Fear of Failure

“A thinker sees his own actions as experiments and questions–as attempts to find out something. Success and failure are for him answers above all.”
― Friedrich Nietzsche

I know that I’ve talked about failure before (mostly because I’m kind of an expert at it), but today I’m looking at the fear of it and how that can affect us, on not just an emotional side but the physical as well.

The human brain is wired for survival. Which means, its really good at flooding us with chemicals to help us outlive the tiger in the grass. It gives us a healthy fear of risk, so that we can live another day to make fire, hunt and gather, and make more big-browed babies. The problem is that some of the deep seated responses and reactions are no longer as useful in our present day. So often, our overstimulated brains are inundated with stress-response chemicals at every little infraction. Boss angry? Jerk cut you off in traffic? Partner says ‘we need to talk’? All of these things can cause an immediate fear response.

Sometimes it’s still helpful, but on the whole it shuts down our ‘thinking’ brain which is a much slower, more thoughtful contributor to our actions. What does it have to do with failure?

Let’s talk about the concept of ‘worst case scenario’. All the mom’s in the crowd know what I mean. You’re child is playing on the playground, but you’ve already mapped out every sharp edge, every eye-poking branch, and every potential bully. Because we’re wired to look for danger and to prepare ourselves for the worst things that can happen. Even if they never do.

Switch over to that manuscript, or poem, or article on your computer that you’ve been working and reworking, and fussing over for years. You have a genuine fear that if you let it out of your sight, it’s going to get poked in the eye with a sharp stick, or fall off of the faulty ladder and break every bone in it’s body. So you keep it safe, you keep it to yourself.

Can you imagine a kid that never, ever left home? That never stepped out, that never met anyone else? That wouldn’t be much of an existence and the world would miss out. Unlike your own child, your writing will not die if you expose it to some danger. In fact, it’s through this ‘danger’ that it will grow, learn, and become better.

So, when you’re trying to decide about submitting, or putting your work in a critique group, remember that its normal to feel apprehensive but that the point of using our voice, of writing what we love, is so that we can share it. And the worst case scenario is really that someone else doesn’t like it. Here’s a little insight-it doesn’t matter if they don’t. If they have good feedback that makes sense and would improve it, great–but don’t let the fear of not being instantaneously accepted keep you from trying. Every work is not for every body. But you won’t know which body it will speak to, if you never let it out.

So–go get ’em. Take that piece to a critique group, give it to a friend to read, submit it to a magazine. Just don’t let the fear keep it (and you) in a cave.

Big, Weird News

Well, shit. I don’t know how to say this but, I sort of did a thing. A thing I’m not sure if I’ll regret or not. Or if it will destroy my life, my writing and my sanity. But… remember last week’s post? No? Go back and read it, I’ll wait….

Okay, so now that we’ve established that the heart is a weird and dumb critter who regularly drives us off of cliffs, the big, weird news is that I went ahead and veered my Studebaker straight off the cliff into taking over the Director position and ownership of Writing Heights Writers Association. Yep. I’m soon to be in a position of authority and that’s…the stupidest thing I’ve ever heard of.

But the fact is, my heart did it. Because I love this group. I love it’s members and its potential, and the things it can do for writers, in their struggles and grief and in their times of triumph. Because I believe in writing and I believe in writers. And I couldn’t see it fizzle and die out. And I’m definitely not guaranteeing it will thrive or even survive, but I made the choice based on a tenement I hold pretty close to my heart. It comes down to something I spoke of last weekend at the RMFW Colorado Gold Conference (I hope you made it) about Fear.

I have to credit a good friend with a phrase I heard in one of his lectures. Safety is not a place we learn anything. You could keep your Studebaker on the road, safely from one point to the next, never look around, never make a pitstop, and be the same damn person you were when you left as when you arrive. It is by throwing ourselves into the stupid and weird, and impossible that we grow. That we learn. That we discover. And what in the hell is life for, if not to discover?

I can’t run it the same way anyone else did before me. I’m not a smooth operator, I don’t have vast amounts of clout or money, or talent for that matter, (haha). But I’ve got this jabberwocky heart of mine. That’s a little wild, and a little goofy, and all about joy and puppy-like enthusiasm. All gnashing of teeth and snickering of snacks. Too full of love to ever make exactly the right decision. Sometimes it can’t even make the most practical one. But safety is not a place we learn anything. Practicality is a tether we’re given to remain docile.

So in the coming months I’m going to be gearing up to take over (starting officially in January). I’ll be trying to learn about processes, current issues facing writers, networking, and taxes and community building and all that wonderful and horrible stuff that nobody taking classes or going on retreats will have to think about. I’m going to think of my writers and my amazing team first, and my comfort second. I’m going to do my best to keep the heart of this thing wild, but filled with enough love and compassion to be reliable. I may be reaching out to some of the amazing and beautiful people I know to ask for advice and warnings. I’ll probably need to lean on friends until I find my balance.

All I really need to do now, is to make sure there are some good plotters on my side, to keep me from pantsing this thing into the ground. Stay tuned, and we’ll go on this ride together. Maybe we’ll even learn something.

The Past Holds on in Dark Places

I’ve been debating, but I think this post just has to happen.

It’s been a heavy weight on my heart for almost two years now, and I’m ready to move on…to healthier spaces, to new horizons. But I can’t fully do that, when this shadow has been living in my peripheral. Because, sometimes trauma thrives in dark places. And I need to shine a light on it, even if no one is paying attention. Because otherwise it will continue to tendril itself to my ankles like a weight, an anchor solidly planted in the black of the ocean’s floor, and never let me be completely free. The only way to get loose, to get back to the light, to be free…is to get a knife and start cutting. But I can’t do that, until I shed light on the chains. Even if it risks losing a limb.

Imagine, for a moment, being in this place with me. See if you feel caught in the same chains. Feel your breath burning in your lungs, from the silence you keep.

Know you’re drowning.

Here’s a story, of something that happened. Not so long ago, but long enough that I feel safe in letting it go. So…here I go…

Suppose as a young mom, with very few friends and isolate from the world (not even admitting you’re a ‘writer’ yet) you stumble upon a martial arts school. You remember being in Kenpo in college and loving it. How it empowered you, gave you friends and community…so, being a mom of young women, you start your kids there. Because it seems to teach ideals and principles that you agree with. Self defense, discipline, respect, integrity. All good and decent. Your kids have fun, and you join the program, to be a part of their journey as well as to start your own. As time passes, they move on (as kids do) to new adventures. But you’ve found a home there. A real home. Friends, community, purpose. You love the art. You have plans for the future practicing this art.

Its inexplicable how deep in your bones you feel it. It’s like it was always there waiting for you to find. It might have even been something you always knew from eons ago, because it felt organic and made sense, and the way it taught you to move and use your power was the most beautiful thing you’ve ever had.

So not only do you want to continue to live in this world, but you want to teach others, you want to help kids, you want to encourage women in the art. So you work hard, nights and weekends, extra study and home and private lessons, and getting up early for weapons classes and staying late to help with questions. It is your life, and the family and friends you’ve made on the journey are as close to you as your own heart beating in your chest. You feel safe. You feel finally respected and equal as a woman, even in such a man’s world.

Then…one day…

A man you’ve worked with for almost ten years, who has always been like a big brother to you, completely platonic in your eyes, a family man to all who know him, your coach, your mentor, and someone you trust implicitly…starts to say things to you. Uncomfortable things. He starts sending them via messenger, non stop. From the moment you wake up in the morning until you try to sleep, he’s there…prompting, asking, demanding your attention.

You don’t respond, you deflect, you laugh it off. You ask him to stop.

Because he’s a man of this art–this art of integrity and discipline–and a family man, your coach, your mentor, you think he must just be confused, or teasing, or…joking? And when you tell him its uncomfortable and you don’t like it, he should respect that you’re not interested. And stop. He should…right?

But he doesn’t. He doesn’t stop.

You block him. He tries to manipulate your friends and co-workers at the dojo into getting you to talk to him, feigns depression, sobs into your messenger, leaves depressing posts all over social media. Everyone is very concerned for him. But you are confused. Because you feel like you did something wrong. When all you asked for, respectfully, was for him to back off.

Why would someone, who was like a brother to you, act that way? Why wasn’t your no enough? You’ve blocked him, you’ve asked him not to work with you on the floor, you don’t speak to him. You won’t take classes with him. He tells your collective friends that you’re being stubborn and unreasonable. He leaves the school in an emotional outburst. You stay. Because this is your home, and your sanctuary. And you have children to teach who are the very beat in your heart and you cannot abandon them.

Only soon, it doesn’t feel like a sanctuary because two weeks later, he comes back, starts requesting classes, starts saying that his mental health is at stake. He starts leaving typed notes in your employee box, tucked into books for you…telling you that you’re denying the truth of your own feelings (as though he knows your feelings better than you do?) He gushes that he loves you. That you belong together, that you’re fated for one another… You bring it to the head of the school. Because now it’s happening at work, and it’s gotten scary. This isn’t some passerby.

This is a man who outranks you, who could kill someone with his bare hands. And he’s made your workplace hostile.

And by hostile it means– you shake every time you pull up in the parking lot to teach. Your stomach is ulcering, you’re not sleeping. You hope, every night, that he doesn’t show up. Every time the bells ring on the doors into the dojo you cringe and look for the next higher rank. But it doesn’t help. Because no one knows.

Because your boss doesn’t want to ruin the man’s reputation. He doesn’t want to put a ‘stain’ on his school. Even though its more than just an inconvenience or a stain to you. It’s a dark and frightening world that’s closing in on you everyday. The man starts taking more classes, which means you take less. Your training suffers, you fall behind on your hopes of a higher degree and becoming a Sensei. Because you can’t be on the floor with him and you worry one day he’ll step onto the mats with you and do real, physical damage. You’re afraid it would lead him on if were nice out of fear, or even just in being near you, even if you ignored him completely. Because even when you gave a clear no, he only heard yes. You don’t feel safe.

You finally tell your boss, you can’t do this anymore. He tells you that you need to work with the man, to heal and get over it. That the man is depressed and they can’t possibly make him leave…what about his mental health? Can’t you two crazy kids just work it out? You tell him that there are laws against this sort of thing. He says he’ll think about it.

But you don’t need to think anymore. You can’t stay someplace that’s not safe, and the family that you thought you had is just a hierarchy of men looking to protect themselves, and any form of behavior they want to engage in. They are fine calling you their token female to promote a ‘family friendly’ atmosphere and boost female students to sign up, but you better not speak out for your actual rights to be safe, or against a higher-ranking belt, because that would make them look bad.

So you quit. A lawsuit is an option. But it also means an upheaval for the students, the kids and adults who find comfort in the art and in the community. It means years of litigation and strain on your own family, including financial weight you cannot afford. It means having to defend your ‘no’ to a bunch of men, who like the others before, don’t believe you.

So, you send in your resignation. The head of the school says he’s asked the man to never come back to any of their properties (out of fear of litigation, not out of a sense of what is right). They hope you’ll come back when you’re ‘feeling better’. They tell everyone you left to pursue a ‘book deal’. They don’t say that you left because you were being harassed.

You hope that you can feel better…you hope it will be safe again and your wounds will heal and you can move on and get back into the world and the practice and the teaching you love. 9 months pass. You start to take a couple of classes in different schools. You start to feel…buoyant, supported, you laugh on the floor again and you haven’t done that in over a year. You find an instructor you trust. You can hug people again and not feel…strange. You agree to cover a couple of classes to help them out. You sign up for an all-school event. Knowing you’ll have to prep for it, knowing its a big step, but feeling that you’re ready. And you’re excited at the challenge and at getting to practice again, and at being part of your family… Oh my God…how you’ve missed it, the motion, the science, the beauty…

But then…you feel the anchor on your foot, cutting into your ankle when someone pulls you aside and says, hey…he’ll be there you know? He’ll be there. At the event. They’ve let him register. He’s coming. He’s coming back. Just as you are. And your guts turn and you throw up and you can’t eat or sleep for days and you can’t not cry. It’s a cruel torture tactic, giving someone hope, for escape and freedom, only to shackle them down at the last second…

So you pull out your knife and you stare down at your foot and you know that you’ve only got one real choice if you want to survive.

And it isn’t to stay here, where this past, and this darkness, and this hurt is the weight keeping you under. You can’t possibly put your heart back into this water, now that the shark is circling. So you cut yourself free, and it must be complete. Through the bone, the limb can’t be saved. You won’t ever come back, there is no hope of it. You’ve lost a decade or more, of your life, of your passion, of the marrow in your bones. You’ve lost friends. Your family.

Because someone wouldn’t take no for an answer and someone else defended his ‘right’ to a yes.

So if you seem heartbroken in your posts and your correspondence, you hope its only temporary. You try to feign the idea that you’re ok. But when, for so much of your life, your safety, happiness, and well-being has, in one way or another, been snatched away by a man who thought he deserved your time and your light, its really hard to come back to ok.

I’ve been floating in the sea, bleeding, without a limb…fighting up, and away from the dark for a year and 6 months now… but there are days when I still feel like I haven’t breeched the surface yet. I want to shout out to the entire world, but I don’t think they’d listen. Because, I’ve merely become one of a couple hundred million women…who were told to stay silent, to not rock the boat, to be the anchor. The stability in status quo…

I’m not an anchor anymore. And its time to let go.

Thanks for listening. I know it won’t change anything and the damage is done. But half of my life’s goals, my passion, my love, was stolen from me and so if I have a hard time, sometimes, calling back, feeling happy, wearing fitted clothes, getting on and getting over, finding energy, finding confidence, trusting, coping with crowds… not looking over my shoulder when I hear bells ring… I hope you’ll understand. I hope you’ll give grace. To every woman.

The Power of “What If?”

I know that I’ve written before about bolstering our creativity by keeping open minds concerning the direction our stories, characters, and plots can take. But in a world that can sometimes feel like a dark cloud over new ideas I think it’s important to revisit the power of a positive “What If?” in the way we approach our roadblocks.

We’ve all been in the middle of a down time in our writing and creativity. I know there are people out there that will preach that writer’s block does not really exist and you’re just procrastinating, or not wanting to put the work in.

While it is true that you’ll never write anything if you don’t actually sit down and write, trying to pour out a story (whether its 500 words or 100,000) from an overloaded, overworked, and over stimulated brain can be like trying to jam a king-sized sleeping bag into a twin sized sack. You know what I’m talking about.

There’s not enough room.

Some of the blocks taking up space may include fear (of failure and/or success), self-doubt, and perfectionism. These show up like the ghost in a Scooby Doo episode, unmasked to reveal depression, anxiety, imposter syndrome, and even ADHD.

So you’ll never hear me say that writer’s block doesn’t exist (and if I have claimed that before, I retract it). I believe that the inability to create can have very real sources that we sometimes need a dynamic team of teenage detectives in an ugly van to suss out.

Today, I’d like you to apply the two-word question to those moments of stifled creativity and see what happens.

Here’s an example:

“I have a novel, nearly complete, but you can’t figure out how to end it. It’s been on my laptop for a month and it’s driving me insane but every scenario in my head doesn’t ‘feel’ quite right, so I’m just not writing any ending at all.”

Why, that’s not a werewolf! It’s that dirty landowner PERFECTIONISM (who runs a floating crap game called FEAR).

By asking ourselves what we’re really afraid of, what’s really so hard about the situation (I don’t want to write the WRONG ending, none of the endings are GOOD ENOUGH) we can face the fear directly and start asking what if….

What if you took one hour each day to write three separate endings, for each of the different possibilities you have? Unattached to the novel, a separate document. Call it exploratory research. I would bet dimes to dollars that you’ll find one that is the BEST for your novel, and feel much more capable of completing the next project on deck.

Here’s another one.

“I haven’t written any new poems in over a week, I don’t feel creative, I don’t have any ideas. I can’t find the RIGHT words. I have submissions due, I can’t focus, and I can’t even remember how to write a good poem. I’m not a poet.”

Say, that’s not a two headed mummy! It’s the motel owner’s shady uncle ANXIETY and his henchman DEPRESSION. Your brain is overworked and can’t focus, you feel like there’s nothing new in the world to write about, or worth writing about. With a trace of PERFECTIONISM, and a dash of IMPOSTER SYNDROME, this combination puts an end to possibilities before they can even reach your brain.

What if you spent ten minutes outside? Find a tree, flowering bush, cloud, roly-poly, something not man made, and focus on it for ten solid breaths in and out. Don’t look at anything else, don’t think about anything else, don’t draw your attention away from that one object. How does it move, how is the light hitting it, how long has it been there, what color is it, does it smell, does it have a taste, what’s it made of?

Not only will being outside and remembering to breathe help you to relax and curb some of those anxious and depressive feelings, but you’ll realign yourself with the beauty of noticing the small things. And details bring poetry to life. Then sit down, in the grass, and write something, no more than a page, about what you felt, what you saw, what you took in through all of those sentences. Repeat, with anything. Human, animal, mineral, place, time, concept. The possibilities are endless.

Last one, best one.

“I can’t write a synopsis! It’s so detailed and I can’t possibly boil down my entire novel into a few pages. I wouldn’t know where to start, and what’s the point, no one will take my novel anyway!”

Oh, my little defeatist, that’s not a man-eating robot, why it’s nothing but the cranky heiress SELF-DOUBT dressed up in a spray painted, cardboard box!

Look, not every writer is birthed knowing how to write a synopsis. In fact, absolutely none of them are (I think they are, however, birthed with an extra gene carrying the appreciation of ‘old-book’ smell and a tendency towards adverb-overuse and caffeine addictions) We all had to research it, take a class on it, and put in the work including probably a dozen revisions along the way.

You can find a great resource for how to write one here:

https://blog.reedsy.com/how-to-write-a-synopsis/

If you’re an plotter, a synopsis is easier. You have it all typed up somewhere, so work off your outline and put aside a time-specific block to work on it and only it. If you’re a pantster, may God have mercy on your immortally, unorganized soul, because it is fucking hard to do. Same thing though, set aside an afternoon (or two) with a start and end time and write it out like you would a copy of Cliff Notes

Add something enjoyable to the completion (extra coffee or old books?) to make the goal a little sweeter to reach. Have someone who doesn’t know your book read the synopsis (yes, it should give away the ending, no, don’t worry if Janet in Accounting knows how it ends). They can let you know if it’s easy to follow without being overwhelming.

Self-doubt, fear, perfectionism, anxiety and depression are not final resting places for your writing (or other creative endeavors). They’re road blocks brought on by your own expectation and unrealistic standards. The best advice I can give you about “What If” is to ask yourself, in the face of rejection, frustration, and doubt…

What if you can? What if you can write that book? What if you could write three poems in an hour? What if you can send your pitch, synopsis, and novel out by the end of the week?

What If, when used properly, can be the precursor to hope.

So give yourself hope. Give yourself a choose-your-own-adventure. Give yourself a good what iffing.

That got weird. You know what I mean.

Challenges, Fears, and What it Means to Tackle NANOWRIMO

Can you feel it in the air? The tingle of excitement in the tips of every writer’s fingers? The antici—–

–pation of the challenge and the reward? The insane gauntlet thrown down to write the better part of a novel in the short span of 30 days? I feel it in a new way. A frightening way.

For the first time since I started participating, I’m wondering if this might be the year that I fail.

It’s probably no surprise for those of you who follow the blog that I’ve been a little…down… lately. And with that comes a starkly lowered self-esteem. Add in a dash of mental block and creative fizzle and I’m having a hard time believing I will have enough clout to make it through 1700 words per day and finish a victor.

So what do I do? Not try at all? Shelve it for this year and treat myself with gentleness? I’m all for self-care, but I gotta be honest, lately I’ve been giving myself a little too much grace. I’ve been allowing myself an out from writing in every basket of laundry, sudoku puzzle, floor mopping, and random ten minute cat nap (that’s a nap with my cat on the couch) I can find. I’ve been so ‘busy’. But the truth is, it’s because I’m afraid to face the blank page that sits inside my head lately. I’m so certain it will end up a blank page on my screen that I’ve let the fear and disappointment of that possibility keep me from writing at all.

After all, if I don’t try I can’t fail, right? Ergo, if I don’t sign up for NANOWRIMO (National Novel Writing Month) I can’t fail at it. Plus…what will it do to me in my delicate mental state? To face such frustration and probable defeat?

The dark voice says it will break me. It says it will keep me from ever writing again, it will unhinge me. It will rob me of time better spent napping and such.

But there’s this other me that’s been trapped inside with the dark and she’s having a real teeth-grinding, fist-clenching, stand-up moment.

She says we can. She says she’s not afraid of a blank page, and she’s not worried that there aren’t any more ideas left in me. She says she knows people and characters, she knows struggle and strife, and the harsh realities of human frailty. She says there’s another novel in there, locked away behind the dark and she wants to flip the switch and shed some light on the subject.

You see, self-care is not just about bubble baths and indulging in your psychotic cat’s demand for a nap at ten in the morning. Sometimes, self-care is about knowing what you love and not letting yourself give it up when things get tough. Sometimes the deadline and the challenge is a sense of purpose in disguise that we gift to ourselves. The pursuit of your happiness is, quite possibly, one of the most important things you can do and not just for yourself, but for everyone who loves you.

So here it is, writers. If I can drag my ass to the computer and invest in my work (and myself) every day for a paltry 1667 words, then you don’t have an excuse not to. We’re all busy. We’re all tired. We’re all at a loss for ideas. The world around us doesn’t make it easy to dream. It’s loud and impatient. It’s riddled with worries and doubts, and problems bigger than any of us can solve on our own. But if we all start by investing in our art, in rising to the challenge, in reclaiming our power and self-belief, then we will become better people. And better people make a better world.

So go do something amazing. If you’ve never NANOWRIMO-ed before, check out their website to learn the rules here:

National Novel Writing Month

Most cities and states have local chapters for the event that will organize meetings, writing sprints, coffee, happy-hours and all sorts of other social stuff to keep you encouraged and give you a clan to check in and commiserate with.

Or if you’re more of a solitary beast, like myself, you can get tips and inspiration emailed to you, or join on-line forums in your underoos. Once you sign up you get a nifty author page where you can log your words per day and check on your progress (this is HONESTLY one of the best motivators for me. Nothing like a swanky bar graph to get a girl all excited about blowing the curve, you know what I mean? Wow, that sounded pretty naughty…not sorry.)

The beauty of this event is that it teaches you to establish a writing habit, and shows you that even when you only have a few minutes here and there in your day, if you dedicate them to writing you CAN complete a novel in a month. And that makes all of those excuses for not finishing your work in progress kind of null.

Maybe you’re ready, maybe you’re not. Either way…do it. You don’t have to tell anyone if you don’t want to. Of if that’s what motivates you, give the world a daily tally to keep you honest. You don’t have to write the next best seller and you don’t have to finish the story. The only thing you need is to do is dedicate the time to your magnificent imagination.

I originally thought I’d be putting The Beautiful Stuff blog on hold during this month since I’ll be otherwise ocupada…but after thinking it through, I will continue to write to you. I’ll let you know my progress, I’ll ask you questions about yours. I’ll offer advice as we get started, how to continue the momentum, how to get through the doldrums (shit yeah, that’s totally a real thing and it happens around week three) and how to finish strong, catching every last minute to cruise into the 50,000 word goal.

Then we’ll celebrate. With cat naps, or champagne, or a good cry in the shower, you know…whatever it is you need to unwind.

To inspire you further I offer this:

One lucky reader who takes a minute to let me how the process is going either via email or comment on the blog, will receive a congratulatory package after your awesome accomplishment with all kinds of goodies, including a signed copy of “Rise: An Anthology of Change” a beautiful little book of stories and poems about the power and folly of change and the human condition. Look at the pretty cover:

Rise Anthology

 

Take a deep breath writer, start brainstorming some ideas or dust off ones you’ve shelved for too long. Saturday we begin a new chapter, a new book, a new start.

 

Fear and Loathing in Middle Age

Hey kids…

Let’s talk about fear and how it changes us, how our fear changes over time, and what purpose it all serves.

This all began in yesterday’s yoga class when we were told to try a handstand, with and without the use of the wall. The instructor is amazing and even at 5:30 in the morning, she’s been able to get into my pre-caffeinated head and merge my body and mind in a beautiful symbiosis of breath, and heat, and general bendy awesomeness.

But yesterday…

Yesterday I began the morning by suffering through five miles of a run I didn’t enjoy. The week itself had been long and the weekend was short on sleep…yesterday was a cumulation of unhelpful factors.

So even though I was on my mat, carving out my own space in the universe to detach for an hour, I was still too much in the world. And watching my tiny little guru flip herself upside down effortlessly, knowing that my ass is WAY bigger, and understanding that I wasn’t on the most solid of ground emotionally, didn’t help my middle-age sense of insecurity.

While hopping up on one leg repeatedly in a effort to find balance the thought of “Why is this so hard, I’ve done cartwheels, I’m tough…my ass is big but I’m a sturdy girl all round, I got this…why, can’t I just–“?

*grunt*, *groan*, *heave*, *plop*.

It came down to fear.

I was afraid.

I was afraid that my own body would overcorrect. That to avoid pain, I’d swing my pendulum too far to the other side and really end up in a mess. Even though the wall was right there to catch me and there were no demands for me to even achieve the pose.

My physical fear was manifested out of my emotional fear of going too far.

Sure I worry for my rotator cuffs, and I don’t like the idea of barreling into the wall, but I think I was more afraid I would leap out into the world, heart on sleeve, hope in eyes, and fall off the edge. The headstand was a metaphor, for the cyclical “Why bother–you’ll just end up hurt” pattern that affects so many of us.

I held myself back physically. Because I was trying to protect myself emotionally.

I gave it effort, but not:

maximum effort

 

I knew I could do it, if I’d let go of the expectation of perfection and the fear of falling. Just like anything in life.

But humans are funny creatures and we spend a lot of time trying to protect ourselves from past physical and emotional pain by avoiding the effort that resulted in that pain.

Yesterday’s lesson brought up an honest question about my fears and where they came from and how they became so entrenched beneath my surface.

Fear serves the purpose of protecting and defending your life and your livelihood. But it also cages you. It stops attempts before they start. It can even set you up to fail.

Now failure isn’t a bad thing. It helps us grow and learn. And it’s not as Churchill so aptly said, “fatal”.

So why can’t I put my ass over my head?

Maybe the answer lies in the day I was having, maybe it’s that I wasn’t physically stable enough yet…maybe it’s because I’m afraid I’ll get it right.

Because sometimes failure is more easy to accept than success.

Why is it scary to succeed? Isn’t that what we’re all trying to do, in life, in our writing, in our day to day?

You’d think that’s what we want for the effort we put in. But self-sabotage is something most of us have done before especially at that hair-breadth distance away from obtaining our goals.

Maybe it’s the unknown aftermath of success…or the expectation to always be searching for the next success, climbing ever farther, faster, higher. If we stay mediocre. If we give up or don’t try…then we can stay nicely tucked into our pajamas on the couch midday, and no one would expect anything more.

Maybe if we start off mediocre, then any effort or tiny improvement we make seems like a mountain climbed.

And that’s just us lowering our standards.

Is it good to let our fear pigeon-pose…er…hole us into mediocrity?

I dunno. I think that’s something you need to talk to yourself about. Maybe it’s a good measurement of what we really want in life, and what we really hold dear.

If you no longer want to give it your best then maybe it’s not worth doing all

Thoughts and comments appreciated on this discussion.

Until I hear from you, I’m going to go find myself a wall and see if I can hoist this ass over my head, in the privacy of my own home where my grunts and groans will be mirrored in the aging basset taking over my yoga mat.

 

grayscale photography of basset hound sleeping
Photo by Maximiliano Ignacio Pinilla Alvarado on Pexels.com

VerseDay 2-7-19

 

Promise

 

I promise these words are worth the weight

And not to waste your time

with useless pleasantries, talks of weather.

I promise, these words carry their own storm.

 

I promise,

Just spare me a moment, undistracted and connected

Where I can sink into your soul, by hairbreadth and angel width,

and get under your skin, if only for a moment.

 

I promise I can move you,

To hate, to love, to think, to want

With nothing more than warm syllables on lips

or cold letters on page.

 

But you have to sit still with me.

You must take pause.

With me.

Even when you’re afraid to.

 

Is it me that frightens you?

Is it the words?

Or is it what your heart might do,

When faced with such brutal transparency?

 

Didn’t I tell you?

I would make it worth the weight?

That only the before knowing

Would seem the time your life was wasting?

 

Soul Food

 

Sometimes opportunity knocks on the door…sometimes it knocks the door down.

 

Gentle readers, this week I’ve been filling my life up with a few new opportunities though time is sparse and energy is waning.

 

Times like these often make me question my ever-lovin’ sanity.

 

I know that we’re all busy. I know that we’re all overworked, and underpaid, and hanging on to the ledge by our fingernails. But sometimes…

 

Sometimes a light breaks out of the storm clouds above you and shines on a seemingly small and inconsequential moment. Everything else around it falls away… And you just know that this is something worth exploring.

 

This, a diamond in the rough.

 

When that kind of light shines in your life, the reason you tend to drop everything else is that what you’re looking at isn’t just an opportunity; it’s something more.

It’s food for your soul. In a world where we’ve been starving our spirit for lack of genuine sustenance, these moments and opportunities strike a stark contrast.

And we have to re-learn what we so often forget; that the soul will not be dissuaded.

Despite that fact, sometimes we fight the idea. We shy away. It’s too brilliant, it’s too bright; it could burn us or illuminate all of our own shortcomings. It will be too much work and presents a slippery a slope.

It could be our downfall.

It’s the sun and we, Icarus.

T’was ambition that killed Caesar… and all that jazz.

 

 

But what if this light is something so much bigger than you and your human fears of failure? And what if it’s not just an opportunity for you but for a better world, a small piece at a time? What if it’s a hand to someone who’s been too long forgotten. What if this dangerous journey, hard-pressed and gritty, means more than just your own happiness?

What if it’s a chance to use your voice to change the world?

 

Well then, you chase that light. You open that goddamn door.

 

You don’t hesitate, you don’t reconsider. You fling it open and feed your soul.

 

Times in this country are pretty fucking dark. I’m not even kidding, ya’ll.

We’re spiraling down the bowl of a very large toilet. Hate, hurt, injustice, anger, suicide, depression, gloom…it’s all a shadowy mass, constantly pressing in.

I’m asking…nay, tell you—chase the light. Find a way to be of some use…not for the perpetuation of hate and hurt but for the healing of our country, our world, and our place in history.

How do you want your grandchildren…your great grandchildren to remember your actions in this time? Will they remember your hatred? Will they look back to see disgusting and disrespectful behavior towards your fellow human beings?

 

If that’s your idea of legacy, you can go kick rocks, kid…I don’t want your kind in my playground.

 

It is no longer enough to sit idly by and just do no harm. It is time to actively participate in doing good. In lifting the downtrodden, and striking out against those who keep us all underfoot.

 

So go out there, find your brilliant light, your opportunity to make a difference, and throw yourself into the fire of it. Feed your soul.