Newsletter February-March 2026

Hello readers and writers,

Welcome to my monthly update about what’s going on, what’s not, and how I’m navigating the current horrors. First, look at my damn cat. Every damn day, this is what I put up with. If she’s not yelling at me to let her on my shoulders, she’s taking up space on whatever project I’m trying to work on. Pray for me.

Random Shit:

In, non-writing related news, I spent the weekend going outside more for the Great Backyard Bird Count. I think in times which are particularly trying to one’s heart and soul, it’s important to spend more time in nature. Away from the screens, and ground ourselves in something that’s real. It’s a strange sort of joy to sit still in a field, stand next to a marsh, breath quietly beneath the canopy of evergreens and just listen. Not for the loudest, most painful rhetoric, but the simple song of birds in conversation with one another. It resets our nervous system and tells our lizard brain that we are safe. A predator-less moment is much welcome.

Reading:

In reading news, here’s what I’m currently working on. My book club is reading “The Extraordinary Life of Sam Hell”. I put it down somewhere around 20%. Why? Well, I don’t know. But I think it’s because I’m really not interested in reading something from the white male perspective right now. Because within a couple of chapters between his youth and adulthood, he both vilified men who were making derogatory comments about his mother’s body, and made similar comments about an assistant in his office. I don’t think I used to notice those things. But they’re glaring now. And I’ve already spent over half of my life being bombarded by this particular viewpoint and I’m bored with it.

So I put it down in favor of: “How We Learn to Be Brave” by Mariann Edgar Budde. While I was raised in a Christian faith, I no longer practice, and I have some deep and justified rifts with the church. However, this book is written by the Episcopalian Bishop who spoke out against Trump’s horrific public policy. It’s a pretty engaging book about how various people throughout our country’s history have been on the precipice of great and difficult choices and chose to be brave, stand for what they believed was right, and up against tyrannical forces. Budde includes examples of her own life and how we, as ordinary individuals can utilize our own inner strength to act when it counts. I’ll let you know how it goes.

I’m also lightly reading “Nettle and Bone” by T. Kingfisher. I’m only about a chapter and a half in, but I like it so far. Beautiful fantasy, and it’s fun to get back into a genre I haven’t read in a while.

Writing and Editing:

I finished up my first deep-dive edits of “Heir to Time”, the last book in the Timekeeper series, and sent them off to my astounding editor. I’ll still have a couple more rounds to go, but I feel like the major issues have been addressed and with any luck, it’ll be ready to go on to cover and publishing in March sometime. I’ll keep you posted and next week I’ll include a blurb. If you liked “The Mummy” and Jane Austen, you’re gonna love this little book with a nod to sapphic romance and all the hours I spent obsessed over Egyptology in middle school.

I’m also participating in 5 Prince Publishing’s first shared-town anthology due out in the 2026 holiday season. 9 authors, of the several, from 5 Prince will all submit a short novella (30-50000 words) based in the same small town over the holidays. It should be an interesting group, from across a wide spectrum. Mine will be, as usual, a little subversive, and a little dark, but it will be a beautiful nod to finding the light on the darkest days, and having someone to share it all with.

I’m participating in a “Postcards for Peace” project where I write a thought, hope or poem on peace and send one out a day to a stranger who has signed up. That’s going well and it’s nice to get some good thoughts in the mail for once.

I recently got a short story accepted at a small press (Rat Bag Lit). It’s a bit horrific and dark, but also strangely romantic. More on that as it gets closer.

Before you think I’m too high up on my horse, also know that I’ve received 4 glorious rejections so far this year as well. Well on my way to the 52 for the year I’m aiming for.

I’ll be attending AWP in March and I’ve never been to a conference this big for any reason. The Association of Writers and Writing Programs annual meeting is chocked full of classes, not just on craft but on how to teach and encourage other writers and inspire your community through your organization. I’m hopeful it will help me be a better organizer and community resource for Writing Heights and the expansive group of writers in the Colorado and Wyoming areas.

Finally, if you’re in the area tomorrow (Friday, February 20th) from 5-7pm, I’ll be a the Loveland Ale Works, hosting a write in with some folks from WHWA. You don’t have to be a member to stop on by and work on your writing, poetry, or anything that needs a little focused time.

Well, that’s about all the news that’s fit to print. I wish you luck on your projects this week, even if all that means is getting out of bed and brushing your teeth. Even the little stuff matters in a world overrun with big stuff.

Take care of yourselves. Take care of each other.

Honoring Your Quirk

Hello writers. How are you fairing in this strange, unhinged, cacophony of terror? Despite the political, cultural, and technological mess that we’re in, I hope that you’re shutting out distractions for at least a couple of hours a day to find some peace, and your own voice again.

Today, I wanted to talk about writing style. Not so much our voices as writers (though I’ll be covering that in a later post) but the way at which we approach the art, and the process of engaging in it. I’m in a busy season after signing on with my publishing company for another three-book series. It wouldn’t be so bad, but this is the first time I’ve proposed a series that was not yet complete. Which means, I now have a very real, somewhat daunting deadline of trying to write a novel (and polish it as well as I can) by the end of August. The first two books are done (mostly) so they will both be in editing by the end of this week. But the last book…

Let me start by explaining my process. I’ve written three trilogies. Two have been published, one is complete but won’t come out until 2026-2027. This newest one (my 4th) began with a Vella novel on Amazon (remember that flash in the pan?) and grew to a two book project that includes my first male-male romance as the second book. Both are fun, time-traveling fantasy romances, set in one of my favorite eras. All very exciting, and I had no trouble at all banging through the first drafts of them. Because I wrote them, as I always do, by puttering through whatever scene I was in the mood for at the time. Then I hodgepodged them together, as I always do, and fill in the gaps where needed.

Now that you have a little insight to my style (non-chronological, emotionally driven panster) I must tell you what a struggle this last, unwritten novel in the series is becoming. Because I had to write a proposal, I outlined it for my publisher. I never outline anything. I let the characters lead along a generalized path where there are key scenes I know I want to include. I had no key scenes starting out. I just knew a general path. It was all going along pretty well, for the first 20,000 words. And now…I’m stuck. I’ve pretty much written along the lines of my outline and I think the book won’t even make the 60,000 mark. In addition to that, when I’ve gone back to read, it all feels very flat. Like a Marvel movie. Like a dime-a-dozen romance. There’s no quirk. There’s no character depth. Even though it contains the same characters that I loved and developed for two books. So…what’s the deal?

Last night, after being stuck all week at that 20,000 word mark, I just let myself write a scene between the protagonist and the antagonist, a pivotal scene concerning the loss of someone very important. The concept was not in my outline. The scene was not planned, but just something my brain had been toying with in the shower after edits to the first novel started kicking in. I knew before starting this new scene, that it probably wouldn’t end up in the final version. It was just play.

But then…Suddenly there was passion. I saw true character coming out from underneath the gray and basic facade. I wrote over two thousand words in a matter of 20 minutes. That’s the kind of writing I’m used to. That’s my sweet spot. That’s my quirk. And I realized then, that for the last month I’ve been trying to write like other authors I know on deadlines. Straight through and stick to your outline. Keep it clean, time’s too limited to be able to waste it on multiple rounds of editing. The trouble is, there won’t be a book by the end of that limited time to edit, if I don’t write like my brain likes to write. I am not like any other writer. I’m quirky and I need to respect that.

So, that’s my lesson for you today. Yes, it’s important to try new methods and fart around with writing in different ways as a means to experiment and freshen up your routine, but I encourage you to find your quirk and respect it. What works for you, works. And when you’re on a deadline, do what works.

Happy writing. Now back to the grindstone.