The Beautiful Writers Workshop: Week 2- Mission Possible: Drafting A Writing Statement

Read that title, again would you?

 

I know, right?! SNOOZEFEST!!!

I promise, this isn’t going to be as painful as it sounds and it might be one of the most useful tools you have when it comes to guiding your writing. A writing mission statement turns vague hopes for an outcome into solid ideas and language.

So what is it that you want your writing to do?

Last week I asked you to compose some answers to questions about your writing in hopes that you can expand on those answers in the coming weeks and use them in addition to our exercises to flesh out your writing career.

From those answers, you should have written down aspirations for what you wanted to accomplish in a year, month, week, etc, and the small manageable goals that can get you there.

This is a little different.

Thinking about the work in progress you’re embroiled in (be it a novel, an article, an essay, or directions on how to make a giant rooster shaped cake)

rooster cake2
Join me next time when I explain how writers are masters of procrastination. Like, looking up images for rooster cake.

I want you to write down what you hope to accomplish with this particular work. We’re talking end game stuff here. What do you want the people reading your work to walk away with afterwards?

Example 1:

Say you’re working on an article about the wage disparity in large corporations.

Take ten to fifteen minutes and write what outcome you want to see as a result of your article. How do you want people to see your subject of the story? How can you make them identify with the people involved? Is it to educate? To change policy? Do you want to give them the tools to make changes, or just to think about it in a new light and in a way that encourages discussion?

Once you know the end goal, it will affect how you write the story.

 

For novelists a mission statement is integral to developing a relationship with your reader via your characters.

Example 2:

I want my readers to identify with a cranky, semi-violent spirit, haunting an old seaside house and fall in love with him. I want my readers to feel the sting of being trapped, and the power of love to soften hurt.

 

Writing about what you want to write will actually help you know what you need to learn in order to accomplish this mission statement.

 

So here’s your job this week:

  • Write a short mission statement for your work in progress or your next work.
  • Share it with someone (accountability bitches)
  • Where is the next, imagined destination of this work?
  • If you have time—study some of your old work, and see if you can write a mission statement for them—what did you learn from each?
  • If you have time—think of your favorite articles, books, masterpieces and see if you can decipher what the mission statement was for them.

Oye, so much work. Don’t make me crack a whip.

Again, feel free to share. I love hearing about your purpose in writing and remember that sharing that will help to manifest your goals!

Next week we’re dipping into some heavy creative work to balance out all of this business side.

 

Take care!

Advertisement

On Poetry

Okay, I know.

I’m a novelist. And believe you me, I’ll be getting into some hard-core, novel-in-a-month advice the next couple weeks, but until then….let’s talk about poetry.

(BECAUSE I KNOW YOU’RE ALL PREPARING SOME AWESOME POEMS TO SEND MY WAY TO BE CONSIDERED FOR A GUEST BLOG, RIGHT? STOP SHIFTING UNCOMFORTABLY AND SEND ME THOSE VERSES. I’m really quite lovely and so excited to read your stuff. I’m a big, snuggly, softy posing as a hard-nosed writer.)

black vintage typewriter
Photo by Pixabay on Pexels.com

Long before I wrote novels, I was a poet. In retrospect, I’m kinda amazed at how easily I could fill a page with stanza after stanza.  It took time to develop, but the poems progressed from what would rhyme to what would bleed just the right color.  My poetry led to some hurtful, terrible and cathartic things on the page.  Words were raw and emotional in ways I never knew they could be.

Each one of those poems pulls me back to the time and events that they were borne from.  I remember the exact person that inspired each.  I can sometimes even remember the exact night they were written.  That’s powerful stuff.

Words, in their inherent singularity, are powerful. One word can command meaning, history, and intention just by its existence on the page. Words can change and shape how we experience our human existence throughout time.

Knee-deep in a novel, it becomes a challenge to capture the same essence I once had in writing poetry.  I’m too used to telling a story in pages, not lines. Heavy worded and filled with the need to explore each step of a character’s journey, I can sometimes lose the contrite honesty of being a woman of few words.

Whether you write fiction or non-fiction, novels or short stories, practicing poetry is an excellent skill for all writers.  It will improve the preciseness of your writing.

How do you say the most with the fewest?

Here are some exercises (that’s right you beautiful, wordy bastards, I’m giving you homework) to help you boil the most important elements of an idea down into its thickest, richest concentration.

Throw some words down from this exact moment of your existence and make each one count.

Do it fearlessly, because there’s no judgment between you and the page.

Send it to me, or don’t but keep it and use it to understand your skill and how you can grow even further in your art.

*Describe the chair you’re sitting in in six words.  Try four.  How about two?

*Describe the person in your chair (yes that’s you—maybe it’s two of you—I don’t judge) in six words.  Try four.  How about two?

*Describe the best day of your life in six words or less:

*Describe the worst:

Because A Dog Can’t Eat Your Virtual Homework…

All right, friends and neighbors, the homework I assigned last week is only due for me. You can send me your 0-1000 word story/poem from the prompt: “Write about something you left behind by accident and/or Write about something you left behind on purpose” anytime between now and September 1st.

Remember, you not only get featured on the blog, you get a free set of my steamy romance novels signed by me and braggin’ rights. So get me those entries, send them to the contact info on this site.

In the spirit of being a good example, I’m including not only a flash fiction piece but also a poem. Because prompts are expandable, remember I said that. Be creative. Hell, you know what? If you have a photo that you feel might fit with this prompt, send that in too! I’d love to see it…In fact, today’s photo was a result of said inspiration.

Get out there, get writing. Here’s my homework (you’re welcome to print it out and grab a red pen but you can’t send it back…)

 

Hyde-Park-London

Hyde Park

 

I left your scarf on a park bench

The sun came out

It was too warm

 

I pulled at it, slipped it down one side of my neck,

Set it beside my tea

And went back to the newspaper

 

The orb blazed brighter

Dropping my mind

into a haze of preoccupation

 

I tossed my cup in the bin

Tucked the paper under my arm

Fled the barrage of summer

 

And came home

Without your memory

hanging around my throat

 

That’s how you finally forget,

I suppose

Letting go happens when you’re least expecting

 

In the heat of a Tuesday afternoon,

On a bench in Hyde park

With a mind full of other things

 

Besides the tender hands that first placed it

In a sodden field,

blanketed with rain

 

The sun came out

It was too warm

I left you on a park bench.

 

Part The Second: The flashing fiction bit…

 

Diamond Trees Don’t Root Like Potatoes

So finely honed was the veiled disappointment in her face that I didn’t even need to look to know it was there.

“I’m sorry,” I shrugged over the potato peeler and the growing pile of gritty brown scraps beneath it.

“I just can’t believe you lost it!” her pitch rose and startled me.

My mom’s passive aggressiveness was legendary. She didn’t wield a battle-axe; she used a scalpel. She didn’t say outright what she meant; she kept the grudge seething for decades. That’s how the poison worked in our family. The curse of material prestige, the “what we owned” owning us. The things handed down like shackles being snapped into place.

“I said I was sorry,” I muttered. “It was an accident.”

In the way digging a hole and burying something akin to nuclear waste beneath an old billboard welcoming folks to Beautiful Bonnie Bay, Minnesota was an accident. Oops, I tripped and fell into a purposeful purge. Maybe a black little tree of greed would grow up from the seed. The idea was both ridiculous and frightening.

“She told me not to leave it to you until you were older! I should have held on to it,” she wiped the sweat from her forehead, and resumed her agitated pacing from pot to oven.

“No, you shouldn’t have,” I whispered.

“What?” Pacing stopped. “What did you say?”

Her new direct approach was something I attributed to the magic of the hated object lying beneath three feet of dirt and unable to inflict its venom. It could’ve been that she was just really…really pissed. That was okay, because at least she was being honest.

“I said,” I turned wielding the starchy peeler like an accusing finger. “That you shouldn’t hold on to it. To any of it, Mom.”

“What do you mean by that?”

“She spent years holding all these ‘treasures’ over your head, just like her mother did to her and probably hers before…making sure you stayed in line if you wanted to inherit–”

“That’s not true!” she shouted.

“She poisoned you!” I blurted out into the room still ringing with the echo of her voice. “She poisoned you into believing all those things were your worth! That they were her love. And you had to earn them, and that she could take them away just like that!” The snap of my fingers startled her like a coma patient waking.

“I don’t… know what–” she sputtered and took hold of the counter with fingers clenching.

“You deserved loved from her. You deserved better! You are worth so much more than a broach, or a set of dishes, or a closetful of linens. And you’ll always have my love, no matter what you give me, even if it’s just the time you spend yelling at me over a piece of cut rock. I’ll love you! ‘N you never have to buy it, or earn it. It’s just there.”

It would have been customary for one or both of us to turn away or huff off to a different room where we’d place the grudge dutifully on our shoulders. But she came to stand beside me, facing out into the kitchen and catching her breath, slowing into calm.

I picked up the half-naked potato and finished his delicate undressing so he could join his skinny-dipping friends in the pot.

Mom sighed while her eyes closed out the room and her mind reread every cursive note attached to every object filling the boxes in the attic.

I leaned the warmth of my hip against hers and listened to the jangle of sharp metal over thick skin. Finding the white tenderness, separate from all the dirt, gave me appreciation for the rugged beauty of rooted things, and the glimmer of hope for a barren ground above the broach’s final resting place.

 

Homework

Oh, you’re in for it now.

Listen, sometimes I get down to the dirt of it all and give you the best writing advice I’ve got and all you have to do is sit back and absorb my witty information dumps.

But I’ve got a case of summer boredom and am itching for something different. Something a little more…interactive. So, today, instead of me expunging on the benefits of plot arcs and character development, or raking you through the coals of The Chicago Manual of Style, we’re gonna play.

I say “play”. You might say homework.

Pota-toe. Potaah-toe.

Here’s the rules. I’m going to give you a writing prompt. You send me your 200-1000 word result. It can be fiction, nonfiction, prose or in poetry form, written in chocolate pudding, or Latin (or in Latin, in chocolate pudding)…the possibilities are all before you.

I’ll choose a winner, send you a set of my signed novels, and feature your story on the blog with all the bragging rights that come along with it. Cool?

And because, I’d never ask you to do something that I wouldn’t do myself, I’ll be featuring my ‘homework’ on next week’s regular Tuesday blog.

So…you see, writers that suffer together…give each other awkward, virtual high fives afterwards? Drink heavily and question the purpose of their existence? I vote the first one.

Because I’m feeling generous, I’ll even give you two options to choose from.

 

Here’s your homework:

 

Write about something/one that got left behind by accident.

or

Write about something/one that got left behind on purpose.

 

On your marks….get set…