Crossing Genres

Posted on by sereichert

Good morning! Well, its been an exciting few weeks with book releases and readings, and promoting the hell out of my stuff. I’m so excited to get back to actual writing, and talking about writing. Today, in collaboration with the fine folks at The Writing Forge, I’m going to talk about crossing genres, both as an author and also within singular books.

For more check out this podcast: “Look Both Ways Before Crossing Genres“

So, what does it mean to be a cross-genre writer? Well, it’s more prolific than you might think. Very rarely does an author stick to one genre alone for the entirety of their lives (I was going to say career but I’ve never actually known a ‘retired’ writer. We write up until the day we shuffle off the mortal coil as far as I know). Nora Roberts writes romance but she also crosses over into Mysteries as J.D. Robb. J.K. Rowling went from YA fantasy to Adult Fiction, Anne Rice has written everything from Vampires to DomSub, to Christianity. Hell, even James Bond’s creator, Ian Flemming wrote “Chitty Chitty Bang Bang”. So the better question is not should you become a cross-genre writer but when and how.

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Writing in multiple genres can be done in one of two ways. By switching genres completely by novel or story, or by incorporating multiple genres into one project. Let’s start with the first.

So, let’s say you’ve been churning out kids books for the last ten years and you’re ready to jump into something new. You’re an established name in the genre, with a following (let’s dream big while we’re dreaming). Yay for you! But how do you go about the transition seamlessly?

First, know the genre you’re getting into. Mysteries don’t follow the same plot points or tropes as kids books (wait, do they?) Read as many mysteries as you can, gain a good understanding of typical tropes and character types for your new genre. Discover what you like and what you don’t, what works, and what doesn’t. This way, you’ll be ready to write a mystery that will appeal to the die-hard fans of the genre and hopefully make your work more acceptable.

Second, if you’re established in one genre and are jumping the creek into another, you may want to try a pen name. When people know you for a certain story/genre type, they’re going to follow you. But maybe they don’t want to read your new blood spatter fest to their 8 year old. So, establish a new name for your new genre. (J.D. Robb, A.N. Roquelaure, etc.)

However…if you are a sci-fi writer and you’re dabbling in fantasy, this is a smaller jump and you can probably keep your name. Those followers you have will probably be more lenient and accepting of your next adventure, and if you can take an established base on a new adventure all the better.

What would be the benefit of writing in multiple genres in this way? I’m so glad you asked. Here’s a bullet list.

  • Its a great way as an author to diversify your writing, get your work into different venues, and expand your base of readers
  • It can help beat boredom of following the same tropes/patterns over and over
  • It will help grow your skills as a writer. Romance writers know dialogue and relationships, Fantasy writers know word building, Horror writers know suspense. All of these skills can be honed and developed to the betterment of all your writing.
  • It makes you hard to pin down and undefinable. Frankly, I don’t like being put in a box. Yeah I write romance, I also write speculative fiction, suspense, sci-fi, and erotica. I dabble in poetry, and sink into human interest non-fiction. Don’t you put your labels on me.
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Now Let’s talk about utilizing multiple genres in a single novel/story/project.

Its slippery slope. Genre fans are genre fans for a reason. They like the predictability. They like knowing where the story is going and that it will end in a certain way. Mixing up loved tropes, taking side quests, and tripping the hero on his journey might lose you some fans. And genre fans are a huge base. I’ve even turned off a couple of readers because some of my romances were not ‘sweet’ enough. They were a little too dark for the genre. And that’s a risk I took by telling a grittier story in a genre that likes to stay flowery.

BUT the benefits to writing this way, are that you can incorporate elements of storytelling that best suit your characters and the story itself. I wrote a science fiction novel set on the rings of Saturn with time/space wormholes, and a heavy nod to literary poets. It had elements of religion, and romanticism, and social commentary, all in the midst of blaster fire and moonglass blade fights. It was one of my favorite stories to write and one of my best recieved and I think that’s because sometimes a story is just too big to fit in one genre.

Sometimes your story, is more like life. A daring, romantic, mysterious, fantasy western set in modern day suspense-filled and poetic semi-reality. And its interesting and unpredictable in spaces, and comforting and ties up well in others. And that’s why knowing the elements of each genre is important and can boost your plot line into something quite magical.

Crossing genres is, all in all, a great way to improve your writing and your reach. Knowing your audience, and understanding the different and distinct elements of your genres will help you do it in a successful and enjoyable way. I hope that you all give it a chance and let me know how your forays go.

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A Year in Review

Posted on by sereichert

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Two days until we put to rest 2022, and I’m currently engaged in a battle with myself, whether or not this was a year of positive net.

It certainly was one of the most interesting ones I’ve survived.

On the bright and beautiful side, I pushed myself farther and to greater heights with my writing than I ever had before. I took chances and got out of my comfort zone, and thank goddess for that. Because those investments in myself and explorations into new experiences led me to some of the best connections I’ve made, the dearest of friends, more published pieces I’ve had in the last five years combined, and a publishing contract with a company I believe in. https://www.5princebooks.com/sarahreichert.html

Not only that, but when I put my fear of rejection aside, and made a deal with my writing bestie (Rebecca Cuthbert) I succeeded in my goal of 100 rejections for the year (along with about 15 acceptances that I’m so grateful for). My work was featured in awesome and quirky journals and sites and some even were accepted in more traditional venues. I co-wrote my first romance with my wonderful friend and mentor Kerrie Flanagan . I learned a lot about myself as a writer, how to manage my time in a busy world, how to write in different genres and formats, and how to shrug off the worry of failure. I learned that I can do things. Hard things. New things. Interesting things. Things I never even imagined. I learned that I can do whatever. I. Set. My. Mind. To.

On the darker side of things, I was, and still am engaging in a battle with my daughter’s worsening OCD. It is a constant in our lives and I am in a cyclical ride of refilling and emptying out my patience levels, trying to find and give to her compassion on the daily, reassurances to the virulent voices in her head that tell her on repeat horrible things will happen if she doesn’t follow its asinine rules. (More Info Here) I have to put aside my own anxieties and depression, I have to square my shoulders and tuck away my own mental strains so that I can be a solid rock for her during this ongoing storm. In turn, these pressures have left me very little space for other people’s bullshit, and maybe that’s a good thing.

I’ve become aware that I no longer tolerate the levels of injustice I used to. I no longer tolerate the levels of disrespect and flagrant wasting of my time that some people think is acceptable. That I’m not going to let assholes go on being assholes without telling them they’re being assholes. And I’ve come across some doozies in the last few months.

Not for the first time, I got a taste of gender imbalance and misogyny in my outside-of-writing-profession. It’s disheartening, especially, when it comes from men in a position of trust who have been my supposed ‘family’ for so long. It reminded me that the imbalance of power in our culture is always in play, no matter how safe you think a business or place is. I watched as a world that was once my sanctuary turned into a dark place where people I once trusted, threw dirt on the grave of my autonomy and denied my worth as a human being.

I’m still battling with if I should stay at my instructor position for the sake of the children and other females in the school. Is their instruction and safety worth more than having to put up with the culture that would allow and overlook frightening behavior and disrespect? Still battling over that one, and I guess if I give myself time to think (as I’m doing this week from social media) I will arrive at the solution that is the best for myself and the people I care about most.

But I have my writing, and I have my friends, and I have people who have stood by me and loved me and shook their fists for me when I just wanted to curl up and die. And that’s not nothing. Years like this teach you who your allies are. And who you should not put your faith or your respect in. They teach you who will stand by your side, and who will throw you under the bus, for their own personal gain. And that knowledge is not nothing either.

So as you look into the new year, I urge you to not forget the lessons you’ve learned. I urge you to write your own story. One worthy of you. I ask that you take leaps of faith, and do things outside of your comfort zone. I ask that you let yourself get rejected and keep moving forward. I ask that you let loose your imposter syndrome and know that you and your art are more than enough to be shared.

In this new year, surround yourself with people who put your safety in mind and value your worth. I urge you to stand up for the friend in need of some fist shaking. I urge you to not put up with anymore bullshit, especially the hateful, uneducated, dehumanizing kind. Use your heads, use your hearts. Build this year, 365 single days at a time, and find something at the end of it that has made you outgrow a little more of the old you.

Choose what to carry, and what to let go. Some things are too heavy, but more than their weight, they don’t belong to you. They are not yours; they serve no purpose to you or to the greater good of the world. They are merely weights that keep you from getting to where you’re meant to be. So know when to let them go, and don’t berate yourself for leaving them behind. Sometimes the absolutely strongest thing we can do, isn’t to keep holding on. It’s in the letting go. So you will have both hands open for the next, better opportunity.

NANOWRIMO Week Two: Here Comes a Writer With a Baby Carriage

Posted on by sereichert

Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mind set is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak non-stop all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of NANOWRIMO is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love, the honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the NANOWRIMO process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

A well rounded “story” is equal parts meeting the basic needs and getting to play in the creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.

On Challenging Ourselves: National Novel Writing Month and Why It Matters

Posted on by sereichert

Good morning readers and writers. I’ve collaborated with the amazing folks at Masticadores to bring you a short series on what we affectionately call NaNoWriMo here in the States. National Novel Writing Month (NaNoWriMo) is a world-wide, month-long challenge to help writers of all ages, genres, and abilities finish the first draft of novel (50,000 words) in one month (30 days).

Looking at those numbers, especially as a beginning writer, feels daunting, I know. But, having participated for 8 years, including 6 novels published (and soon to be published) I can tell you; it is possible.

Now listen, I’m not a full-time writer. I’m a mom and a teacher. I’ve got a household, and pets, a garden, and other writerly obligations to fulfill, so I understand the idea of committing to this kind of word count can feel impossible. In this intro, I’ll break down the basics, and by the end I hope you’ll look at this challenge as something you can’t wait to start.

Breaking it down:

  1. If you want to get all math-y, 50,000 words in 30 days is only 1667 words a day and you don’t have to write them consecutively. 330 in the morning, 560 on a lunch break, 780 in the evening, and you’re there. OR, 5000 over the weekend and smatterings throughout the week as you have time. THE MOST IMPORTANT POINT IS TO KEEP WRITING. One of the purposes of this challenge is to make you realize how much available time you actually do have to write, when you make it a priority.
  • This isn’t about the final product, i.e. DON’T WASTE YOUR TIME EDITING! One of the major killers of first drafts and time is self-editing. JUST WRITE. Don’t worry if it’s not perfect, don’t worry if it’s down-right shit, just put the words on paper. Editing will come later, but you can’t edit what you haven’t written. So, write first…save the editing for December.
  • Use the resources at the website: National Novel Writing Month. You can set up your own dashboard, upload ideas, picture boards, short excerpts, possible titles and even inspirational playlists for each project. On the website you’ll find links to local events, helpful tips and blogs, ways to connect with other writers (buddies!), all kinds of support and help, and badges to keep you inspired along the way. ALSO: you can log your words per day and check on your progress (honestly one of the best tools for me. Nothing like a swanky bar graph to get a girl all excited to blow the curve, you know what I mean?)
  • If you don’t make the 50,000 words, there isn’t some Squid-Games pit that will open up and swallow you whole, but you will have made progress and learned a bit about your writing habits. If you do succeed in that word-count, you’ll receive free goodies to help in the next steps of editing, cover design, and self-publishing if you choose that route.
  • If you aren’t a novelist, don’t count this challenge out. At your author page/dashboard, you can select if you want to participate in the traditional challenge (50,000 words in 30 days) OR create a challenge of your own. It can be a collection of short stories or poetry. I’ve had friends and collogues use the challenge to get through final edits of their current novels or for drafting a complex series. The point is that you use the 30 days to build a habit of putting your writing first.
  • Lastly, as this blog is coming out in October, you will have plenty of time to prepare, especially if you’re a plotter/mapper. The weeks leading up to November 1st are a great time to outline your novel, create character boards, and get excited about telling your story.

For every week in November, I’ll be running one short blog (Wednesday or Saturday?) on this website to offer you inspiration for the week ahead. If you like the challenge, please support the cause by donating or picking up some sweet swag on their website. NaNoWriMo offers support and programs free for young writers to grow their skills, and for those disadvantaged or formally overlooked writers whose voices deserve to be heard.

I hope you’ll sign up. I hope you’ll find the time to invest in your book and yourself. I’m always open to any questions or thoughts on the matter, so hit me up at my website www.thebeautifulstuf.blog, through the contact page.

Thanks, and Happy Writing!

Muse

Posted on by sereichert

Vim and Vigor. Piss and Vinegar. Spunk, Spark, And the Immortal Divine.

sexy secretary pinup girl 1960s

I’m talking about Muse…not the band…I mean the illusive, seductress…who steals into your thoughts and whispers sweet plot lines into your ear like naughty suggestive teases.

One of my favorite older movies starred a young Julie Andrews and even younger Mary Tyler Moore. It was based on a Broadway musical and was set in the roaring twenties when women were toying with independence and embracing a more modern sense of sexuality. In Thoroughly Modern Millie, the main character, a stenographer, comes on to her boss by lounging across his desk and rasping out the line; “Well, when you’ve got it, you’ve got it.” (In context she’s referring to Tom Sawyer’s innate mojo despite his tender age of 12)

Julie Andrews Rockin' It

So when I think of that evasive and tease, inspiration, I think of that line.

When you’ve got it, you’ve got it.

The problem is that so many of us think we cannot create without ‘it’. That unless the muse is on our desks, lounging across our scattered post-it notes and circling the rim our cold coffee cup with a delicate finger, we won’t be able to create anything substantial.

Can I let you in on a secret I’ve learned? That blank stare against the wall of a writer’s block doesn’t come from a lack of ‘it’. It comes from the expectation that having ‘it’ is the only way creativity will come, and that anything other than madly typing away the best idea we’ve ever been gifted, is simply a waste of our time and divine talent.

Let me tell you something about my muse. He’s a well-upholstered, balding guy in a basement, with a half-smoked cigar hanging out one side of his mouth and a sneer that could stop a very determined freight train on its tracks. He’s an asshole. He doesn’t come out when I sit down at my lovely little desk with all of my office supplies neatly aligned inmy muse OCD perfection. He sneaks up behind me at airports and gooses me like some over-entitled politician. He wakes me up in the sweetest six minutes of sleep before the alarm goes off by hitting me in the face with his meaty hand and a pale idea of how to fix Chapter 8. He’s the one that whispers, in dark undertones, questions about unassuming passerby’s that turn into vibrant characters. I cannot summon him to lie across my desk and pull up his smooth skirts seductively.

He’s got it, all right, but it’s never what I expect.

The one exception is this, and the point of my post this week:

That bastard shows up every time I give up hope on him and just sit down to write anyway.

The first few sentences on my own are stumbling patches of weeds, filled with gopher holes and tripping hazards. But if I ignore the imperfections and keep at it, one paragraph becomes a page, and so forth and so forth.

I don’t stop for clerical errors like misspelled names, or fudged facts. I forget the use or non use of oxford commas and just let the words go where they go. I don’t allow myself deletions, even if I’m painfully aware of the stupid that trails behind my keystrokes.

It’s like emptying the hot water from the camelback tube on a hike. You have to draw out that nasty part before you can get to the refreshing cold stuff.

Before I know it, I can smell cigar smoke and salami and that cagey bastard is behind me…nodding in a nearly impressed manner.

Creativity is part vim and vigor. It is part mojo. It is part magic and a dash of spark. But it is mostly work. Even when the playing is done and the book is written, she’s just a dowdy, ill-fitting dress until you nip and tuck her into shape.

Maybe creativity lives in my basement because a dash of it goes a very long way. It’s the elbow grease we have to buy by the barrel full. Because long after Muse is sacked out on his brown plaid recliner with one hand down his polyester waistband, the work still remains and that’s when we really find out if we are indeed full of vim and vigor.

. . . If we’ve got ‘it’; the magic that turns muse into story, story into book, and book into experience for you and your readers alike.

So don’t pay too much mind to capturing that sultry vixen. Just write. When she whispers at you in crowded stores, or on quiet trails, be at the ready with pen and paper (or…ugh, yes your cellphone if you must) to catch her teasing giggle. But for all of the other 97 out of 100 times, don’t let her be the excuse you aren’t putting your ass in the chair.

After all, a muse is best attracted when she’s being ignored.

Happy writing, Kids.