Poetry 2/1/2024

Obstinate

My mind is obstinate today
though the sun is well past up
and the traffic is growling
on soft streets
like wild animals rejecting suburbia

my lights have gone out
and I'm wrapped in gray
struggling through the muck
of a thousand demands,
mostly self imposed
to keep me from slitting my wrists

I am obstinate today
walled up against progress and productivity
I scarcely believe there is blood
in my veins to let out
not in the tub
not on the page

I am obstinately hollow
and feeling undeserving of the titles
"woman" and "mother"
aren't these strong, unshakeable elementals?
I am not either today

I'm simply
obstinate

Habit vs. Muse

If you’re a writer or a creative of any kind you’ve known the sweet kiss of a muse. Sometimes it comes skipping through your bathroom, mid shower, and smacks you in the back of your shampoo-frothed head with a bat. Sometimes it tickles your ear, an errant breeze, while you’re outside waiting for your dog to be done with their business. Sometimes it meanders through the crosswalk, wearing clown shoes and a rubber duck hat while you’re waiting for the light to change. Whatever and whenever it hits you, its like the lighting of a match inside of your cold little cavern of a brain and its…brilliant.

With any luck, you’ve stashed pens and paper, notebooks, post-its, cocktail napkins and chocolate pudding in odd and disconnected places to jot down what it’s trying to tell you. Or I guess you could use your phone (old person eye roll). The point is, the muse is a beautiful part of what it means to be creative.

The trouble is…It doesn’t really exist.

A moment of silence for my former, favorite imaginary friend.

You see…”creatives” don’t have more encounters with “the muse” because we’re slightly unhinged and floppy in the gray matter (I mean, we might be, but that has very little to do with inspiration, and probably more to do with preferring to be in a state of la-la land over the past and current hellscapes).

We become ‘amused’ because we spend time building good habits pertaining to our art. Ideas are like seedlings, habits are the fertile soil. If you’re not building up healthy and rich (worthwhile not monetary) habits, there will be fewer little ideas sprouting up.

So what are these habits, Sarah?

Well, for one, you have to write.

Duhhhh…. Okay, I know that’s a easy pitch. But it’s really not that simple. So many of us simply won’t sit down until we feel inspired. Or we PROCRASTINATE with every other conceivable chore and ‘have-to’ before we sit down to write. Or we may sit down, but we stare at the cursor blinking or distract ourselves with ‘research’. Decide the baseboards need dusting, or the dog needs its ears cleaned. There are a billion ways we avoid it. I do too. And constantly I ask myself why.

*Side Quest* It’s because of fear. Usually. Fear that what I write will be shit. Fear that it will be really good and I’ll fall in love with it and lose myself for months and no one else will love it as much. Fear that what I write won’t lead anywhere. Fear that I’ll mess up my grammar, my POV, my plotline, my characters, my punctuation. Fear that it won’t be good enough. Fear that I won’t be good enough. Even with books out. Even with publications and awards. That old fear is a nasty briar patch to the rose garden of my work.

But habits are nothing to fear. At best they’re comforting, at worst, they’re droll. You can set something as simple as…

I will write for twenty minutes five times a day. Or I will sit my ass in my chair everyday at 5:30am and write for two hours straight. Or I will finish one poem a day. I will write three flash fictions every afternoon, or two ten-minute plays a day.

And then you sit the fuck down. And you write.

Its just that easy and its just that hard. But thats all it is.

And sometimes you will write shit. Sometimes you’re going to spend a whole day or afternoon or month on a project that just doesn’t work out. Sometimes it will be too raw or hurtful to share. Sometimes your POV will be atrocious and you’ll ellipses your blog to death…

But here’s your consolation prize to all of that:

Ahem…NO writing is bad. In every word, sentence, scrapped character or ridiculous poem, there is a certain fluency. A repetition. A practice. Bruce Lee didn’t fear the man who knew 10,000 different kicks, he feared the man who had practiced the same kick 10000 times. Because practice leads to progress…and closer to perfection (though who really wants that bullshit, it’s boring.)

Habit will sustain you, even when the muse has left to find some other crosswalk or doggy doo pile to traipse around. And with those designated times (habit) you will train your brain to settle in and do the work when its time. And that work creates fields. Rich and good fields, that you’re tilling and watering, and sprinkling shit on. And things grow there. Things you didn’t even know were laying dormant. Ideas, new directions, new thoughts, new characters, new combinations of words, or exciting adventures. The lushness of a garden well tended.

So here’s my advice. Don’t sit around waiting for some finicky tart in clown shoes to lead you to the next great idea. Sit your ass in the chair, open your notebook or laptop and start writing. Lead yourself to your next great idea, by doing the work. It’ll be a lot more enjoyable than you think.

Courting the Lion: An Excerpt and Call for Thoughts

Gentle Readers:

I’m so in love with my new couple and I’m beginning edits on their story. I just wanted to share this scene with you. I hope you enjoy. And while I appreciate any feedback, keep in mind that I do not debate religious or ‘moral’ issues, with trolls on line.

Photo by SevenStorm JUHASZIMRUS on Pexels.com

Thomas sat opposite of him and put his hands between his knees. Richard took his books from the satchel, donned his glasses and began to read.

“Are we not going to discuss the matter?”

“Are you going to discuss, or are you going to yell at me?” Richard said, over the top of his spectacles. The carriage started to amble through town, the hoofbeats and city noise keeping their conversation private. The blinds were open and Thomas looked out at the cobbled streets and bright doorways as they passed.

“Last night was—”

“Beautiful.” Richard said.

“A sin—”

“Thomas, I cannot—” Richard huffed, took off his glasses, tapped them on his knee and sat forward. “I cannot undo the years of abuse and hurt you have suffered. Not in a day of riding boats or carriages, and certainly not when we arrive at the source of it. I can only assure you that you are not alone. You are not the first man or woman to fall for one of their own. It is not something that we chose. Any more than our hair color or our height.”

“But the bible—”

“Has been interpreted and reinterpreted by hundreds of men in power who sought to repopulate the earth with the poor and pious as to remain in power.”

Thomas was silent. “Richard—”

“They do this with fear. Not for the love of a god, but the fear of his retribution. And it keeps us all subjugate. Do you honestly believe a God would make you, perfect as you are, and mistakenly lead you to sin? That love, in all its fantastical and natural forms could be wrong?”

“I do not know.”

“You are a learned man. Think on it.” Richard said, put his glasses back on and began to read. The carriage jostled and swayed as they left the smoother cobble stone streets of Chippenham and tracked on to the dirt road. Richard tried to focus on his book, poetry…a love sonnet, that could have been meant for man or woman, or anything in between. He’d said the word love to the duke. And the duke had not said anything in return.

It was silly to be in love after a week. But Richard had known Thomas for so much longer. Hadn’t he wished he could meet a man like that in his own time? When there wasn’t a chasm of hurt to travel across to reach him. Love was not love when it alteration finds, or bends with the remover to remove….

“It is an ever-fixed mark,” Richard whispered and stared out the window. Thomas sat, arm still crossed over his chest, eyes on the road that stretched out behind them, the rolling green fields. The stillness and the sway of a journey taking him back home to the expectations of his family.

Thomas let the swaying settle his mind. Richard could not change the years of abuse. But he could offer him a safe place. Thomas had been a great many things in his life. Rich, strong, kept and shaped. But never safe. He looked up, Richard was still staring out of the window, biting his bottom lip and thinking over whatever verse he’d just read. A warrior body, a scholar mind. Damn, if he didn’t love the man. He wanted to know more. He wanted to spend years learning what made Richard Shaw such an enigmatic mystery. He would not get to know him in silence. Or from so far away.

“Make space,” Thomas grumbled and came to Richard’s side of the carriage.

“My lord?” Richard began but the duke gently nudged him to the side and sat down, swinging his legs up on the seat and laying his head in Richard’s lap. Richard lifted his arms in surprise and looked down at the scowl on Thomas’ face.

“Well?” Thomas asked.

“What is it you expect of me?” Richard asked, his throat bobbing with a hard swallow.

“Read to me, Doctor of Books.” Thomas whispered, folded his hands across his stomach and closed his eyes. Richard smiled, the weight and warmth of Thomas’ head on his thigh bringing such a beautiful sense of ease. He began, soft, even and intoning the rich language of a man who knew the power of words. His hand fell to where Thomas’ were folded and he caressed the duke’s fingers. Soon, his own hands and eyelids felt heavy and he took of his glasses. Thomas was asleep, curled into his stomach. He gently caressed his forehead, brushed the dark blonde hair away from his eyes and leaned his head back on the cushion. He tried to think through it, be logical…breathe deeply and let go of what he could not change. He kept stroking Thomas’ soft hair and felt some of his tension ease. They were here, they were safe.

Photo by Rene Asmussen on Pexels.com

New Horizons and Old Loves

Life, man… It is a perpetual state of change. In fact, one of the only certainties about life is that it will change. And humans are no different than any other oxygen breathing, carbon-based sack of stardust. The world changes. We change with it, whether consciously or not. We discover things we didn’t know (I hope) we learn and make different choices (also—I hope and that they are in positive directions). We take hurt and either learn to heal or use it as a weapon on the other stardust sacks near us. We find excuses to fall back into bad habits, or reasons to springboard into better ways of living. We are a constant swirl of contradictions and brilliance.

As a beginning writer, I always thought I’d write the same kind of book for my whole life. Because I loved love. And I loved romance. And I enjoyed participating in the happily ever after of a good swoon-worthy book. But as the world evolves so do we, and I am no different. This is not to say that romance is some basic-bitch level writing, it absolutely is not. Romance is hard to pull off (sexual pun completely intended) in a way that is both believable and reaches for something we all wish we had. Its maddening and beautiful and some of my favorite books are still romances.

Back to my evolution.

It didn’t take me long to realize that while I love romance…it wasn’t the genre that fascinated me. The trouble began (I feel like this is one of those old 1960’s “don’t let this happen to you” videos in health class) probably when I started genre hopping like a vagabond onto railway cars in whatever direction the tracks were going. Just anywhere but here. I was thinking about how and why I seemed easily distracted into forays of genre crossing, experimental writing, and odd formats…And I just figured it out.

I’m a character follower. I can’t stick to a genre because my storytelling is like a puppy out on a walk that wants to jump on and follow every new person home. I want to stick my noses in their crotches and find out where they’ve been. Ok. That—that analogy went too far.

The point is… People interest me. Characters interest me. Whether I’m watching them pirate a space ship, imagining them breaking up the scar tissue of a thoroughbred horse, or fear for them as they get possessed by the spirit they’re hot for. I’m curious about people. How they live, how they deal, how they fail. How they love… what they love. How they keep on keeping on and manage to use their big old squishy hearts towards better ends. Or bitter ends.

So I guess I don’t stray too far from love. But I like the depth of how love incorporates itself into our lives, whether its romantic or not. Knowing this about me feels like untying a corset, a big breath in, a cutting of old ideas binding me into “what kind” of writer I am.

I’m a character writer.

Which means I can write poetry, or gay romance. I can write socially conscious plays, or epic space farmer odysseys. I can write song lyrics or philosophical observations on love and meaning (but I repeat myself). I can write about characters because I love and respect each of them. I care about them. I am curious about them. I am compassionate for them. I can be the journalistic eye that follows character and changes the world and myself through their experiences.

This year I’m wrapping up some older projects (urban fantasy-erotic-trilogy based on the legends of Norse and Scottish mythology? Yes please…Genetic killing machine learns she has a conscious? Don’t mind if I do… A time traveling, hot as hell gay romance between two of my new favorite characters? My heart is all a-twitter… A literary first person POV exploration of grief, loss, and how we let go without losing our hearts? My soul didn’t know my brain could write like that…)

But I’m also hopping on new rail cars. Tentatively, 2 plays covering everything from the cost of pro-life legislation on a micro level and the oft-ignored life ruination of the high school to prison pipeline for black youth, a book of erotic poetry, and exploring my horror side with short fiction. It’s all a little ethereal and unsettled yet, but I see the stardust of potential, tossed out in the frozen dark of space, lying in wait for a gravitational pull to gather it into new universes.

Oh, and signed up for another fucking marathon so…that was stupid. That stardust seed is a cackling massive black hole I should have clicked away from instead of looking at the price and going… “Hey! That’s a cheap way to suffer immensely.” I bet I could have paid somebody less to take a bat to my knees, with the same outcome…but here we are. Eternally hopeful and stubborn.

So here’s to new endeavors, in your writing and your life. Open up that perspective a little wider and let some of the stardust in. But keep love…at the heart of your universe.

Resolving the Past, Living in The Present

Hello gentle readers and fellow writers. It’s the first week of a new year and I think I probably gave you more advice than you really wanted last week, so this blog will be shorter and less preachy.

First, there will be some events happening in the next couple of months that I wanted you to be aware of. For instance, I’ll be in Denver at a Pop-Up Book Sale sponsored by Illumination Author Events on January 20th from 10-3. I’ll have my newer titles from 5 Prince Publishing as well as some of my older books (paranormal, steamy ghost sex anyone? witches and handyman love?). I’ll be signing books and happy to answer questions, and will be giving away some swag. I hope I can see you then!

Second, I’m back on track with my newest Kindle Vella The Three Hearts of Eve, with new episodes dropping every Friday. For a few tokens and a quick like at the bottom, you can continue to support my electricity and food habits. Seriously, these are fun little stories that are easily readable while sitting in traffic or waiting for appointments. And reading is better for you than doom scrolling so check out all your favorite authors on Vella.

Thirdly, I’m still working with the Writing Heights Writers Association as the Youth Coordinator and our classes resume in January. These classes are free, hybrid (they can attend from anywhere) and this year’s youth will have the opportunity to work on an anthology, including learning the process, getting paid for their work, and presenting the finished book at the WHWA conference this July. If you know a teen interested in writing who needs a supportive community, send them my way. (youth@writingheights.com)

That’s all of the immediate announcements, but I’d like to leave you with a final thought about New Years and resolutions.

I heard someone say that instead of making resolutions we should look to resolve something in our lives. And that actually hit home. I have a general sense of what I want to do this year, but I’ve been struggling with specific, work-related goals. When I got to thinking about resolving things, all of those hectic little post-it notes and vagabond thoughts started to fall into place.

This year I’m going to resolve projects that have been in limbo. I’m going to find closure to a few series that have been in the ‘waiting stage’ for too long. I’m going to spend some time, out of the editing sphere and into the growth mindset. I’ll be taking classes on craft (erotica and playwriting? Not together…those are two separate classes, ha ha) and different modes of writing. I’ll be reading a great deal more (next week I’ll post a picture of my proposed TBR).

2024 is about feeding my present mind with rest and softness so that it can grow into the next year, as well as tying up the loose ends of my writing past. It’s about revisiting poetry and short stories and submitting to different venues, expanding my wheelhouse and sharing what I know.

I’ll be sure to keep you posted as I progress and I hope you’ll reach out to me as well. I love to hear what your plans and hopes are. I want to know, what will you resolve in 2024?

The Writer Needs a Break

As we gear up for the last few weeks of this year, its always interesting to take a moment and think about what we’ve learned, if anything at all, from our trip around the sun. What have I learned? Well, I’m still trying to figure that out. It’s all a hazy, Monet painting, that I’m still too close to. There’s no grand picture, for all the individual points of light and dark. And its practically impossible to be introspective and retrospective when so much noise and obligation is still harping on me.

Like anyone who recognizes the signs of burnout and dangerous feeding tubes straight to their depressive tendencies, I’ll be stepping back for that purpose.

This year, more than any before, has been the perfect example of towering highs and dark-depth lows. I’ve been busy trying to find a path, putting my efforts into editing and publishing, marketing and selling…after losing my north star last January. That’s the order it happened. I did not leave instructing to write. I had to leave an abusive situation and it tore out a gaping heart-shaped hole. I had to fill it with something or risk…not being part of this grand farce of life anymore.

But, as tomorrow will be my last book signing/book launch of the year, I’ll be taking a break from social media, self promoting, and marketing for at least a couple of weeks (ideally for the rest of this year). I’ll still have blogs (my favorite holiday one is coming up next week) but you won’t see me town-crier-ing about how much I’d love it if you bought my work and left a review. I need a break from that. Because although it is a necessary part of this game, its not why I write and its killing my soul.

Plus…I’m out of books in the pipeline. I’m out of distractions from my pain and depression. I’m out of excuses and must stumble in the dark for awhile in order to find my purpose going forward. I honestly don’t know if I’ll publish again. I honestly don’t know if I have anything left to write that I believe in. I’m like the year itself; in my dark season, and I think I need to rest in this space.

Please, do not think that I am ungrateful, for the opportunities and the advancement in my writing that happened. I’m still over the moon and ever-grateful to see my name in a publishing house’s ranks. To have books on my shelf, with my words, and stories tucked into beautiful covers, is a dream come true and I suppose one I might not have found, if I hadn’t had space in my life to fill.

So maybe, in my darkness, in my social hibernation and retrospective quiet, the conclusion will balance out in favor of the light and reveal that the pain that hobbled me, turned me in a direction so much more deserving of my time. Maybe it will just give me time to stretch past the old scar tissue and discover my next adventure. Who knows. I only hope the rest will bring me back around to finding a reason to keep participating in the grand farce.

If you follow my blog, I’ll still be posting (scheduled). If you follow me, don’t think I blocked you if I’m gone for a few weeks. I wish you and yours a happy holiday season. We’ll come back around next year.

I wish you health. I wish you contentment and gratitude. I wish you warm coffee and good friends. I wish you hope. I wish you rest.

Survival of The Writer: And What National Novel Writing Month Teaches Us

I’m going to keep it brief and give you a little excerpt at the end of this blog to tie up another great year of NANOWRIMO. I hope that your month was successful and that it taught you something about your ability to persevere, in the face of ominous word counts, writer’s block doldrums, and persnickety characters that don’t do as they’re told.

I, for one, am proud of you. The winner of the goodie bag will be chosen this week and I’ll announce the name on the blog this week. Think of it as an early Christmas. I’m still curious to know how it went for all of you and if you have any pitfalls or successes you’d like to share, please send them my way. If this was your first or your 25th, I know that you got something out of the process.

If anything, it teaches us how to manage our time better, how to flow with the writing even when its not going how we think it should, and how to keep going even when its hard. I hope the very best for your project. My final piece of advice is this:

When the first day of December rolls around, I ask that you take that hard-earned manuscript you slaved over for a month, save it (Twice) and put it away. For a whole month. Don’t look at it, don’t tweak it. Don’t edit it. (the only exception is that if you’re really close to finishing something or the whole thing, keep extending your daily word count goal until you’re at a good stopping place). Don’t open it again until January 1st at the earliest. Give your brain and your thoughts time to settle and reflect, so you can come at it with fresh eyes and a begin the process of turning that beautiful raw material into a wondrous book.

Here’s a little (unedited) piece of my new project. Enjoy! (and Congratulations)

Photo by Taryn Elliott on Pexels.com

I wish the train would go faster, why do we have to keep stopping for people? I get off, shove my way through the current going down, swimming upwards like a desperate salmon. I keep the soup intact. I climb his stairs two at a time and the ache in my chest is probably equal parts worry and being terribly out of shape.
“Please answer. Please answer,” I whisper as I raise my finger to the antiquated brass button. Charlie rips the door open before I can even ring his bell. He looks wild. Unmoored. His eyes are fighting and strange. Like he’s made…decisions. I don’t know what to say so…Kansas takes over.
“Hey—”
“Get out of my way.”
“Where you going?” I ask and tilt my head to the side like an innocent farm girl, unaccustomed to dark thoughts.
“Out,” he grouches.
“I’ll go with you.” I shrug at this, and the soup and bread shrugs too. He glares at me; I can feel his mouth forming sharp blades of words.
“I’m suicidal.” The admission itself is a lifeline that he throws out. He could have said he had a meeting, or lawyers to talk to, or a walk to think. He hopes I’ll back down if he throws it, head on, into my face. I force myself to smirk and roll my eyes, even while I bully him backwards, my will and the box of warm food herding him.
“You’re hungry.”
“No!” he says, a split second before his stomach rises to greet me with a groan. “Just go, Meg. I’ll see you at the funeral.” His back is pressed to the not yet closed door.
“Who’s? Yours?” I pause, Charlie’s eyes go soft through the anger. “Get in the apartment, Charlie. Before it gets cold.” I force him back, and slam the door closed, putting myself between him and it. I set down the box and take off my coat and hang it up next to where he’s standing. He sighs, takes in a deep breath and closes his eyes.
“Meg,” he whispers.
“Let’s eat,” I say and take off his scarf for him, hanging it with reverence next to my shabby long trench. He gives in and throws his coat over the bright blue. As though he can’t look at it tonight. I take the box into the kitchen and start to unpack the hot soup and warm bread. I have to get the step stool to reach the bowls in the cabinet and Charlie is just standing there watching me, shirt with his cuffs rolled up, untucked and pining for the bridge or busy street that would have ended the pain.
But the pain can fade. I know. It can become livable. It’s been my asshole roommate for some time. I set down the bowls and crack open the top of the container. Charlie leans in, trying to feign disinterest.
“Is that—”
“Chicken and wild rice, from Saul’s private stash.”
Charlie fake glares and his stomach growls again. “You little shit.”
I don’t respond but I pass him a full bowl and a chunk of fresh bread. He holds them both in his hands, warm, soft. Little things to cling to in a world that was so desperate and cold five minutes ago. He doesn’t speak, but he sits at the island and I saddle up next to him.
I talk about work. I talk about an article I’m working on about AI, I talk about the impending writer’s strike. I keep my topics to things easy to let go of. I talk about anything, but leave spaces of silence for him to contribute. He doesn’t, but he presses his long thigh against mine under the counter, and finishes the rest of the soup.
I offer to stay. He says it’s unnecessary. The funeral is tomorrow. We have things to take care of. He shakes his head. He’s changed from the man marching to death. To someone resigned to accept it. But I’m wary, and I don’t want to return to my cold apartment. Not with his knee touching mine.
“I can take the couch.”
“No.”
“Charlie.”
“I’m fine.” He says, and I believe him, but I look at him like I’m not sure. “I’m gonna be fine.” He says, and nods. “I’ll see you tomorrow.”

NANOWRIMO: WEEK 4

Hey! You’re in the homestretch, and whether that is a cause for rejoicing or a cause for panic, it’s still your last week. Below are some thoughts. Remember to send me your email along with comments and stories about how its gone so far, what you’ve learned, what helped, what didn’t, what you’d do differently, or if you’d ever do it again. I’ll put your email into a drawing for a Writer Care Package, stuffed full of lots of useful goodies that every writer needs.

Here’s your final week pep talk.


Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only some of us will spend the last week resting and reaping the rewards of a month packed with hours of dedication to your project. A lot of us will find this final week to be the last, desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, that’s the whole point. This month is more about teaching us to prioritize our lives to include our writing first (or at least at the top of the to-do list) and to know that we CAN accomplish great things when we give it the time and love it needs. It’s more about building the habit of writing than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle won’t be worth the outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. The end result is not all we are working for. Its the journey in getting there.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are so that, no matter the outcome, we learn what we are capable of. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath, writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and one which you are grateful to work through. You can. You will.

NANOWRIMO: WEEK 3

Hey! It’s week 3 and if you haven’t sent me a comment or update on how your process is going, please do! I have a drawing going on for a Writer Care Package, with all sorts of fun goodies for you to enjoy as a treat for surviving this month. And speaking of surviving, let’s take a look at the dreaded week 3.


Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum, (say that one a few times fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

Photo by Johannes Plenio on Pexels.com

With only days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s. All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.

NANOWRIMO: WEEK 2

Remember, comment below with how it’s going or send me quick email with any frustrations or elations you have and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

And now, this:

Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mind set is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak non-stop all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of NANOWRIMO is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love, the honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the NANOWRIMO process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

A well rounded “story” is equal parts meeting the basic needs and getting to play in the creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.