, I’m going again. This event is so well ran and I’ll be talking with my friends Rod Martinez and Heather Hein about writing. The joys, the failures, the gains and the loss. Not just that, but how we create in times of turmoil and why it’s important that we do. I hope we’ll have a good crowd and can answer any questions you might have. I believe our panel is on Saturday August the 15th. Register here! They have so many great vendor booths, authors and books, cosplay, panels, and other fun events.

Closing:

I’ve uncovered some deep rooted issues with self-promotion (see “she doesn’t have a book signing booked yet for a release less than a month away?” hint above) that I’m trying to deal with, which probably stems a lot from an overblown sense of self-doubt and/or deeply instilled rural-upbringing humility that very rarely allows me much pride in anything. Also, and maybe you’ve experienced this, the weird phenomena of “Yes I finished a book, now on to the next”, and ignoring or purposefully taking out the pause between. I suspect it has a lot to do with the discomfort of praise and the reminder from someplace deep in my “don’t get too big for your britches” brain, that I’m not so special and to keep working.

All of that aside, the marketing issue has also made me think a lot about what I want to accomplish as a writer and with my writing. I will say that I am proud of myself in that I held a really hard boundary that’s protected me and my little shoe-box heart, and in the process (and after a long and arduous hike), I’ve put into motion a long-term (but not too long) plan to rediscover and honor who I really am and what I really want. Sometimes its scary to sit down with yourself and be honest. Because often what you discover will affect not just you, but a lot of people around you. In seeking a balance that takes care of all hearts involved, I feel like I’ve got some solid footing on the journey ahead, and for once in a very long time, I have a little hope for my own future.

Take care of yourselves. Take care of each other.

Honoring Your Quirk

Hello writers. How are you fairing in this strange, unhinged, cacophony of terror? Despite the political, cultural, and technological mess that we’re in, I hope that you’re shutting out distractions for at least a couple of hours a day to find some peace, and your own voice again.

Today, I wanted to talk about writing style. Not so much our voices as writers (though I’ll be covering that in a later post) but the way at which we approach the art, and the process of engaging in it. I’m in a busy season after signing on with my publishing company for another three-book series. It wouldn’t be so bad, but this is the first time I’ve proposed a series that was not yet complete. Which means, I now have a very real, somewhat daunting deadline of trying to write a novel (and polish it as well as I can) by the end of August. The first two books are done (mostly) so they will both be in editing by the end of this week. But the last book…

Let me start by explaining my process. I’ve written three trilogies. Two have been published, one is complete but won’t come out until 2026-2027. This newest one (my 4th) began with a Vella novel on Amazon (remember that flash in the pan?) and grew to a two book project that includes my first male-male romance as the second book. Both are fun, time-traveling fantasy romances, set in one of my favorite eras. All very exciting, and I had no trouble at all banging through the first drafts of them. Because I wrote them, as I always do, by puttering through whatever scene I was in the mood for at the time. Then I hodgepodged them together, as I always do, and fill in the gaps where needed.

Now that you have a little insight to my style (non-chronological, emotionally driven panster) I must tell you what a struggle this last, unwritten novel in the series is becoming. Because I had to write a proposal, I outlined it for my publisher. I never outline anything. I let the characters lead along a generalized path where there are key scenes I know I want to include. I had no key scenes starting out. I just knew a general path. It was all going along pretty well, for the first 20,000 words. And now…I’m stuck. I’ve pretty much written along the lines of my outline and I think the book won’t even make the 60,000 mark. In addition to that, when I’ve gone back to read, it all feels very flat. Like a Marvel movie. Like a dime-a-dozen romance. There’s no quirk. There’s no character depth. Even though it contains the same characters that I loved and developed for two books. So…what’s the deal?

Last night, after being stuck all week at that 20,000 word mark, I just let myself write a scene between the protagonist and the antagonist, a pivotal scene concerning the loss of someone very important. The concept was not in my outline. The scene was not planned, but just something my brain had been toying with in the shower after edits to the first novel started kicking in. I knew before starting this new scene, that it probably wouldn’t end up in the final version. It was just play.

But then…Suddenly there was passion. I saw true character coming out from underneath the gray and basic facade. I wrote over two thousand words in a matter of 20 minutes. That’s the kind of writing I’m used to. That’s my sweet spot. That’s my quirk. And I realized then, that for the last month I’ve been trying to write like other authors I know on deadlines. Straight through and stick to your outline. Keep it clean, time’s too limited to be able to waste it on multiple rounds of editing. The trouble is, there won’t be a book by the end of that limited time to edit, if I don’t write like my brain likes to write. I am not like any other writer. I’m quirky and I need to respect that.

So, that’s my lesson for you today. Yes, it’s important to try new methods and fart around with writing in different ways as a means to experiment and freshen up your routine, but I encourage you to find your quirk and respect it. What works for you, works. And when you’re on a deadline, do what works.

Happy writing. Now back to the grindstone.

Book Review: The Serpent and The Firefly by Courtney Davis

I hate to admit how long it takes me to finish a book. I love to read, and if I had like ten more hours in my day I would do it all the time. I’ve started carrying around my e-reader (don’t hiss at me you physical book-philes, I love both versions but that tech is a lot easier when the page counts are high, to tote into a doctors appointment) in an effort to spend those free moments lost in worlds instead of lost in the spin of social media doom scrolling. And I’m not surprised to find that the more I read, the more I want to read. But the last book I read, I finished in under a week, so I know it was good.

My last book that I finished was The Serpent and The Firefly by Courtney Davis. Now, it’s kind of hard for me to be unbiased. One, because this beautiful little book shares a release date with Raising Elle (so they’re like fraternal, romance novel twins), and two, because I really love Courtney as a person and as an author. So I’m going to do my best to give you a good, honest rundown of the book.

I love urban fantasy and The Serpent and The Firefly checks so many boxes. From the description and back cover, I couldn’t have predicted how beautiful a world Davis was going to build. She does it in a seamless style that brings readers into a dark little underworld, glimmering on the edges of our reality. I love the variety of characters she brings in (interesting but not overwhelming) and hope that she expands on some of the groups of supernaturals in later books (I’m totally into the angel angle, and I want more nymphs!) Her main character, Jade, is thrown into an unexpected position of power, after having her magic hidden for years. Luckily, she has sexy and not quite trustable Baal, giving her some guidance. Not without cost, as he’s using her to regain his rule in hell. But I love the way she shows him tripping over his desire and need, the more he gets to know the adorable and floundering Jade. And let me be clear…I’m not a huge snake fan, but there are some scenes with Baal that made my little toes curl and think about the advantages of a forked tongue…ahem….moving on.

The chemistry between the two main characters is palpable and there’s a lot of good tension building that made me shake my fist every time they had a ‘nearly there’ moment, but the relationship they forge in the end is worth the wait and I love especially watching Jade’s progression from a timid woman in witness protection, to a full-on goddess who saves not just our world, but two other realms as well.

Davis’s writing is crisp and she gives her characters wonderful personality and dimension with dialogue and just enough description. She builds her worlds beautifully without smacking you over the head with too much narrative. Its a quick read but a lot of story happens in those pages. I’m definitely looking forward to her next series out in August, starting with The Vampires of Atlantis. For more info on Courtney and her books visit her at her website, or on her author page at 5 Prince Publishing.

Next week is poetry, then a little homage to a new challenge that I hope you’ll join me in for July.

Feel Like Makin’ Love

You’re welcome for getting that song stuck in your head.

Last week I talked about heat index and how to define your novels for submission or how to search for the right Goldilocks-level of heat for your preference. This week, I want to talk about writing engaging love scenes in your books.

No matter the level of heat you’re writing in, the sexiness of a scene doesn’t just depend on how many engorged members you’re throwing in there.

Photo by Pixabay on Pexels.com

Wow, what a visual. Yeah, that actually makes it less sexy thinking of it…penises getting thrown into bedrooms willy-nilly. Ha, willy-nilly…ugh. Ahem, let’s move on.

Let’s get something straight right away, sexiness isn’t about sex. Heat and desire, aren’t about sex. At least not for the majority of women. (Men, if you’re reading this, get a notebook.) Sexiness is about connection. Two strangers can have sex, and people will read it. Penthouse has proven this. But if you really want someone to read a whole book about two characters, follow them through the quagmire of plot arcs and dialogue, sex is the perfectly balanced frosting on the cake of it all. Two characters that are emotionally connected interacting in a physical way, drives up the excitement and anticipation in the reader tenfold.

It’s all about chemistry. It is vital when aiming to curl the toes of your readers, that you give your characters a connection that feels genuine, deeper than surface level, and tied to their emotional well-being. Then, when you get to the point of all that delicious teasing, it makes the ‘climax’ all the better. Because it isn’t just about physical satisfaction, it’s about connecting in the most intimate way with someone who really gets you. Who loves you. Who sees your scars and your war wounds, and kisses every one of them with acceptance and care.

So if you want to up the sexiness of your scenes, establish a good connection, (even if its enemies to lovers). Find a common ground between them, a exposition of trust that opens hearts, and a deeper understanding of one another that makes the sex even better because there will be less reserve, fear, or doubt involved.

And this brings me to another point, writing good connection between characters is a subtle art that you can employ in your dialogues, body language cues, and inner dialogue (if you write that POV).

Next, depending on your comfort level, what you crave in romance, the nature of your book, or the heat index you’re working on, be honest about the sex. It doesn’t always have to be pretty. Heads get bumped, knees get scraped, giggling ensues. Don’t shy away from the human experience and the parts that make it truly beautiful. With that remember that there are a lot of senses involved in the act. Sight, sounds, smells, touch, taste. Don’t be afraid to play around with them as a way to bring readers in. How far in you bring them is up to you, but even the best closed-door scenes have an awesome build up to the point the door slams shut.

Attraction, chemistry, and desire are the tenements of any good romance, but remember that it starts with connection. Human connection, in all its glorious messiness. Putting in those beautiful messy moments will help bring your characters in a place where the love they make is a natural and much anticipated progression in your book.