It’s Here, It’s Here! It’s Finally Here!

Hey ya’ll.

I know I’ve made a lot of empty promises and delays in this project, which is misleading because it is something so dear to my heart. But there have been life hiccups and unexpected formatting issues (one just last night that came to my attention and pushed back the release by a day!)

Needless to say, this project has been on the drawing board far longer than I anticipated.

But like all good things…sometimes you just have to love it (warts and all) and let it go. So, without further fanfare, I invite you to purchase and peruse “No Small Things: The Beautiful Stuff Poetry Anthology 2019-2020”, available later today at Amazon.

Here is the link:

No Small Things Poetry Anthology

Thank you so much for your patience and support for all of the great poets who contributed. Share this around and help spread the love for artistic endeavor. Sometimes this life can be so ugly and harsh, we have to nurture the beautiful no matter how small.

If you are interested in purchasing a signed copy directly from me, please feel free to contact me via The Beautiful Stuff contact page or at sereichert@comcast.net

Until then, Happy Reading.

 

The Beautiful Writers Workshop: Week #6 Character Development

 

Good Morning! Quick announcement for those of you following such things. The Beautiful Stuff Poetry Anthology of 2019-2020, “No Small Things” will be released this coming Monday the 17th of February! Appropriately just past Valentine’s Day. That means you can buy it for a belated gift, because everyone knows the actual day is just a commercial driven, chocolate and sex-fest. (if it were just a chocolate and sex-fest, without the commercialism, I’d be totally for it.)

But a stunning book of poetry is the gift that keeps on giving.

Stay tuned for pictures, samples, and book giveaways happening this month and thru March. Also, be on the lookout for a book signing to happen this Spring in Fort Collins. I will let you know the date and place as it solidifies.

AND NOW THIS:

First off, where in the hell are your haiku’s?

None? Psh…cowards.

Okay, here’s a few from some brave souls out there.

Miss. Elliana Byrne from Boulder, Colorado sent me this lovely and thought worthy collaboration of five.

He said, I can’t help

With all your mental raving

You’ll have to sort it

 

He said, I was sweet

A juicy peach to bite, hard

But I talk too much

 

He said, breathe deeply

When I’m not so insecure,

He might give a fuck.

 

He said, I wouldn’t

Not with you, and your baggage

Stacked higher than sin.

 

They all want to taste

But none want to swallow me.

Jagged edge sweetness

 

 

Here are a few of my own in “honor” of the upcoming holiday.

 

1.

Silence stole my heart

You are gone, and I am lost

You were my constant.

 

2.

February lies

In drifts of heart-shaped candy

All love is false hope.

 

3.

Mechanical heart

Pumping without feeling love

Empty valves digress.

 

4.

She carried it well

Cancer of melancholy

consumed heart tissue.

 

There’s no time limit on these exercises and no order so if you want to send me anything from The Beautiful Writer Workshop, feel free.

 

NOW, ON TO THIS WEEK’S BEAUTIFUL STUFF:

This week’s exercise is short and sweet (not 17 syllables short, you’ll need some time on this one.)

Take ten to thirty minutes (together or in pieces) and pick either one of your favorite characters from a work in progress OR a favorite character from an already published book.

Write their backstory.

Where were they born? What was the name of the hospital? What time of day was it? What were they like in kindergarten? Did they run track or dole out drugs in high school? What’s their most defining internal characteristic? What strange thing do they do when they think they’re alone? What’s the worst thing about them, external or internal? What’s the best?

If you’ve already done this, then kudos to you. The writer that knows their character will have a much easier time telling their story. If you haven’t done it, get on it!

If you don’t have a character of your own, pick one of your favorite characters from literature (or dime-store novels, it doesn’t matter) and rewrite them as the anti-hero/opposite and be sure to have the backstory of why they turned out that way.

What defining moment in their life changed it all?

Okay. Go. You don’t have to send anything in on this one, but keep in it your file for your WIP. If you like it and find it helpful, do a similar exercise with the other characters in your book/novel/short story. Even the “sidekicks”. Everybody’s got a story.

Until next week, Happy Writing.

 

The Beautiful Writers Workshop #5: Haiku, can you?

Good Thursday morning, writers! I hope your week has been productive and your mental coffers are overflowing with ideas.

Today I’m going to be featuring some awesome first lines from the “Ten First Lines” exercise, as well as a few of my own. But first, down to business.

I realize we aren’t all poets here. I know that some of you have more the mind for long and involved stories. But, sometimes when time is limited a quick little scribble of something is better than nothing at all. Often, I find that these little scraps of creativity can lead me to a good short story or even get me over a plot problem in something I’m working on.

So today, your exercise is to experiment with the dreaded 9th grade (probably earlier nowadays) assignment of writing 2 to 3 haikus, alternately and if you are of the mind, you may write limericks (but no pilfering the dirty ones that still remain stuck in your head long after algebra has disappeared).

If you need a refresher, the haiku is a form of poetry, originated in Japan, following a syllabic structure in three lines. 5, 7, 5.

example:

“A World of Dew” by Kobayashi Issa

A world of dew,

And within every dewdrop

A world of struggle.

(Hey, wait, that first line only has 4, Sarah!)

Yep, that’s the thing, sometimes poets will play with the rule as long as they stay in the general confines of brevity for big ideas. such as this:

“In a Station of the Metro” by Ezra Pound

The apparition of these faces in the crowd;

Petals on a wet, black bough.

If we make a break after ‘apparition’ it works in format, but Ezra’s point was to keep that flow of the first 12 syllables of ideas all together.

So, see?
It’s not so rigid as your English school marm might have made it out to be. We’re adults, we can play.

Give me some good ones and I’ll share mine next time.

Speaking of sharing…here are some fantastic lines, the first two from our good friend and down right amazing human being, sid sibo:

  • It’s frickin’ hard to turn the page on a petroglyph story panel.
  • Stars brushed their gleaming fangs and the air itself glittered with frigid crystals.
  • WorkEatSleep was no life at all, not for a black rhinoceros, her skin slicked with ancient dust from a glorious continent.

No matter how you spin it, that lady is brilliant.

Here’s a few bites of the odd from my own homework:

  • My inflatable kiddie pool was infested by porcupines, high off my neighbors discarded edible gummies.

  • The toy monkey clapped at my ability to darn my own socks, still on.

  • Two, bonded-for-life redtails mocked her and her single membership gym card.

Okay. That’s all for today.

Go haiku.

Hell…if you’re a romantic, work on something for your significant other early before that made up holiday hits us next week.

OH AND…

LOOK FOR AN ANNOUNCEMENT HERE FOR THE RELEASE DATE OF “NO SMALL THINGS, A BEAUTIFUL STUFF POETRY ANTHOLOGY 2020” NEXT WEEK!!!!

(I’m so exited I could join those porcupines.)

 

Tightrope

“Let us be kind and compassionate to remove the sadness of the world.”

 

This is a brief blog today. I’ve got a lot on my plate this week and I have to boil down the process. First, thank you for sticking with me through the new changes and I hope some of you are enjoying the writing exercises on Thursday.

In the next few months I’ll be walking a tight wire, wobbling side to side in the effort to stay balanced and I am committed to making sure my writing is still something I carry with me, despite the extra weight it sometimes brings.

So today, in honor of some of my new obligations and the every-moment-filled reality I’m currently living in, I wanted to drop a gentle reminder.

This world we live in is unbalanced and filled with sadness. Each one of us carries a weight that no one else can completely understand.

Each one of us is on a tightwire.

Sometimes it’s razor thin and sharp. Sometimes it’s wide and steady.

But the drop is all the same.

I urge you, in whatever cycle of the wobble you’re in, to remember three things:

  • Breath. In, Deep and full. To the very tops of your lungs, plus one sip. Exhale, heavy and slow, to the very bottom of your belly. At least three times, three times a day.
  • Go out of your way to be kind to others. It costs nothing, not even much of your time in its truest simplicity. But it can mean the difference between that razor edge and solid footing for someone else.
  • Be kind to yourself. Not one of us is perfect, and we’re not meant to be. Give yourself grace, to wobble, to tumble, to rest and retry.

 

On Thursday I’m going to start the blog off with some fantastic first lines from contributors as well as my own. I hope you, and your badass kind self, can join me.

Oh…and about that Poetry Anthology…Thursday. I promise, something on Thursday (she said, wobbly and arms outstretched).

The Beautiful Writers Workshop Week #3: Ten Ridiculous First Lines

As promised, here is this week’s workshop in form of a creativity drill. No stuffy mission statements or essays on the purpose of your writing and future endeavors in the field. Just good ol’ fashioned prompting. Enjoy!

Writing can often become stagnant. Let’s face it, we are caught in the grooves of our lives and sometimes a fresh idea is hard to come by. Even if we do stumble upon it, someone else has inevitably done it before and we’re left with the blank-page-stare, wondering if we’ll ever have that audacious lightning bolt that will shock the world awake with its brilliance.

I’ve been reading a little bit of Russell Edson’s short work and he has the most fascinating way of taking something mundane and jolting the reader with the unexpected. Edson would sit down at his typewriter and belt out ten first lines, no editing, just start chasing whatever strange little tail of a thought was dangling just out of reach in his brain:

“A man wants an airplane to like him”

Or

“A husband and wife discover that their children are fakes”

Or

“The household toilet wants to be loved and leaves when it isn’t”

What came of these lines is ridiculous and beautiful and like nothing I’ve ever read.

And that’s your FUN assignment for the week:

Write ten ridiculous lines

Pair things that don’t go, give life to the inanimate, sauté a hat, use the perspective of a floor or the voice of a garden snail. Make a shoelace dance round a fire at Burning Man. I don’t care; just be extraordinary.

Bonus: Take your favorite one or two lines and whip out a flash fiction piece (500 words tops).

Go play. Send me your favorites, don’t let them sit, face down on your desk, not bringing joy.

The Beauty of Quiet

You can feel it, like a vibrating pulse, constantly surrounding us. It’s in the buzz of the lights, the ringing of phones, the blip of messenger, the ping of news alerts. It’s the hum of electrical devices and the glow of screens. It’s a blanket of noise and light, sound and motion. It’s the modern, ‘marvelous’ world we live in.

And it’s killing us.

Our brains are beautiful machines, designed to process incoming information from our senses and filtered through our own experiences and knowledge until they are the equivalent of a constantly running mainframe that makes millions of decisions a day, from a billion different choices and scenarios. And we live in a world where the information is at hand in any moment we desire, from thousands of different outlets and devices, constantly spewing out anything you’d like to know and most things you wish you didn’t.

And yet our brain no longer knows itself.

With a constant barrage of noise and information from outside along with the endless distractions permanently affixed into the palm of our hands, we have lost our ability to know who we really are and what is really important to us.

After all, without quiet alone time, our thoughts and therefore our minds become products of all that we take in. Without solitude for true self-reflect, unplugging, and just being in our own heads, we become part of the noise, this capitalist driven machine that has stopped questioning what it really means to be happy. Implanting ideas of material wealth and social forum acceptance as the cure all to the emptiness we feel.

We are too busy, we are too distracted, we are devoid of personal and private time. Our lives have become fishbowls; both open for inspection from anyone paying attention and also offering 360-degree views of everyone else’s business.

When was the last time you took 15 minutes of complete silence, without any external distraction?

Don’t have the time? It’s equivalent to about two Facebook checks, three cute cat videos, or two over-polarized news articles.

Don’t think silence makes a difference?

In a study published by Psychology Today, quiet contemplation was proven to dramatically improve our brain’s ability to sleep more soundly, stave off depression and anxiety, improve cognitive and behavioral function and even help fight chronic pain.

(Ahmad, S. (2019, July 17). Meditation and Mental Health. Retrieved January 19, 2020, from https://www.psychologytoday.com/us/blog/balanced/201907/meditation-and-mental-health)

We all know what happens when a computer overheats. Shit starts to go wrong.

Very wrong.

Depression and anxiety have never been at higher levels. Everyone on this planet is walking around with their nose stuck to screens waiting for the world to tell us what to value, what to be, what to feel…Waiting to tell us that we’re good enough. When the only person we should be seeking these answers from is ourselves.

I know it’s a little ironic to be preaching a sermon on getting off your tech from the pulpit of a blog. It doesn’t escape me that I’m keeping you here for some of those minutes we waste. But I’m doing it as a public service.

Get off your screen, take a break from the games, and social media, and frenzy of sound and light.

Because while the outside world is distracting you with all of its splendor, you’re missing the really beautiful stuff, the REAL stuff, that resides right in your own head. Go have a thought. All on your own. Follow it around for a bit without Google force-feeding you the answers.

Please. For your health, for the health of this planet and all human beings, do this thing.

Living beautifully means living. Not just watching fabricated life from the strangest social experiment ever concocted, but really spending time with yourself, with face to face conversations, with the space to breathe and let go of all that nonessential bullshit and make peace in the quiet.

The Beautiful Writers Workshop: Week 2- Mission Possible: Drafting A Writing Statement

Read that title, again would you?

 

I know, right?! SNOOZEFEST!!!

I promise, this isn’t going to be as painful as it sounds and it might be one of the most useful tools you have when it comes to guiding your writing. A writing mission statement turns vague hopes for an outcome into solid ideas and language.

So what is it that you want your writing to do?

Last week I asked you to compose some answers to questions about your writing in hopes that you can expand on those answers in the coming weeks and use them in addition to our exercises to flesh out your writing career.

From those answers, you should have written down aspirations for what you wanted to accomplish in a year, month, week, etc, and the small manageable goals that can get you there.

This is a little different.

Thinking about the work in progress you’re embroiled in (be it a novel, an article, an essay, or directions on how to make a giant rooster shaped cake)

rooster cake2
Join me next time when I explain how writers are masters of procrastination. Like, looking up images for rooster cake.

I want you to write down what you hope to accomplish with this particular work. We’re talking end game stuff here. What do you want the people reading your work to walk away with afterwards?

Example 1:

Say you’re working on an article about the wage disparity in large corporations.

Take ten to fifteen minutes and write what outcome you want to see as a result of your article. How do you want people to see your subject of the story? How can you make them identify with the people involved? Is it to educate? To change policy? Do you want to give them the tools to make changes, or just to think about it in a new light and in a way that encourages discussion?

Once you know the end goal, it will affect how you write the story.

 

For novelists a mission statement is integral to developing a relationship with your reader via your characters.

Example 2:

I want my readers to identify with a cranky, semi-violent spirit, haunting an old seaside house and fall in love with him. I want my readers to feel the sting of being trapped, and the power of love to soften hurt.

 

Writing about what you want to write will actually help you know what you need to learn in order to accomplish this mission statement.

 

So here’s your job this week:

  • Write a short mission statement for your work in progress or your next work.
  • Share it with someone (accountability bitches)
  • Where is the next, imagined destination of this work?
  • If you have time—study some of your old work, and see if you can write a mission statement for them—what did you learn from each?
  • If you have time—think of your favorite articles, books, masterpieces and see if you can decipher what the mission statement was for them.

Oye, so much work. Don’t make me crack a whip.

Again, feel free to share. I love hearing about your purpose in writing and remember that sharing that will help to manifest your goals!

Next week we’re dipping into some heavy creative work to balance out all of this business side.

 

Take care!

New Beautiful Stuff

 

Welcome back to The Beautiful Stuff!

It’s been a few weeks so I wanted to offer my sincerest thanks my readers out there for having patience while I took a little break from the blog. It was a perfect time to reset the old creative battery, try out a few new avenues, and make the new (and hopefully attainable) goals for the beginning of the next decade.

 

Last decade-turn I was stupid-big with my second baby and can’t recall much except I got winded a lot and had a really big problem with Whole Foods two-bite cannolis.

cannoli.jpg
I think I had at least a hundred two-bites in that last trimester…that’s two hundred bites

The baby turned out to be an amazing individual who is turning her first decade this year. Needless to say, back then I wasn’t thinking of the significance of a new ten years. I was thinking about potty training the oldest and trying not to tumble over while tying my shoes with a mouthful of cannolis.

But now here I am, in a less-rounded ten years and more in control of my mental faculties (still not so much control in the sweets department, but I’d be boring without SOME imperfections) and ya’ll are getting new and improved writing tools, inspiration, and help in the coming year.

First and foremost, (drum roll please) at the end of this month I’m launching The Beautiful Stuff’s first ever poetry anthology, entitled “No Small Things”.

I’ve been working hard over the holidays to get it organized, edited, and prepped. I must say, this is a beautiful little book with some amazingly talented writers contributing. I will give you updates on its release, book signing information, local stores who will be carrying it, how to get a copy if you aren’t local. If you are a writer or even just an avid reader interested in providing feedback and reviews for the book, please contact me and I’ll hook you up with a free copy.

Secondly, on Thursdays instead of the VerseDay you’ve grown accustomed to, I will be offering mini workshops; aptly named The Beautiful Writers Workshop, to get your creative juices flowing. If you’ve been inspired enough to write something you’d like to share, I will be offering a Monthly Writer Showcase, where you can promote your work, give a short bio, and/or provide a guest blog with any useful information you might have or want to share.

The Tuesday blog will move to only bi-monthly and will be more focused on The Beautiful Stuff of human existence outside of writing.

So there you go.

Recap for those of you who are cleansing and are a little foggy:

  • “No Small Things: The Beautiful Stuff 2020 Poetry Anthology” is out at the end of this month
  • Thursdays will feature The Beautiful Writers Workshop– free craft exercises to help break up the monotony and spark some inspiration.
  • Monthly Writer Showcase: Contact me if you’re interested in contributing!
  • Normal blog will be every other week on Tuesday and will center around The Beautiful Stuff of life.

If you’re in the middle of a learning new, healthier habits, I wish you good luck. If you’ve decided you’re just fine as is and aren’t changing a thing, I say good on you and keep on keeping on.

See you Thursday.

(By the way, The Beautiful Writers Workshop totally constitutes a valid excuse for buying new pens and pencils—you’re welcome.)

VerseDay 12-19-19

Watch

 

i was dying,

pared open on the floor, crying the way you do,

when no noise comes out anymore

and your face hurts from the skin being pulled too tight

over bared teeth.

 

Between silent sobs

i was dying

then i heard

the faint heartbeat, a whisper stroke

i stilled to listen,

right on the second

every monosyllable played precise

and the battle i’d been fighting on the floor

fell away in the space between tick marks

i clung to the sound like the edge of a cliff

something real, but soft

something consistent and true

 

i pulled open the dresser drawer and found

an old watch

face up beneath the quagmire of things i’d shoved in

band frayed

years neglected

but still beating.

And i thought…maybe

maybe if i just focus on

the ticks

the right on time,

instead of the death within me,

i could calm myself enough to sleep.

 

i’ve been wearing it now for three days

so when i remember my heart is gone

it lends me its own.

i hold it close to my ear

and listen for the next mark, and the next

and in this way i go on

 

i don’t know what will become of me

Of my heart

When the ticking beat

Ticks it’s last

 

 

VerseDay 12-12-19

Here, in the middle of your busy holiday season, with the obligations and expectations closing in, take pause and have a little poetry break.

 

I am missing

Cried the mountain,

from your blood and from your breath

 

You are sticky in the pavements and

Choked in traffic

You are gut sick with expectation

 

And I am missing from your blood.

 

You are broken backed

And over ran,

Jazzercised and dieted

Into the pale haunting gaunt

That smiles back from checkout line shelves

 

And I am missing from your blood

 

You are sleepless and achy,

Eyes dry from small ideas

And false images, voices raised

Praising the ego unfaltering

 

And I am missing from your blood.

 

Come back and breathe me.

Come back to my silent path,

The truth of dirt.

Of pine needle crunch,

Rock fall tumbles,

beneath your feet which empty out the filth

and transfuse me back into your veins

 

I am missing

Cried the mountain.

Come and find yourself again