Mumpsimus: A Closer Look

When thinking of what to write this week, I waffled between poetry and writing advice, or perhaps I could delve into philosophy. The possibilities were really endless. But then I thought, why not simplify it. Down to a word. So kids, today we’re going to learn a new word (well it was new to me, I hope its new to you) and really think about its meaning and how we can use it.

From this lovely book, I opened a random page and picked the first word my eyes landed on. (P.S. if you’re a poet, writer, or just a vocabulary aficionado please check it out: Dictionary of the Strange, Curious & Lovely)

yes, my desk really is this chaotic most of the time

Mumpsimus: A view stubbornly clung to even after shown to be wrong; one holding such a view; [from a historical blunder for Latin sumpsimus (we have received)]

I thought this was such a timely word and something that seems incredibly relevant today. But let’s break it down a little.

This word first appeared around 1520-30 when a Catholic priest accidentally used mumpsimus instead of sumpsimus (to take) and refused to admit his mistake and change the word when confronted with the correct one. This process of near-homophony has other literary variants, from mondegreen to malapropism (you’ve probably heard that one before), and earslip. But the key to this is the refusal to admit to the mistake when confronted with the correct use.

I can’t be the only one who has known a person who has done this. Made a mistake and rather than correcting themselves when prompted, did not want to risk his fragile ego. As a result the word or action becomes commonplace, although wrong and misused. All because he could not own to the mistake and correct himself. It has been a common practice in my black belt training, when a higher-ego mistakes a technique and rather than correcting himself, changes the entire technique and makes everyone relearn it to the ‘corrected’ version simply because saying “You’re right, sorry, I messed up” would, I assume he thinks, make him look stupid, rather than human.

On a grander scale, the idea of recognizing and admitting a mistake from our public officials and those launching into a useless war, practice this on the daily. Misconstruing mistakes into ‘new truths’ that, they believe, if are offered repeatedly (and loudly) will become actual truths. It’s the job of a well-informed, well-read society to catch these mistakes and make them known. If nothing else, to not adopt the false truths, just because some guy at a pulpit or podium proclaims them to be true. Keep practicing the correct technique to make sure you don’t skew or ruin the concept beneath it. You don’t want your truths or your techniques to not work when they are most needed, after all.

This word, mumpsimus, can also be applied to accepted beliefs or views that are proven wrong by scientific, socially studied, and tested facts. The world was once believed to be flat. This was proven to not be true by centuries of studies and scientific testing. To continue to believe the world is flat, because someone on a podcast theorizes it, is a mumpimus belief. And it makes you look stupid. Because believing things that have been proved to be incorrect makes you stupid. Vaccines don’t work. Gayness can be prayed away. Women are naturally nurturing and weak. Men don’t cry. All of these erroneous concepts, I believe, are kept close to heart (but loud on social media posts) when people are afraid to admit that they have been wrong. They double down on their hatred and stupidity, hoping that the fervor in their convictions will somehow make them true.

But it doesn’t.

So, now you know. Mumpsimus. Don’t be one. Don’t have beliefs based on them. Call them out when you see them. And send me some of your favorite malapropisms.

The Beautiful Writers Workshop #16: High Emotion Words

…did no one else start singing Whitney Houston after that title?

“I get so emotional baby, every time I think of yoouooouu…”

No?

Well then go back to bed, get up again, and rethink your life.

Whitney
I don’t know why I like it…but I just do.

Today we’re getting off the poetry train (thank god, we thought it would never end!!!–ungrateful louts) and getting back into other aspects of writing, specifically word choice.

Now, I guess you could argue that this is related to poetry but right now I want you to think about words in terms of the emotions they convey and why using the wrong word can lead to either a tepid response in your reader or just plain confusion.

This is a good time to bring up the death traps of “very”, “really” and any “-ly” word you tend to over use. Chances are if you are using one of these precursors or the dangling adverb-maker, there is a better word out there for the emotion you are trying to evoke.

(He wasn’t very sorry. He was contrite, remorseful, ashamed. She wasn’t very pretty. She was luminous, stunning, bonnie or even fetching if you feel somewhat Scottish)

Remember, your ultimate goal is not to have your book or story be the one that readers want pick up because it’s an apt substitute for melatonin. You want them to not be able to put the book down, unless they need an emotional respite from the roller coaster you sent them on. So your word choice, in addition to being like an arrow to a bullseye, needs to light up hard or intense emotions in their brains.

I’m going  to offer an important disclaimer…I’ll even go so far to say as it’s imperious. Just like eating cake every day for every meal, or riding twenty rollercoasters back to back to back, too much of a good thing is NOT a good thing. When you overuse these impactful words, they start to over power the reader’s ability to keep up, in addition to that, you start to sound like a goddamn narcissistic douche bag.

“Watch me word, Underlings! Witness the power of my supreme expression of the English language! Cower to my mighty thesaurus and the power of my underused MFA!”

scholar
Sure, but it keeps him from licking his balls.

ahem…you get the idea. Overuse of ‘heavy’ or ‘flowery’ language will disenchant your readers and come across as dishonest (i.e. fake like a Kardashian’s talent).

Take a scene from your current book and highlight or “find” all of your adverbs and precursors. You don’t have to replace them all but particularly (yes thats a -ly word) pay attention to the ones that describe meaningful or pivotal scenes, where you want the reader to feel what your character feels.

Jane wasn’t very sad. She was decimated. Desmond wasn’t very angry, he was enraged. Katelyn wasn’t very happy she was glowing with a newfound sense of hope.

There you go. That’s your job for this week. Oh, and here are a list of heavy-emotion words if you need a little help. If you find one or two inspirational, meaty if you will, find a home for them in your work, where appropriate.

Positive:

Jubilant, elated, ecstatic, contented, serene, vivacious, encouraging, blissful, pleased, enchanted, warm, sunny, joyful, anticipation, admiration, exquisite, graceful, delighted, amused, amiable, dazzling, mesmerizing, captivating, invigorating, splendid, charming

Negative:

Oppressive, sardonic, overbearing, irritated, obnoxious, disgruntled, disenchanted, distressed, miserable, sadistic, resentful, aggravated, sour, crippling, debilitating, horrified, heavy, loathing, disgust, desperate, contempt, brutal, bloody, flawed

Others:

Evenhanded, indifferent, passive, apathetic, secretive, secular, pious, composed, awestruck, mysterious, ambivalent, horrified, pragmatic, cautious, accepting, reserved, pensive, vigilance, ancient, delicious, feeble, solemn, famished, puzzling, complicated, massive, skeletal, tremendous, efficient