Habit vs. Muse

Posted on by sereichert

If you’re a writer or a creative of any kind you’ve known the sweet kiss of a muse. Sometimes it comes skipping through your bathroom, mid shower, and smacks you in the back of your shampoo-frothed head with a bat. Sometimes it tickles your ear, an errant breeze, while you’re outside waiting for your dog to be done with their business. Sometimes it meanders through the crosswalk, wearing clown shoes and a rubber duck hat while you’re waiting for the light to change. Whatever and whenever it hits you, its like the lighting of a match inside of your cold little cavern of a brain and its…brilliant.

With any luck, you’ve stashed pens and paper, notebooks, post-its, cocktail napkins and chocolate pudding in odd and disconnected places to jot down what it’s trying to tell you. Or I guess you could use your phone (old person eye roll). The point is, the muse is a beautiful part of what it means to be creative.

The trouble is…It doesn’t really exist.

A moment of silence for my former, favorite imaginary friend.

You see…”creatives” don’t have more encounters with “the muse” because we’re slightly unhinged and floppy in the gray matter (I mean, we might be, but that has very little to do with inspiration, and probably more to do with preferring to be in a state of la-la land over the past and current hellscapes).

We become ‘amused’ because we spend time building good habits pertaining to our art. Ideas are like seedlings, habits are the fertile soil. If you’re not building up healthy and rich (worthwhile not monetary) habits, there will be fewer little ideas sprouting up.

So what are these habits, Sarah?

Well, for one, you have to write.

Duhhhh…. Okay, I know that’s a easy pitch. But it’s really not that simple. So many of us simply won’t sit down until we feel inspired. Or we PROCRASTINATE with every other conceivable chore and ‘have-to’ before we sit down to write. Or we may sit down, but we stare at the cursor blinking or distract ourselves with ‘research’. Decide the baseboards need dusting, or the dog needs its ears cleaned. There are a billion ways we avoid it. I do too. And constantly I ask myself why.

*Side Quest* It’s because of fear. Usually. Fear that what I write will be shit. Fear that it will be really good and I’ll fall in love with it and lose myself for months and no one else will love it as much. Fear that what I write won’t lead anywhere. Fear that I’ll mess up my grammar, my POV, my plotline, my characters, my punctuation. Fear that it won’t be good enough. Fear that I won’t be good enough. Even with books out. Even with publications and awards. That old fear is a nasty briar patch to the rose garden of my work.

But habits are nothing to fear. At best they’re comforting, at worst, they’re droll. You can set something as simple as…

I will write for twenty minutes five times a day. Or I will sit my ass in my chair everyday at 5:30am and write for two hours straight. Or I will finish one poem a day. I will write three flash fictions every afternoon, or two ten-minute plays a day.

And then you sit the fuck down. And you write.

Its just that easy and its just that hard. But thats all it is.

And sometimes you will write shit. Sometimes you’re going to spend a whole day or afternoon or month on a project that just doesn’t work out. Sometimes it will be too raw or hurtful to share. Sometimes your POV will be atrocious and you’ll ellipses your blog to death…

But here’s your consolation prize to all of that:

Ahem…NO writing is bad. In every word, sentence, scrapped character or ridiculous poem, there is a certain fluency. A repetition. A practice. Bruce Lee didn’t fear the man who knew 10,000 different kicks, he feared the man who had practiced the same kick 10000 times. Because practice leads to progress…and closer to perfection (though who really wants that bullshit, it’s boring.)

Habit will sustain you, even when the muse has left to find some other crosswalk or doggy doo pile to traipse around. And with those designated times (habit) you will train your brain to settle in and do the work when its time. And that work creates fields. Rich and good fields, that you’re tilling and watering, and sprinkling shit on. And things grow there. Things you didn’t even know were laying dormant. Ideas, new directions, new thoughts, new characters, new combinations of words, or exciting adventures. The lushness of a garden well tended.

So here’s my advice. Don’t sit around waiting for some finicky tart in clown shoes to lead you to the next great idea. Sit your ass in the chair, open your notebook or laptop and start writing. Lead yourself to your next great idea, by doing the work. It’ll be a lot more enjoyable than you think.

Survival of The Writer: And What National Novel Writing Month Teaches Us

Posted on by sereichert

I’m going to keep it brief and give you a little excerpt at the end of this blog to tie up another great year of NANOWRIMO. I hope that your month was successful and that it taught you something about your ability to persevere, in the face of ominous word counts, writer’s block doldrums, and persnickety characters that don’t do as they’re told.

I, for one, am proud of you. The winner of the goodie bag will be chosen this week and I’ll announce the name on the blog this week. Think of it as an early Christmas. I’m still curious to know how it went for all of you and if you have any pitfalls or successes you’d like to share, please send them my way. If this was your first or your 25th, I know that you got something out of the process.

If anything, it teaches us how to manage our time better, how to flow with the writing even when its not going how we think it should, and how to keep going even when its hard. I hope the very best for your project. My final piece of advice is this:

When the first day of December rolls around, I ask that you take that hard-earned manuscript you slaved over for a month, save it (Twice) and put it away. For a whole month. Don’t look at it, don’t tweak it. Don’t edit it. (the only exception is that if you’re really close to finishing something or the whole thing, keep extending your daily word count goal until you’re at a good stopping place). Don’t open it again until January 1st at the earliest. Give your brain and your thoughts time to settle and reflect, so you can come at it with fresh eyes and a begin the process of turning that beautiful raw material into a wondrous book.

Here’s a little (unedited) piece of my new project. Enjoy! (and Congratulations)

…

Photo by Taryn Elliott on Pexels.com

I wish the train would go faster, why do we have to keep stopping for people? I get off, shove my way through the current going down, swimming upwards like a desperate salmon. I keep the soup intact. I climb his stairs two at a time and the ache in my chest is probably equal parts worry and being terribly out of shape.
“Please answer. Please answer,” I whisper as I raise my finger to the antiquated brass button. Charlie rips the door open before I can even ring his bell. He looks wild. Unmoored. His eyes are fighting and strange. Like he’s made…decisions. I don’t know what to say so…Kansas takes over.
“Hey—”
“Get out of my way.”
“Where you going?” I ask and tilt my head to the side like an innocent farm girl, unaccustomed to dark thoughts.
“Out,” he grouches.
“I’ll go with you.” I shrug at this, and the soup and bread shrugs too. He glares at me; I can feel his mouth forming sharp blades of words.
“I’m suicidal.” The admission itself is a lifeline that he throws out. He could have said he had a meeting, or lawyers to talk to, or a walk to think. He hopes I’ll back down if he throws it, head on, into my face. I force myself to smirk and roll my eyes, even while I bully him backwards, my will and the box of warm food herding him.
“You’re hungry.”
“No!” he says, a split second before his stomach rises to greet me with a groan. “Just go, Meg. I’ll see you at the funeral.” His back is pressed to the not yet closed door.
“Who’s? Yours?” I pause, Charlie’s eyes go soft through the anger. “Get in the apartment, Charlie. Before it gets cold.” I force him back, and slam the door closed, putting myself between him and it. I set down the box and take off my coat and hang it up next to where he’s standing. He sighs, takes in a deep breath and closes his eyes.
“Meg,” he whispers.
“Let’s eat,” I say and take off his scarf for him, hanging it with reverence next to my shabby long trench. He gives in and throws his coat over the bright blue. As though he can’t look at it tonight. I take the box into the kitchen and start to unpack the hot soup and warm bread. I have to get the step stool to reach the bowls in the cabinet and Charlie is just standing there watching me, shirt with his cuffs rolled up, untucked and pining for the bridge or busy street that would have ended the pain.
But the pain can fade. I know. It can become livable. It’s been my asshole roommate for some time. I set down the bowls and crack open the top of the container. Charlie leans in, trying to feign disinterest.
“Is that—”
“Chicken and wild rice, from Saul’s private stash.”
Charlie fake glares and his stomach growls again. “You little shit.”
I don’t respond but I pass him a full bowl and a chunk of fresh bread. He holds them both in his hands, warm, soft. Little things to cling to in a world that was so desperate and cold five minutes ago. He doesn’t speak, but he sits at the island and I saddle up next to him.
I talk about work. I talk about an article I’m working on about AI, I talk about the impending writer’s strike. I keep my topics to things easy to let go of. I talk about anything, but leave spaces of silence for him to contribute. He doesn’t, but he presses his long thigh against mine under the counter, and finishes the rest of the soup.
I offer to stay. He says it’s unnecessary. The funeral is tomorrow. We have things to take care of. He shakes his head. He’s changed from the man marching to death. To someone resigned to accept it. But I’m wary, and I don’t want to return to my cold apartment. Not with his knee touching mine.
“I can take the couch.”
“No.”
“Charlie.”
“I’m fine.” He says, and I believe him, but I look at him like I’m not sure. “I’m gonna be fine.” He says, and nods. “I’ll see you tomorrow.”

NANOWRIMO: WEEK 4

Posted on by sereichert

Hey! You’re in the homestretch, and whether that is a cause for rejoicing or a cause for panic, it’s still your last week. Below are some thoughts. Remember to send me your email along with comments and stories about how its gone so far, what you’ve learned, what helped, what didn’t, what you’d do differently, or if you’d ever do it again. I’ll put your email into a drawing for a Writer Care Package, stuffed full of lots of useful goodies that every writer needs.

Here’s your final week pep talk.


Good morning!

For those of you who’ve been following me through the month of November, this marks the final installment of surviving NANOWRIMO (National Novel Writing Month). I’ve been flowing with a life-stages theme, and had intended to title this week “Retirement” but the thing with NANO is that only some of us will spend the last week resting and reaping the rewards of a month packed with hours of dedication to your project. A lot of us will find this final week to be the last, desperate attempt to finish.

So this brief post is for those who are struggling through the last four to five days to make up those words, or at least push to do what they can.

I hope, more than anything, and even above the lofty goal of 50,000 words, that you are still trying. That you haven’t given up. That you have built a habit of writing so that you don’t feel complete in your day unless you’ve spent at least some time on your work.

Because, that’s the whole point. This month is more about teaching us to prioritize our lives to include our writing first (or at least at the top of the to-do list) and to know that we CAN accomplish great things when we give it the time and love it needs. It’s more about building the habit of writing than it is about reaching the specific goal.

So often in our lives we self-limit. So often we are told it can’t be done, we can’t, the work is too great, the effort pointless. So often we are told that struggle won’t be worth the outcome. But those voices and those opinions fail to factor in that it is not just the outcome that is rewarding. The end result is not all we are working for. Its the journey in getting there.

When we challenge ourselves, the bigger reward lies in the struggle. New ventures, hard and thankless work, and lofty goals teach us how to plan, how to plot, how to push ahead when we simply don’t feel like it or when others around us question or scoff at the ideas before us. Challenges shine a light on how amazing and resilient we are so that, no matter the outcome, we learn what we are capable of. And once we know what we are capable of, the bonds of doubt weaken and we begin to believe that if we can write a novel in a month, we can edit it, publish it, write another, and another, and another. And if we can write a book we can take a class, or teach a class. We can climb a mountain, we can travel across the world. We can do anything we set our minds to.

We can.

You can.

You’ve only got a few days left in this month and I BELIEVE THAT YOU CAN do anything you’ve set out to do. You are amazing. You are imperfectly perfect and there’s no one in the world who can finish this month the way you will.

Deep breath, writer. Don’t let the home stretch scare you. Let the struggle instead be your gift and one which you are grateful to work through. You can. You will.

NANOWRIMO: WEEK 3

Posted on by sereichert

Hey! It’s week 3 and if you haven’t sent me a comment or update on how your process is going, please do! I have a drawing going on for a Writer Care Package, with all sorts of fun goodies for you to enjoy as a treat for surviving this month. And speaking of surviving, let’s take a look at the dreaded week 3.


Hey there writer.

I know I don’t have to thank you for being here with me because if you are akin to me, you’re looking for any excuse to change up the monotony of this novel-writing month and escape that mad-dash. Perhaps you’re feeling like this story you’ve been pouring your heart and soul into for what seems like years is starting to stale. Things are getting drab. The plot line is petering out. The characters have run out of things to say.

This is the dreaded, dead-ended doldrum, (say that one a few times fast) of week 3. And it can often feel like middle age in its sunken sails, stagnant air, and the questioning of the choices that brought you here.

Photo by Johannes Plenio on Pexels.com

With only days left in this crazy adventure, you may feel like you just don’t want to go on. That perhaps it would be easier to abandon your project all together and take a hot little novella out for a spin. Maybe start seeing some poetry on the side. Perhaps dabble in a little erotica?

While I encourage some dabbling (especially in erotica) I would argue that all of those exploratory practices can be done right in your own work in progress. So you’re bored, so you don’t know what the characters will say to one another…I urge you to start a new chapter, in the same document, where your characters take a jump off of the tracks and do something completely unexpected. Put them in a different time, put them in a different dynamic…hell, switch their genders and see what happens. Write a poem that serves as a synopsis to the story, first from one character’s perspective, and then from another’s. All of this play might help unlock the paths your novel needs to get going again. Think of it as putting some wind in those sails. A little spice in between the pages.

And all of those words you put down, even if they may be edited out later, still count as words towards your 50,000. Let’s be honest, at this point in the process, any word count is better than none.

It’s normal to feel a bit discouraged and bogged down in week 3, but what you’re building is worth hanging on to. It’s worth the investment of time and thought in this, the darkest, dreaded, dead-ended doldrums.

Hang in there kid. Go get freaky with your WIP and spice things up to see you through to the end.

Next week, look for the final, and highly inspirational installment of my NANOWRIMO survival guide.

NANOWRIMO: WEEK 2

Posted on by sereichert

Remember, comment below with how it’s going or send me quick email with any frustrations or elations you have and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

And now, this:

Hello! Thanks for taking the time to catch up with the blog in the middle of one of your (hopefully) busiest writing months. At this point your mind set is probably so swayed to creating that reading outside of your work in progress is a lot like talking to another adult after being seeped in toddler-speak non-stop all week.

I know that your time is precious so I’ll keep it short and sweet. (Like me, ya’ll)

The second week of NANOWRIMO is all about elaborating on, fleshing out, and developing your baby. Last week we talked about the excitement of new love, the honeymoon stage of writing, if you will. This week is about the baby you’ve made and what that means for not just your writing, but your life for the next seven to ten days.

I know a lot of you are parents, and though it may have been awhile since you’ve spent the midnight hours rocking teary-eyed cherub back to sleep, chances are you remember the sacrifice of time and autonomy for the good of the future. This week is not much different for the NANOWRIMO process. You are starting to see the commitment involved and how the expectations you may have had in the beginning are often dashed by the realities.

Because children don’t always behave the way you think they will. Characters show unexpected traits and say things that throw your dynamic out of whack like dropping the f-bomb at Christmas dinner with Grandma, or asking you for “boob!” loudly in a store.

Settings and plot lines stall with the same debilitating frustration as trying to get a two-year-old into shoes because you’re late for the doctor appointment and you haven’t showered in three days, and you ate cold, leftover mac n cheese for breakfast and you’re not sure if that’s their diaper that smells or the dog…

Keeping on top of the little fires that come up isn’t easy but I encourage you to set a flexible schedule (it works with kids; it works with writing). Give yourself two hours ideally but really whatever you have is fine. Leave half for just writing. Leave the other half to fix plot holes, develop your character’s personalities and backgrounds, build on your story arc, and brainstorm solutions for things that are cropping up as you pour ever more work into the novel. Look at it like doing the groundwork of, feeding, changing, and burping for half of it, and the other half cuddling, coloring, singing, and playing.

A well rounded “story” is equal parts meeting the basic needs and getting to play in the creation of it.

Good luck out there. Nap when it naps, grab a shower while your computer backs up. Drink some coffee and prep for the long nights. Remember the bigger picture. Novels and babies are investments in the future. The work, and love, and committed care you invest now will lead to rewarding results in both your story, your characters, and your craft.

Oh…and get a decent meal. You can’t run on PB&J crusts and half eaten apples forever.

NANOWRIMO: WEEK 1

Posted on by sereichert

Something new for this year, if you comment, share and/or email me with your frustrations, experiences, or adventures during this year’s NANOWRIMO, and I’ll enter you to win a goodie basket with some books and writer self-care stuff that will help keep you going into this crazy month.

Let’s talk about Week 1

Ah, yes, the glorious stage of excitement and foreplay. The thrill of fleshing out your characters, and having them say clever things to one another, and building beautiful worlds with soft hues and brilliant sunsets. It’s champagne and butterflies, it’s rainbows and 3 hour love-making sessions with your laptop (please, God, not literally…the keys are hard enough to keep clean with just my coffee and pastry habit).

The words come easy, the beginning is new and exciting, the chemistry is just right. Possibly you’ve been planning this novel for awhile, maybe you even used October to plan it out and things are running smoothly and in great gushes of inspiration and excitement. (I think ‘gushes’ might be just as bad as ‘moist’ for cringe-worthy words).

OR

You’re stuck in front of your blank page and wondering why in God’s name you agreed to this. The stress of completing such a herculean task is causing every neuron to march around your addled brain with tiny little picket signs protesting the ridiculous workload before they even endure it.

You’re thinking of giving up. It feels as though you agreed to do this on a brash weekend in Vegas and you might have done so under the influence of alcohol and you really don’t know this book that well and what will your parents say and… is it too late for an annulment?

In the first case: Congratulations, keep going! If you have the stamina and inspiration to do so, front load these first couple of weeks so you can have a few days to ride if you need to recover. (I can’t help but hear Sheriff Bart’s voice in my head “Man, them schnitzengrubens will wipe you out!” Come on, people…Blazing Saddles)

In the second case: Don’t give up just yet. So she/he’s a gamble and you may have rushed into things. It’s normal to be nervous. It’s normal to feel like there’s nowhere to go. But you’re a writer. And writer’s do best when they stop questioning the end product and just write. See where that impromptu spouse will lead you, let it play out for a few days and enjoy the crazy weird ride that you’re on.

The secret to NANOWRIMO is to not overthink it. Because that’s when you start looking for all the imperfections and plot holes that send you into editing mode and canceling out any forward movement you have.

If you’re having trouble with getting your word count every day here’s some tips that have helped me:

  1. Break it up into smaller sections. A little in the morning, a little at lunch, some at night. Carry the laptop or notebook with you and write a few lines whenever you have a chance
  2. Keep your characters in your head with you at all times. How would they react to what you’re doing? What would they say to each other in the grocery store line? Let them talk to each other while you’re doing the dishes or in that third useless meeting of the day (come on, we all know at least 2/3rds of all meetings are just wastes of time that allow one person to hear themselves talk).
  3. Strike when the fire is hot. If you are on a roll, do everything in your power to keep writing…then in the middle of a paragraph or even a sentence–stop. Yeah, you read that right. Stop. It will frustrate you and keep your mind on what will happen next until you pick it back up. Foreplay people…there’s nothing like a little flirtatious teasing to make the next interlude all the more passionate.
  4. DO NOT be discouraged if you have a short day. Every word counts and a 400 word day is still 400 words. Like running or training, or anything really–great things are accomplished not always in leaps and bounds but by small progressive steps forward.
  5. Rest your fingers and your brain. Take breaks, sleep well, eat well, exercise, and get away from it throughout the day. Burnout probably happens most in the first couple of weeks when our inspiration gets ahead of our ability to keep at it with the same frantic pace.

Okay. That’s all I’ve got for this week.

Remember for everyone who comments on this blog during the month of November, you’ll be enterd to win a goodie basket of Writer Stuff. (its capitalized because it’s official)

Good skill, Writer.

National Novel Writing Prep

Posted on by sereichert

It is that magical time of year again. That time where my blog posts get shorter, the house falls into disarray, and herd of cats goes unfed (not true, if it’s one thing that can take me away from my writing, its the screaming protest of two obviously starving felines).

National Novel Writing Month is upon us. In four days time, I hope you’ll be joining me on a journey of creativity, self discovery, and frustrating obstacles to overcome. Much like a marathon, NANOWRIMO is not just a test of the word count, but a test of your mental fortitude. As in years past, I will be offering a short blog each week to help inspire you through the process.

But this week, I want to help you get ready.

First, commit to the process. It’s daunting. It’s scary. It’s a mountain of words to conquer and so many people won’t even type the first ten. But it is also absolutely doable. It is within your reach, and you can accomplish it with a little hard work and determination.

Once you’ve decided to join me on the journey, go to this website: www.nanowrimo.org and register. The website has come a long way in recent years and provides opportunities to connect to local groups, online communities, offers articles and tips, fun little badges to click on as a way to motivate you, places to download your own inspiration (photos, pinterest boards, and playlists), and encouragement for every stage. Answer some of the questions, create a profile, and just set it up as detailed or as sparsely as you want.

Next, and I would recommend this, whether you’ve been plotting and daydreaming about this novel for years or the idea just hit you yesterday morning on the toilet…make yourself a rough outline. If you’re not sure how-search outline or plotting on my blog website and it will take you to some great articles on how to get started. I recommend at least breaking your novel into three arcs and giving a general timeline of what happens within each. This will give you direction if and when you start to falter.

Next, look at your schedule and decide when your most optimal times for writing are, and put it on your outlook or calendar as a ‘meeting’ or ‘appointment’. Don’t let it get taken over. Reserve the time so you and your family/work partners know you will be busy.

Make sure you take creative breaks (reading, watching a show, painting, whatever) and physical breaks (walks, runs, stretching and yoga, naps etc) to keep your brain fresh and engaged and your body from being too stiff or jittery.

Stock up on snacks, coffee/tea, and water. Stay hydrated and healthy, and if all you have time wise for writing is night, make sure that you’re still giving yourself plenty of time to sleep. All in all, it’s only 1667 words a day you need to write. But some days it will feel more like 1,600,000, so do what you can to control the outside forces and story blocks that might make the process harder.

That’s your homework for the next four days. Get prepped. Get ready. Get set to go. You’ve got this.

What’s Happening?

Posted on by sereichert

Hey kids, just a quick little catch up blog to let you know some things going down, and give you a heads up for some events. Also–A poem.

First, a huge thank you to Bookmarked Literary Festival in Lander, Wyoming. The organizers, sponsors, and community made it such a memorable and fun event. It’s a beautiful thing when readers and writers can come together and share their joy of literature and their support for all voices. I was so impressed by the participating writers and poets and the new voices and fresh perspectives I heard.

If you don’t have a festival like this in your town, talk to your librarians and local writers. Now, more than ever, we need people who love books and the people who believe in reading them instead of banning them. No one who ever banned a book, in the history of the world, was on the right side of things. And as writers and readers, it’s our duty to protect the free flow of ideas to be written and words to be read. Free will gives everyone a choice as to what they read, we have no right to take away the choice of someone else.

Um…what else? Oh! I have some books coming out!

Composing Laney It should be up for presale soon and book signing dates will be forthcoming. I also have a new saccharine holiday short called Rewriting Christmas with Kerrie Flanagan. If you like Hallmark and a bit of my snark, you’ll probably like it. I’ll be posting the cover reveal soon on that one. I have a new Vella out The Three Hearts of Eve which is a quick-reading adventure into the perils of genetics, assassins, and free will. It’s about to heat up, so don’t miss out. And remember the first three are free!

As always you can find my other novels, poetry anthologies and writings here on the site, at Amazon, Barnes and Noble, and 5 Prince Publishing.

The LAST thing to announce is that my Youth Writing group will be participating in an Anthology due out in 2024. These talented kiddos are learning the ropes from writing to publishing and everything in between. If you know a youth who wants to be a writer (or is one), between the ages of 12-17+, send them the link here: WHWA Youth Writers. We’re still in need of entries for the anthology that will be published in May or late June. All writers will be paid for accepted submissions, and any proceeds from book sales will go directly back into the youths’ writing group for supplies, trips, and conference fees. It’s free to sign up with the youth program and there are no requirements except to enjoy the writing and be kind to one another.

Whew!

And now… Poetry

You Needn't

You needn't worry about me anymore
I'm quite moved on
without you

I've folded up my broken heart
and stuffed it in a drawer
with all my too tight sweaters
and kindergarten art work

things once mine
that do not fit any more

You needn't try to pretend we are friends
or play my sympathies
with your most recent tragedy

I've washed those away
with the news of your betrayal

down the drain they spiraled
to settle in the dark and moldy pipes
where such sympathies belong

You needn't worry for me anymore
I am an empty vessel
properly left to collect dust
on someone else' shelf

a picture of once beautiful,
chipped and worn
and waiting for something worthy
to fill me up again.

What’s in a Name?

Posted on by sereichert

Good morrow sweet readers. Today I’m going to talk about the importance of names in your fictional writing. Every writer has a process, and some of them are very organic while others are tortuous. I have been in both of those phases. Sometimes a character is just who they say they are when they pop into my head. And even if I wanted to change the name, I couldn’t. Sometimes the same character goes through an evolution of two to three (to seven–jesus, Elle Sullivan) names before the right one lands.

So how do we do it? Well… Here’s a bullet list because… we love bullet lists. Keep in mind that a character can be named for one of these reasons or for a combination of them.

  • Naming your character with meaning
    • This is where we get into the baby name sites and books and start with a meaning and back search what names correlate. I’ve done this a lot with my more urban fantasy/paranormal characters. I’m pretty sure none of my readers go around looking up the name and finding the little easter egg of their arc and purpose matching up. I do it more for me.
  • Naming your character Regionally/In Situ
    • Naming your character something that originates from their homeland, family, or region. This is important in some cases, to ‘show’ the reader a little bit about who they are by where they came from (like dialect but in a word).
  • Naming your character with sound
    • I think this is especially important in childrens’ and middle grade books. Lemony Snicket, Severus Snape, Skippyjon Jones. Not only does it make it more fun to read outloud but if you do your job right, you can intonate character with name. Severus Snape, ‘esses’ like a snake on your tongue.
  • Naming your character in tribute
    • There’s absolutely nothing wrong with this when it is done out of love and respect. My grandma Emma became Em. I even inadvertently wrote in a dear friend’s mother, Carmen into Back to the 80s. I know a Jamie, and love the name and fella but since it would be weird to write him as the MC, I made sure it was ‘Jameson’ in Composing Laney. I’ve used friend’s last names or nicknames. Sometimes its a way to pay tribute to them and be a little lazy.
  • Naming your character for foreboding
    • Gage in Pet Cemetery. Hodor from the Game of Thrones. Damien in The Omen. Even Remus Lupin, gave us some insight into the direction of the character. You can either spoil plot twists with this one or make your readers stop mid page to gasp at your cleverness. The trick is subtlety and not thing more than the name away before the twist. It could even be that an evil name (Severus Snape) is actually not attached to a villian.

Well, there you go. A few ways to start thinking (and probably overthinking if you’re like me) about how to name your next character. For a few more resources, check out the list below. Some of these are way more in depth than I like to go, some are fun and you can just keep spinning the wheel until the right one comes up. Good luck out there.

  1. Masterpiece
  2. Fantasy
  3. Listophile
  4. The Story Shack
  5. Reedsy Villains

Process and Perfection

Posted on by sereichert
Photo by Gu00fcl Iu015fu0131k on Pexels.com

Look at us, surviving (nearly?) another summer, a Camp NaNoWriMo, and one of the most interesting and invested writer’s strikes in a while. I’m so proud of those on picket lines and, though I still produce my blog, I do so for the other writers out there, and for my own sanity. That being said, if you’re a writer, artist, (struggling or not) or simply someone who believes in the arts, keep your eyes and your voices raised. This battle is one that is fought on every screen, newspaper, and blog post. Support all of our artists and dreamers. Because creativity is not just the source of our humanity, it is the building blocks of our survival. Engineers build bridges but someone must first imagine the bridge. You know what I mean? Survival takes all the bright and brilliant we can offer as species, so support all the bright and brilliant with a living wage, and do not pay into the corporate machine.

Okay–let me just….step down from that…soap…box (grunt). Now! Where was I? Well, I’ve been promoting and reviewing and doing all sorts of extraneous writing/marketing fluff, so today I wanted to get back to writing and talk about PROCESS.

If you’re a writer, I know you own at least three to 50 books on writing. And every single one of those offers you advice, usually from someone who “made it” in the world. We could say “experts” in the field. And where, yes, there are some constants that should be paid attention to (the book won’t write itself, you do have to put in the time, no its not easy, yes you will fail…repeatedly) I want you to take my advice (Ha! hypocrite!) on these few things…

Why take my advice? I’m not Stephen King, or Dan Brown, or Robin McKinnley, or Connie Willis…Who TF do I think I am? Well, beyond the fact that I’m a pretty average writer, with a good community, and an interesting background…I care. I actually care about your success as a writer (see above rant about artists and creatives).

And the thing about us, is that no single writer is in the same life or head space as the next. Stephen King isn’t raising two toddlers and working full time. Connie Willis isn’t supporting a family of seven with a night shift job. I’m not trying to cope with dyslexia or ADHD… We are all on a similar journey but we’re not all wearing the same shoes. Some of us may not even have shoes. And it may be night. And there are wolves chasing us…okay…back on point…

  1. PROCESS ISN’T AN ABSOLUTE: No singular way to write is the RIGHT way to write. (that’s a lot of goddamn ‘right/writes’) Write everyday, write in the morning, write at night, sit in the chair and don’t come out until you’ve got 5,000 words…NO. There’s absolutely no truth to any of this. While, you do have to write (to be a writer) how and when are defined by your life, your energy, your day, and your ability. And ALL of those factors continually change (especially if you’re a parent or care giver, work multiple jobs, have learning challenges or are facing mental health crises). SO–your process is your process and it might look like 15 minutes in the morning and 20 minutes at lunch, and note taking during your kid’s practice, and daydreaming in the bath. Which leads me to the next absolute.
  2. NOT ALL WRITING IS WRITING: WTF does that mean? Well, daydreaming, is writing, downtime with a movie that inspires you, is part of writing. Getting a good night’s sleep and going for a walk are all parts of the writing process. The human brain is not meant to be stimulated the same way for hours on end. It’s complex, it needs variety. It needs challenge, it needs downtime. Nearly every writer I know has said…”It wasn’t until I took a break, and a walk that I got through that problem.” You can’t bash your brains against a plotline and hope the hole gets fixed. Being a writer is in large part being a shiftless daydreamer. So don’t discount the times you’re not in the chair clacking away.
  3. ONLY YOU SET YOUR LIMITS: This is both to the advancement and detriment of your craft. Someone says you should write 2000 words every day, but you are struggling to get 700, or maybe you’re throwing down 5000 words in one afternoon and don’t write for a few days…You are responsible for the ‘rules’ you make about writing and only you know the best possible route. I have a lovely friend, brilliant, funny and talented, who struggled with her first book, until she realized that she didn’t need to write every day. And that night writing wasn’t her thing and that she had to ‘let’ herself be okay with what her brain and her heart needed on whatever day the universe was giving her. Brav-Fucking-O I say to that. How many of us ascribe to preordained writing gospel only to be disappointed that we are failing that particular process? And what happens when we get discouraged? We stop writing. We fall into self-blame, and defeatism, and a general giving-up on ourselves and our work because we’re not a ‘real writer’. KNOW YOURSELF, TRUST YOURSELF. GIVE YOURSELF THE TOOLS, SPACE, and PROCESS YOU NEED.

Well, that’s all I have for today. Get out there, or go inside, sit down or walk around and take voice notes. Take a bath, take a walk, spend three hours at a desk, or fifteen minutes at a coffee shop. Just write. In the best way you know how.