What’s Happening?

Posted on by sereichert

Hey kids, just a quick little catch up blog to let you know some things going down, and give you a heads up for some events. Also–A poem.

First, a huge thank you to Bookmarked Literary Festival in Lander, Wyoming. The organizers, sponsors, and community made it such a memorable and fun event. It’s a beautiful thing when readers and writers can come together and share their joy of literature and their support for all voices. I was so impressed by the participating writers and poets and the new voices and fresh perspectives I heard.

If you don’t have a festival like this in your town, talk to your librarians and local writers. Now, more than ever, we need people who love books and the people who believe in reading them instead of banning them. No one who ever banned a book, in the history of the world, was on the right side of things. And as writers and readers, it’s our duty to protect the free flow of ideas to be written and words to be read. Free will gives everyone a choice as to what they read, we have no right to take away the choice of someone else.

Um…what else? Oh! I have some books coming out!

Composing Laney It should be up for presale soon and book signing dates will be forthcoming. I also have a new saccharine holiday short called Rewriting Christmas with Kerrie Flanagan. If you like Hallmark and a bit of my snark, you’ll probably like it. I’ll be posting the cover reveal soon on that one. I have a new Vella out The Three Hearts of Eve which is a quick-reading adventure into the perils of genetics, assassins, and free will. It’s about to heat up, so don’t miss out. And remember the first three are free!

As always you can find my other novels, poetry anthologies and writings here on the site, at Amazon, Barnes and Noble, and 5 Prince Publishing.

The LAST thing to announce is that my Youth Writing group will be participating in an Anthology due out in 2024. These talented kiddos are learning the ropes from writing to publishing and everything in between. If you know a youth who wants to be a writer (or is one), between the ages of 12-17+, send them the link here: WHWA Youth Writers. We’re still in need of entries for the anthology that will be published in May or late June. All writers will be paid for accepted submissions, and any proceeds from book sales will go directly back into the youths’ writing group for supplies, trips, and conference fees. It’s free to sign up with the youth program and there are no requirements except to enjoy the writing and be kind to one another.

Whew!

And now… Poetry

You Needn't

You needn't worry about me anymore
I'm quite moved on
without you

I've folded up my broken heart
and stuffed it in a drawer
with all my too tight sweaters
and kindergarten art work

things once mine
that do not fit any more

You needn't try to pretend we are friends
or play my sympathies
with your most recent tragedy

I've washed those away
with the news of your betrayal

down the drain they spiraled
to settle in the dark and moldy pipes
where such sympathies belong

You needn't worry for me anymore
I am an empty vessel
properly left to collect dust
on someone else' shelf

a picture of once beautiful,
chipped and worn
and waiting for something worthy
to fill me up again.

What’s in a Name?

Posted on by sereichert

Good morrow sweet readers. Today I’m going to talk about the importance of names in your fictional writing. Every writer has a process, and some of them are very organic while others are tortuous. I have been in both of those phases. Sometimes a character is just who they say they are when they pop into my head. And even if I wanted to change the name, I couldn’t. Sometimes the same character goes through an evolution of two to three (to seven–jesus, Elle Sullivan) names before the right one lands.

So how do we do it? Well… Here’s a bullet list because… we love bullet lists. Keep in mind that a character can be named for one of these reasons or for a combination of them.

  • Naming your character with meaning
    • This is where we get into the baby name sites and books and start with a meaning and back search what names correlate. I’ve done this a lot with my more urban fantasy/paranormal characters. I’m pretty sure none of my readers go around looking up the name and finding the little easter egg of their arc and purpose matching up. I do it more for me.
  • Naming your character Regionally/In Situ
    • Naming your character something that originates from their homeland, family, or region. This is important in some cases, to ‘show’ the reader a little bit about who they are by where they came from (like dialect but in a word).
  • Naming your character with sound
    • I think this is especially important in childrens’ and middle grade books. Lemony Snicket, Severus Snape, Skippyjon Jones. Not only does it make it more fun to read outloud but if you do your job right, you can intonate character with name. Severus Snape, ‘esses’ like a snake on your tongue.
  • Naming your character in tribute
    • There’s absolutely nothing wrong with this when it is done out of love and respect. My grandma Emma became Em. I even inadvertently wrote in a dear friend’s mother, Carmen into Back to the 80s. I know a Jamie, and love the name and fella but since it would be weird to write him as the MC, I made sure it was ‘Jameson’ in Composing Laney. I’ve used friend’s last names or nicknames. Sometimes its a way to pay tribute to them and be a little lazy.
  • Naming your character for foreboding
    • Gage in Pet Cemetery. Hodor from the Game of Thrones. Damien in The Omen. Even Remus Lupin, gave us some insight into the direction of the character. You can either spoil plot twists with this one or make your readers stop mid page to gasp at your cleverness. The trick is subtlety and not thing more than the name away before the twist. It could even be that an evil name (Severus Snape) is actually not attached to a villian.

Well, there you go. A few ways to start thinking (and probably overthinking if you’re like me) about how to name your next character. For a few more resources, check out the list below. Some of these are way more in depth than I like to go, some are fun and you can just keep spinning the wheel until the right one comes up. Good luck out there.

  1. Masterpiece
  2. Fantasy
  3. Listophile
  4. The Story Shack
  5. Reedsy Villains

Process and Perfection

Posted on by sereichert
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Look at us, surviving (nearly?) another summer, a Camp NaNoWriMo, and one of the most interesting and invested writer’s strikes in a while. I’m so proud of those on picket lines and, though I still produce my blog, I do so for the other writers out there, and for my own sanity. That being said, if you’re a writer, artist, (struggling or not) or simply someone who believes in the arts, keep your eyes and your voices raised. This battle is one that is fought on every screen, newspaper, and blog post. Support all of our artists and dreamers. Because creativity is not just the source of our humanity, it is the building blocks of our survival. Engineers build bridges but someone must first imagine the bridge. You know what I mean? Survival takes all the bright and brilliant we can offer as species, so support all the bright and brilliant with a living wage, and do not pay into the corporate machine.

Okay–let me just….step down from that…soap…box (grunt). Now! Where was I? Well, I’ve been promoting and reviewing and doing all sorts of extraneous writing/marketing fluff, so today I wanted to get back to writing and talk about PROCESS.

If you’re a writer, I know you own at least three to 50 books on writing. And every single one of those offers you advice, usually from someone who “made it” in the world. We could say “experts” in the field. And where, yes, there are some constants that should be paid attention to (the book won’t write itself, you do have to put in the time, no its not easy, yes you will fail…repeatedly) I want you to take my advice (Ha! hypocrite!) on these few things…

Why take my advice? I’m not Stephen King, or Dan Brown, or Robin McKinnley, or Connie Willis…Who TF do I think I am? Well, beyond the fact that I’m a pretty average writer, with a good community, and an interesting background…I care. I actually care about your success as a writer (see above rant about artists and creatives).

And the thing about us, is that no single writer is in the same life or head space as the next. Stephen King isn’t raising two toddlers and working full time. Connie Willis isn’t supporting a family of seven with a night shift job. I’m not trying to cope with dyslexia or ADHD… We are all on a similar journey but we’re not all wearing the same shoes. Some of us may not even have shoes. And it may be night. And there are wolves chasing us…okay…back on point…

  1. PROCESS ISN’T AN ABSOLUTE: No singular way to write is the RIGHT way to write. (that’s a lot of goddamn ‘right/writes’) Write everyday, write in the morning, write at night, sit in the chair and don’t come out until you’ve got 5,000 words…NO. There’s absolutely no truth to any of this. While, you do have to write (to be a writer) how and when are defined by your life, your energy, your day, and your ability. And ALL of those factors continually change (especially if you’re a parent or care giver, work multiple jobs, have learning challenges or are facing mental health crises). SO–your process is your process and it might look like 15 minutes in the morning and 20 minutes at lunch, and note taking during your kid’s practice, and daydreaming in the bath. Which leads me to the next absolute.
  2. NOT ALL WRITING IS WRITING: WTF does that mean? Well, daydreaming, is writing, downtime with a movie that inspires you, is part of writing. Getting a good night’s sleep and going for a walk are all parts of the writing process. The human brain is not meant to be stimulated the same way for hours on end. It’s complex, it needs variety. It needs challenge, it needs downtime. Nearly every writer I know has said…”It wasn’t until I took a break, and a walk that I got through that problem.” You can’t bash your brains against a plotline and hope the hole gets fixed. Being a writer is in large part being a shiftless daydreamer. So don’t discount the times you’re not in the chair clacking away.
  3. ONLY YOU SET YOUR LIMITS: This is both to the advancement and detriment of your craft. Someone says you should write 2000 words every day, but you are struggling to get 700, or maybe you’re throwing down 5000 words in one afternoon and don’t write for a few days…You are responsible for the ‘rules’ you make about writing and only you know the best possible route. I have a lovely friend, brilliant, funny and talented, who struggled with her first book, until she realized that she didn’t need to write every day. And that night writing wasn’t her thing and that she had to ‘let’ herself be okay with what her brain and her heart needed on whatever day the universe was giving her. Brav-Fucking-O I say to that. How many of us ascribe to preordained writing gospel only to be disappointed that we are failing that particular process? And what happens when we get discouraged? We stop writing. We fall into self-blame, and defeatism, and a general giving-up on ourselves and our work because we’re not a ‘real writer’. KNOW YOURSELF, TRUST YOURSELF. GIVE YOURSELF THE TOOLS, SPACE, and PROCESS YOU NEED.

Well, that’s all I have for today. Get out there, or go inside, sit down or walk around and take voice notes. Take a bath, take a walk, spend three hours at a desk, or fifteen minutes at a coffee shop. Just write. In the best way you know how.

Updates, New Releases, and Encouragement

Posted on by sereichert

Good morning, my fellow readers and writers. I hope that this blog finds you well. If you’re participating in NaNo, I hope it’s going well. If you’re just trying to survive the summer, I hope you’re surviving. If you’ve given up society for a cabin in the woods, you won’t get this blog but I am happy for your new and quieter lifestyle.

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I’m recently back from a trip to Japan and still trying to adjust to the time and the ‘normalcy’ of my life. If I could tell anyone to do anything that would influence, affect, and change their lives, I would tell them to travel. Especially to a country where you don’t speak the language. Especially to a culture half-a-world away from your own. Become a stranger. Become a wanderer. That’s where you find the kindness and humanity in life, and the excitement of getting lost outside of your comfort zone. Traveling this way helps you to understand that the best lessons come when we are at our most vulnerable and humble. Also, America really needs to step up their toilet game and their vending machine capabilities.

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A quick note that I will be trying to do a couple of virtual write-ins this month for NaNo, on my social sites, so follow me here: Facebook for more info on that. I’m sticking to Sunday afternoons from 2 until 3 for the rest of the month and a final one on Monday the 31st from 5-6pm. If possible, I may be able to give you some prompts, answer a few questions, and give encouragement. I’ll have to see how that all works as I’ve never done it before.

Also!!!! I’m getting to release two new books August 1st (whew, she’s a busy bee!) Granting Katelyn, the 2nd book in the Sweet Valley Series will be out along with my stand alone, sweet comedy romance Back to the 80s. You are able to preorder those through 5 Prince Publishing and online at Amazon. The Back to the 80’s book will be launched into the world at a totally rad party hosted by Totally 80’s Pizza here in Fort Collins, August 1st, at 6pm. We’ll have games, books, some readings, and maybe even trivia. Love to see you there. I’ll get you details on Granting Katelyn’s Launch as they progress.

Stay curious out there. Keep writing. And get yourself some sun and a couple of lazy naps in if you can.

Love, me.

Creativity and The Writer: Part 1

Posted on by sereichert

Feels like that could equally say, “Beauty and The Beast”. So many ideas of what creativity is exist. Is it limited by IQ? Is it genetic? Does it only happen at given times or is it always on the bench, waiting to be put into play? Do some people have more of it? Does it dry up?

Often, as a writer, I’ve asked myself all of these. At times she has felt like a constant companion, whispering ideas and daydreams into my ear. At times, it feels like I’m alone in the middle of a lifeless desert, not an idea or a breath to take. When the good is good, ah they high it brings. When she’s nowhere to be found, there’s not a deeper low. And sometimes it feels like some writers are blessed with a giant bag of it, that they can’t possibly use in one lifetime, while mine is just an empty plastic bag, with a hole in the bottom.

I know many things, physically, can affect your creativity so I’m going to start there. Here are some basics you ought to know:

  1. You need sleep. Sure, sleep deprivation can give you some really interesting half-cocked (i just wanted to use that word) ideas. But they’re rarely fully formed enough to make much out of, especially once you’re coherent enough. Get sleep. Your brain needs it to problem solve, and that’s a HUGE factor in being creative.
  2. Don’t treat your body like a circus tent. Eat good foods, vegetables, lean and clean protein, drink water, watch the sugar and the processed foods. Limit the caffeine (see sleep more). Vitamins, nutrients, and minerals all help to keep your synapses firing correctly and your brain clear.
  3. Cut back the Alcohol. I’m not ashamed to say I struggle with this one. Its in my genes, and I have to be very conscious about it. I’m actually taking steps towards sobriety. One glass of wine softens my brain enough to let go of my anxiety and words seem to come easier. But I’m not the kind of person who can stop at one glass usually. Because if one feels good…two would be great right? And why not a third? And pretty soon you can’t even see straight and the brilliant ideas of last night that you scribbled down are incoherent the next morning. Creativity works better with Clarity.
  4. Exercise. Might surprise you to know that the old brain needs oxygen to function. How does it get that? Through our vascular system. Want to have a healthier vascular system? Exercise. Not only does it increase your oxygen level and hit you up with a tasty dose of endorphins, it gives your muscles, joints, and tendons a lot of love and attention. I don’t care how you do it, (bike, run, walk, lift, yoga, pilates, belly-dancing, martial arts) just do it, at least 30 minutes a day. Bonus points for doing it outside.
  5. Take time away from your screens. This one is going to lead into part 2. We are an overstimulated bunch of hairless monkeys. My goddess, did they do a number on us the day social media was invented. Here’s a little hit off a fake feeling of mattering. Now get twenty thousand of them a day while you scroll through nothing but recirculated and watered down ideas. Nothing original, nothing too insightful, and please feel free to stay in your designated echo chamber. I truly believe these systems, algorithms, AI and the entire corporate conglomerate of Meta is one of THE BIGGEST creativity killers ever known to humans.

So, that’s the beginning, taking care of the basic human needs that create an environment conducive to creativity. Think of it like a garden. You can’t grow anything in a dry and poisoned patch of dirt. It needs all the good stuff to begin a healthy bunch of ideas. Next week, we’ll talk about a little more about what creativity is and what it is not, and you’ll get another good list of ways to cultivate it and use it in all aspects of your life.

Happy writing!

Crossing Genres

Posted on by sereichert

Good morning! Well, its been an exciting few weeks with book releases and readings, and promoting the hell out of my stuff. I’m so excited to get back to actual writing, and talking about writing. Today, in collaboration with the fine folks at The Writing Forge, I’m going to talk about crossing genres, both as an author and also within singular books.

For more check out this podcast: “Look Both Ways Before Crossing Genres“

So, what does it mean to be a cross-genre writer? Well, it’s more prolific than you might think. Very rarely does an author stick to one genre alone for the entirety of their lives (I was going to say career but I’ve never actually known a ‘retired’ writer. We write up until the day we shuffle off the mortal coil as far as I know). Nora Roberts writes romance but she also crosses over into Mysteries as J.D. Robb. J.K. Rowling went from YA fantasy to Adult Fiction, Anne Rice has written everything from Vampires to DomSub, to Christianity. Hell, even James Bond’s creator, Ian Flemming wrote “Chitty Chitty Bang Bang”. So the better question is not should you become a cross-genre writer but when and how.

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Writing in multiple genres can be done in one of two ways. By switching genres completely by novel or story, or by incorporating multiple genres into one project. Let’s start with the first.

So, let’s say you’ve been churning out kids books for the last ten years and you’re ready to jump into something new. You’re an established name in the genre, with a following (let’s dream big while we’re dreaming). Yay for you! But how do you go about the transition seamlessly?

First, know the genre you’re getting into. Mysteries don’t follow the same plot points or tropes as kids books (wait, do they?) Read as many mysteries as you can, gain a good understanding of typical tropes and character types for your new genre. Discover what you like and what you don’t, what works, and what doesn’t. This way, you’ll be ready to write a mystery that will appeal to the die-hard fans of the genre and hopefully make your work more acceptable.

Second, if you’re established in one genre and are jumping the creek into another, you may want to try a pen name. When people know you for a certain story/genre type, they’re going to follow you. But maybe they don’t want to read your new blood spatter fest to their 8 year old. So, establish a new name for your new genre. (J.D. Robb, A.N. Roquelaure, etc.)

However…if you are a sci-fi writer and you’re dabbling in fantasy, this is a smaller jump and you can probably keep your name. Those followers you have will probably be more lenient and accepting of your next adventure, and if you can take an established base on a new adventure all the better.

What would be the benefit of writing in multiple genres in this way? I’m so glad you asked. Here’s a bullet list.

  • Its a great way as an author to diversify your writing, get your work into different venues, and expand your base of readers
  • It can help beat boredom of following the same tropes/patterns over and over
  • It will help grow your skills as a writer. Romance writers know dialogue and relationships, Fantasy writers know word building, Horror writers know suspense. All of these skills can be honed and developed to the betterment of all your writing.
  • It makes you hard to pin down and undefinable. Frankly, I don’t like being put in a box. Yeah I write romance, I also write speculative fiction, suspense, sci-fi, and erotica. I dabble in poetry, and sink into human interest non-fiction. Don’t you put your labels on me.
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Now Let’s talk about utilizing multiple genres in a single novel/story/project.

Its slippery slope. Genre fans are genre fans for a reason. They like the predictability. They like knowing where the story is going and that it will end in a certain way. Mixing up loved tropes, taking side quests, and tripping the hero on his journey might lose you some fans. And genre fans are a huge base. I’ve even turned off a couple of readers because some of my romances were not ‘sweet’ enough. They were a little too dark for the genre. And that’s a risk I took by telling a grittier story in a genre that likes to stay flowery.

BUT the benefits to writing this way, are that you can incorporate elements of storytelling that best suit your characters and the story itself. I wrote a science fiction novel set on the rings of Saturn with time/space wormholes, and a heavy nod to literary poets. It had elements of religion, and romanticism, and social commentary, all in the midst of blaster fire and moonglass blade fights. It was one of my favorite stories to write and one of my best recieved and I think that’s because sometimes a story is just too big to fit in one genre.

Sometimes your story, is more like life. A daring, romantic, mysterious, fantasy western set in modern day suspense-filled and poetic semi-reality. And its interesting and unpredictable in spaces, and comforting and ties up well in others. And that’s why knowing the elements of each genre is important and can boost your plot line into something quite magical.

Crossing genres is, all in all, a great way to improve your writing and your reach. Knowing your audience, and understanding the different and distinct elements of your genres will help you do it in a successful and enjoyable way. I hope that you all give it a chance and let me know how your forays go.

Going Back to School: How Writers Benefit from Classes, Conferences, and Trainings

Posted on by sereichert
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There are plenty of ways to keep your skills sharp as a writer. Last week, I covered the conference season and this post will be similar in that I’m going to give you some online resources for improving your writing skill, developing a business or marketing plan, and helping to boost your creativity. Just like conferences, a writer can easily blow their budget by trying to train themselves into success. My goal is to offer you a spectrum of options with the caveat that classes can show you how to write better, give you pointers on the business side of things and offer marketing advice, inspire new ideas, and improve your editing. About the only thing they can’t do is write your book for you.

The Long Haul:

MFA/MA Programs: These programs (Master of Fine Arts and Master of Arts) are advanced, graduate degrees that can help to help your overall exposure to the big picture of writing (MA tends to focus more on Literature and less on writing, MFA can be broken down into Creative Writing, Journalism, Linguistics, etc). In these programs you will learn pretty much everything, from plot and structure, to dialogue and character development, to grammar and editing. It will take two years at least, and the cost averages out to about $38,000, not counting room and board. You’ll read an enormous amount of material. You’ll probably complete a novel or collection as part of your thesis. Not a horrible way to go, but studies are showing that the cost of MFA programs are often not paid back in employment afterwards so–carefully think through that one.

Online Writing Courses:

A number of reputable online courses and classes are now offered through various writing groups, professional/successful authors, and university departments. The courses are less intensive than a MFA and can often be done at your convenience. They cost a lot less (some are even free) and you can often pick and chose the ones that will benefit you the most. Here’s a small list courtesy of softwaretestinghelp.com:

  1. Wesleyan University Creative Writing Specialization
  2. Gotham Writers Online Writing Classes
  3. Reedsy Learning Courses
  4. Udemy Creative Writing Courses
  5. edX Creative Writing Courses
  6. FutureLearn Creative Arts and Media Writing Courses
  7. OpenLearn Creative Writing
  8. SkillShare Online Creative Writing Classes
  9. Emory Continuing Education Creative Writing
  10. Universal Class
  11. Writers.com Online Writing Courses
  12. Masterclass Creative Writing Classes

Conferences, Seminars, Retreats

Feel free to refer back to my other post: https://thebeautifulstuff.blog/2021/04/01/a-word-or-several-about-writing-conferences/)

I’m going to offer this plug one more time, because I truly believe in this conference and because it’s completely hybrid, you can attend from anywhere in the world, participate, and get the benefits without the travel costs, having to get dressed up, or use a public restroom–winner, winner, chicken dinner. Register for this one:

WHWA Writing Conference

For this area of your continuing education I’ll ask that you explore seminars (mini conferences, or a series of five or more classes on one topic, like Novel Writing) and retreats in your area. I’m sure there are beautiful, far-flung retreats in tropical islands that are also available, but with travel restrictions, lack of funds, and a busy life outside of writing, those may not always be attainable, so do a little research closer to home. Some of my favorite retreats and seminars have been offered through Writing Heights Writers Association at a very fair cost and are conveniently located. It also helps my sense of altruism to know I’m giving my money into a local organization that turns around and helps other writers in my area.

Retreats tend to fall into two categories, those with classes/seminars and free-write time, and those with simply free-writing time, punctuated with social hours. You may wonder how effective three or four days, stuck in a lodge, with nothing but time spent writing can be as beneficial as say, a whole weekend of conference classes. Well, young writer, let me elaborate.

Classes, conferences and seminars are excellent resources for enhancing your writing and helping you learn technique as well as opening up your mind to the business side of things–just like I mentioned above. And, just like I mentioned above, they can’t write a book for you. Only you and time can do that. As a mother of two busy kids, with a couple of side gigs, and a whole household to run–I don’t always have time to write. Somedays I’m lucky to get 20 minutes in. So to have four days, uninterrupted by children, husbands, dogs, laundry, volunteering, teaching, or grocery shopping, cleaning, and yard work, just focused on my writing is priceless. I’ve finished novels in that time. I’ve written four months of blog posts and edited entire series. I’ve barreled through plot holes that I thought I could never find solutions to.

The truth is, when there’s nothing else to pull your procrastination strings, you can get some shit done. PLUS, its immensely helpful to be surrounded by other writers while they’re “in the zone”. There is an inexplicable energy that catches you up when you’re surrounded by other souls and brains focused on their art and passion. Plus there’s usually some socializing/decompression hours at the end of the day to give yourself respite.

Okay–that seemed like a lot of info and I don’t want to bore you to tears. Check out some of the ideas above this week for taking yourself back to school. When we invest in our writing, it becomes less the pipe dream, and more of an attainable goal. Good luck out there, writers. Keep me posted on your progress or if you’ve found some great retreats, classes, and resources yourself!

Listening to Our Characters

Posted on by sereichert

Good morning dear readers and writers. First, may I offer a huge thank you for all the comments and encouragement I received from the last post. Writer’s know what it is to get bogged down in the process, and no one is better at pulling you up from that dark, dusting off the weight of the little failures that cling to your shoulders, and giving you a gentle but determined shove back up on the road. So thank you for your advice and encouraging words. They mean a lot.

Between that last blog and this one, I was lucky enough to take Todd Mitchell’s workshop on Creativity. I’d been to a few of his classes but this one seemed serendipitous. I knew I needed to start writing again, a novel. A big project to immerse myself in, and I have a beautiful trio sort of dangling between first draft and not quite done currently on my computer. I love the second book, and that’s obvious by how close to done it is. The third, similarly has pulled me in and I’m enjoying working through the rough patches. But the first. Ah…the first. Kind of the keystone in a series…well…it’s a piece of shit.

And it took me a while to really figure out why during rewrites last year. The main character had somehow taken on the dreaded Susie Sunshine persona (probably because the concept of her was born many years ago.) So, I put her through a character-lift (like a facelift but for imaginary people without faces yet). She got a spanking new name and I roughed up her edges. But nothing in the story seemed to make sense and it felt like trying to force an incorrect puzzle piece into a million different holes that did not fit. What in the hell was wrong with her? I knew what she needed to do and the plot and arc of the book was solid.

But I didn’t believe she was the woman to live it. And I was stuck.

And then Todd said something about struggling with a novel for years until he finally sat down and wrote a letter to his main character and asked him “What is it you want me to know? What’s your story? What am I not seeing?”

For the average human reading this post, I’ve just solidified in your head what absolute insanity writers possess. What do you mean you ask your characters? You created them. You know them. That’s your brain.

But the brain is a tricky place, silly non-writer. It’s vast, and expansive and it has a million rooms we’ve never even found the doors to, let alone explored. And sometimes, characters and answers lay behind those doors. And the only way to access them is to stop trying to force the answer. (I’m planning a post on Alpha State writing so hanging in for that one). Answers com only when we calm the hell down, and sit quietly outside the door, letting go of our ego and our need to tell the story, and just listen to their story.

Sounds crazy. Absolutely, bat-shit, bonkers.

And it totally works.

I put on a meditative playlist, took some deep breaths and focused on her name. Her new name. Her newly rough edges. And I sat, with my back to her door and took some deep breaths. I closed my eyes and started typing. And I didn’t question or stop, or allow myself to think of what she was saying. I just listened to her.

Here’s what it looked like:

Hey Dani,

Hey Sarah.

So, I’ve been struggling with you.

Yeah, I know.

I want to create you

You can’t create me. I just am.

So who are you?

Wrong question

What is it you want me to know? What am I missing about you?

I’m dark.

You began so light and perfect

That’s not how the world works. Not for babies abandoned, babies with parents like mine.

What does that mean? Who are you?

I am Danika Brennen. I was left at a fire station as a baby. An orphan.

Who left you there?

A pregnant vagabond, disowned. My mom

Who was she?

An member of the High Guard,

kicked out

Are you ***’s daughter?

No, I’m Loki’s.

holy shit.

Now, I’m not going to give everything away, but that last thing she said…that was an answer I didn’t know until I let her talk to me. And it’s an answer that I can write a book from. That will help me, help her navigate through this story…to a better place. To a life she deserves. As dark as she thinks she is.

It’s crazy right? But talk to any fiction writer and I guarantee they’ve had some kind of experience with their characters talking to them, to each other, offering unwanted suggestions or criticism along the way. And yes, they’re all in our heads. But I think as humans we underestimate the expansive reach of our brains and neural capacity.

I mean what if they’re not just our consciousness, what if they’re wavelengths in a much bigger plane of existence that we’ve only just started to understand. The wavelengths and dimensions that only open to us, When we listen.

All Editing and No Writing Makes Sarah a Dull Creator

Posted on by sereichert

Before you get on some high horse about how editing is a part of writing, allow me to unbuckle your saddle while you’re still on it. I know that the process of being a novelist is a journey of different landscapes. The initial sunrise of bursting light (inspiration) is followed by rocky paths (writing and plotting) and raging storms (character development and killing darlings) to the darkest nights (getting stuck) and comforting moonrise (resolution the big story arcs). Then there’s editing. And it’s important, amazingly important. A piece of shit first draft only becomes a good book because of proper and often harsh rewrites.

But lately… Oh lately… I’ve been spending the majority of my time in edits for 4 different novels coming out this year.

And because it is a constant parade of fixing and rewriting, and cutting, and facing my inadequacies on the daily, editing to me feels like the endless beach scenes in The Drawing of the Three. Or slogging through an infinite desert on your way to somewhere but with no clear end in site. And though it’s repetitive you can never just let your feet (or your eyes in this case) zone out as you plod ahead. Because you’re traversing that same wondrous journey from an outside and judgmental perspective, and at least for the hundredth time and all the rocks seem to look the same, and the plot holes are huge, and there’s that lovely garden that serves no purpose so it must be felled. And when you reach the end, that moonrise? Well, it just skips forward again to the start. And you take smaller steps, sentence by sentence steps, every comma, period, flagrant and free-range POV that escaped the first dozen times. And you know this story and you’re sick of the characters and every step, every sentence feels heavier and heavier and…

You start to wonder why you’d ever want to write down another journey again.

Add to that, when you do sit down to write, you’re brain is in so much of a “Pick this shit apart and find what’s wrong with it” mode that you barely get two sentences in before you’re going back to the start of them to preemptively rewrite. The free flow of the sun coming up over the mountains looks more like a giant yellow strobe light over hills that you can no longer describe off the tip of your fingers like before.

What I’m saying is, I’ve been neck deep in editing now for months, and I’m grateful that I have so many projects coming out this year. I truly am. But if I don’t start limiting those hours of cuts and rewrites, I’m worried I’ll lose my joy in telling a story in the first place. I worry that the editor in me will take over the controls and I will be stuck in self-editing mode long enough, that I no longer am capable of telling a story. Just judging one. That I’ll be stuck in that deserted wasteland where no words are allowed out, because they don’t come out in 20th draft form.

What’s the point of this rant? I’m not sure, except that if you’re a writer, I’d love to hear how you balance out your creativity with the necessary clean up of editing. Right now, I am struggling and it’s left me frustrated, uninspired, and if I may say, more than a little disheartened. And a writer with no heart…

Feel Like Makin’ Love

Posted on by sereichert

You’re welcome for getting that song stuck in your head.

Last week I talked about heat index and how to define your novels for submission or how to search for the right Goldilocks-level of heat for your preference. This week, I want to talk about writing engaging love scenes in your books.

No matter the level of heat you’re writing in, the sexiness of a scene doesn’t just depend on how many engorged members you’re throwing in there.

Photo by Pixabay on Pexels.com

Wow, what a visual. Yeah, that actually makes it less sexy thinking of it…penises getting thrown into bedrooms willy-nilly. Ha, willy-nilly…ugh. Ahem, let’s move on.

Let’s get something straight right away, sexiness isn’t about sex. Heat and desire, aren’t about sex. At least not for the majority of women. (Men, if you’re reading this, get a notebook.) Sexiness is about connection. Two strangers can have sex, and people will read it. Penthouse has proven this. But if you really want someone to read a whole book about two characters, follow them through the quagmire of plot arcs and dialogue, sex is the perfectly balanced frosting on the cake of it all. Two characters that are emotionally connected interacting in a physical way, drives up the excitement and anticipation in the reader tenfold.

It’s all about chemistry. It is vital when aiming to curl the toes of your readers, that you give your characters a connection that feels genuine, deeper than surface level, and tied to their emotional well-being. Then, when you get to the point of all that delicious teasing, it makes the ‘climax’ all the better. Because it isn’t just about physical satisfaction, it’s about connecting in the most intimate way with someone who really gets you. Who loves you. Who sees your scars and your war wounds, and kisses every one of them with acceptance and care.

So if you want to up the sexiness of your scenes, establish a good connection, (even if its enemies to lovers). Find a common ground between them, a exposition of trust that opens hearts, and a deeper understanding of one another that makes the sex even better because there will be less reserve, fear, or doubt involved.

And this brings me to another point, writing good connection between characters is a subtle art that you can employ in your dialogues, body language cues, and inner dialogue (if you write that POV).

Next, depending on your comfort level, what you crave in romance, the nature of your book, or the heat index you’re working on, be honest about the sex. It doesn’t always have to be pretty. Heads get bumped, knees get scraped, giggling ensues. Don’t shy away from the human experience and the parts that make it truly beautiful. With that remember that there are a lot of senses involved in the act. Sight, sounds, smells, touch, taste. Don’t be afraid to play around with them as a way to bring readers in. How far in you bring them is up to you, but even the best closed-door scenes have an awesome build up to the point the door slams shut.

Attraction, chemistry, and desire are the tenements of any good romance, but remember that it starts with connection. Human connection, in all its glorious messiness. Putting in those beautiful messy moments will help bring your characters in a place where the love they make is a natural and much anticipated progression in your book.