Poetry 11-21-24

Posted on by sereichert

October was a wonderful month and I’m actually working towards keeping up my ‘poem-a-day’ even when it turns into more of a journal entry. Sometimes writing is not just one thing, and the poetry of the everyday counts just the same. Sometimes its the way we work through past hurts, even when they aren’t really a part of our present anymore. Sometimes the lines of verse are tiny cuts to the lines that hold us to those things not meant for us. The heart is a wild and rampant beast sometimes and we all deal with the fallout of her decisions differently. Hopefully we learn something new, each time.

Untitled

I’ve written so many lines about you
tracked tears under every constellation 
ached under the flowering trees
and sweated out remorse under July skies

I’ve worried for you,
rued you
let the storms of winter freeze 
any embers I thought remained

Still they simmer past
all reason, reemerging in my heart
where not even a desire to live resides

You were the fall of my empire
and yet I still find you in the rubbled remains 
the inconsistent wound
that does not ever, ever heal.

It is heart deep and tragic and
I never know what to do
when it opens
again, and again
and again...

Do I press fluttering hands to it
failure to staunch the bleeding in my own weakened state?
Numb the pain with earthly asides?
Embrace it and lick at the blood,
ravenous for even the slightest taste of your attention?

If I have changed in these many years
then I know you have too
So how can I still claim to burn
for a specter who is no longer 
the same that haunts my mind's halls?

How can my same old heart
have not grown along with
this hardened shell
and deepening wrinkles?
How has my tough hide not
pushed out the sliver of you
buried in my irate skin?

How can you still pull at my insides?
It is an irrational and hungry storm
and I am weary of trying to tie my lines against it

I guess after millions of years
the moon still pulls the sea
and no one begs to wonder why.

Feel Like Makin’ Love

Posted on by sereichert

You’re welcome for getting that song stuck in your head.

Last week I talked about heat index and how to define your novels for submission or how to search for the right Goldilocks-level of heat for your preference. This week, I want to talk about writing engaging love scenes in your books.

No matter the level of heat you’re writing in, the sexiness of a scene doesn’t just depend on how many engorged members you’re throwing in there.

Photo by Pixabay on Pexels.com

Wow, what a visual. Yeah, that actually makes it less sexy thinking of it…penises getting thrown into bedrooms willy-nilly. Ha, willy-nilly…ugh. Ahem, let’s move on.

Let’s get something straight right away, sexiness isn’t about sex. Heat and desire, aren’t about sex. At least not for the majority of women. (Men, if you’re reading this, get a notebook.) Sexiness is about connection. Two strangers can have sex, and people will read it. Penthouse has proven this. But if you really want someone to read a whole book about two characters, follow them through the quagmire of plot arcs and dialogue, sex is the perfectly balanced frosting on the cake of it all. Two characters that are emotionally connected interacting in a physical way, drives up the excitement and anticipation in the reader tenfold.

It’s all about chemistry. It is vital when aiming to curl the toes of your readers, that you give your characters a connection that feels genuine, deeper than surface level, and tied to their emotional well-being. Then, when you get to the point of all that delicious teasing, it makes the ‘climax’ all the better. Because it isn’t just about physical satisfaction, it’s about connecting in the most intimate way with someone who really gets you. Who loves you. Who sees your scars and your war wounds, and kisses every one of them with acceptance and care.

So if you want to up the sexiness of your scenes, establish a good connection, (even if its enemies to lovers). Find a common ground between them, a exposition of trust that opens hearts, and a deeper understanding of one another that makes the sex even better because there will be less reserve, fear, or doubt involved.

And this brings me to another point, writing good connection between characters is a subtle art that you can employ in your dialogues, body language cues, and inner dialogue (if you write that POV).

Next, depending on your comfort level, what you crave in romance, the nature of your book, or the heat index you’re working on, be honest about the sex. It doesn’t always have to be pretty. Heads get bumped, knees get scraped, giggling ensues. Don’t shy away from the human experience and the parts that make it truly beautiful. With that remember that there are a lot of senses involved in the act. Sight, sounds, smells, touch, taste. Don’t be afraid to play around with them as a way to bring readers in. How far in you bring them is up to you, but even the best closed-door scenes have an awesome build up to the point the door slams shut.

Attraction, chemistry, and desire are the tenements of any good romance, but remember that it starts with connection. Human connection, in all its glorious messiness. Putting in those beautiful messy moments will help bring your characters in a place where the love they make is a natural and much anticipated progression in your book.