Poetry 2-22-2024

I know its still Winter, but these are the gray months that beg my mind wander back to the comfort of knowing Spring will come again. I don’t really know how many more Springs the world has left. It’s all so complicated and teetering on death, isn’t it? We take so much for granted, we kill, and destroy, and maim and use up…as though there is no other fate left us, no generations in our wake that have to live in the wake of our destruction… How ridiculous and short-sighted humans are. We absolutely deserve everything Nature throws at us.

Photo by Alesia Kozik on Pexels.com
Spring Beneath

The shudder of new leaves
arriving to a world
in its heyday of destruction
is such bitter sweetness

Life, searching to be,
striving to find its balance
even when we've already tipped the scales
too far
for hope

I mourn these spring petals
littering the ground,
beauty fallen to lifeless concrete
and wonder,
what she ever did
to deserve us.

A Super Secret Guide to Finishing Your Damn Book. Part Deux: Seeing The Bigger Picture

Bonjour!

I’m so glad you decided to come back.

How was last week?

Did you separate the amoebic tendrils of your technological parasites long enough to remember how to write, free-style? Did you get hand cramps? Keep it up, before you know it, you’ll be cleaning and jerking 7,000 words a week, vocabularian veins popping out all over the place.

For this week we’re going to zoom ahead to the future; to the cumulation of all your writing efforts and the massive chunk of story sitting in front of you. All of those beautiful words you’ve poured into a pile are just waiting for the dexterous hand of a good story teller.

Your rough draft is like a thousand pound hunk of stone. If you want to get all “Americana” on it, you could even say its akin to a 100 pound ‘pat’ of butter. Yeah, let’s go with butter.

The rough material has potential. Your story has energy and power. But if you were to send in a stick of butter to the Iowa State Fair judging committee, they’d probably to one of three things: write you a scathing review for wasting their time; send it back and write a scathing review for wasting their time; or batter it, deep fat fry it, and send their thanks for the mid-morning snack.

jabba butter
Jabba the Butt(er). No? Come on. You have no idea how many hours I spent looking at butter sculpture.

Your book, your words, your ideas deserve better. If you loved it enough to write it, then love it enough to shape it into the best it can be. And by that I mean…learn to edit your work properly. This week’s true secret to finishing your damn book is something you won’t hear from a lot of writers and here it is:

Being a great writer is 20% writing. and 267% editing. Shut up, I’m not good a public math. Seriously though, when you get your ass in that chair and throw all the good and bad down, and your mind learns to work in the space and time you give it to create, you can really accumulate a massive amount in a short period of time. But the art of writing, the finesse, the je ne sais quoi, if you will, lies in the ability to edit that beautiful mess into a story that captivates.

Que voulez-vous dire?

How does this magic happen, you might ask? If you’ve been around in the writing game for any amount of time, you’ve had the old adage banged into your skull over and over “Kill your darlings, Kill your darlings…” Yes…yes Maestro Faulkner, whatever you ask!

What does that really mean? Well–*le sigh*–it means you as a dreamer, a wordsmith, a lover of story and character…you, creator…must become a destroyer. A hard, eagle-eyed machine; disconnected from the rapport you’ve built over the years with your characters. You must let go of the personal angst, pain, and joy you’ve brought into the world enough to see its true potential. You have to take that beautiful hunk of marble (or butter) and break the rough and useless parts away to reveal the true work of art beneath.

buttered saddled cock
Yep…that’s a giant butter cock with a saddle. You. Are. Welcome. (By the way, ‘giant butter cock’ is now trademarked. By me.)

Oh, Mon Dieu!  (which literally translates to OMD—OMD Becky, regarde ses derrière!)

The practice of “Killing your Darlings” is meant to make you understand that editing is hard. That letting go of the phrases and pieces of your novel that you love, when they are distractions to the story and its flow, can be the best thing you do. Cut. Cut deep. Cut the subconscious catch phrases and passivity. Give your readers a stronger character by making them the center of the action; by putting the reader in their shoes. Stop telling us everything. Cull the useless, the distracting, the stuffy, the monologues and head hopping. Give us the moonlight glinting off of window panes.

Take that lump and make it into something where details pull double-duty and every word counts. Line by line, strike out that which does not serve purpose or cause emotion to rise in the chest. Because even the most indescript lump of butter can turn into something quite magnificent when given the time and attention it deserves.

angelic butter
Sweet, Angelic Milk Fat.

Next week…after all of you hoodlums have taken a hard look at your work and gutted it to buttery perfection, we’ll take a look at what you can do next to get that silky minx out into the world.

Until then, keep writing. Drop me a line. Tell me how you’re doing.

Does anyone really want a giant baguette right now?

 

 

 

A Super Secret Guide to Finishing Your Work In Progress. Part 1: Technology vs. Creativity

Hey there, writer? Whatcha doin’? Surfing the Internet? Caught up in some devilishly clever blog post that has promised to give you the secrets of the craft in one easy-to-read, bulleted list with some fancy-schmancy graphics?

 

I see you.

 

I’m glad you’re here, actually, I DO have some important advice in this my first lesson on finishing your work in progress.

 

Get off the Internet and back to your writing, you filthy animal.

 

Ok…wait! Not right now…just hear me out. I promise, I’ll be brief (500 words or so…Look! Only 420 left! 418…)

 

Fewer things deter the creative process like the multi-faceted distractions we face in our interconnected world. The phone, social media, the addictive thumbs-up ‘likes’ and sympathetic sobbing emojis. Constant information streams into our overworked, underfed brains; the lies, the truth, the barrage of sight and sound that, when boiled down, amounts to so much nothing. So much noise.

So shut it down.

That’s it.

That’s all. Part 1, in a neat little nutshell. Expand? Ok, but only because you asked…

Do you want to write more? Then disconnect. Grab a pen and paper and sit your ass on a park bench or in a coffee shop with your phone and laptop “conveniently” left at home.Stop Wasting Time

 

“But…but I can’t just write! I won’t be able to spell check or word count (320 left) or research the typical milk production of a Nubian goat in April!”

 

First of all, my little perfectionist, rough drafts don’t need to be spell checked the moment words hit paper (shocking, right?)

 

Secondly, one page of average handwriting has about 250 words give or take. You’re welcome.

 

Third (ly?), you sound like someone who could use my patented “Blah Blah” technique to avoid distraction in the middle of your writing flow.

Not familiar? Well, don’t search it on line (Jesus, haven’t you been listening to me?) It’s a secret I share with only my closest creative misfits, lucky you.

When you don’t know a factual detail of some part of your scene, insert the words “Blah Blah” into the space and move on.

Image result for images eye roll

 

Did you—did you just roll your eyes at me?  Watch it…I will mom voice you so hard…

Observe:

“Victoria knew that the Nubians would produce at least blah blah of milk next month, giving her blah blah bars of homemade soap to sell.”

It also works if I’ve forgotten a secondary character’s name but know that scrolling back to find it will dry up the good stuff that’s pouring out:

“ ‘You’re a handful,’ Mr. Blah Blah said and scowled over the drag pole fence.”

Don’t fiddle with your flow. Let the unnecessary lay in wait and avoid the pitfall of jumping on the Internet to do some ‘quick research’ which will curtail your thought process and take you away from your work (16 hours of baby-goats-in-pajamas-videos later and I’ve forgotten evil exists in the world. Good for sleep, bad for fleshing out antagonists.)

When the creative dust has settled into a beautiful, uninhibited outpouring of ingenuity go back and find your ‘blah blahs’ (they stick out like sore typos, especially being ‘repeat’ words) and you can designate a specific, allotted time to research and check them.

 

There it is.

But in my forty or so words left, I should give you at least one bullet (I believe I promised it somewhere up there.)

  • More than just in your writing, consider disconnecting in your life. Be present in the world around you, not face down in a screen. Your writing will be better. Your life will be better. Power down for at least an hour a day. No phone, no television, no laptop, no screen. Live through your eyes, your ears… all those messy, beautiful human senses your mother worked so hard to make for nine months. Notice the vibrancy of color in nature, the way wind feels against your cheek. Listen to your own breath. Taste your food. Powerful writing comes from living with powerful intention.

 

Ok, now you can leave me. I apologize for surpassing the mark. What can I say? I didn’t want to mess with my flow.

Go work on your book. Your poem…your passion. Come back and let me know how it’s going.

I’m signing off for the day, but I’ll get back to you when my creative dust settles.

NANOWRIMO: WEEK 4

Hey! You’re in the homestretch, and whether that is a cause for rejoicing or a cause for panic, it’s still your last week. Below are some thoughts. Remember to send me your email along with comments and stories about how its gone so far, what you’ve learned, what helped, what didn’t, what you’d do differently, or if you’d ever do it again. I’ll put your email into a drawing for a Writer Care Package, stuffed full of lots of useful goodies that every writer needs.

Here’s your final week pep talk.


Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only some of us will spend the last week resting and reaping the rewards of a month packed with hours of dedication to your project. A lot of us will find this final week to be the last, desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, that’s the whole point. This month is more about teaching us to prioritize our lives to include our writing first (or at least at the top of the to-do list) and to know that we CAN accomplish great things when we give it the time and love it needs. It’s more about building the habit of writing than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle won’t be worth the outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. The end result is not all we are working for. Its the journey in getting there.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are so that, no matter the outcome, we learn what we are capable of. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath, writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and one which you are grateful to work through. You can. You will.

NANOWRIMO: WEEK 3

Hey! It’s week 3 and if you haven’t sent me a comment or update on how your process is going, please do! I have a drawing going on for a Writer Care Package, with all sorts of fun goodies for you to enjoy as a treat for surviving this month. And speaking of surviving, let’s take a look at the dreaded week 3.


Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum, (say that one a few times fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

Photo by Johannes Plenio on Pexels.com

With only days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s. All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.

NANOWRIMO: WEEK 2

Remember, comment below with how it’s going or send me quick email with any frustrations or elations you have and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

And now, this:

Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mind set is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak non-stop all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of NANOWRIMO is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love, the honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the NANOWRIMO process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

A well rounded “story” is equal parts meeting the basic needs and getting to play in the creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.

NANOWRIMO: WEEK 1

Something new for this year, if you comment, share and/or email me with your frustrations, experiences, or adventures during this year’s NANOWRIMO, and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

Let’s talk about Week 1

Ah, yes, the glorious stage of excitement and foreplay. The thrill of fleshing out your characters, and having them say clever things to one another, and building beautiful worlds with soft hues and brilliant sunsets. It’s champagne and butterflies, it’s rainbows and 3 hour love-making sessions with your laptop (please, God, not literally…the keys are hard enough to keep clean with just my coffee and pastry habit).

The words come easy, the beginning is new and exciting, the chemistry is just right. Possibly you’ve been planning this novel for awhile, maybe you even used October to plan it out and things are running smoothly and in great gushes of inspiration and excitement. (I think ‘gushes’ might be just as bad as ‘moist’ for cringe-worthy words).

OR

You’re stuck in front of your blank page and wondering why in God’s name you agreed to this. The stress of completing such a herculean task is causing every neuron to march around your addled brain with tiny little picket signs protesting the ridiculous workload before they even endure it.

You’re thinking of giving up. It feels as though you agreed to do this on a brash weekend in Vegas and you might have done so under the influence of alcohol and you really don’t know this book that well and what will your parents say and… is it too late for an annulment?

In the first case: Congratulations, keep going! If you have the stamina and inspiration to do so, front load these first couple of weeks so you can have a few days to ride if you need to recover. (I can’t help but hear Sheriff Bart’s voice in my head “Man, them schnitzengrubens will wipe you out!” Come on, people…Blazing Saddles)

In the second case: Don’t give up just yet. So she/he’s a gamble and you may have rushed into things. It’s normal to be nervous. It’s normal to feel like there’s nowhere to go. But you’re a writer. And writer’s do best when they stop questioning the end product and just write. See where that impromptu spouse will lead you, let it play out for a few days and enjoy the crazy weird ride that you’re on.

The secret to NANOWRIMO is to not overthink it. Because that’s when you start looking for all the imperfections and plot holes that send you into editing mode and canceling out any forward movement you have.

If you’re having trouble with getting your word count every day here’s some tips that have helped me:

  1. Break it up into smaller sections. A little in the morning, a little at lunch, some at night. Carry the laptop or notebook with you and write a few lines whenever you have a chance
  2. Keep your characters in your head with you at all times. How would they react to what you’re doing? What would they say to each other in the grocery store line? Let them talk to each other while you’re doing the dishes or in that third useless meeting of the day (come on, we all know at least 2/3rds of all meetings are just wastes of time that allow one person to hear themselves talk).
  3. Strike when the fire is hot. If you are on a roll, do everything in your power to keep writing…then in the middle of a paragraph or even a sentence–stop. Yeah, you read that right. Stop. It will frustrate you and keep your mind on what will happen next until you pick it back up. Foreplay people…there’s nothing like a little flirtatious teasing to make the next interlude all the more passionate.
  4. DO NOT be discouraged if you have a short day. Every word counts and a 400 word day is still 400 words. Like running or training, or anything really–great things are accomplished not always in leaps and bounds but by small progressive steps forward.
  5. Rest your fingers and your brain. Take breaks, sleep well, eat well, exercise, and get away from it throughout the day. Burnout probably happens most in the first couple of weeks when our inspiration gets ahead of our ability to keep at it with the same frantic pace.

Okay. That’s all I’ve got for this week.

Remember for everyone who comments on this blog during the month of November, you’ll be enterd to win a goodie basket of Writer Stuff. (its capitalized because it’s official)

Good skill, Writer.

National Novel Writing Prep

It is that magical time of year again. That time where my blog posts get shorter, the house falls into disarray, and herd of cats goes unfed (not true, if it’s one thing that can take me away from my writing, its the screaming protest of two obviously starving felines).

National Novel Writing Month is upon us. In four days time, I hope you’ll be joining me on a journey of creativity, self discovery, and frustrating obstacles to overcome. Much like a marathon, NANOWRIMO is not just a test of the word count, but a test of your mental fortitude. As in years past, I will be offering a short blog each week to help inspire you through the process.

But this week, I want to help you get ready.

First, commit to the process. It’s daunting. It’s scary. It’s a mountain of words to conquer and so many people won’t even type the first ten. But it is also absolutely doable. It is within your reach, and you can accomplish it with a little hard work and determination.

Once you’ve decided to join me on the journey, go to this website: www.nanowrimo.org and register. The website has come a long way in recent years and provides opportunities to connect to local groups, online communities, offers articles and tips, fun little badges to click on as a way to motivate you, places to download your own inspiration (photos, pinterest boards, and playlists), and encouragement for every stage. Answer some of the questions, create a profile, and just set it up as detailed or as sparsely as you want.

Next, and I would recommend this, whether you’ve been plotting and daydreaming about this novel for years or the idea just hit you yesterday morning on the toilet…make yourself a rough outline. If you’re not sure how-search outline or plotting on my blog website and it will take you to some great articles on how to get started. I recommend at least breaking your novel into three arcs and giving a general timeline of what happens within each. This will give you direction if and when you start to falter.

Next, look at your schedule and decide when your most optimal times for writing are, and put it on your outlook or calendar as a ‘meeting’ or ‘appointment’. Don’t let it get taken over. Reserve the time so you and your family/work partners know you will be busy.

Make sure you take creative breaks (reading, watching a show, painting, whatever) and physical breaks (walks, runs, stretching and yoga, naps etc) to keep your brain fresh and engaged and your body from being too stiff or jittery.

Stock up on snacks, coffee/tea, and water. Stay hydrated and healthy, and if all you have time wise for writing is night, make sure that you’re still giving yourself plenty of time to sleep. All in all, it’s only 1667 words a day you need to write. But some days it will feel more like 1,600,000, so do what you can to control the outside forces and story blocks that might make the process harder.

That’s your homework for the next four days. Get prepped. Get ready. Get set to go. You’ve got this.

Poetry 8-24-2023

Discovery

I did not find myself
in the bottom of a glass
The burn to numb poison
and all the untethering promises
she made

I did not find myself in 
the narcissistic hearts
parading in poets' clothing
promising ideas of my self-worth
while making me kneel before them

I did not find myself
by losing pounds
or cutting hair
or searing the wrinkles of 
a thousand laughs away

I did not find myself
by giving my love and my years
away to those who only wanted
to own me
collect me, 
objectify and fantasize
who never gave credit to the soul within 
only loved
the pretty, fading paper

I found myself beneath
the starlit sky, high up
in a meadow between mountains
cold and alive
brave and scared
breathing deep as though
it was my first air taken

I found myself in tumbling footfalls
one after another, up and down
careening not controlled
alonside pain
pacing with anxiety
but listening to my own heart
beating out

you can
     you can
         you can

I found myself in the holy land
of pine needles 
and mocking bird cries
silent stage, calm in a chaotic world
and herons in silent coasting flight above me
communing with their soul's solitude
in search of quiet shores

I found myself between pages 
and tattooed in ink
words and ideas and truths 
unknown to any other heart but my own
learning that, 
without meeting requirements first

I am enough
     I am brave
         I deserve love

I found myself in the faces
of women I've raised
to listen to themselves in ways
I am still learning
I found myself in their beautiful complexity
knowing I would never allow them to be hurt
in the ways I have accepted hurt for myself

I am finding myself 
and it has taken a lifetime
I just hope
I can take my heart
and lead her away from the dark

I hope I can find myself 
in time.

What’s in a Name?

Good morrow sweet readers. Today I’m going to talk about the importance of names in your fictional writing. Every writer has a process, and some of them are very organic while others are tortuous. I have been in both of those phases. Sometimes a character is just who they say they are when they pop into my head. And even if I wanted to change the name, I couldn’t. Sometimes the same character goes through an evolution of two to three (to seven–jesus, Elle Sullivan) names before the right one lands.

So how do we do it? Well… Here’s a bullet list because… we love bullet lists. Keep in mind that a character can be named for one of these reasons or for a combination of them.

  • Naming your character with meaning
    • This is where we get into the baby name sites and books and start with a meaning and back search what names correlate. I’ve done this a lot with my more urban fantasy/paranormal characters. I’m pretty sure none of my readers go around looking up the name and finding the little easter egg of their arc and purpose matching up. I do it more for me.
  • Naming your character Regionally/In Situ
    • Naming your character something that originates from their homeland, family, or region. This is important in some cases, to ‘show’ the reader a little bit about who they are by where they came from (like dialect but in a word).
  • Naming your character with sound
    • I think this is especially important in childrens’ and middle grade books. Lemony Snicket, Severus Snape, Skippyjon Jones. Not only does it make it more fun to read outloud but if you do your job right, you can intonate character with name. Severus Snape, ‘esses’ like a snake on your tongue.
  • Naming your character in tribute
    • There’s absolutely nothing wrong with this when it is done out of love and respect. My grandma Emma became Em. I even inadvertently wrote in a dear friend’s mother, Carmen into Back to the 80s. I know a Jamie, and love the name and fella but since it would be weird to write him as the MC, I made sure it was ‘Jameson’ in Composing Laney. I’ve used friend’s last names or nicknames. Sometimes its a way to pay tribute to them and be a little lazy.
  • Naming your character for foreboding
    • Gage in Pet Cemetery. Hodor from the Game of Thrones. Damien in The Omen. Even Remus Lupin, gave us some insight into the direction of the character. You can either spoil plot twists with this one or make your readers stop mid page to gasp at your cleverness. The trick is subtlety and not thing more than the name away before the twist. It could even be that an evil name (Severus Snape) is actually not attached to a villian.

Well, there you go. A few ways to start thinking (and probably overthinking if you’re like me) about how to name your next character. For a few more resources, check out the list below. Some of these are way more in depth than I like to go, some are fun and you can just keep spinning the wheel until the right one comes up. Good luck out there.

  1. Masterpiece
  2. Fantasy
  3. Listophile
  4. The Story Shack
  5. Reedsy Villains