The Beautiful Writers Workshop: Novelty #3: Character

Posted on by sereichert

Good morning, writers! And a happy morning to you (or afternoon, or evening, whenever you tumbled out of bed–or back into it and are catching up on your bloggers). This week, in exploration of the novel, we’ll be talking characters.

I’m telling you now, because contrary to some reports out there, I’m not a complete idiot. A while back I did a decently in-depth study of character and I’m using a lot of that for this post. After all–the quicker I get the blogging part done, the quicker I can get back to my own novel and the characters I’m currently developing.

So without further ado– recycled Character Development:

Since character development is one of my favorite aspects of writing and I thought I’d pay homage to it’s process in a two part post.

So first, let’s address where characters come from.

I’ve had characters come to me in dreams (day or night), sometimes they’re inspired by true stories from news that I trip across. Sometimes they spring from hazy memories of a childhood friend, or the curious behavior of the neighbor across the street who steals decorative rock from the common area and smuggles it away in her purse. Any one adept at studying human nature and observing their fellow human beings can get inspiration simply from watching what our nutty human brethren do (and don’t do) in the course of their day.

Often, though never in their entirety, I write from people I know. By this I mean people I know both casually and intimately are good places to start for characters.

Although real people can help jumpstart the process, they rarely become the character in the final draft, and here’s why.

For one, it would be creepy (and, depending on the story and topic, possibly slanderous) to write about an actual person from your life, unless it is a memoir of said person and they are asking you for your help. Ethically, a writer looking to publish or share their work with the world must adhere to certain rules of respect and common decency concerning using the likeness of other people. That being said, you can (and should) borrow personality traits, history, and physical attributes that enhance your character’s believability, without putting someone’s life down, verbatim, on your page.

Secondly, even when based on someone you may know, something magical will inevitably happen when you put a ‘real’ person on a page and shove them into a conflict (the driving force of your story). Under the demands of a proper story arc, the character you began with will be forced to shift and evolve into someone else. You don’t know how your character will behave in an apocalyptic dystopia and the situations and decisions that they are faced and make will be a magical combination of what the author dreams up spontaneously, the character’s history and what the author needs them to do to move the story forward.

For example, Joe Smith may start off looking like your high school biology teacher but if you write him exactly as he was, including is normal day to day, your audience will be too bored to stick with his story.

Now, if you put the body of an alien in the school science lab’s freezer next to the dissected frogs, Joe Smith, your old biology teacher will automatically become way more interesting. And as he does, he will move away from the real person you started with and morph into a different character. A man of his own, alien-hiding, design.

They double-dog dared him.

A writer can tweak, correct, enhance and play with personality types, turning one, real-world person into a completely different but still realistic character. But it’s important to keep the relatable aspects of the initial ‘muse’, including the physical attributes that you can describe in realistic detail, or the personality types that can be explored in depth from a place of personal interaction.


What can be left behind are names, exact and undeniable physical description (don’t be a creeper) and any ‘boring’ or typical parts that may be cliché or expected. The character will change to be their own person with the natural progression of their role and development within your story.

The other method of character development is to begin with a story and let your mind follow the natural path of who lives it. This is one part plot-driven creation and one part spontaneous combustion.

An atomic bomb goes off, a virulent disease hits the population, a train switches tracks, a car runs through an intersection, an alien shows up in a freezer.

Start with an event and ask yourself; who would it affect most? Who stands to lose or gain the most? Who is equipped to deal with the situation? More interestingly, who is least able to cope with it and how do they survive?

Characters will find their way into your mind. They may look and act like someone you know or they may have a mind of their own. As a writer you will find that as your plotline advances the character will become less and less your creation and more a product of their history combined with their destiny.

We all have these personalities in our heads that sit dormant on the shelves until something shakes them loose. Most writers, (yes, I’m saying it) are a little bit schizophrenic. We are geniuses of introspection and observation. Humans are interesting and a good writer will watch and learn from their interactions how to build characters that could be a best friend or a worst enemy in their reader’s own world. They talk to us as we write their paths, they argue when we move too far away from their true reactions. They trip us up by throwing random but necessary bits of history our way that we hadn’t considered for the bigger picture. It’s maddening and magical all at once.

Next time we’ll talk about developing intricate characters and some tips I’ve picked up along my journey to make them somebody your reader’s will root for, love, and hate. Until then, take a few minutes today to think about some characteristics that you love and loathe in human beings and think about why they draw your attention.

Make a list of character traits that are interesting in both beneficial and detrimental ways.

Also, feel free to write or comment about your favorite characters, and if you’ve ever found yourself ‘accidently’ writing about someone from real life. Next time we’ll have an exercise on character development and I look forward to your responses!

Happy Writing!

Poetry 3-13-25

Posted on by sereichert 
HEART

She is a bore
and a lofty braggart
claiming forever
but following the newest smell 
away from her leash

She is tender and full
a bag tensed, to burst
at the slightest slight
heavy with blood and the suffering of want

She is the doorway
to a thousand churches
and the carnal sacrilege 
of all good, and wild things

She is latin
for courageous
and holds my breath and my breathlessness
in space between her beats

She is a pauper
always begging 
and a selfless saint
giving away all of her compassion in bills
like she could not take it with her

She dances in the kitchen
with a baby on her hip
even when that baby is 
long, gone
grown

She lights up like Christmas
and echoes in dark gothic hallways

She shudders and trips
beats steady and sound
she's the only one I can ever claim
is mine
And yet, so often
I still think her, 
a stranger
in my chest

We couldn't live without each other.
I hope
whatever the next life brings
I can take her with me.

The Beautiful Writers Workshop: Novelty #2: The Story Arc

Posted on by sereichert

Good Thursday to you, Writers. I hope you have a brand-spankin’ new plot started in your head from Tuesday. Moving from that amazing raw material I’m going to tickle your inner plotting nerd and give you a ‘graph’ of sorts to help you with organize a killer storyline.

-I love tickling nerds–

Last time we discussed ways to help create a basic plot for your novel idea, today we’re going to outline the beats, or arcs, of that story. If you remember from my handy-dandy, bulleted list on Novels, I list Arcs as being an important element. While this blog does cover some of the theory, I will do a more in depth look at crafting an arc that creates the perfect amount of tension.

Back to plot. Some of the best stories follow a pattern, or what I like to think of as a rollercoaster of ever-rising stakes.

Most plots can be split into three acts. The Set Up (beginning), The Conflict (middle), and The Resolution (ending). Each of these acts should have some defined crisis or event which is like a doorway your character passes through and must either change, fight, or overcome more trials until they find resolution. I found this nifty diagram from David Harris Kline’s “Structure Lesson #2: The Three Act Structure” ( http://www.writers-for-writers.com/2017/11/08/structure-lesson-2-three-act-structure/)

As you can see the beginning has to hook the reader into a specific event, starting point, or character problem. Here’s where you introduce your character and show us who they are, what they want, what they are facing. Throw in some foreshadowing and Bam! You just met a small-town farmer from Tatooine.

Act II comes with something that disrupts their normal day to day. (Holy shit, this droid has an important message from the Rebellion!) The character is forced to make a choice (wipe the droid’s memory or try to get the message to old Ben).

Real, live image of me during quarantine.

The middle, as most of us know, can be a bitch to write. This is where the dreaded doldrums hit. The quagmire. The swamp of eternal despair. I’m not going to get too deep into that swamp today except to say that this is where plotting can really help build a bridge across the muck and help your character get to that final, defining climax. This bridge is paved with different obstacles and trials that keep the action and the tension going through out. (Scruffy looking nerfherders and tough-ass princesses, oh my!)

Then, finally, as our hero/ine comes through that final climax (for better or worse) we witness their transformation or acceptance of who they are or what they need to do . The final act is where you tie up your loose ends and give the audience the resolution they’re seeking. Like giving a Wookie a medal.

Wait a goddamn minute…where’s Chewie’s medal?

Well, that’s pretty much all I wanted to cover on plot for this time around. Next week we’ll be talking about one of my absolute favorite aspects of writing: Characters.

Until next week, diagram your plot, think about what events, scenes or characters you can inject to get those bursts of conflict. Think about what your character wants and what obstacles stand in the way of that. How does overcoming them move them/change them for the next bump in the road?

Good luck out there, and may the Force be with you.

Poetry 2-20-25

Posted on by sereichert

I’ve been participating in my own little poetry month challenge in an effort to get back into the swing of the art. For one, it’s a managable way for me to be able to write something every day, even in the chaos of my to do list. For two, I think it’s been very cathartic in helping me work through some of the things landing in my life (and all of our lives right now). The rage inside me finds a place on the page so I can clear a more rational path. The sadness gets to have its moment too, so I can move past the emotion and focus on how best to use my empathy. You don’t have to be good at it to write poetry. You just have to write it.

Photo by aj povey on Pexels.com
Daylight

Poems written by daylight
are hopeful, funny creatures
not yet domesticated by the world
shackled by the weight of 
unbearable odds

Poems written in the high-sun hours
are words through clear eyes
not yet burning with the fire of 
thousands of thoughts, words read,
millions of stitches placed across the
wound of our burning, tumultuous world

Poems written when I've still got time in the day
are different
I haven't properly fucked anything up
yet
there is still hope that I may not
I'm a glowing human goddess
for whom possibilities still exist

Poems written by daylight
seem hopeful and clear
unweighted and resilient
but they are 
not me
not in total
It is the reticent dark, the weary and
mistake-riddled soul
sitting in the deep weighted night,
still choosing to pick up the pen 
who is truly
the poet.

The Beautiful Writers Workshop: Novelty #1: Why in the Hell do I Need to Worry about Plot?

Posted on by sereichert

Can you believe I couldn’t think of a more creative title? Me neither. Some days are like that. Remember, this is geared towards beginning writers, so most of you long-in-the-tooth novelists may not get the same bang for your buck. But…there are a lot of sexual innuendoes. You’re welcome, or Sorry.

Today, I’m pushing through and rehashing an old, but viable post. Remember? Before the fucking world turned upside down and Elon Musk became president with Absolute Power? Yeah…those were good times. Let’s not dwell, you can call your congress person again (you’re calling right?) and attend those protests (you’re attending right? This IS the time to be the MOST KAREN you can KAREN–see below for my favorite emoji of the species) after this short and entertaining jaunt into PLOT. We’re getting into the meat and potatoes of writing a novel, and this kind of thing needs space. So, without further ado…

What is Plot and Why is it Important?

All right, I get it, it’s a dumb question, we’re all writers and we all KNOW that plot is the basic structure and story of your novel. It is the idea. The “what happened”, and why, and “what’s going to happen next” of any decent story. I’m not trying to dumb it down for you. But the true test of a good plot lies in the simplicity of answering those questions.

Now, you can have books that are character driven (an event happening TO a person, or BECAUSE OF a person). And you can have books that are historical non-fiction, based on one specific moment in time or occurrence. The PLOT of your book expands more than just beyond an event (otherwise The Hunger Games would have been maybe 50 pages long). The plot is the premise or sequence of events. Some novels will follow a very specific order of events that are common to their genre, or as we like to call them tropes. Tropes comes from the Greek Tropos define as “turn, direction, way” and refers to common, recognizable elements or sequences of events.

Many genre specific tropes (I almost prefer ‘formulas’) are embraced by the audience and even expected. Examples include: “the hero’s journey”, “enemies to lovers”, “small towns”, “cold cases”, “missing persons”, “AI gone wrong”, “fairy tale retelling”. But if almost every novel follows a plot formula how is it #1, that readers don’t get bored and #2 that you tell an original story that hasn’t been done before.

It’s an interesting dilemma on the part of a writer. We know which formulas work in fiction and straying from them often makes a plot fall apart or leaves a reader angry or unsatisfied at the end.

(She’s gonna want to talk to your manager)

But how do we follow commonalities in plot structure and still make it a fun, captivating, and surprising journey for our readers? The answer my friends, lies your ability as a writer to do five things: (Fuck Yeah! A bullet list!)

  • Begin with a unique event or crisis. This comes back to the “scan the headlines” exercise I’ve had you do before. A lot of weird shit goes down in the world. A lot of undercover, shady AF stuff too. Use it as a springboard, to your “what happens then/if” story building.
  • Tie the reader to your character (through love or hate) and make their reactions to events unique or contrary to the norm. (ie a cheerleader who fights vampires. A small town farm boy who becomes a powerful Jedi. A teenager who comes into supernatural powers without the maturity to handle them and doesn’t use them to download free porn–come on….or *snicker* cum on? Oof, sorry. Uncalled for. Please keep reading, I’ll behave.) Character building will come later in this series but if you create unique ones, their actions will create new takes on formulas.
  • Use honed writing technique to build tension for climaxes. Yikes, that sounds dirty and here I promised to be good. Tension is one key to making a story more than just series of events. So much of this depends on your voice and writing style. But the big take away here is about risk. Making the risks personally huge for your character, and even the world at large, will keep the plot fresh and drive it forward.
  • Play with the number and intensity of climaxes (story arcs). I think I’ll start using story arcs (some prefer ‘beats’) because every time I type climaxes I can’t stop giggling. Ok. Story arcs are BIG deals in your plot. Think of these as door ways, crisis-points at the top of your arc, that your character has to move through in order to get closer to what it is they want/need. Once they hit that doorway, or crisis point, they can’t go back. A serious change has occurred either in the setting or with-in the character and they must move forward. Next blog will be all about these arcs so I won’t go into much more detail here.
  • Consider using unexpected but intelligent twists. The best movies and books I can think of that do this are: “The Sixth Sense”, “Fight Club”, “Gone Girl”, “Mind Hunters”. What better way to shake up an audience than by having them accept one reality for the entirety of the story, only to show them the true reality at the end.

All right, so there are some tips for building an effective plot that carries readers throughout the book. My advice to you this week, is to explore various tropes and patterns, especially those in your genre. Turn a piece of paper (landscape-style) and write out the typical pattern of your story, then overlay events and characters of your proposed idea. See how they match up, see if you have enough tension building scenes, just play around with it. I’m not much of a plotter myself, but even I will do a general outline to keep myself on track and make sure I’m building a solid plot.

Next time, more on story arc, how to climax well (*snork*), and end satisfied (*hahahahaha). Until Thursday, happy writing.

The Beautiful Writers Workshop: Welcome!

Posted on by sereichert

Good morning writers, authors, editors or accidental guests.

I’m trying to find more efficient ways to work this year and I found this old series in my back catalog. Now, I teach writing and support writers for a living but I think these little nuggets of advice (free) are actually still pretty good and relevant. So starting today, and for every Second Thursday on my Blog, I’ll be offering a little writing advice.

I call it the The Beautiful Writers Workshop, based on the quote from Ray Bradbury about filling your cup and letting all of the beautiful stuff pour out. This year-long journey is about developing your craft through exercises in creativity, editing techniques, inspirational prompts, and building the framework for your writing career.

Some of the blogs will inspire. Some blogs will lean more to the technical side of writing. But whatever the monthly topic, you can be assured of two things:

  • You’ll have a prompt or exercise to help develop your writing (and the opportunity to share it)
  • I’ll try to keep it spicy enough to be enjoyable.

So let’s get rolling! I searched through nearly all of my favorite books on writing for a perfect topic for our first lesson together but the truth is, there are just too many (good and bad) ideas out there.

So I’m going to start simple and ease you in gently to this process.

If you’re here you are either interested in writing, or are already doing it and are looking for something to add to your tool box. In order to appeal to all levels today’s workshop is centered on the basic purpose of your writing.

Below are a few questions that I’d like you to read, think about, and journal down your answers to. You can share them, you can keep them secret, but DO WRITE THEM DOWN.

Something amazing happens when we write down goals and steps to reaching them. The process becomes manageable; the goals become real. It’s one of the many beautiful and powerful attributes of writing.

  1. Without judgement or discouragement, and being as direct as possible: what is the ultimate, lifetime goal you have for your writing?
  2. What can you do to kick start this goal in the next 12 months? (hint: where do you need to start, where do you need to grow most for the big picture)
  3. Is this yearly goal attainable? WHY OR WHY NOT?
  4. Of your reasons from #3, think about the fears, limitations or concerns that formed these reasons. Name them. What do you foresee keeping you from moving forward on this yearly goal?
  5. Of the fears, limitations and concerns, what are the possible solutions or actions you can take to eliminate them? (hint: each limitation/fear/concern gets its at least one action you can take to overcome it)
  6. If you have a planner or calendar, write down one weekly goal (eliminating distractions, word count requirement, number of submissions out, editing, classes etc) that will help overcome the hurdles you have to your writing.
  7. Looking at these weekly goals, find specific and measured times you have to dedicate to their success and write them down.

Okay, that’s it! I know, it’s a little dry but when building a house you have to have a solid foundation first or none of the pretty architecture above it will survive. So build your foundation, know where you’re coming from and next week we’re going to talk about:

Mission Possible: Drafting your Writing Mission Statement

(that sounds super boring but it will help writer’s across the spectrum. I promise!)

What Do We Do Now?

Posted on by sereichert

It’s that time of year again, when we reset our calendars, back to a clean slate and make a lot of promises to ourselves that this year will be better. That we will be better. Only its a harder world this time around. You’d have to be pretty clueless to not see the deterioration of our society and our environment happening on the daily. Forces beyond our immediate control, who are so much more powerful than they should be. The inequality and stark difference between the few that have and the masses that have not. The magnitude of our environmental mistakes, snowballing into catastrophe… ugh, makes you want to just go back to bed, yeah?

Only what if we don’t? What if instead of accepting our broken and unjust system, we did something about it? Do you realize how many we are? Do you have any idea how revolutions work? It isn’t only the richest, brightest, and most powerful 1%. It is is the rest of us, standing up to say ‘no more’. Stopping our cog in the machine, putting to halt the system that works for only a few, and wears the rest of us out. Not giving in to hate and lies, not allowing our rational brains to get whipped into a frenzy by sensationalized and one sided news sources. Knowing that the truth of humanity, our shared existence and our common bonds is what those in power fear most. Because if we ever organized against them, the ‘let them eat cake’ knows they would not survive.

Am I calling for revolution? I dunno.

Are people dying of hunger? Are people being denied basic human rights? Are people dying because they’re can’t afford medical care? Are we imprisoning the poor for profit? Are we being refused a living wage? Are we having our energy and our art stolen by the heartless, greedy and belching machine that is AI? Is our environment being destroyed on the daily to pad the portfolios of people already too rich to spend it all? Short answer, yes.

But revolutions can be more than just war on the streets. They can come with lifting up communities, speaking out against injustice, refusing to work in unsafe conditions, turning off the noise of all the talking heads, reading books, speaking out, helping others. Revolutions can happen in our daily lives by refusing to live in the way we’re told we must.

I put together a yearly list, as usual, but this year I did something different. Instead of pushing through to commercially gained goals or pant sizes, I looked at what would help make me a better, stronger, more compassionate and purpose driven person.

You see, when we’re all worried about wrinkles and thigh size, we’re not dismantling the systems of injustice. If we’re worried about our 401K, we’re not thinking of our fellow human beings. Sometimes, just being content with your soul, resting in a hustle culture, and pursuing art and clarity is a radical act of rebellion.

When you sit down to think about your year, I hope you think about how you will defy the ignorance, hurt, and anger that’s permeating society currently. How will you choose to treat your fellow human beings, what work will you do, what purpose will you serve. I urge you to do something beautiful this year. I’m asking you to set your sites on being unswayable when it comes to justice and peace. I’m asking you to take to the streets when the time comes, and to stand up for your fellow human beings. I’m asking you to pursue a higher purpose, not in some deity, but in the pursuit of a better world for all of us. You’ve already got skills, find a way to use them to uplift. You’ve got talents and two hands. Use them for something that dismantles the systems that keep us all down.

Care for yourself, and others. In a world of mass production and garnering likes for self worth, shut off your social media and live in your skin. Rest when you need rest, push when you feel driven, and above all, do not lose hope.

Poetry 11-21-24

Posted on by sereichert

October was a wonderful month and I’m actually working towards keeping up my ‘poem-a-day’ even when it turns into more of a journal entry. Sometimes writing is not just one thing, and the poetry of the everyday counts just the same. Sometimes its the way we work through past hurts, even when they aren’t really a part of our present anymore. Sometimes the lines of verse are tiny cuts to the lines that hold us to those things not meant for us. The heart is a wild and rampant beast sometimes and we all deal with the fallout of her decisions differently. Hopefully we learn something new, each time.

Untitled

I’ve written so many lines about you
tracked tears under every constellation 
ached under the flowering trees
and sweated out remorse under July skies

I’ve worried for you,
rued you
let the storms of winter freeze 
any embers I thought remained

Still they simmer past
all reason, reemerging in my heart
where not even a desire to live resides

You were the fall of my empire
and yet I still find you in the rubbled remains 
the inconsistent wound
that does not ever, ever heal.

It is heart deep and tragic and
I never know what to do
when it opens
again, and again
and again...

Do I press fluttering hands to it
failure to staunch the bleeding in my own weakened state?
Numb the pain with earthly asides?
Embrace it and lick at the blood,
ravenous for even the slightest taste of your attention?

If I have changed in these many years
then I know you have too
So how can I still claim to burn
for a specter who is no longer 
the same that haunts my mind's halls?

How can my same old heart
have not grown along with
this hardened shell
and deepening wrinkles?
How has my tough hide not
pushed out the sliver of you
buried in my irate skin?

How can you still pull at my insides?
It is an irrational and hungry storm
and I am weary of trying to tie my lines against it

I guess after millions of years
the moon still pulls the sea
and no one begs to wonder why.

Community and The Introvert Writer

Posted on by sereichert

So, I’m being ambitious and getting a few of my blogs written while at the Writing Heights Writers Association Fall Retreat, in beautiful Grand Lake, Colorado. (We’ll be updating soon for our Spring Retreat) And I’m reminded…that I actually like being around people. Not all people mind you. But writer’s are a special sect and I want to talk about them.

I’ve been a part of a lot of different groups. Martial artists, anthropologists, archaeologists, massage therapists, pilots, refinery workers, landscape crews, teachers…and they all have their own little micro cultures and ways of communicating, but being around other writers is something kind of special.

For one, and this is something I never knew I needed…no one bats an eye if you wander off from a conversation to sit down and write. AND while you’re writing, no one comes up behind you to ask a question, interrupt or disrupt you. There’s a solemn air about someone sunken into the process and not only do you find the peace to pursue it in these moments, but you can actually feel a beautiful, uplifting energy of minds at work. That’s one of the biggest reasons retreats have always worked for me. Even as the facilitator of this particular one, I’m given grace to work on my projects and supported in doing so.

Secondly, no one coming to these retreats is a stranger to the biggest issues that plague us all. Fears, imposter syndrome, frustrations, the bane of feeling blocked and the uncertainty of where to go when we do finish. The feelings that someone is always more successful, someone is always writing more… We are all in the battle, and see each other. That level of understanding and grace gives you a blanket of comfort so that those lows don’t feel insurmountable.

So, this is a friendly reminder, no matter what you write, no matter where you are in the process or the struggle, get yourself a group of writers. You don’t have to meet every week, you don’t have to always talk writing (some of the best conversations we’ve had here were on the complexities of life, of parenting, of ecology and wildfires, and…the anatomical measure of a moose) and you don’t have to share your work. But you will know you’re not alone, and that someone is rooting for you and your words. And that, my friend, is priceless.

Fear of Failure

Posted on by sereichert

“A thinker sees his own actions as experiments and questions–as attempts to find out something. Success and failure are for him answers above all.”
― Friedrich Nietzsche

I know that I’ve talked about failure before (mostly because I’m kind of an expert at it), but today I’m looking at the fear of it and how that can affect us, on not just an emotional side but the physical as well.

The human brain is wired for survival. Which means, its really good at flooding us with chemicals to help us outlive the tiger in the grass. It gives us a healthy fear of risk, so that we can live another day to make fire, hunt and gather, and make more big-browed babies. The problem is that some of the deep seated responses and reactions are no longer as useful in our present day. So often, our overstimulated brains are inundated with stress-response chemicals at every little infraction. Boss angry? Jerk cut you off in traffic? Partner says ‘we need to talk’? All of these things can cause an immediate fear response.

Sometimes it’s still helpful, but on the whole it shuts down our ‘thinking’ brain which is a much slower, more thoughtful contributor to our actions. What does it have to do with failure?

Let’s talk about the concept of ‘worst case scenario’. All the mom’s in the crowd know what I mean. You’re child is playing on the playground, but you’ve already mapped out every sharp edge, every eye-poking branch, and every potential bully. Because we’re wired to look for danger and to prepare ourselves for the worst things that can happen. Even if they never do.

Switch over to that manuscript, or poem, or article on your computer that you’ve been working and reworking, and fussing over for years. You have a genuine fear that if you let it out of your sight, it’s going to get poked in the eye with a sharp stick, or fall off of the faulty ladder and break every bone in it’s body. So you keep it safe, you keep it to yourself.

Can you imagine a kid that never, ever left home? That never stepped out, that never met anyone else? That wouldn’t be much of an existence and the world would miss out. Unlike your own child, your writing will not die if you expose it to some danger. In fact, it’s through this ‘danger’ that it will grow, learn, and become better.

So, when you’re trying to decide about submitting, or putting your work in a critique group, remember that its normal to feel apprehensive but that the point of using our voice, of writing what we love, is so that we can share it. And the worst case scenario is really that someone else doesn’t like it. Here’s a little insight-it doesn’t matter if they don’t. If they have good feedback that makes sense and would improve it, great–but don’t let the fear of not being instantaneously accepted keep you from trying. Every work is not for every body. But you won’t know which body it will speak to, if you never let it out.

So–go get ’em. Take that piece to a critique group, give it to a friend to read, submit it to a magazine. Just don’t let the fear keep it (and you) in a cave.