Poetry 12-25-25

On this day you shouldn’t be checking your email. I hope, instead, you are watching holiday movies, and still in your pajamas, and drinking coffee, and finding joy, and calling your loved ones, and eating one more cinnamon roll, and picking up pieces of taped wrapping paper, stuck to the floor, and feeling…feeling…feeling, the light and warmth of the season. Feeling that you can finally settle down. Feeling that this is the day to rest and think about nothing in particular. I’m here with you.

On this day you might also be mourning, and seeped in a kind of loneliness that feel worse than on any other day. You may be trying to keep hurtful memories at bay, or separated and far from the people you love. You loved. Maybe this day you are begging for it to be swift and end quickly, because you cannot bear to be told to carry joy when pain is taking up all the space inside your chest. I’m here with you too.

And so, here’s a little poem, nothing your brain needs to work too hard at. Nothing as important as honoring where you are at, and being gentle to whatever is filling your heart. I am here with you.

Flight

a fallen feather is a piece of grounded soul
aimless without a body
to lift
a reminder of once great heights
no longer attainable

she is a sign from the gods
that even the most perfect designs
lose elemental fragments
along the bumpy ride
and every fragment shed
is an updraft not caught

still, I think they’re pretty
and I tuck them into books
and pin them to walls
and read in them messages
in the timing of their arrival along my path
on my right means yes,
left is no
even when a question
hasn’t formed yet

maybe if I collect enough
I can build my own wings someday
maybe leave this place,
a curtain of elemental fragments
lost pieces of soul,
to lift


Just Because It’s Not Here Yet, Doesn’t Mean it Ain’t Comin’

Shhh…can you hear that? It’s something rustling through the back shelves of the library to the north. Up there in Wyoming, my home state. I can here it, in those churches of knowledge that helped educate me when I was cut off from the rest of the world. In that god-like place of words and stories, something foul is afoot.

Idaho did it. Wyoming is following suit…but with even more extreme regulations. The governments in these fine, god-fearing states, are trying to ban books in libraries that might be ‘sexually explicit’ for children. These hellfire books would certainly condemn these innocent youths to a life of sin for the knowledge of such things as… ‘masturbation’ and ‘menstruation’. Yes, parents cannot simply be asked to pay attention to which books are on shelves and might get pulled off by their sheltered (and not-at-all-on-the-internet-where-FUCK ALL EVERYTHING-can-be-found) children. The almighty hand of the government must step in to ‘save the children’. Not from actual death by gunfire from an assault rifle easily bought by anyone breathing mind you, that would be silly, but from the immoral leanings of condemnable ideas that maybe gender doesn’t really exist, periods are actually pretty normal, sometimes people touch themselves, poop jokes are funny, and that women can actually have orgasms. So much worse than a bullet to the brain of a 6 year old right?

It’s really god’s work. And I know I’m speaking, sort of, in jest, but the really NOT FUNNY thing about this situation is that should these bills pass, it would mean a cut in funding, fines, and an overstretching of already overstretched resources for local libraries. Some of which, are the only ones in the county for multiple towns. And the beginning of what can only be described as the Fahrenheit 1984 Syndrome (trademark by me) Wherein they burn what they don’t like, brainwash the masses into believing they didn’t like it either, and then spoon-feed the applesauce of Christian extremism down everyone’s throats until ours souls are so worn down that we don’t remember a time when we could have fought back.

Like today. As in, this is still the time we can fight back. It starts with a rustling. It starts with one book that seems suspect. But the machine of this fascist regime taking power is never satiated by one. It wants all of the books. It wants all of the thoughts. Because words are thoughts. Books are thoughts. These books in turn create thoughts. Thoughts create more thoughts. Thoughts support and connect other thoughts. Thoughts make us curious and wondrous and compassionate. Thoughts free us from man-made systems that are only real because someone has gotten hold of all the funding and weapons. Thoughts cause anarchy against systems that are no longer ethically or morally right.

So… if you live in Wyoming I urge you to get involved. Call your representatives. Go to the hearings, the meetings, the protests. Be vigilant. Fuck, be a vigilante for books. Be aware. Our country is at stake yes, but so is the future of our humanity. First they came for the books containing even the slightest whiff of sexuality. And maybe you did not speak because you do not write or read them. But then, they will come for the mysteries, the horror, the coming of age, the fantasy, and magical realism. The newspapers and magazines that don’t tow the line… The science (in and out of fiction), the christian that was not christian enough, the cookbooks for vegetarians…and on and on…until soon there will be no one else left to speak out for you…or your book.

Get out there and do an anarchy, kids.

On Letting Go and Holding On

Approximately three days ago, my daughter Madelyn was a boisterous and fancy-dress-loving two year old. She would wore through not one but two (in growing sizes) Tigger costumes, bringing light and bounciness to her preschool, the grocery store, the library story hour, and daily walks. She would sing and dance (usually in her underwear and draped in all the scarves she could find in my drawers), splash in puddles, cuddle up to me for hours a day, and she taught me everything I know about patience and the importance of staying present in the moment you’re in.

Today we’re getting the keys to her apartment, in Leeds, UK, where she’ll be attending University. Thousands of miles away from home.

Away from me.

And I knew this day would eventually come. I just didn’t think it would seem like three days worth of time, squished into 18 years. Getting to be next to her as she grew up through her boisterous youth, to her unsure and difficult middle school era, to the renaissance of her bloom where she came into her own thoughts, and opinions, and power in the last few years has been, hands down, the best adventure of my life.

Honestly, I don’t know how I managed to steer her little boat down this great big life river to where we’re at today. She’s such a sturdy and reliable vessel, that I often wonder if someone else raised her. Because on this day, and for the past few months really, I’ve been a wreck of a dingy.

Her resilience and perseverance are the only reasons I didn’t lock her in her room and tell her she could pick a nice online program to attend instead. For someone who has worked so hard to be self sufficient, patient, kind, hard working, and just in an unjust world…it would be a grave disservice to not let her spread her wings into this world that so desperately needs her. As my grandparents and parents have always said. We don’t raise them to stay at home and need us. We raise them to go out into the world and be good humans. So I’m learning to let go, I am leaning into embracing this time of her. Because it is. It’s her time now. And how amazing that she gets to spend it, invest in it, experience it, with me still as her mom?

There will be, inevitably, a lot of letting go and holding on in our lives. Family, jobs, relationships, loved ones, hopes, dreams…change and flow with the actions and inactions of the world. Learning when to loosen your grip and when to hold tighter is a difficult dance and the choreography is always changing. So this week I encourage you, as a writer, a human, and a soul…to think about what you’re holding on to. And ask you if it serves you…If not, why are your fingers so tight? What would happen, if you let go of something meant to fly? Not everything is ours to keep, after all.

For me, and Madelyn, letting go is an act of love that tells her I trust her, and I believe in her. It tells her that I’m excited for her life and for what she’ll do out there in the world. It tells her that I know she has brighter (and probably darker) days ahead and that both with teach her about life and finding her purpose. It tells her that I know she’s got this. But it also tells her that I am here and I will hold on to her in my heart, where she’ll always have a home. A big old oak tree to sit beneath when the world gets too loud and too busy. My roots will be there to sit within. My branches always here to give shelter. I will hold on to the bright memories and the endless giggles and curiosities, to remind myself that we are all borne as stardust into this universe and we are all born knowing. We are all, always, undeniably connected. Only the world makes us doubt these undeniable truths. I will hold onto this knowledge for her, in case the world makes her doubt it.

Hug your kiddos, hug your loved ones, hug yourself. (I’d caution against hugging strangers…best not to unless invited and both consenting) Remember you are stardust, glowing and bright. And that means, in terms of the vastness of the universe, that we’re never, really, very far away from each other even when we’re miles away.

Artists Need Each Other

So yesterday I was invited to this really cool space in north Fort Collins, called Kestrel Fields Studio and Art Residency. The owner, Heather Matthews, is a delightful human who has created this space to help support not just artists in need of a space to work and focus their attention on their craft, but also as a gathering space for artists from all around. Last night, she invited a lively and varied crowd of Arts Administrators from the area to mingle, talk, and answer some important questions about what art means in our community, how we can work together, and what the future of art in our community could look like.

I won’t go into great detail but I did notice a few things that were brought up time and time again. First, that even in communities where the art scene (I’m covering it all; music, visual arts, performing arts, literary arts, etc) is vibrant, there is often a disconnect between artists sharing their work and the public being connected to it. We all know that funding for the arts has taken a hit under the current federal administration. When we couple that with an economy that’s currently circling the toilet bowl, private funds are also being withheld as the whole country braces for these depressive futures. In itself, this creates a depression and repression of a different kind. Creation of art is not free nor easy. It costs time, and material and effort.

Artists in America (with the exception of those billion dollar stars out there) are not paid well, if at all. Art is not considered worthy of compensation to a capitalist system. Why? Because it defies all the markers of capitalism. It is not meant to be consumed and thrown out in an never-ending wasteful cycle. It is not massed produced, or homogenized for easier consumption. Art is unique, and personal, and deep-rooted. It asks the observer to think and to feel, and to step outside of their own perceptions. Art is uncomfortable and often questions power. It is dangerous in all the right ways. Because people who think and ask you to question our societal confines are often discredited. After all, why would a system promote someone trying to shake us out of a stupor to acknowledge our humanity above powerful, greed-driven systems? Art does not serve systemic oppression.

The point is that art and artists in America are more often seen as quaint, quirky and starving, rather than being hard-working harbingers of change and progress. Unfortunately, the marker of respect in our society is tied with monetary compensation, and we do not give that to artists, no matter how they may improve our lives or move our souls. So…something to think about is how you interact, support, and uplift the artists in your community. First, by going to their shows, reading their books, reviewing them and spreading the word. Paying a cover designer when you can. Paying for someone who edits or writes copy for you. Paying a musician to preform at your event. That money goes directly back to the artists and therefor the community. And it speaks a louder truth that Art Is Worthwhile.

Along those lines, let’s talk about cross-support. A big issue that came up was the “siloing” (I feel like that’s a hot-topic word of late) of artists. Painters stay in gallaries, musicians only go to music festivals, writers stay home in their pajamas and turn their ringer off. Yes. It’s hard to step outside of our own comfort zones within our art. But the beautiful thing about art, in any sphere, is just what I mentioned above. Art makes you think. Makes you question. Gets you outside of your world and asks you to see something new. To question. To feel. And those questions and feelings, especially when planted in the seed of another artistic mind, will lead to a garden of beautiful, unique and expansive ideas. If you’re familiar with ekphrastic work, you know that a painting can inspire a poem. A poem can become a song lyric. A song can drive the hand of a painter. We are not siloed, we are an expansive field of fertile and ready soil. And at the risk of sounding sensual, we should start cross-pollinating. Not only for the health and vitality of our own art, but to support the minds and hearts of people who share in our struggle and joy of being translators of the soul into art.

I am proud of the community of writers and poets I work with. I am overjoyed to meet the artists who paint, and draw, and sing, and perform. I love to know how art and passion move through their bodies, and to feel kindred in their drive to create something that feels like touching the deep truths of humanity and shared experience. My ask of you today, whether you write or not, is to find out more about the artists in your community. Go to their shows, follow them on line, support them with words and presence if you don’t have the funds. But let them know they’re important. That they are seen. Because artists see you. They work and create to bring us all closer to understanding each other. And that’s something worth leaving my pajamas for.

Happy and Safe Pride

In honor of Pride Month and celebrating all of the amazing human beings, in their struggled to be themselves, live fully, and be safe from violence and oppression, I’m doing all I can to support LGBTQ+ writers and poets. Listed below are a group of wonderful authors and their work that you should check out. If you can buy from them directly do, and leave positive reviews if you have some to give. Each one is an opportunity to learn, to grow, to understand and to find connection. Not just this month, but every month. Enjoy and be the loving force for change you want to see in the world.

  • One Day I Will Write About This Place: A Memoir by Binyavanga Wainaina
  • As Beautiful as Any Other: A Memoir of My Body by Kaya Wilson
  • La Bâtarde by Violette Leduc, translated by Derek Coltman
  • The Truth About Me: a Hijra Life Story by A. Revathi, translated by V Geetha
  • The Sex Lives of African Women: Self-Discovery, Freedom, and Healing by Nana Darkoa Sekyiamah
  • The Pink Line: Journeys Across the World’s Queer Frontiers by Mark Gevisser
  • Modern Nature by Derek Jarman
  • My Lesbian Experience with Loneliness by Nagata Kabi, translated by Jocelyne Allen
  • People Change by Vivek Shraya
  • Asylum: A Memoir & Manifesto by Edafe Okporo
  • Welcome to St. Hell: My Trans Teen Misadventure by Lewis Hancox
  • We Have Always Been Here: A Queer Muslim Memoir by Samra Habib
  • Dear Senthuran: A Black Spirit Memoir by Akwaeke Emezi
  • The Other Side of Paradise by Staceyann Chin
  • Red Azalea by Anchee Min
  • Me Hijra, Me Laxmi by Laxminarayan Tripathi, translated by PG Joshi and R. Raj Rao
  • They Called Me Queer compiled by Kim Windvogel and Kelly-Eve Koopman
  • Unicorn: The Memoir of a Muslim Drag Queen by Amrou Al-Kadhi
  • Angry Queer Somali Boy: A Complicated Memoir by Mohamed Abdulkarim Ali
  • Thérèse and Isabelle by Violette Leduc, translated by Sophie Lewis (1966)
  • Maurice by EM Forster (1971)
  • Orlando: A Biography by Virginia Woolf (1928)
  • America is Not the Heart by Elaine Castillo
  • Hotel World by Ali Smith
  • Less by Sean Andrew Greer
  • The Price of Salt aka Carol by Patricia Highsmith
  • Valencia by Michelle Tea
  • Under the Udala Trees by Chinelo Okparanta
  • Paper is White by Hilary Zaid
  • Stone Butch Blues by Leslie Feinberg.
  • Orlando by Virginia Woolf
  • Giovanni’s Room by James Baldwin
  • Sodom Road Exit by Amber Dawn
  • Angels in America: A Gay Fantasia on National Themes by Tony Kushner
  • Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg
  • The Book of Salt by Monique Truong
  • Tea by Stacey D’Erasmo
  • Tipping the Velvet by Sarah Waters
  • Alice Isn’t Dead by Joseph Fink
  • Oranges Are Not The Only Fruit by Jeanette Winterson
  • Marriage of A Thousand Lies by SJ Sindu
  • Nightwood by Djuna Barnes
  • Tales of the City by Armistead Maupin
  • Close to Spider Man by Ivan E. Coyote
  • Jack Holmes and His Friend by Edmund White
  • A Single Man by Christopher Isherwood
  • Fruit by Brian Francis
  • Salt Fish Girl by Larissa Lai
  • Morrow Island by Alexis M. Smith
  • Pages for You by Sylvia Brownrigg
  • Confucius Jane by Katie Lynch
  • Little Fish by Casey Plett
  • Such a Lonely, Lovely Road by Kagiso Lesego Molope
  • She of the Mountains by Vivek Shraya
  • For Today I Am A Boy by Kim Fu
  • The Color Purple by Alice Walker
  • Rubyfruit Jungle by Rita Mae Brown
  • Disoriental by Négar Djavadi
  • Speak No Evil by Uzodinma Iweala
  • The Life and Death of Sophie Stark by Anna North
  • Never Anyone But You by Rupert Thomson
  • Hood by Emma Donoghue
  • Blue Boy By Rakesh Satyal
  • My Education by Susan Choi
  • Here Comes The Sun by Nicole Dennis-Benn
  • Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz
  • We Are Okay by Nina LaCour
  • Summer of Salt by Katrina Leno
  • 48 Shades Of Brown by Nick Earls
  • Call Me by Your Name by André Aciman (2007)
  • The Language We Were Never Taught to Speak by Grace Lau
  • Butcher by Natasha T. Miller
  • Water I Won’t Touch by Kayleb Rae Candrilli
  • The Renunciations by Donika Kelly
  • Bestiary by Donika Kelly
  • Paul Takes the Form of a Mortal Girl by Andrea Lawlor
  • You Better Be Lightning by Andrea Gibson
  • Lord of the Butterflies by Andrea Gibson
  • Black Girl, Call Home by Jasmine Mans
  • Black Queer Hoe by Britteney Black Rose Kapri
  • If They Come for Us by Fatimah Asghar
  • Nothing is Okay by Rachel Wiley
  • Cenzontle by Marcelo Hernández Castillo
  • The Tradition by Jericho Brown
  • Soft Science by Franny Choi
  • Bodymap by Leah Lakshmi Piepzna-Samarasinha
  • Night Sky With Exit Wounds by Ocean Vuong
  • When the Chant Comes by Kay Ulanday Barrett
  • More Than Organs by Kay Ulanday Barrett
  • Don’t Call Us Dead by Danez Smith
  • Things You Left Behind by Keondra Bills Freemyn
  • Femme in Public by Alok Vaid-Menon
  • Wild Embers by Nikita Gill
  • Chelsea Girls by Eileen Myles (1994)

BOOKS: POETRY

Retreats, Writers, and the Greater Sum

I’m at the last day of Writing Heights yearly Spring Workshop and Retreat. It’s been a wonderful two days filled with classes, writing time, collaborations, critiques, and conversation. Normally, I don’t do much talking or reaching outside of my happy little home-body shell, so these types of events are rare and sometimes anxiety fueled.

But when you agree to take leadership of something, you don’t really have the option to sit back and let someone more extroverted take over. I believe that living a decent life has more to do with stepping outside of your comfort than constantly seeking it. And the beauty of it is that the uncomfortable and large becomes like a warm sweater and an intimate evening. I’ve been to a lot of conferences and retreats, but somehow its this group that always feels like coming back home.

If this retreat has taught me anything, its that there are so many beautiful, intelligent, thoughtful and worthy voices in this world that need to be heard. It has taught me that art is not dead, that hope is not lost, and that we are all standing on the edge of something extraordinary. To know we are not alone in the struggle, to know that someone is rooting for us to continue on, and that words still matter maybe even more than ever is enough to lift any downtrodden heart out of the mud. Separate, we are all each a powerful story waiting to be told. Together we are an ocean of love, a battlefield of strength, a universe of humanity, and the unshakeable faith that something greater will be found in the connection to this beautiful tapestry of human consciousness.

My advice to you is this. Live your life with a sense of urgency (not anxiety) and purpose. Live as if you knew you didn’t have forever to waste. Do the thing. Today. Write the words, finish the poem, read it out loud. The love of writing, of learning, and seeing new perspectives is a rising tide against ignorance and hate. The world needs you now. We must not falter.

Thank you to my amazing writers (yes I’ve claimed you as mine, like a momma duck keeps all her littles safely close) to the teachers who helped me by offering their knowledge and expertise, their warm hearts and belly laughs. I hope if you’re a writer, reading this, then you find a way to meet us in the mountains next time. Bring your heart and all your words.

Next retreat is October 16-19th in Winter Park, CO. Find out more HERE

I saved an earthworm…

To be exact, they were what I would deem a “nightcrawler”. On my rainy walk, with my rescue dog River, and her distaste for the wet (I think it’s the pit bull in her mix) we encountered the large under-dweller, struggling against the asphalt. I watched for a moment. Remembering, that as a child growing up in a dry state (Wyoming), we rarely saw worms that size. If ever you did, was a good omen to gardeners and those were the ones you never took fishing. I bent down lower than my 45 year old knees liked and gently picked up its twisting body, and placed them gently in my palm where it squirmed for freedom, even from a small safety. The rain poured down around us and I let myself feel all of the tickling, wriggling, slightly slimy motion of a life in peril. I took them tenderly towards the grass and out of the space where tomorrow’s sun on the blacktop would bake them, and set them down.

“There you go buddy, good luck.” I said and a woman walking her dog on the sidewalk, moved carefully away from me.

Why don’t we care for things anymore? When did we become so crass? How is it we have become too busy to save even the smallest of consciousnesses? I’ve been thinking a great deal about ‘modern’ life these days, and how less like actual life it feels. “Life” is suddenly something we are fed, by those who control the information. Life is on screens, and filtered to be pretty, it’s reductive, or ridiculous. Competitive and unrealistic. It’s shallow and degrading. When was the last time you held something in your hand that was real? A worm? Your child’s hand? Dirt from your garden? A pen? An apple? Someone you loved (known or in secret) arms wrapped tight and trying to stop time, just for a minute? When did you notice last, a being in struggle? Did you stop? Did you help?

I no longer want to be part of an unreal world. I don’t have years to waste on anything not authentic. What is the point? If I only have so many days, why would I spend them sucked into an algorithm? I want to hear my friend’s voices. I want to read their handwriting. I want to see them across a table or next to me on a walk. I don’t want to be force fed advertising, and told that I need wrinkle cream. As though the natural progression of my body is not something to rejoice in and enjoy. I don’t want to be told in spiraling doom scroll what this world amounts to in the number of likes or angry faces it has. Watch the volley of hatred and hurtful ignorance between neighbors be slung around like poisoned arrows. See artists reduced to fodder for machines, and the brainwashing of it all being NECESSARY, take us over, as though we have no choice in the matter. How can we really justify, as artists, “needing” a platform that abuses and misuses our hard work? I can’t. I never had any big hopes of making it in the industry anyway, so I’m not going to keep buying into a system of false promises, while it robs me of my creativity and passion.

We haven’t always been this way. Don’t you remember?

I know I will miss out. Your faces, your lives, the beauty of your progression in the world. I will not see you. I won’t get to laugh at your memes or comfort you in times of loss. But I will think of you. Just because I’m not there, posting weird writing shit, or poetry, or my bastard of a cat…I am here, thinking about you. Whether we’ve been friends since the fourth grade, or you just joined my writing group, or you read my books, or you gave birth to me…I love you. You don’t need the algorithm to tell you that. You don’t need Facebook as a go-between to keep us connected. I’m here. Loving you. Hoping good things for you. Wishing you a day better than you thought it would be, every day. Each one of you. No likes necessary.

I feel a bit like Neo. Taking the pill. To wake back up to what is real. And it’s scary. And I don’t know if I’ll just be forgotten. Maybe I will. But I suppose the hearts that forget me, I never really had residence in to begin with. Today’s the last day and I’m a little scared. The connection it offered was wonderful, the addiction it’s brought me to and the worry it sustains, is not healthy. For any of us. Here’s where you can find me:

  • BlueSky: @sereichertauthor
  • SubStack: @sarahreichertauthor
  • Website: https://www.sarahreichertauthor.com
  • email: director@writingheights.com
  • Address (I love letters and will send you one if you provide a return address): NCW, 4128 Main St, #144, Timnath, Colorado 80547

I hope I see you in the real life. I hope you find the balance you need. I hope you don’t give in to the idea that you’re data points and not a living, breathing, squirming, fighting, good-omen of humanity. I won’t be there anymore, but I’ll be around.

Photo by Grafixart_photo Samir BELHAMRA on Pexels.com

Making the Most Out of Your Retreat

Hey writer and fellow creative friends. Wherever you are on your artistic journey, I hope you’ve considered the benefits of joining or participating in a retreat. Now, retreats can range from the ridiculously expensive, to renting a room at the shady looking motel three miles away. Some have classes or workshops, some have yoga or hiking mixed in, some are just straight up writing time.The point is to get out of your normal space, away from your normal routine, and spend that time focusing on your work. So whether you’ve broken the bank to jet set off to the French Riviera or you’re on your way to a twin room at the Motel 6, these tips can help you get the most out of that time. I even put it in a nifty little bullet list.

  • Be Prepared (Mentally):
    • One of the best tips I have, is to make yourself a list, before you go, detailing what you want to do, or get out of the retreat. Are you hoping to network and make connections? Are you aiming for a certain word count, or project completion? List out the major goals, then leave space (I’ll tell you why later on)
    • Be realistic but also a shade optimistic. Know your average, everyday word count and think about doubling or tripling it. You’ll have more time and less outward distractions and setting that goal will keep you on track. By making it a little challenging you’ll push yourself just enough. Even if you don’t hit the goal, you will get farther than if you’d been too ‘reasonable’.
    • Bring multiple or at least a couple different things to work on. The hours can become tedious and you might want to switch it up to stay fresh and motivated.
    • As a mom, and working mom, a strange thing happens the first few hours of being alone at a retreat. I get this thing I call “care-giver paralysis”. In the absence of doing for others, I can’t remember what to do with just myself. Understanding that this feeling will come, and I’ll have some listlessness helps me to remember to ease into the weekend with some journaling, or shorter projects.
  • Be Prepared (Physically):
    • The practical side of things is that you’re going to be away from home. But not on a typical vacation. So remember to bring your goal list, paper, pens, notebooks, journals, your laptop and charger…the basic tools of your trade. Make them your favorites or the one’s you’ve been ‘saving’ for something special. This is something special.
    • Plan for the environment: If you’re poolside or in the mountains, bring the proper clothing and footwear. You won’t be holed up in your room the whole time (I’ll explain more on that later). If there are dinners or classes, if it could be cold, or hot, try to think in layers. If its just writing, pack lots of comfortable clothing. Sunblock, hats and mittens. Bear spray or Mosquito spray?
    • Sleep aids- especially if sharing a room. I’m talking about eye covers, ear plugs, and headphones (not a rubber mallet if your roommate snores). Anything you need to get a good night’s rest.
    • Any special dietary needs/wants that the place won’t be able to provide.
    • Water bottle, medication, and bathroom necessities. Nothing is worse than being dehydrated and/or not having a toothbrush. Big and little comforts will make a huge difference.
    • Business cards. Holy shit, I can’t tell you how many times I’ve forgotten this one. Even if you’re just there to write, exchanging info with your fellow retreat members is great. You’ll be surprised how much you learn from one another in that time.
    • Tech that you need, none that you don’t. You’ll need brain breaks, you’ll probably want to check in with family once or twice, you may need a laptop. You probably don’t need your gaming system, and be careful of your social apps. This is a time for connecting with yourself and your art, not the 7 billion people of the world.
  • Be Flexible:
    • You’re going to have a goal list. You’re probably going to stray from it. That’s alright
    • There may be days when the word count fizzles or the scene doesn’t play out like you want. That’s okay.
    • There may be a project you exceed expectations on, and another you barely touch. That’s alright.
    • You may accidentally sleep in, or need a nap, or get caught up in conversations. These are good things.
    • Retreats are a balance of getting your work done, and taking care of yourself, which leads me to…
  • Schedule in Self-Care:
    • Bring along comfort. Your favorite pillow, blanket, clothing, music. Whatever it is that helps you feel relaxed and at home.
    • Take naps. You’re little brain is going to be working extra hard. It’s going to be focusing for hours and working through the plot holes and dialogues you’ve been avoiding. Schedule in time for naps, early bed times, or meditation on your goal list.
    • Take advantage of the outdoors. (Unless your Motel 6 is in a shady part of the city–then try to grab a Lyft to a safer part) Go for a hike or walk every couple of hours. Sit outside stare off into the far away for awhile. Your eyes and brain will thank you. Also schedule in brain breaks on your list.
    • Bring any nutritional or necessary snacks. I need coffee in the morning. I need tea before bed. I need fresh fruit and veg. I like hydration mix and the occasional bourbon on ice (not together, that would be gross) I want my Little Debbie brownies and my twizzlers. These little joys will keep your spirits up in the middle of the tough work.
    • Exercise, Mediate, Drink lots of Water, and take warm showers. All good things and breaks away from the intensity.
    • Skimping on self care will make you less productive and more likely to burn out. Nobody wants a mushy brain half way through.
  • Assess and Recalibrate:
    • After its all over, if you’ve got a drive home, or a flight…take some time to reflect. What went well? What was a challenge? What did you wish you had? What did you bring that you could have left home?
    • How did your goal list go? Did you overshoot? Did you get distracted, and by what?
    • How do you feel physically and mentally and how can you make sure that the next retreat leaves you feeling accomplished without being overwhlemed.

Well, there you go. I’m open to hearing if you have any other advice in the comments below. I’ll be heading a retreat next week, so if you’ll be there, I hope we can make it a great experience. If you can’t be there, I’ll be hosting another one in the fall with the Writing Heights Writers Association and I’ll let you know the details as they’re finalized. Until then, Happy Writing.

One Month Away! Book Launch and Deals

Ya’ll, I haven’t been so excited about a book coming out since…well ever. I started this book a couple of years ago at a writing conference. It was a rare and beautiful madness, where the characters would regularly interrupt me on my morning commute to the kids’ camps, my Peloton rides, my hikes, in line at the grocery store, with little snippets of their life. Like I was a radio that would pass by their frequencies and catch conversations. Notes were drawn up on my phone, scraps of paper and notebooks. Eventually landing on my screen. Only I didn’t write it as one novel. This book started out as two separate novels, one from each perspective that I then had to go back and merge into the finished project. It was messy and strange, (and an absolute headache for my editor I’m sure) but through it all, I’ve never gotten to know two characters more intimately.

It’s safe to say, I’m in love with them both. I need a Charlie in my life. I think we all do. I think we all need a Meg too. Someone to remind us what’s worth living for. To kick us in the pants when we feel too sorry for ourselves. To be in our corner, no matter what.

So, I hope that you’ll preorder it. Preordered sales count in the total number and it can really help an author to be seen in some of the bigger markets. Its not so much me that wants to be seen. It’s Charlie and Meg. I want the world to know them. So pre-order if you can! But if you want a little something more, I’m running a special book package for No Words.

If you chose to buy the book this way, you’ll be sent a signed copy of the book and some goodies, hand selected by me. The price will include the shipping cost. More details will be released in a couple of weeks, but if you’re interested now (I like to start making my list) shoot me an email (with the subject line No Words Special) or DM me on my socials.

I will also be crowing about the book launch and book signings that are currently getting hashed out, so please stay tuned for those and if you’re in the area, stop on by! I’d love to talk books and writing with you, and sign some copies. Dates and places to be announced soon.

Here’s a little excerpt:

Charlie asks me to meet for coffee the morning after Bradley’s departure. I, of course, comply. Coffee with Charlie always breaks me out of my mood. If there’s anyone crabbier at the world than me, it’s him. Plus, I love to hear him talk. About anything and nothing. I love the way he sits back and listens, discerning brows pulled together, as though he’s contemplating my words. As if I matter. I’m curious as to why he asked me and didn’t mention Gina coming along. Her birthday is coming up soon, and I’m sure Charlie, in his old-school romantic way, has devised a plan he needs help with.
What a man to find, I think as I put on my worn red boots to navigate the slush-deep sidewalks. It’s ten blocks but I don’t have enough for fare today. When I arrive, Charlie is there, already seated, readers on and mouthing answers to the crossword. I watch his lips count through the window. The spaces, the letters, making it all fit. He looks up, a graying curl on his forehead. He waves me in.
He looks pale. Paler than I’ve seen him in a long while and his bright blue eyes pop against his skin. His mouth is downturned, like he doesn’t want to talk first. He rarely does.
“Hey!” I puff out and the breath feels hot on my cheeks.
“Did you walk all the way?” he scowls.
“It’s a lovely fall day.”
“It’s twenty degrees out, Meg.”
I shrug and take off my coat, I settle in, nod for coffee and don’t allow even a moment before I dive into the dramatic end scene of Bradley. Charlie remains a statue as I recount the far-too familiar episode.
“And that’s how I ended up with all the rent and none of the sex.”
Charlie’s scowl deepens. “Well, thank God. The guy was a grade-A moron.”
“He got into Cats.” I say over the menu.
Charlie rolls his bright eyes over his readers and levels them on me.
“He couldn’t get into a bag of chips with scissors. The man was a talentless hack and you shouldn’t have paid his rent as long as you did.”
“You’re just saying that to be sweet.” I sip my coffee and looked out over the busy city street outside. The cloudy morning spits gray flakes against people’s faces as they walk by. I set aside the menu. I can’t afford toast, let alone breakfast.
“When have you ever known me to be sweet? Go to hell.” Charlie studies his puzzle again. I watch him from across the table. I love looking at Charlie. His wild and curly hair, unkempt and disrespectful. His face a map of a million laughs, handsome but in total, unrefined.
“Thanks,” I whisper. For the moment of stability, for reaffirming my faith in men. He reaches out, without looking up from his puzzle, and places his warm hand over mine with a squeeze.
“How is Gina?”
Charlie pauses, and with him, my heart. He never pauses when talking about Gina, he’s over the moon in love with her. There is always some news, some show, some smash hit that she’s working on mastering, filling up their brownstone with repeated notes and lines, and the sparkle that is Gina. There is no pause to a life so full. Charlie clears his throat.
“It’s back.”
The words are like a double hit to my chest. I don’t have to ask what ‘it’ is. It’s only be five years since it took root in her the first time. Now it takes root in me, with the kind of despair that steals words.
“Charlie, no.”
“Yes… It’s bad, Meg.”
I ache with anger. I want to throw my fist into something, but I’m stupid and weepy instead, so I take his warm hand in mine.
“What can I do?”
“Be here,” he says.
I sniff and look up to staunch the deluge. My crying doesn’t help any of us, and he certainly doesn’t need to feel worse for my tears.
“Ok. How is she?”
“Tired,” he shakes his head, tucking the paper beneath his plate. I watch him take off the readers and rub his eyes. “This time is already worse.”
I’m at a loss. What the hell do you say to that? I’m a fuck up, not a doctor. I have nothing to give him, even after they’ve given me so much. My heart aches and I’m desperate to do something.

What’s Coming Up This Month

Hey kids, it’s your monthly reminder of some cool stuff happening in my world and for writers everywhere.

First, this month on the 29th, Writing Heights Writers Association will be hosting its monthly classes. For the morning class, I’ll be teaching a super fun workshop on how to apply Gothic style and themes to every genre. We’ll be talking about the history of the style as well as how it applies to character, social commentary, and the prevailing themes that can enhance every genre. The afternoon class will be “Hiding the Bodies: Enliven Your Writing with Exquisite Corpse and Ekphrastic Poetry” with Chris Guppy and it should be a really fun and interesting day of class. I hope you are all able to come.

Remember, these are virtual so you can attend from anywhere (keep in mind its 10 and 12 MST). You don’t have to be a member to join and they’re inexpensive for quality classes. You can register here: MARCH CLASSES.

Remember, if you are a writer, of any level, and you have information to share with your writing community, send us in a proposal. It doesn’t have to be writing specific, and we’re always looking for ways to expand our knowledge and make cool connections with the arts and the business side of writing. You can send in your proposals HERE.

Next up…let’s see. I’ll be rearranging the Youth class this next month to accommodate Passover, more on that in my social feeds and on the website. I will also be looking for a new person to run the Youth Class for Writing Heights as I’m currently kicking my own ass with being over scheduled.

Speaking of that, I have a book coming out in May! And pre sales really matter. So if you wanted to get a copy, you can preorder it HERE. I’ll also be running a special pre-order package where I’ll send you the book, signed, and some goodies to go along with it, exclusive to those preorder packages only. I’ll keep you up to date on that as I have more details from my publisher.

I’m running a writing retreat in May (the 11th through the 14th) in Allenspark, Colorado. It will feature a flexible schedule of two different tracks. One for Memoir, one for Craft/Creativity. There will be time for critique as well as time to get some of your own writing done. Private rooms are a little expensive, but all prices include your food and room as well as the high-quality instruction, morning yoga, and some some of the coolest people I know.

I’ll be at the Mesa Verde Literary Festival (and writers conference) on July 9th-12th and also at Rocky Mountain Fiction Writers Conference in September. More on the classes I’ll be teaching and workshops I’ll be running later.

Other than that, I’m working on finishing up a Christmas-but-not-Hallmark holiday novel and hoping to start edits on my next series soon with 5 Prince Publishing.

My oldest is getting ready to graduate so May will be full with three major things happening all at once (I did it all to myself so there’s no real way to complain about it) If you have a hard time getting a hold of me, trust that I’m just trying to keep my head above water.

Hope to see you in some classes and some book signings soon!