Submission Time! (and some poetry)

Hey writer… have you taken my suggestion and thought of the 100-Rejection Year? You should. And to that end I want to give you another place to submit (but not necessarily be rejected by).

Below are the guidelines for this year’s upcoming anthology “A Beautiful Twist”. I’ll be accepting submissions up until May so you have plenty of time. The Beautiful Stuff is accepting submissions for its June 2023 Anthology “A Beautiful Twist”.

SUBMISSION GUIDELINES:

Open: January 1, 2023

Closes: May 30, 2023

submissions to: sereichert@comcast.net

Please send in your short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), and Personal Essays (up to 2000 words).

Genres include: non-fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. All humans are encouraged to send in their work.

Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email, including a cover letter about you.

Email subject line should read “BEAUTIFUL TWIST SUBMISSION_Title_Name”. The submission file (please use .doc, .docx, or another Word friendly format) should titled as such:

“BT SUBMISSION_Merry Krampus_Reichert”

Top 3 submissions will earn prizes. Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.

You may submit in multiple formats and multiple times but each submission must be in a separate email. You can copy and paste your cover letter…I’m not going to make you rewrite that thing, they’re a pain in the ass.

PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.

Prohibited subject matter: overtly violent or gruesome content that does not further the story, non-consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness. I’m cool with erotica done tastefully and along the lines of the theme. I’m also cool with expletives if they fit the character and scene.

And now–Poetry

Photo by Todd Trapani on Pexels.com
awakening

There is a calm dawning this morning
like my soul
had been buried
in a hard-packed patch
of dormant field

left to the winter
dry and cold
a seed
forgotten

safer there
than in the hostility
of storm and freeze
above

but dawn is awakening
stretching her slow fingers
in golden pink
across the craggy clumps 
of dead grass
and uneven dirt

an easy warmth
a gentle hand
mother's touch 
softly shaking your shoulder

it's time to get up

good morning,
how did you sleep?
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“A Beautiful Twist” Update and A Bite of Poetry

Hello writers, readers, and future submitters. I wanted to put out an update about the Beautiful Twist anthology. First, to all of those who have submitted, thank you so for sharing your words and stories. I’ve gotten a few really interesting and engaging submissions but the truth is, I haven’t actually received enough entries to complete a book. So, I am extending the deadline to May 30th 2023. This of course will push the publishing date back but I would rather put out a good quality book that we can all be proud of.

I hope the new dates will give people more time to find something fun and twisted to send in. If you need details on the submission guidelines, here they are:

SUBMISSION GUIDELINES

  • Dates: Submission will open until May 30th
  • Winners will be notified June 5th, 2023
  • Publication Date: TBA June/July 2023
  • Submission guidelines: The Beautiful Stuff will be accepting, short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), and Personal Essays (up to 2000 words) all centered around the theme. I’m pretty lenient as far as genre. I will accept non fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. All humans are encouraged to send in their work, regardless of how they identify, what color wrapper they come in, or who they love. I may judge your font, but I’ll never judge you.
  • Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email, which will be a lovely cover letter about you (name, email, job, what you write, what you love to do, your submission’s title, and the secret of life–haha, just kidding we all know its 42). Email subject line should read BEAUTIFUL TWIST SUBMISSION_name (not just ‘name’–use your name). The submission file (please use .doc, .docx, or another Word friendly format) should be the title of your submission and your last name i.e. “Merry Krampus-Reichert”
  • Top 3 submissions will earn prizes as follows: 1st–$30, 2nd–$20, 3rd–$10 paid via PayPal or Venmo (or check if need be). Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.
  • You may submit in multiple formats, multiple times (ie poems and flash, or novel excerpt and essay) but each submission must be in a separate email. You can copy and paste your cover letter…I’m not going to make you rewrite that thing, they’re a pain in the ass.
  • PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. I can’t even begin to process the legalities, so just don’t. Don’t double dip. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.
  • Prohibited subject matter includes: overtly violent or gruesome content that does not further the story, non consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness. I’m cool with erotica done tastefully and along the lines of the theme. I’m also cool with expletives if they fit the character and scene and you’re not just using them like a 7th grade boy to look cool. Cool?

All right, now that you all have a little breathing room to get your stuff in (or procrastinate until May 29th) here’s a little poetry:

Showing Up

Every day is a stranger’s best guess

who’ll show up to fill my skin

not even I know what shape

my mind will take

or what chaotic beauty will emerge

from which butterfly’s wing flap

but I know she will be beautiful

she always is

broken or ballsy

tired gloom or bursting rainbows

contemplative or cursing

all shades of her grey matter

matter and shine and

she’ll do ten thousand amazing things

per second

without me directing

bring coffee to lips

walk steps

write poems

hug babies

manipulate words

toss around thought

buy the groceries

feed the soul

take the hit

give it back, times two

every day is fate’s best guess

who’ll show up to fill my skin

But she is always

broken and in-progress

uplifting and whole

whether in shades of gray

or color

I can always count

on me showing up

Flash Fiction: A Raccoon, A Traffic Jam, and Another Call for Submissions

Mornin’

As promised, I’ve thrown together a couple of flash fiction pieces that I’ll be running in the next couple of weeks. Before we get into the fantasy, I want to give you a reminder that submissions are still be accepted for The Beautiful Stuff’s 2022 Anthology, “A Beautiful Twist”. Here are the details (the short version for folks like me with a minor attention span)

  • Dates: January 28th to September 16th
  • Winners notified September 19th 2022
  • Publication Date: TBA Early November
  • Submission guidelines: Short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), Personal Essays (up to 2000 words). Non fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email which will be a lovely cover letter about you (name, email, your submission title, brief bio). Email subject line should read BEAUTIFUL TWIST SUBMISSION_name. The submission file (please use .doc, .docx, or another Word friendly format) should be the title of your submission and your last name i.e. “Merry Krampus-Reichert”
  • Top 3 submissions will earn prizes as follows: 1st–$30, 2nd–$20, 3rd–$10 paid via PayPal or Venmo (or check if need be). Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.
  • You may submit in multiple formats, multiple times (ie poems and flash, or novel excerpt and essay) but each submission must be in a separate email.
  • PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.
  • Prohibited subject matter includes: overtly violent or gruesome content that does not further the story, non consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness.

Whew! Send in your stuff. I’m excited to read it. And now this:

FLASH 1: Raccoons and Moving On

“This is your fault.”

“Mine? How is this even remotely my fault?”

“You wanted to have the dinner party in that stupid farm to table place. With a stupid glamping theme. In the stupid middle of a stupid field!”

“Why is everything I do stupid?” he fired back. She glared over the dinner napkin pressed to her cheek and pulled away the bloodied cloth to show him, once again, the angry gashes that had undone the beauty of her Botox.

“This for one!” She put the cloth back on the wound and crossed her other arm in front of her low cut dress. The ER was always busy this time of the week, but she’d never had to wait for anything, and especially not with the general public, so it seemed even worse.

“I mean—the food wasn’t bad. The whole evening could have been worse.”

“Worse? Mark? Really? How could it possibly have been worse? A goddamn raccoon tried to take my face off!”

“You tried to pet it!”

“I was trying to scoot it out of the tent! Brought in by your ‘not bad food’ buffet!”

“Well, I mean, it was out in the woods. So technically, it was just like having a neighbor come over for dinner.”

“You’re a goddamn idiot.”

Mark laughed. He laughed so hard he doubled over. Hooting until tears came to his eyes.

“Wha—why are you laughing?”

“Just—the way your face looked when that little guy came at you! Eyes wide and—” he gasped for air between chuckles, “and shrieking like a banshee.”

“I want a divorce,” she yelled.

“I know you do. That’s why I planned the evening! To try and start to mend things.” At this he stopped laughing. “But I realized I can’t mend the past. I can only look at the future.”

She grumbled. “What does that mean anyway?”

“I’ve been seeing someone.”

“What?”

“She’s a park ranger, actually. The one that recommended the venue?”

“Are you out of your goddamn mind?”

“I probably won’t be once the papers get signed. Look, here’s your ride.” She failed to even notice as the nurse came to her with a wheelchair and an exasperated look.

“The doctor can see you now, Mrs. Sinclair.”

“Oh, it’s just Ms.” Mark corrected before helping to move his near catatonic wife, soon to be ex-wife, into the dingy wheelchair and watched it disappear with a squeaking tirade down the hall.

FLASH 2: The Longest Light

At first he didn’t notice when the light hadn’t changed. Louis could always find an excuse to look at his phone, play a quick game of Candy Crush, or text that hot little thing from accounting. He just figured it was a long light.

But it turned into an excruciatingly long light. Three games in and an unanswered tawdry text about how he’d like to ‘spread sheet’ with her, he finally looked up and found that the light had not changed. In fact, nothing had changed. Louis put down his phone and looked over at the driver in the lane next to him. Sipping her coffee. He watched for a good thirty seconds. Still sipping. He looked up towards the person in front of him.

The guy had been reaching into his back seat, not moving since they’d stopped.

“What the—“? Louis paused to adjust his radio, but the same note was still playing. The same long C. Echoing through frozen airwaves. Louis turned off the stereo and got out. That’s when the light would change right. Isn’t that how it always worked? But it remained, stuck on red.

The street was lit in the garish tone of a sun that had seemed to stop. No shadows moved. No sounds of tires against asphalt. No wind blew. He looked up into the sky and caught a strange dark shape. He thought it was a plane, tiny and glacially moving across the sky. But it wasn’t moving.

And it wasn’t a plane. Louis closed his door and looked closer at the pigeon, suspended in mid-air. His heart hammered against his chest, the only beat in the city. He looked at the woman in the car next to him, the drivers in the opposite lanes. Everyone, like some strange flash mob in reverse, was holding perfectly still.

“Hey!” Louis yelled, angry in his fear. “Hey, what’s the big deal! Move your car!” He jogged up to the first car in the lane. A woman, bags beneath her eyes, white knuckling the steering wheel and glazed over stare into the quiet nothing. In the backseat, a toddler, with his face red and sweaty mouth open in a silent and unending scream, clutching an empty applesauce packet in one hand and a sodden blankie in the other.

“What’s the big idea? What is this?” He pounded on her window with a force that have been loud enough to wake the dead. It did not wake her. Louis went from car to car, with the same method and the exact same reaction. Nothing moved.

The world was frozen in time and he was the only one outside the loop. Louis dove back into his car and grabbed his phone. Candy Crush was now dormant, he tried tapping on his messages but nothing budged. As if the moment his hands put it down, it too became frozen. A cold shiver shot up Louis’ spine and he spun in a circle.

“Knock it off! Whatever this is! It’s not funny anymore!” When the strangled universe refused to reply Louis took off down the street, looking for any sign of life, in a world without.

It would be the longest thirty years of his life.

Projects In The Works

Morning, readers. I didn’t get a chance to write a blog last week, but some things are coming up you might want to know about.

First–Saturn Rising: Episode #2 should be running Monday the 28th, and you can find the link to the first episode here:

https://music.amazon.com/podcasts/ff4ba549-f715-4fa8-b6f0-a6bc3b9727af/saturn-rising

Second– The Beautiful Stuff 2022 Anthology “A Beautiful Twist” is still open for submissions. I have a long submission period and you can find the details about the submission here:

So far I’ve gotten some amazing poetry, a few great flash fic pieces, and one short story. There will be plenty of room so if you’re hesitating, don’t.

FInally–I am writing my little heart out on a new project with co-author Kerrie Flanagan, that will be due out this summer and will include (hopefully) some book signings at some totally awesome 80’s venues. The romantic comedy is due out in June but I will keep you updated!

Photo by Kevin Bidwell on Pexels.com

Well, there’s a catch up. I hope you’re able to enjoy the podcast and are looking forward to the new novel as much as I am looking forward to getting it out into the world. Take care and don’t forget to send me your submissions for this year’s anthology!

Call For Submissions 2022 Anthology: “A Beautiful Twist”

Good morning, readers and writers. I can’t believe we’re already one trip around the sun from last year’s submissions call! The previous years have resulted in two wonderful poetry anthologies with a variety of contributors across the globe. This year, I’m changing things up.

The theme for this year is “A Beautiful Twist”. I will be looking for work that surprises and delights, causes a reader to pause and do a double take if you will. For instance, some of my own work will be myths retold in modern times (what if Bacchus was a recovering alcoholic, or Snow White was a dominatrix?) For poetry, think about a split between how it begins and how it ends. You start out thinking its about love but turns out to be about laundry. Twist a fairytale, turn over old paradigms and genre expectations, dust off any speculative fiction because that’s a goldmine for twists. Surprise me. Surprise yourself. Give yourself freedom to dabble in the ridiculous.

Photo by rikka ameboshi on Pexels.com

Below you’ll find the details for the anthology, submission guidelines, and publishing dates. Please follow the guidelines. They exist for a reason…mostly to make sure I don’t pull my hair out whilst trying to read and format them. You are always more than welcome to contact me via this website with questions (Please use subject line: QUESTION ANTHOLOGY 2022). Some changes this year will include the length and type of content I’m accepting, and a monetary prize for the top three entries, as well as publication. Good skill to all of the writers out there, newbies and old hats.

SUBMISSION GUIDELINES

  • Dates: Submission will open January 28th and will run until September 16th
  • Winners will be notified September 19th 2022
  • Publication Date: TBA Early November
  • Submission guidelines: The Beautiful Stuff will be accepting, short stories (2000-5000 words), Flash Fiction (200-1000 words), Poetry (up to 5 poems allowed per submission), novel excerpts (up to 3000 words), Personal Essays (up to 2000 words) all centered around the theme. I’m pretty lenient as far as genre. I will accept non fiction, fiction, speculative fic, western, sci-fi, fantasy, romance, erotica, historical, hysterical, time jumping primates, talking frogs, brains in jars, and ANY combination thereof. Submissions translated to English are preferred. Contest is open to domestic and international writers but awards will be paid in US dollars. Please submit your work as an attachment to your email which will be a lovely cover letter about you (name, email, job, what you write, what you love to do, your submission’s title, and the secret of life–haha, just kidding we all know its 42). Email subject line should read BEAUTIFUL TWIST SUBMISSION_name (not just ‘name’–use your name). The submission file (please use .doc, .docx, or another Word friendly format) should be the title of your submission and your last name i.e. “Merry Krampus-Reichert”
  • Top 3 submissions will earn prizes as follows: 1st–$30, 2nd–$20, 3rd–$10 paid via PayPal or Venmo (or check if need be). Runners up will be published in the anthology with a chance to compete in the Colorado Book Awards.
  • You may submit in multiple formats, multiple times (ie poems and flash, or novel excerpt and essay) but each submission must be in a separate email. You can copy and paste your cover letter…I’m not going to make you rewrite that thing, they’re a pain in the ass.
  • PLEASE DO NOT submit anything that has been previously published or that you no longer own the rights to. I can’t even begin to process the legalities, so just don’t. Don’t double dip. Simultaneous submissions are absolutely fine but LET ME KNOW if your work gets accepted elsewhere as soon as possible.
  • Prohibited subject matter includes: overtly violent or gruesome content that does not further the story, non consensual sexual acts, racist/homophobic/misogynistic/hate filled writing, violent or hurtful actions against children or animals, and anything that judges, stereotypes, or seeks to harm another human being based on their human being-ness. I’m cool with erotica done tastefully and along the lines of the theme. I’m also cool with expletives if they fit the character and scene and you’re not just using them like a 7th grade boy to look cool. Cool?

Well, that’s it! Start writing! Hopefully this will provide you the experience and drive to get some submitting done. Let me know if you have any questions. I will contact you to let you know your submission has been received and as we get near to September 16th I will keep you in the loop about your submission’s place in the anthology.

I’m so flippin’ excited to read your stuff. Truly. Don’t leave me hanging.

Photo by Suzy Hazelwood on Pexels.com

Submissions, Rejections, and Moving On

I feel like this is a post I’ve probably written before, in one manner or another. But the truth is, that if you’re a writer, actively seeking to publish your work and/or build up your resume (let’s call it a ‘platform’), you’re going to have to deal, at some point in your process, with rejection. Hell, humans in general have to deal with it in all facets of our lives, and as we mature and gain experience we learn (or don’t learn) how to cope with it and move on.

*I should add a disclaimer: I’ve seen it happen, on the rare occasion that someone’s first draft of their first novel gets picked up by a publisher, right away. I’m happy for those few among us, but they are very rare outliers. The exceptions. The kid that blew the curve in class. And since they’re probably not in ‘need’ of writing advice–they can go on with their charmed lives. This post is for the rest of us*

A rejection letter for our artistic work (the meat of our souls if you will) is often harder to take than getting passed over for a promotion or shot down by that guy at the club (or wherever a person tries to pick up someone–I’ve been out of that game for many moons). Writing is, in many cases, a work of heart. And it takes guts and faith, and an ounce of reckless stupidity to throw it out into the world for other people to read (judge, pick apart, mock, etc.) So when we put our (he)art on the line and it’s returned with a swift and almost cutting “thanks but no thanks” it can often feel like we’re getting a red pen mark right through our soul. They didn’t like it. They don’t like me.

So here’s where I tell you the few things I’ve learned. Not just about in dealing with rejection but also how to submit in ways that will expand your confidence and the chances that your work will be seen and appreciated.

I could pound out a bunch of statistics on how many times major publishers rejected some of our favorite and prolific authors. I could tell you that some of those authors when into their thirties and forties (even fifties) without ever finding success in the industry, and I could give you a sunshine-up-your bottom pep talk about not giving in.

But I’m here to help. And I don’t believe in false praise, false hope, or anything false when it comes to finding the system that works for you. What I will tell you is this:

1.) Rejection is important to our growth and the quality of our work.

And there’s a blade thin line artists walk. Where the sting and wound of rejection can, in fact, topple us over and we may never rise again. It happens. All the time. So, when you think about being a writer—I want you to think hard about this one truth—

Your work will be rejected. Your words and ideas, your stories and the depths of your heart on page, will be thrown back at your feet and declared unwanted. But here’s the secret. It does not matter if they believe in your work. It doesn’t matter if they find it worthy. All that matters, is that you believe.

Your work is not you. So your novel was rejected and, if you were lucky (yes—lucky I said) they gave you some scathing or tepid advice about why. I’m willing to bet the editors did not say “You’re shoes are dumb and your breath smells like coffee farts. Oh, and your momma was a Clydesdale.” And if they did—that editor was having a really shitty day and you should send them some flowers—back on point. You are not your work. Rejection of your work is not a measure of your worth as a person or as a writer. Everything in life that we want to get better at, takes practice, and the best practice includes mistakes and their inherent lessons. Your work is not perfect, but it is changeable. You are not perfect, and you don’t have to be. Rejection of your work means you are out there, in the business building a better story and standing behind it. Don’t take it personally.

If they do offer you any advice, cutting or kind, PLEASE respond with a heartfelt thank you for their time in helping you become better. Assure them that you’ll consider their input and try again as guidelines allow.

And your mother doesn’t look like a Clydesdale.

But she’s a pretty momma.

2.) Submitting your work gets easier.

I remember the first few poems, short stories, and novels that I submitted, and it felt like sending my babies out into a wild cavern full of hungry wolves. It was heart wrenching to wait and equally devastating to hear that they’d been torn apart and spit out. But, with the aforementioned advice on rejection I’ve learned that a rejection notice isn’t a ticket to give up and stop trying. It’s one opinion, it’s one grade, it’s one lesson. And there are too many more to try to waste the time fretting over the one.

So, keep trying–submit like a goddamn machine. Schedule it, prioritize it, research possible avenues for your work. Put aside time each week to find the right places for your voice. Record where you’ve submitted, when, the cost, the call-back date, and the work (this is especially important if no simultaneous submissions are part of the rules *see #3 below*). The more you submit, the wider the net you cast, the more likely you are to catch something. Don’t keep submitting to the same publisher/agent/journal/paper, with the same story/novel/poem/essay and expect different results.

3.) Read the Damn Guidelines and Follow Them As Though Your Life Depended On It.

Seriously, my pen pals, I cannot stress it enough. It irks the hell out of me to have a beautifully written story in a waste pile because you didn’t take the time to read the requirements, word count, genre, or editor’s rules. Sometimes one of the biggest filters any job/class/test/editor uses is the simple test of if the candidate can follow directions. So don’t be the douche that thinks you’re above jumping all the hoops. Show them respect by following the details. Then wow them with your work.

4.) Take the small wins

I don’t care if your local church newsletter published your tuna casserole recipe (how Minnesotan of you, Sarah!) or you had a haiku featured on a blog, or had a guest editorial in a nationally ran newspaper. Take it! Enjoy it, and pat yourself on the back. These are the small steps that help you understand that your perseverance leads to good things and eventually, bigger things. Don’t go resting on your church cookbook laurels though. Celebrate and get back to work.

5.) Think about your endgame and plan accordingly

There are a lot of readers in the world (Hell, I’m one! I know you’re one!) which means there are eyes and minds out there for every story. Whatever your endgame is for your writing, decide early. Are you doing this to build a platform for future projects? Are you submitting because you love that particular journal? Is it for the love of your story? Or is it for profit or prestige. TO BE CLEAR: NEITHER OF THOSE ARE WRONG. But the path to each will be greatly different. So steer your submitting towards what you want to be when you grow up, whether that’s a world-wide best selling author, a respected indie poet, or someone who’s work affects even just one other person.

Well–That’s all I’ve got this month for advice on submitting. Do it prolifically. Don’t take rejection personally. Stay true to your voice and purpose as a writer and author.

Until next week. Happy Writing.

The Beautiful Writers Workshop #30: The Dirty Thirty

Okay. That title doesn’t have anything to do with short stories and how we write them (unless you’re on the right route to submit for Letters to Penthouse…does that still exist anymore?)

What do you mean you haven’t seen this movie!?I’m kind of surprised my mom let me watch it. I’m still mildly obsessed with angels…

I just wanted to mark the occasion of your thirtieth lesson in writing. And drum up interest for our last foray into the short story.

First–How did last week go? Were you able to come up with some ideas for future short stories? Did you write any? Did you revisit some of your favorites from the past? No? Come on…I can’t do it all for you!

If you have managed to draft up a couple of ideas and maybe even pursue them, and you’d like to have a second set of eyes, I’d love to take a look. As you may have seen, I updated my submissions guidelines on Tuesday for anyone looking to start building their platform as well as finding a place for their work (without the work of having to start and maintain a blog…gosh, I’m doing EVERY THING for you!)

So, last bit of short story advice is this. Once you have your strong (loved or hated character) and you’ve thrown them into a bus crash on their way up to hike Machu Pichu, what do you do with it?

Well, as in Poetry and Flash Fiction, if you you believe in this work and you want to see if it’s worth the reading for the general public; you submit it for consideration.

After a very thorough round of editing (or six), conformance (sure that’s a word?) to industry standard word counts, and all of your I’s dotted, you embark on the great internet search to find the perfect journals/mags/online forums to submit to. You find out the editor’s name, and use it to craft a beautiful query letter, follow each publication’s guidelines to the letter, and submit your work (while recording who and where and when you sent it to because you’re not a disorganized slob like me). Then you sit back and wait for the magic to happen.

Except you should never just sit back and wait as a writer.

Once that beautiful piece of literature, sure to torture high-school student’s someday with its dissection, is out in the hands of hard-eyed editors, you go back to that booklet of ideas and begin again.

The secret to a good writer, is that they don’t throw all of their hope into one basket and hurl it into the universe. They churn out the baskets, in a timely manner and with enough care that they aren’t just filled with shit. And they keep plugging away at it. And the first stories might actually be baskets of shit. But it gets better, they get better, you get better, until soon, you know what works and what doesn’t by the frequency of rejection notices.

I think I just summed up my writing existence in one paragraph. You’re welcome.

Normally, I would leave you with a list of publications that are accepting short stories. But…I think it might be time for me to kick you out of the proverbial nest on this one.

Go online–resist the urge to search cute kitten videos or Henry Cavill shirtless…holding kittens–and search for places now accepting submissions for short stories. If you can be specific in your search to the content of your story. Narrowing your search engine will save you time and weed out the journals that aren’t interesting in what you’ve written.

My general rule of thumb is collecting a list of 15 to 20 potential publications (yes, there are that many) and submitting my story(s) to 3 or 4 of them a week.

*Disclaimer–some publications will NOT ACCEPT simultaneous submissions so either submit different pieces or wait to submit until your current work is rejected (I’m not saying it will be…I’m just–*sigh*–saying that the odds are such).

Boom.

Mic Drop

That’s it. Go write something. Go submit something. Go watch “Barbarella” then write something. Come see me next week and yell at me for breaking your brain with Jane Fonda breaking ‘The Machine’. Next week’s topic is a surprise. (I say that because I don’t even know what I’m writing about next week)

Happy Writing!

Last Call

Okay, Y’all.

This is that golden hour, wherein if you want a chance at something, you’d better stand up and grab it.

You know those moments– those deciding moments that can change the course of our lives for better or worse. That instant you have to take hold of an opportunity, say yes to that job, kiss that girl, let go of that dream, grab hold of another.

Today is the final call for poetry submissions for the 2019 Beautiful Stuff Poetry Anthology: “No Small Things”. I’ve already gathered an amazing collection of beautiful stuff and am only looking for a few more slots to fill.

While this isn’t as life-changing as a new job or as thrilling as a kiss, it can be a launching place to your belief in yourself and your work. It can be the one step closer to your dream. It could be the declaration, anonymous or not, you’ve always wanted to write to that girl, or the world at large. A lightening of the weight in your soul, so to speak.

So take a chance. I’ve made it a safe place to land. Submit your poetry via these guidelines and see where this last call can take you. Submissions will close December 1, 2019. The anthology’s expected release date is January of 2020.

Here’s the boring part:
Poems may not exceed 80 lines, must be previously unpublished (unless if it was on authors own website), and must be the original work of the author. Please send all submissions to: sereichert@comcast.net, or via The Beautiful Stuff website: (https://thebeautifulstuff.blog/contact/) with the subject line “VerseDay Submission Last Call”.

Please include the title of your poem, your name, and a short bio in the body of your email. You may submit as many times as you would like and up to three poems per email, but please no repeated work sent. If your work is a simultaneous submission please let me know.

There is no fee for submitting.

Every submission will be read and, if selected, the author will be notified of the date of their poem’s publication on The Beautiful Stuff. Promotional links will be provided to make it easier to spread the word about your poetry.

Poets selected for the anthology will receive a free copy of the finished book and the option to purchase more at a discounted rate.

You may email me or message me via Facebook with any questions or concerns you have about the contest rules and submissions.

That’s the long and the short of it. So send me something good. Give me guts and heart, all the dark and light of your thoughts. I look forward to reading your work!

A Super Secret Guide to Finishing Your Damn Book: Part Four…

Okay, look. I realize that I’m a couple of days late. I could go into the messy details of powder room renovations, balcony patio refreshes, banister painting and contractor calling that has overtaken my life in the last two days but I don’t want to waste the precious time we have, gentle writer. So. here I am, as my grandfather used to say, a day late and a dollar short (several dollars short, blown away at Lowe’s mostly on fifteen different paint samples of varying shades of gray–not the bondage kind, just the regular old, actual shades of gray kind). But here, nonetheless, is a final bit of information I think you should have.

If you’ve gotten through all of my previous blogs on the matter, first of all: Kudos to you, Kid! You’ve put up with a lot of tenth-grade-level writing, inappropriate swearing, probably some sort of weird butter sculpture or Robert Downey Jr. memes, and cut through all of that to, hopefully, gain some inspiration and insight into finishing your book.

So let’s say, for argument’s sake, you followed all the handy tips and tricks. Let’s say you’ve taken the time, effort and guts it needed to type those final words and sit back in front of a finished novel. You’ve let other’s read it, you’ve taken suggestion and time to fix it. Now, here you are.

You big stud. You big amazing pile of human visceral awesomeness. You should take a night off. Go have a drink, or a movie, or a hot bath, or a cat-o-nine-tails whipping. Whatever you like to do to celebrate.

Then, come back to your work space…and write a query letter.

Gulp…a…a…what? A what kind of letter? Qu—Qu—Query?

Yep. You heard me.

At some point along your journey you’ve wondered what it would be like to see your book, your blood, and sweat, and sleepless nights up on a bookshelf. Something hold-able.

Maybe some of you want to leave behind something beautiful, and tangible, and real, before you shuffle off your mortal coil. Some part of you wants to share your story, or you would have never come this far.

Getting an agent is one of the best ways to get your book shared on a large scale. But you don’t just get one (unless you’re fucking fabulous and have the superpower of Luck…)

Domino-in-Deadpool-2
Obscure nerd-worthy image of Domino.

You have to catch them (not like kidnapping–please don’t let your takeaway from this be an agent abduction). You have to entice agents, capture their attention and interest, and to do that, you’re going to need a rockin’ query letter.

Make sure to research what a good query letter looks like. Here, it’s Friday and I feel bad for being late so I did some of the hard work for you.

Agent Query

Writer’s Digest Query Letter Perfection

Jane Friedman’s guide to query letters

There are some key elements that you should in mind.

  1. Address the agent by name and do your research. Know who you are querying. Know what they’re asking for. Don’t send your erotic space opera to a Christian YA publisher.
  2. Keep it short, but snappy. After the greeting, jump into the most intriguing aspect of your story. “Victoria Sullivan threw herself out of a moving car to escape her husband. How far will she go to start over?” A query letter starts like a movie preview and it has to make an impression.
  3. Keep it under a page. Three to four paragraphs, with three to four lines each and don’t indent them.
    1. First paragraph is your greeting, brief, personal but professional
    2. Second paragraph is your project summary: Title, genre, word count, comps (which style or writer can your book be compared to).
    3. Third paragraph is your PITCH, remember this is the movie tag line, the “Sell Copy” not the “Show Copy”
    4. Fourth paragraph is your bio and credentials.
  4. Write a bio that shows you are committed to your craft. I don’t care if you’ve been published sixty times or zero. Write about your passion, any successes you’ve had, and the work you’ve done that relates to your book. Agents love new, undiscovered talent, so don’t shy away if your accolade list is short.
  5. ALWAYS, ALWAYS, ALWAYS follow submission guidelines, including correct genre, correct word count, and appropriate agent for your specific project. These poor agents (yeah, I just gave a sympathetic nod to them–little secret, they’re actually human too…with feelings and families and all that beautiful stuff you’ve got filling your life) slog through a lot of queries a day. It behooves them to weed out any that haven’t followed the rules right off the bat. Don’t waste their time; submit in the form, length, and manner they request.

That’s the cut and dry of it.

I will add this; if you have met an agent at a conference or workshop, mention it. Try to remember something specific about them (not creepy-stalker specific “I really appreciate how thoroughly you brush your teeth in the morning, and are those new panties?” is too personal). Try something innocuous and personal; “I enjoyed exchanging stories about our Jack Russell terriers.” or “I enjoyed meeting you at the Erotic Space Opera Conference and talking over our mutual obsession with Jean-Luc Picard.”

Well kiddies, I think we can wrap up this little project on finishing your work in progress. I’m not saying there isn’t more (so, so much more) about writing and publishing to learn. But I’ve got limited time and it’s Friday; I’m sure ya’ll got more fun things to get to.

Write that query letter. Find yourself an agent (go local and small, independent and new agencies are more open to building their own portfolios) and offer them a chance to be a part of your journey. Until next week, when I PROMISE to be on time, write on.

picard
Make this query letter so…