NANOWRIMO: WEEK 4

Hey! You’re in the homestretch, and whether that is a cause for rejoicing or a cause for panic, it’s still your last week. Below are some thoughts. Remember to send me your email along with comments and stories about how its gone so far, what you’ve learned, what helped, what didn’t, what you’d do differently, or if you’d ever do it again. I’ll put your email into a drawing for a Writer Care Package, stuffed full of lots of useful goodies that every writer needs.

Here’s your final week pep talk.


Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only some of us will spend the last week resting and reaping the rewards of a month packed with hours of dedication to your project. A lot of us will find this final week to be the last, desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, that’s the whole point. This month is more about teaching us to prioritize our lives to include our writing first (or at least at the top of the to-do list) and to know that we CAN accomplish great things when we give it the time and love it needs. It’s more about building the habit of writing than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle won’t be worth the outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. The end result is not all we are working for. Its the journey in getting there.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are so that, no matter the outcome, we learn what we are capable of. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath, writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and one which you are grateful to work through. You can. You will.

NANOWRIMO: WEEK 3

Hey! It’s week 3 and if you haven’t sent me a comment or update on how your process is going, please do! I have a drawing going on for a Writer Care Package, with all sorts of fun goodies for you to enjoy as a treat for surviving this month. And speaking of surviving, let’s take a look at the dreaded week 3.


Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum, (say that one a few times fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

Photo by Johannes Plenio on Pexels.com

With only days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s. All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.

National Novel Writing Prep

It is that magical time of year again. That time where my blog posts get shorter, the house falls into disarray, and herd of cats goes unfed (not true, if it’s one thing that can take me away from my writing, its the screaming protest of two obviously starving felines).

National Novel Writing Month is upon us. In four days time, I hope you’ll be joining me on a journey of creativity, self discovery, and frustrating obstacles to overcome. Much like a marathon, NANOWRIMO is not just a test of the word count, but a test of your mental fortitude. As in years past, I will be offering a short blog each week to help inspire you through the process.

But this week, I want to help you get ready.

First, commit to the process. It’s daunting. It’s scary. It’s a mountain of words to conquer and so many people won’t even type the first ten. But it is also absolutely doable. It is within your reach, and you can accomplish it with a little hard work and determination.

Once you’ve decided to join me on the journey, go to this website: www.nanowrimo.org and register. The website has come a long way in recent years and provides opportunities to connect to local groups, online communities, offers articles and tips, fun little badges to click on as a way to motivate you, places to download your own inspiration (photos, pinterest boards, and playlists), and encouragement for every stage. Answer some of the questions, create a profile, and just set it up as detailed or as sparsely as you want.

Next, and I would recommend this, whether you’ve been plotting and daydreaming about this novel for years or the idea just hit you yesterday morning on the toilet…make yourself a rough outline. If you’re not sure how-search outline or plotting on my blog website and it will take you to some great articles on how to get started. I recommend at least breaking your novel into three arcs and giving a general timeline of what happens within each. This will give you direction if and when you start to falter.

Next, look at your schedule and decide when your most optimal times for writing are, and put it on your outlook or calendar as a ‘meeting’ or ‘appointment’. Don’t let it get taken over. Reserve the time so you and your family/work partners know you will be busy.

Make sure you take creative breaks (reading, watching a show, painting, whatever) and physical breaks (walks, runs, stretching and yoga, naps etc) to keep your brain fresh and engaged and your body from being too stiff or jittery.

Stock up on snacks, coffee/tea, and water. Stay hydrated and healthy, and if all you have time wise for writing is night, make sure that you’re still giving yourself plenty of time to sleep. All in all, it’s only 1667 words a day you need to write. But some days it will feel more like 1,600,000, so do what you can to control the outside forces and story blocks that might make the process harder.

That’s your homework for the next four days. Get prepped. Get ready. Get set to go. You’ve got this.

Poetry 8-24-2023

Discovery

I did not find myself
in the bottom of a glass
The burn to numb poison
and all the untethering promises
she made

I did not find myself in 
the narcissistic hearts
parading in poets' clothing
promising ideas of my self-worth
while making me kneel before them

I did not find myself
by losing pounds
or cutting hair
or searing the wrinkles of 
a thousand laughs away

I did not find myself
by giving my love and my years
away to those who only wanted
to own me
collect me, 
objectify and fantasize
who never gave credit to the soul within 
only loved
the pretty, fading paper

I found myself beneath
the starlit sky, high up
in a meadow between mountains
cold and alive
brave and scared
breathing deep as though
it was my first air taken

I found myself in tumbling footfalls
one after another, up and down
careening not controlled
alonside pain
pacing with anxiety
but listening to my own heart
beating out

you can
     you can
         you can

I found myself in the holy land
of pine needles 
and mocking bird cries
silent stage, calm in a chaotic world
and herons in silent coasting flight above me
communing with their soul's solitude
in search of quiet shores

I found myself between pages 
and tattooed in ink
words and ideas and truths 
unknown to any other heart but my own
learning that, 
without meeting requirements first

I am enough
     I am brave
         I deserve love

I found myself in the faces
of women I've raised
to listen to themselves in ways
I am still learning
I found myself in their beautiful complexity
knowing I would never allow them to be hurt
in the ways I have accepted hurt for myself

I am finding myself 
and it has taken a lifetime
I just hope
I can take my heart
and lead her away from the dark

I hope I can find myself 
in time.

What’s in a Name?

Good morrow sweet readers. Today I’m going to talk about the importance of names in your fictional writing. Every writer has a process, and some of them are very organic while others are tortuous. I have been in both of those phases. Sometimes a character is just who they say they are when they pop into my head. And even if I wanted to change the name, I couldn’t. Sometimes the same character goes through an evolution of two to three (to seven–jesus, Elle Sullivan) names before the right one lands.

So how do we do it? Well… Here’s a bullet list because… we love bullet lists. Keep in mind that a character can be named for one of these reasons or for a combination of them.

  • Naming your character with meaning
    • This is where we get into the baby name sites and books and start with a meaning and back search what names correlate. I’ve done this a lot with my more urban fantasy/paranormal characters. I’m pretty sure none of my readers go around looking up the name and finding the little easter egg of their arc and purpose matching up. I do it more for me.
  • Naming your character Regionally/In Situ
    • Naming your character something that originates from their homeland, family, or region. This is important in some cases, to ‘show’ the reader a little bit about who they are by where they came from (like dialect but in a word).
  • Naming your character with sound
    • I think this is especially important in childrens’ and middle grade books. Lemony Snicket, Severus Snape, Skippyjon Jones. Not only does it make it more fun to read outloud but if you do your job right, you can intonate character with name. Severus Snape, ‘esses’ like a snake on your tongue.
  • Naming your character in tribute
    • There’s absolutely nothing wrong with this when it is done out of love and respect. My grandma Emma became Em. I even inadvertently wrote in a dear friend’s mother, Carmen into Back to the 80s. I know a Jamie, and love the name and fella but since it would be weird to write him as the MC, I made sure it was ‘Jameson’ in Composing Laney. I’ve used friend’s last names or nicknames. Sometimes its a way to pay tribute to them and be a little lazy.
  • Naming your character for foreboding
    • Gage in Pet Cemetery. Hodor from the Game of Thrones. Damien in The Omen. Even Remus Lupin, gave us some insight into the direction of the character. You can either spoil plot twists with this one or make your readers stop mid page to gasp at your cleverness. The trick is subtlety and not thing more than the name away before the twist. It could even be that an evil name (Severus Snape) is actually not attached to a villian.

Well, there you go. A few ways to start thinking (and probably overthinking if you’re like me) about how to name your next character. For a few more resources, check out the list below. Some of these are way more in depth than I like to go, some are fun and you can just keep spinning the wheel until the right one comes up. Good luck out there.

  1. Masterpiece
  2. Fantasy
  3. Listophile
  4. The Story Shack
  5. Reedsy Villains

Camp NaNoWriMo 2023

Hello writers.

I don’t know if you are suffering the lull of longer days and stifling summer heat. Maybe this is your season and you’ve got no complaints. Whether your basking in the golden glow or changing your third sweaty bra of the day with a curse, I have a little challenge to keep you motivated even when the lethargy of July hits hardest.

You all know I’m a huge fan of November’s novel writing challenge, but this is the first year I’ll be participating in their Camp NaNoWriMo. The organization offers two camps each year (April and July) to help keep writers inspired throughout the calendar months. The camps, however, offer a little reprieve from the high-word count pace of November. The rules are simple, during camp months you get to set any word count goal you want and are allowed to work towards any project. Say you have a first draft that you’re ready to get cleaned up, through the camp conversion chart you can estimate how many ‘words’ you would get through your editing endeavors. Or say you want to get a jump start on a new Vella project (ahem–I’m working on it!) you could put out a goal of twenty episodes at 1,000 words a piece and as long as you’re logging your progress towards that, you’re nailing the challenge.

I realize you don’t have much time to prep, like you might in October, but I think the beauty of this challenge is that it’s a lot more lackadaisical and banging out a simple outline or bullet list of your goals might be just enough to get you started. Begin with a project in mind, pick a reasonable word count, page count, or chapter goal (reasonable means it has to still be a challenge, so don’t slack off–but don’t discourage yourself with something you can’t reach in a month–especially with kids at home) and pin it up by your work space to keep yourself honest and inspired.

As the youth coordinator for Writing Heights Writers Association, I’ll be creating a group for my teens to participate. It’s a much lower pressure contest and still has a lot of the same benefits, mainly building good writing habits along with some fun swag at the end. If you’re interested, or you know a writer who could benefit from a little mid-summer pick-me-up, visit their website: Camp NaNoWriMo and register today.

Hit me up here or on social media and let me know what you’re project is and if you’d like to connect via the organization’s site. I’ll also be running some virtual write ins during the month.

Postulating Purpose

Hello friends. Today is the start of the Writing Heights Writers Conference here in Fort Collins, so I’ll be away from my website and blog for a few days while I help out.

I’ve been a part of the writing community for quite a few years (15?) and have attended several conferences, classes and events as both a member and now part of the team. Far from being an expert, I feel like I’m still learning things every time I step out into these forays with other writers. About writing, yes, but also about trends, and people, and methods, and humanity. And myself. Lately, I haven’t been very impressed with myself as a writer. In fact, my startling lack of creativity and drive has been kind of frightening. Even an 800 word blog post feels like a struggle. Nevermind that I have an anthology I’m supposed to be putting together in a month.

So what the actual fuck is my problem? Well…I mean I have a lot of them. But you don’t have time and nobody wants to hear the sad-sack history, but I think this particular existential crisis is coming from a hard round of lessons and the decisions I had to make because of them.

For a long time I was driven by a duel sense of purpose. But lately I’ve felt as though I’m faltering in that. Not because I don’t still love writing, or teaching, or any of the things I’m currently doing, but because I think I’ve put an unbalanced load of it all on my plate.

You see, I used to have martial arts as a balance. Something very physical, extroverted, technical to fill up the other side of my life, so that writing in its quiet, introverted, creative expanse was an equal partner. In this way my brain and body were fed, my need for social interaction balanced with my need for solitude. But now–without it in my life due to unfortunately but necessary circumstances, I’m very wobbly.

I think for too long I defined myself as both. And therein lies the problem. I have been feeling, these past months, half full. Half alive. Half of what I know I can be. I have filled the empty space with more writing obligations but it’s drained the creative parts of me. It’s made me no look forward to butt-in-the-chair time, and I am…edgy.

So the next two weeks are both filled with conferences, and book sales, and networking, and hopefully a reawakening of my creativity will be found sometime between the cocktail hours and the moderating classes. But I worry, that I will only feel more drained afterwards. And what then?

I guess it will be time to find a new balance. A new pursuit. A new purpose, to fill that other half of my soul. Breaks my heart to even consider it. This blog really doesn’t have a purpose itself. Just to let you know, I’m struggling. And as much as I love writing, I recognize that it is one piece of my soul that can’t drive my entire life, nonstop forever.

If you see me at the conference, stop and say hi. I’ll be the one juggling my existential crisis in the back of the room.

Crossing Genres

Good morning! Well, its been an exciting few weeks with book releases and readings, and promoting the hell out of my stuff. I’m so excited to get back to actual writing, and talking about writing. Today, in collaboration with the fine folks at The Writing Forge, I’m going to talk about crossing genres, both as an author and also within singular books.

For more check out this podcast: “Look Both Ways Before Crossing Genres“

So, what does it mean to be a cross-genre writer? Well, it’s more prolific than you might think. Very rarely does an author stick to one genre alone for the entirety of their lives (I was going to say career but I’ve never actually known a ‘retired’ writer. We write up until the day we shuffle off the mortal coil as far as I know). Nora Roberts writes romance but she also crosses over into Mysteries as J.D. Robb. J.K. Rowling went from YA fantasy to Adult Fiction, Anne Rice has written everything from Vampires to DomSub, to Christianity. Hell, even James Bond’s creator, Ian Flemming wrote “Chitty Chitty Bang Bang”. So the better question is not should you become a cross-genre writer but when and how.

Photo by Wallace Chuck on Pexels.com

Writing in multiple genres can be done in one of two ways. By switching genres completely by novel or story, or by incorporating multiple genres into one project. Let’s start with the first.

So, let’s say you’ve been churning out kids books for the last ten years and you’re ready to jump into something new. You’re an established name in the genre, with a following (let’s dream big while we’re dreaming). Yay for you! But how do you go about the transition seamlessly?

First, know the genre you’re getting into. Mysteries don’t follow the same plot points or tropes as kids books (wait, do they?) Read as many mysteries as you can, gain a good understanding of typical tropes and character types for your new genre. Discover what you like and what you don’t, what works, and what doesn’t. This way, you’ll be ready to write a mystery that will appeal to the die-hard fans of the genre and hopefully make your work more acceptable.

Second, if you’re established in one genre and are jumping the creek into another, you may want to try a pen name. When people know you for a certain story/genre type, they’re going to follow you. But maybe they don’t want to read your new blood spatter fest to their 8 year old. So, establish a new name for your new genre. (J.D. Robb, A.N. Roquelaure, etc.)

However…if you are a sci-fi writer and you’re dabbling in fantasy, this is a smaller jump and you can probably keep your name. Those followers you have will probably be more lenient and accepting of your next adventure, and if you can take an established base on a new adventure all the better.

What would be the benefit of writing in multiple genres in this way? I’m so glad you asked. Here’s a bullet list.

  • Its a great way as an author to diversify your writing, get your work into different venues, and expand your base of readers
  • It can help beat boredom of following the same tropes/patterns over and over
  • It will help grow your skills as a writer. Romance writers know dialogue and relationships, Fantasy writers know word building, Horror writers know suspense. All of these skills can be honed and developed to the betterment of all your writing.
  • It makes you hard to pin down and undefinable. Frankly, I don’t like being put in a box. Yeah I write romance, I also write speculative fiction, suspense, sci-fi, and erotica. I dabble in poetry, and sink into human interest non-fiction. Don’t you put your labels on me.
Photo by anouar olh on Pexels.com

Now Let’s talk about utilizing multiple genres in a single novel/story/project.

Its slippery slope. Genre fans are genre fans for a reason. They like the predictability. They like knowing where the story is going and that it will end in a certain way. Mixing up loved tropes, taking side quests, and tripping the hero on his journey might lose you some fans. And genre fans are a huge base. I’ve even turned off a couple of readers because some of my romances were not ‘sweet’ enough. They were a little too dark for the genre. And that’s a risk I took by telling a grittier story in a genre that likes to stay flowery.

BUT the benefits to writing this way, are that you can incorporate elements of storytelling that best suit your characters and the story itself. I wrote a science fiction novel set on the rings of Saturn with time/space wormholes, and a heavy nod to literary poets. It had elements of religion, and romanticism, and social commentary, all in the midst of blaster fire and moonglass blade fights. It was one of my favorite stories to write and one of my best recieved and I think that’s because sometimes a story is just too big to fit in one genre.

Sometimes your story, is more like life. A daring, romantic, mysterious, fantasy western set in modern day suspense-filled and poetic semi-reality. And its interesting and unpredictable in spaces, and comforting and ties up well in others. And that’s why knowing the elements of each genre is important and can boost your plot line into something quite magical.

Crossing genres is, all in all, a great way to improve your writing and your reach. Knowing your audience, and understanding the different and distinct elements of your genres will help you do it in a successful and enjoyable way. I hope that you all give it a chance and let me know how your forays go.

Poetry 4-20-23

Today I’m going in for a root canal, after a rough week both personally and professionally. So…while I’m ‘enjoying’ all of my experiences, please enjoy this.

Let it seep beneath your clothes, let it draw out memories, a needle to the dark blood, and wash you clean again. Let it remind you that you are still here. A breath at a time. Through all the pain, the rough days, the personal and professional losses and gains. You’re still here.

So this isn’t a poem for the broken hearted
it is not for those who were left behind
or ghosted
or dumped
or abused
or disregarded

This is a poem for those who watched
as another soul walked away
or preferred their silence to truth
or was released from another person’s life
faced pain at their hands
or were simply ignored
into nothingness…

You are the warriors of time
you, who have felt the sting
of heartbreak 
and disappointments
revealed as new skin 
while hope lay, a the shed skeleton
in the dirt

you are the carriers of grief
and the bodies made of scars
and you have lived through
every burning cut
and every lonely night

This is not for the soul they thought 
they broke,
this is for the you that survived

I will not preach from some high tower
that you are stronger for it
that you are braver because of it
that you are a better person
a heart bigger, with cracks to let the light in

But I will tell you what I know

You survived.

You packed up your heart and your mind
and you moved on
You accepted their silence
you treated your wounds and closed the door
you started paying attention to yourself 
when they no longer did

and that carries weight
self determination
and the ability to move past
the fickle and soft-seated lies,
of a love always perched to flee 
the very second things got hard

Your feet remain grounded
and you endured

You heart is a seasoned warrior
and it may never let another in

but it doesn’t need to...

It might not even have the space

because in their absence
 
beyond the echoes of their abuse
the pain of their mistreatment,
you’ve filled your heart,
with the unfaltering love
of yourself

they can’t ever move back in

there isn’t room any more.

Going Back to School: How Writers Benefit from Classes, Conferences, and Trainings

Photo by Katerina Holmes on Pexels.com

There are plenty of ways to keep your skills sharp as a writer. Last week, I covered the conference season and this post will be similar in that I’m going to give you some online resources for improving your writing skill, developing a business or marketing plan, and helping to boost your creativity. Just like conferences, a writer can easily blow their budget by trying to train themselves into success. My goal is to offer you a spectrum of options with the caveat that classes can show you how to write better, give you pointers on the business side of things and offer marketing advice, inspire new ideas, and improve your editing. About the only thing they can’t do is write your book for you.

The Long Haul:

MFA/MA Programs: These programs (Master of Fine Arts and Master of Arts) are advanced, graduate degrees that can help to help your overall exposure to the big picture of writing (MA tends to focus more on Literature and less on writing, MFA can be broken down into Creative Writing, Journalism, Linguistics, etc). In these programs you will learn pretty much everything, from plot and structure, to dialogue and character development, to grammar and editing. It will take two years at least, and the cost averages out to about $38,000, not counting room and board. You’ll read an enormous amount of material. You’ll probably complete a novel or collection as part of your thesis. Not a horrible way to go, but studies are showing that the cost of MFA programs are often not paid back in employment afterwards so–carefully think through that one.

Online Writing Courses:

A number of reputable online courses and classes are now offered through various writing groups, professional/successful authors, and university departments. The courses are less intensive than a MFA and can often be done at your convenience. They cost a lot less (some are even free) and you can often pick and chose the ones that will benefit you the most. Here’s a small list courtesy of softwaretestinghelp.com:

  1. Wesleyan University Creative Writing Specialization
  2. Gotham Writers Online Writing Classes
  3. Reedsy Learning Courses
  4. Udemy Creative Writing Courses
  5. edX Creative Writing Courses
  6. FutureLearn Creative Arts and Media Writing Courses
  7. OpenLearn Creative Writing
  8. SkillShare Online Creative Writing Classes
  9. Emory Continuing Education Creative Writing
  10. Universal Class
  11. Writers.com Online Writing Courses
  12. Masterclass Creative Writing Classes

Conferences, Seminars, Retreats

Feel free to refer back to my other post: https://thebeautifulstuff.blog/2021/04/01/a-word-or-several-about-writing-conferences/)

I’m going to offer this plug one more time, because I truly believe in this conference and because it’s completely hybrid, you can attend from anywhere in the world, participate, and get the benefits without the travel costs, having to get dressed up, or use a public restroom–winner, winner, chicken dinner. Register for this one:

WHWA Writing Conference

For this area of your continuing education I’ll ask that you explore seminars (mini conferences, or a series of five or more classes on one topic, like Novel Writing) and retreats in your area. I’m sure there are beautiful, far-flung retreats in tropical islands that are also available, but with travel restrictions, lack of funds, and a busy life outside of writing, those may not always be attainable, so do a little research closer to home. Some of my favorite retreats and seminars have been offered through Writing Heights Writers Association at a very fair cost and are conveniently located. It also helps my sense of altruism to know I’m giving my money into a local organization that turns around and helps other writers in my area.

Retreats tend to fall into two categories, those with classes/seminars and free-write time, and those with simply free-writing time, punctuated with social hours. You may wonder how effective three or four days, stuck in a lodge, with nothing but time spent writing can be as beneficial as say, a whole weekend of conference classes. Well, young writer, let me elaborate.

Classes, conferences and seminars are excellent resources for enhancing your writing and helping you learn technique as well as opening up your mind to the business side of things–just like I mentioned above. And, just like I mentioned above, they can’t write a book for you. Only you and time can do that. As a mother of two busy kids, with a couple of side gigs, and a whole household to run–I don’t always have time to write. Somedays I’m lucky to get 20 minutes in. So to have four days, uninterrupted by children, husbands, dogs, laundry, volunteering, teaching, or grocery shopping, cleaning, and yard work, just focused on my writing is priceless. I’ve finished novels in that time. I’ve written four months of blog posts and edited entire series. I’ve barreled through plot holes that I thought I could never find solutions to.

The truth is, when there’s nothing else to pull your procrastination strings, you can get some shit done. PLUS, its immensely helpful to be surrounded by other writers while they’re “in the zone”. There is an inexplicable energy that catches you up when you’re surrounded by other souls and brains focused on their art and passion. Plus there’s usually some socializing/decompression hours at the end of the day to give yourself respite.

Okay–that seemed like a lot of info and I don’t want to bore you to tears. Check out some of the ideas above this week for taking yourself back to school. When we invest in our writing, it becomes less the pipe dream, and more of an attainable goal. Good luck out there, writers. Keep me posted on your progress or if you’ve found some great retreats, classes, and resources yourself!