Hey y’all. I’ve been participating in National Poetry Month with a challenge through Writing Heights. And let me tell you, nothing humbles you more than being in the presence of such amazingly talented poets (especially when they all decry their lack of talent). We didn’t have any gentleman join us in the challenge, and I will say that I think the supportive structure of mature women in a safe environment really gave birth to vibrant and visceral work. It reminds me how powerful women are. How intelligent. How kind. How empathetic. Am I saying that men are not these things? No. I’m saying that for too long women in this weird patriarchal, capitalist, christian nationalist environment have been silenced, reduced to objects, and vilified for expressing themselves. It is grounding to know, despite the illusions spread to keep them subservient, women are in fact the creators.
That was a long intro to these poems. One, from a prompt this month. One I wrote as an exercise. Neither edited much. Enjoy, and if you were insulted by the previous paragraph…stop reading my blog.
I am sitting at home, on the south side of a once-small Colorado town I used to hear crickets, but now there are sirens The dog snores, unbothered, and my wristwatch patiently counts seconds I no longer own I can see the faint glow, of a nightlight down the hall
I used to hear crickets, but now there are only sirens There is a coldness where a warm love used to lie, beside me, tucked away I can see the faint glow of a nightlight down the hall Time has taken the children from the rooms, but I keep them plugged in
There is a coldness, where a warm love used to lie And I feel it, tucking away from me, lonely and quiet Time has taken the children from the rooms, but I keep them plugged in I’ll never sleep the way I used to, when I knew we were all safe
And I feel it, over and over, love tucking away from me lonely and quiet The dog snores unbothered, and the wristwatch ticks away the seconds I no longer own I’ll never sleep the way I used to, when they were down the hall I am sitting, up in bed, once a home, on the lonely side of a once-small Colorado town.
tom-boy rough and tumble the feral ruler of broken-down neighborhoods in dying mining towns knew no gender just the horsepower of my skinned-kneed legs and the unfettered mane more wild adherent to herd than human girl or boy wind-tossed and unmanageable out in sunlit days with any able-bodied child my height who could keep up invent dragons and build castles in trees uncategorized, unencumbered by expectations of bows or army men dolls or trucks why not both? why not all? aren’t our hearts really just wildings? in the beginning we were all unfettered dragons, able-bodied castles nurturing friends and fauna in trees alike we were all ‘them’
Disappointed I can’t find an image of the scene when John Gavin shouts this line while fumbling with a live chicken and coming out of a tranquilized haze.Apparently, the internet DOES NOT have everything.
I’m not immune to the fact that this blog has tripped around in the dark a bit lately. Let’s be honest, all of us are probably tripping in the dark. We’re in unprecedented times, facing stresses and noise that we’ve never dealt with before. It’s easy, in the dissonance, to lose our path.
So for the next three to four months, the first week of the month, I’ll be getting organized and coming back to a series I ran a few years back called the Beautiful Writer’s Workshop. I’ll probably skip around a bit, everything from how to submit your work to how to organize your series. No, I’m not going to make you deconstruct your sentences into diagrams, circling your subject, double scoring your gerunds, slashing through your adverbs (or will I? Could be a fun practice in the lost art of sentence diagramming AND tortuous. I’m a girl who likes it a little rough).
For the love of all that is good and holy…
I’ll be re-blogging in line with issues I’m seeing my students face, and those I’m facing myself. For as many classes as I’ve taken on any number of writing related topics, I always seem to glean something new. Hopefully these little once-a-month writing lessons can help you too. If you have specific issue you’ve been fighting with, contact me and I’ll try to run a post about it.
That’s not to say I won’t occasionally throw in a “stop being assholes to each other” rant. I like to keep it exciting after all.
It’s been a while since we dabbled in the lighter word count and heavier hand of poetry so I thought…why not start there? Especially since this is the first week of National Poetry Month.
(Hold on to your asses, she’s about to ADULT over here!)
Poetry used to be the sole conveyer of great stories, epic tales, and the meat and potatoes of religious creed. The first believed poem, author unknown, was called The Epic of Gilgamesh. Besides this epic, there was Rig Vedas of Hinduism, and The Song of The Harper from Egypt. Centuries before we first heard a Greek throw down an ode to an urn, people were writing poems.
Poetry was borne in the heart of burgeoning cultures and empires. As we move west across the world, we have The Iliad, Beowulf, 154 shout outs to Will Shakespeare’s best girl(s) (and possibly boys?), and eventually, on to the new world with works like The Song of Hiawatha.
From these epic and structured beginnings, poetry has evolved and moved, like a river around obstacles, constant but ever-changing. One of the reasons I love poetry is its ability to capture the heartbeat of time-periods through the use of its language and form, as well as the ideas that it holds.
Poetry records history. From the simplest nursery rhymes (“Mary, Mary Quite Contrary” was actually based on Queen Mary I, aka Bloody Mary, who tortured and killed hundreds of protestants. Silver Bells and Cockle Shells aren’t perennials, they’re torture devices.) to Walt Whitman’s descriptions of the horror and decimation from America’s Civil War (“O Captain, My Captain” was written about the assassination of Lincoln just before the close of the ‘storm’ of war) poetry is a powerful conveyer of humankind’s journey through time.
Poetry connects. It’s visceral and often uncomfortable. It paints pictures with the deepest hues of language. Poetry is vital to song writing, memory retention, and a host of other deep-seated neural mechanisms humans use to survive. (the ABC song, “Thirty days hath September…”, “I before E except after C–and about a dozen other exceptions because the English language is a bastardized torture device for anyone learning it”)
So how do you write a poem?
Well, that’s the beautiful thing. We are no longer shackled to the 15 line iambic pentameter, nor are we beholden to ends that rhyme. Poetry can be written in just about any form you can conceive. You can write it, you can rap it (rap=rhythm and poetry), you can sing it, you can paint it across a street in bold letters. There are no rules but one.
Poetry should be true to your soul.
It should never be half-way. It should fling open the shutters of your close-held heart and expose it to the light. Poetry should reflect the thoughts and the feelings, the commiseration and worry, the anger and peace, the joy or the sadness that fills your head and your community. The simplicity of a world rarely observed in detail. The shadows of what lingers in the memory of scents and phrases. The ignored, buried, and burned histories of forgotten and enslaved peoples.
When I think of poetry, I think of catharsis and a means to work through big and hard emotions (a girl’s favorite kind?) I think of finding meaning and perspective, shrinking down the large imposing impossibilities to moments I can do something with. To feelings I can direct towards change. I think of telling the truth, especially when it’s hard. I think of informing the world of a voice and perspective that once was silenced.
To write a poem is to be truthful about what hurts most in that moment. And what survives through the grit of human spirit.
I’m sure you can guess this week’s exercise. Write some poetry. In any form you want. Send it to me, let me know if you want it to have a little spot here on The Beautiful Stuff, or if you rather just share it with another soul. I don’t have a preference for form or length. Just get to the darkness, poke around in there, tickle the tender underbelly of what drives your biggest emotions and tug it out into the light.
If you’re looking for a group to join and a community to support you through the month with a light-hearted challenge, check out Writing Heights Writers Association Poetry Challenge (30 prompts, 30 days, Discord server check in, and a month free membership with WHWA: email newsletter@writingheights.com for more info, it’s okay to get a late start)
The week has been a full one with meetings and interviews, all manner of busy-making to keep myself…accountable? Distracted? In a false sense of purpose? Sometimes, in eras of encroaching depression, I find that making myself go through the motions is akin to treading water in the middle of the ocean. I’m not really getting anywhere, but I’m not sinking under either. All that to say, here’s some poetry. About quietness. And how loud it really can be.
In Quiet
the world is less complicated without the obligation of you
it is simple now in droning waves of sunshine and isn't that better?
no need to perk my ears to your words
no longer worrying my lips over where yours are residing
life is simpler here it's quiet like a ragged street in a forgotten city
trash caught in dead weeds and chainlink
its quiet like burnt olive carpet in funeral homes
ghosts of lilies blooming to fade in grief it's quiet
like a room with no children and a meadow with no breeze
silent like a catacomb stale and cold communion with death
I was trying to think up a topic today, within the sphere of writing, that might be new and interesting. It was then that I realized I like to fall back on my favorites. Character writing, dynamics of character interactions, emotion on the page, building tension. Or perhaps turn the microscope on myself and talk about burn out and creativity, progress without production, heart without hustle. But I feel a little bored with those topics and if you read my blog enough, you’ve probably read more than you wanted to.
So what do you write about when you’re toolkit feels a little… empty?
Well, maybe just that. I’ve long been at war with myself over the worthiness of a higher degree in the Literary Arts. Let me preface by saying in no uncertain terms: Every Degree You Get is Meaningful. Education is never a waste. And time spent learning and perfecting your art and voice and style is a worthy pursuit. But I have to add, that economically speaking, it doesn’t always give you an advantage. And…if you are at an economic disadvantage due to student loans, it can be harder to pursue a writing career.
So, what does a financially unstable writer do, when faced with the knowledge that she could certainly use a little more education and a freshening up of her skillset? Well, honestly, I could just rest on my laurels. I’ve published books and had work in different literary magazines. I’ve won some awards. I could argue I know enough.
But that would be short sighted and frankly pretty fucking egotistical. I don’t know everything. I could know more. I could experiment more. I could find a new mountain to climb, and shouldn’t we all? After all, what are we doing with this life if not learning? So, I’ll be looking for some affordable alternatives and, for any other writer who might be, like me, looking for a new challenge in their skills department, share some interesting options from down below.
Research new or unknown forms of poetry. This is my new favorite. I’m working on pantoums and cinquinta, and all kinds of weird little funness
Try an online course like MasterClass or a YouTube channel: Currently I’m taking Aaron Sorkin’s Screenwriting, and Roxanne Gay’s Writing for Social Change
Take a class or invest in a book, outside of your genre: I’m currently reading both a Screenplay book, and one called “Howdunit” all about how crimes are committed and solved.
Consider switching over to Fiction or Non-Fiction: whichever you don’t normally do
Attend a conference or workshop in your area: Despite the recent hubbub, (and it’s not in my area) I will be attending AWP with the hopes of taking some classes that can broaden both my poetic skill and my writing organization’s offerings.
Well, I hope those ideas have given you a little goose to the behind to get started on reclaiming your lifelong love of learning (or inspiring one if you lacked it).
Welcome to my monthly update about what’s going on, what’s not, and how I’m navigating the current horrors. First, look at my damn cat. Every damn day, this is what I put up with. If she’s not yelling at me to let her on my shoulders, she’s taking up space on whatever project I’m trying to work on. Pray for me.
Random Shit:
In, non-writing related news, I spent the weekend going outside more for the Great Backyard Bird Count. I think in times which are particularly trying to one’s heart and soul, it’s important to spend more time in nature. Away from the screens, and ground ourselves in something that’s real. It’s a strange sort of joy to sit still in a field, stand next to a marsh, breath quietly beneath the canopy of evergreens and just listen. Not for the loudest, most painful rhetoric, but the simple song of birds in conversation with one another. It resets our nervous system and tells our lizard brain that we are safe. A predator-less moment is much welcome.
Reading:
In reading news, here’s what I’m currently working on. My book club is reading “The Extraordinary Life of Sam Hell”. I put it down somewhere around 20%. Why? Well, I don’t know. But I think it’s because I’m really not interested in reading something from the white male perspective right now. Because within a couple of chapters between his youth and adulthood, he both vilified men who were making derogatory comments about his mother’s body, and made similar comments about an assistant in his office. I don’t think I used to notice those things. But they’re glaring now. And I’ve already spent over half of my life being bombarded by this particular viewpoint and I’m bored with it.
So I put it down in favor of: “How We Learn to Be Brave” by Mariann Edgar Budde. While I was raised in a Christian faith, I no longer practice, and I have some deep and justified rifts with the church. However, this book is written by the Episcopalian Bishop who spoke out against Trump’s horrific public policy. It’s a pretty engaging book about how various people throughout our country’s history have been on the precipice of great and difficult choices and chose to be brave, stand for what they believed was right, and up against tyrannical forces. Budde includes examples of her own life and how we, as ordinary individuals can utilize our own inner strength to act when it counts. I’ll let you know how it goes.
I’m also lightly reading “Nettle and Bone” by T. Kingfisher. I’m only about a chapter and a half in, but I like it so far. Beautiful fantasy, and it’s fun to get back into a genre I haven’t read in a while.
Writing and Editing:
I finished up my first deep-dive edits of “Heir to Time”, the last book in the Timekeeper series, and sent them off to my astounding editor. I’ll still have a couple more rounds to go, but I feel like the major issues have been addressed and with any luck, it’ll be ready to go on to cover and publishing in March sometime. I’ll keep you posted and next week I’ll include a blurb. If you liked “The Mummy” and Jane Austen, you’re gonna love this little book with a nod to sapphic romance and all the hours I spent obsessed over Egyptology in middle school.
I’m also participating in 5 Prince Publishing’s first shared-town anthology due out in the 2026 holiday season. 9 authors, of the several, from 5 Prince will all submit a short novella (30-50000 words) based in the same small town over the holidays. It should be an interesting group, from across a wide spectrum. Mine will be, as usual, a little subversive, and a little dark, but it will be a beautiful nod to finding the light on the darkest days, and having someone to share it all with.
I’m participating in a “Postcards for Peace” project where I write a thought, hope or poem on peace and send one out a day to a stranger who has signed up. That’s going well and it’s nice to get some good thoughts in the mail for once.
I recently got a short story accepted at a small press (Rat Bag Lit). It’s a bit horrific and dark, but also strangely romantic. More on that as it gets closer.
Before you think I’m too high up on my horse, also know that I’ve received 4 glorious rejections so far this year as well. Well on my way to the 52 for the year I’m aiming for.
I’ll be attending AWP in March and I’ve never been to a conference this big for any reason. The Association of Writers and Writing Programs annual meeting is chocked full of classes, not just on craft but on how to teach and encourage other writers and inspire your community through your organization. I’m hopeful it will help me be a better organizer and community resource for Writing Heights and the expansive group of writers in the Colorado and Wyoming areas.
Finally, if you’re in the area tomorrow (Friday, February 20th) from 5-7pm, I’ll be a the Loveland Ale Works, hosting a write in with some folks from WHWA. You don’t have to be a member to stop on by and work on your writing, poetry, or anything that needs a little focused time.
Well, that’s about all the news that’s fit to print. I wish you luck on your projects this week, even if all that means is getting out of bed and brushing your teeth. Even the little stuff matters in a world overrun with big stuff.
I’ve been writing a lot of rage poetry and journal entries lately. It’s a method of processing, a safe space where my feelings won’t be chastised or be cautioned to calm down. To be told, with shrugs, that this is just the way it is. To be hounded with others’ convictions that I’m being the irrational one (or worse, the powerlessness, of ‘nothing can be done’). No wonder women go mad. No wonder we quit our jobs and our relationships in droves. I think someday we’ll all probably wander of the grid and go feral. I hope that someday our leaving destroys the grid completely. I hope ‘feral’ is a return to what we were always supposed to be. In ownership of our own bodies, part of an egalitarian community, taking care of the Earth that sustains us, protecting one another. I hope for this.
Today’s poem is part of a project I’m working on, tracing philosophically through the roots of my own rage, and the collective anger of my generation of women. Raised to believe we could be equal from a generation that was slowly learning it themselves. As such, this poem is an exploration and an ode to one of the most influential albums (and songs) of my teenage years. And to the seeds that she planted in my soul, that have found a fearsome bloom in current times.
The Jagged Little Pill (I can No Longer Swallow) (lyrical exploration of "All I Really Want" by Alanis Morissette)
All I really want is deliverance
from the maddening hold of the lesser sex’s self inflation
Do I stress you out?
to remind you that you came from a womb and still she chose to keep you even after all the repulsions she knew you would own and call power?
I am frightened by the corrupted ways of this land
when faced with pedophilic horrors and the butchering of innocence as if it were any other expendable resource men rape the land, why not us too? why not our daughters? our sons? we are fresh streams and teeming oceans gold mines and diamond fields all for the taking all for the discarding
Reel them in and spit them out
calm down there is nothing to be done let the broader shoulders shrug to end the matter
I am frustrated by your apathy
while you drink your martini and cast sunshine, between sips, that at least the stock market is finally up and I sit still, as prey praying in bushes might, cheap wine I feel guilty for and watch blood run in the gutters and remember my own, horrible 8-year-old truths while the news blares of babies being eaten or burned or buried by the ninth hole water hazard and sand trap thank fucking god the stock market is okay
the sound of pretenses falling
is louder to me but you were never listening anyway, were you? just for the sound of panties dropping be a good little girl for daddy sit on my lap and reassure me, I’m still a ‘nice guy’ right?
No.
I won't speak these lies any longer my lips have been sewn shut needles in and out the thread of anger trapping unsettled bees in my throat and handcuffed wrists bleeding as I fight against the radiator of the American Dream
why are you so petrified of silence?
does it make you hear the echoes of your own dissonance? A good man who still sometimes objectifies his high school students and calls it ‘American Beauty’
And all I really want is some peace a place to find a common ground
but we aren’t standing on even ground never was there equal footing from the day I spilled out of my mother my knees have been broken by the bat of masculine ‘protection’ my voice scalded with the shame this system gave me for a body that nature knew and named as more divine
I’ve been reading a lot of writing and life advice for the past few years (few, meaning 18 years?) As we’re approaching February and another Writing Heights Writing Challenge, I feel a little edgy in my gut. Knowing there’s an accountability is part of it. Knowing that a lot of the writers I follow have been recently talking about their writing habits and writing every day. Knowing that the last two to three years I’ve been in an editing whirlpool (stacks of books written that are now under contract means back-to-back edits and very little new content.) And I think the edginess is resting somewhere in the knowledge, that I haven’t written anything new lately.
Okay, back up a tick. Yes, I finished the last novel for the Timekeeper Series in October. But that book was bit of a possessed demon to both my process and my love of writing. I won’t go into it now, but suffice to say, it did not feel like the beautiful, flowing, creative river that writing often is for me. It was more like I had to manufacture a kayak run by diverting a real river into a human-made one. Anyway, what was my point? Ah yes, I haven’t written anything lately.
I could just as easily use the February challenge to work on edits and it would count. I could even more easily, not participate at all. But I’m starting to feel (admittedly with the unneeded pressure of listening to other writers’ processes) like I’m not much of a writer anymore. I have a hard time nowadays, sitting down and just writing. And it kind of breaks my heart because I always feared that this might happen. That I’d get to a point when I was out of ideas for story. When I had no one left I wanted to follow in their journey. That I would be resigned to teaching instead of doing and reliving glory days behind book jackets of years-ago published work.
But maybe it’s not that I lack story. Maybe there are still characters still locked away in there. And maybe I’ve just thrown curtains over them in my constant state of editing. Maybe what my writing really needs, is a challenge to sit down and recommit to it again. So…I’m looking ahead and spending some quiet time to myself, to think about what a good, but not overwhelming challenge might bring me back to the essential core of who I am as a writer. How can I be present again with the creative process?
It will need time. It will require me to let go of some other things that have siphoned off minutes and hours in my day. It will need consistency, and the letting go of perfectionism. It will need a dash of whimsy and a whole shake of bravery. I’ll let you know how it goes. I’ll let you know who I find beneath the curtain. And if my edits take a little longer. If my house is a little dustier. If the email responses lag and I don’t make every meeting…perhaps that is a better thing for my overall existence. I’ll even schedule some write-ins through Discord, at some local coffee shops and the occasional brewery. Keep an eye on my social for when and where.
If you want to be a part of my bumbling reset, it’s free to join the challenge. I’d love to meet you there. We can figure this thing out (once more, again) together.
A bit more Hallow’s Eve than New Year’s Eve…but this came from a poetry challenge a few years ago and I thought it was interesting.
Corvidae
Black oiled beauty needle claws to grip solid to my eye sockets no longer needed by me
I'd rather be your throne
and you can be my new eyes and continue on in this dark world light glinting and soul exposed in the off feather sheen and firelight behind your beaded eyes
ever higher, above the madness that ended me you will be my wings and I will be your resting stone your peaceful, calcified nest of respite
you will be my freedom from the fog of earth the stains of so many moments now rested in the dry and brittle grass
we are a pair dark wanderer above the grief of an impermanent world together in easy camaraderie until your bones rest atop mine
the world will go on, in wreck and ruin growing up through our silent jawed beaks until we are stones in the grass nothing and everything more
Nobody likes being rejected. Yet one of the fundamental truths of life is that we will not be accepted by everyone, every time, and that includes our work. Admittedly, throughout nearly two decades of being a writer, I’ve been rejected more than I’ve been accepted. In recent years I’ve put aside submitting to pursue work with my publisher in the craft of novel writing, but I’ve come to realize that it’s stunted my growth as a writer.
The years I spent submitting weekly (mostly in an effort to gain experience and get some publication credits, as well as harden my tender, little writer heart against rejection) were the years when my writing grew the most. Submitting to whatever contests and journals I could meant I was always pushing outside of my comfort zone. Feminist horror? Sure, why not? SciFi Flash fiction? I can do that. Memoir? Creative nonfiction? Humor? Let’s try it out. Whatever was calling for a submission, I would fumble my way through it, and that led me to explore genres and forms I might not have otherwise attempted. I learned I do have a little dark streak that likes to come out and play.
I learned that a thread of justice and the unsettled walking of moral lines often shadowed my flash fiction. I wrote poetry about lawnmowers and tricycles. I threw paint at the wall in so many colors that my writing house became a mural of unexplored and emerging thought. All of it wouldn’t have happened if I had focused on a ‘rejection’ goal instead of an ‘acceptance’ goal.
Now, in a certain stage of stagnation, I’m returning again to a rejection goal for 2026. Not so lofty as 100 this year (I do have important things at home to still attend to and novels coming out) I am just aiming to submit once a week and garner 50 rejections in the year. I’m looking into playwriting contests, and speculative fiction, memoir and essay. I’ll probably revisit my favorite literary magazines and quirky publication to see what they’re up to. All of it, a practice that I hope you try too. A practice in being brave, in being curious, and in being untethered to the ideas of publication as success.
What can you learn about yourself as a writer? Not just what genres you might unknowingly enjoy, but also in sticking to a schedule, brushing up your cover letters, and learning how to concisely formulate a story (or poem) that feels like your voice and your soul. Knowing that you’ll be rejected. Knowing that not everything (maybe even none of it) will be published or given a place in the public sphere, can you reorganize you brain around the idea that it is the practice itself that’s the prize to be won?
That’s the goal for me. To rediscover the boundlessness of my creativity. To get uncomfortable. To learn things about myself and what the world looks like through my words. I hope you can find something similar that challenges you, humbles you, and eventually strengthens your love of writing.
On this day you shouldn’t be checking your email. I hope, instead, you are watching holiday movies, and still in your pajamas, and drinking coffee, and finding joy, and calling your loved ones, and eating one more cinnamon roll, and picking up pieces of taped wrapping paper, stuck to the floor, and feeling…feeling…feeling, the light and warmth of the season. Feeling that you can finally settle down. Feeling that this is the day to rest and think about nothing in particular. I’m here with you.
On this day you might also be mourning, and seeped in a kind of loneliness that feel worse than on any other day. You may be trying to keep hurtful memories at bay, or separated and far from the people you love. You loved. Maybe this day you are begging for it to be swift and end quickly, because you cannot bear to be told to carry joy when pain is taking up all the space inside your chest. I’m here with you too.
And so, here’s a little poem, nothing your brain needs to work too hard at. Nothing as important as honoring where you are at, and being gentle to whatever is filling your heart. I am here with you.
Flight
a fallen feather is a piece of grounded soul aimless without a body to lift a reminder of once great heights no longer attainable
she is a sign from the gods that even the most perfect designs lose elemental fragments along the bumpy ride and every fragment shed is an updraft not caught
still, I think they’re pretty and I tuck them into books and pin them to walls and read in them messages in the timing of their arrival along my path on my right means yes, left is no even when a question hasn’t formed yet
maybe if I collect enough I can build my own wings someday maybe leave this place, a curtain of elemental fragments lost pieces of soul, to lift
Sarah Reichert Author 