Sneak Peek: Heir to Time: Book 3 in the Timekeeper Series

Posted on by sereichert

Listen, I’m coming off of AWP, with notes to still type up, meetings to catch up on, emails waiting, a submission not yet done, new edits, word counts, laundry that’s been through about four dryer cycles (IYKYK) and had to come back in straight away to give a presentation on “Burnout” (*maniacal laughter*) for a lovely little local conference Founded in Fort Collins. So when I sat down to a blog post, blank screen and cursor blinking, I literally had nothing. But I do have my latest work. If you read Book One (Time to Byrne) and Book Two (Courting the Lion) then you are a beautiful human and I would thank you for a review.

Book Three takes a little turn, and a lot more adventure, bringing together both of the couples and an ancient Sapphic mystery in need of solving. Instead of the cool, green fields of Britain, our team of adventurers find themselves in 1920’s Egypt (camel milk lattes?) and the tomb of an unknown physician who started the whole bloody mess. So, I thought I’d share an excerpt from the book for this post. I’m currently in my third round of edits, with probably one more to go. I had hoped for March, but it might be more like early May.

Enjoy!

(oh! And if you read Courting the Lion, I would seriously love a review on it. If it’s not your type–i.e. Heated Rivalry but Regency and without the Hockey–pass it along to someone who might like it. It truly is a lovely story)

Heir to Time: An Excerpt

“What are you even doing here?”
Matthew staggered back a few steps before coming back to stand straight in front of her. He gestured back at her. “What am I doing here? You are my wife, you disappeared! Did you not think I wouldn’t come and find you? Did you think I would just leave you to time?”
“It isn’t safe for—”
“We talked about this and I thought we’d agreed. This mission was too dangerous for both of us! We said that we would not go! Despite the very reasonable and rational things we discussed, and seemingly in agreement, you loved me into oblivion only to leave me the next morning.”
Lillian stopped for a moment, her eyes went soft, remembering that night. Her body responded with such a force that she had to step away. “We did not agree! You had your reasons and your rationalizations and once settled in your own head, you stopped listening to me. You would not come with me, so had to do it on my own.”
“And in your efforts to prove me wrong, something happened to you. You did not return!”
Lillian’s face turned white. “Matthew,” she whispered.
“I was imprisoned for your death, Lillian.”
“But that’s impossible—”
“I wish it were. I spent a month in a cell. All the while knowing that you were probably dead. Or lost to time,” he paused to frown. “Or that you simply did not want to come back to me.”
She threw her hands up into her hair in frustration. “Why would you even say such a thing. Of course I want to be with you.”
“Then why did you leave?”
Lillian turned silent. She had left to find adventure. To prove herself. To flaunt her independence in the face of Matthew’s desire to settle down. “I,” she stuttered. “Because I thought it was the right thing to do.”
Matthew stalked closer to her. “Did you not think for one moment what leaving would mean to me, to all of us who care for you? When Richard discovered the altered history, that I was accused of your murder and hanged for the crime, he and Thomas used a map to come and rescue me.”
“Matthew, I’m sorry,” she paused but he continued on.
“Did you not think what you leaving would do to my heart?” Matthew said, his voice breaking. Lillian’s lips trembled and she looked at him with wide eyes.
“I did not know! How could I have known?”
“Do you think I care for living at all without you? Do you think I would not follow you to the ends of the earth, or to the ends of time? I love you. You are my wife and I will always come for you.”
Lillian crossed the distance between them quickly and silenced Matthew with a kiss. Hard and biting, she knocked him back two steps and pressed her body into his. He returned the kiss just as hungrily, forcing her back and up against the wall, where he held her against his hard and straining muscles. She gasped into his lips, her whole body burning to feel his touch.
“Lily, my angel,” he whispered against her cheek, caressing her curves with hungry and needy hands. The taste of him, his warm breath, the delicious pressure of his fingers against her back, her waist, her bottom, drove her mad with the desire to have every inch of him touching every inch of her. His hot, wet tongue delved into her mouth and she moaned, her breasts heaving against the strong beat of his heart. Lillian’s hands ran up Matthew’s chest and she brought them around his neck even as he lifted her into his arms and her legs spread wide to wrap around his waist. The pressure of him between her legs caused a delicious shiver to run up her spine.
“I missed you,” she cried against his lips as he broke away and bit and licked his way down her neck, causing her body to pulse in waves, closer to his. He paused in their fervent play and shook his head against her collarbone, as if he still had a weight on his mind. “What is it?”
“You did not find solace in Alistair’s arms?” Matthew asked lowly.
At the mere thought of Alistair, her whole body stiffened and she pushed herself away from him. She landed on her feet and shoved him backwards. Matthew backed away with his hands up, lips red and breath panting.
“Lillian, I only—”
“Did you find solace in Amelie’s bed? She implied that you were her boyfriend, and that you were smitten with her. That you were having discussions about your deceased wife in her bedroom. You told her I was dead!”
“She made the inference herself and I did no such thing. It was in her apartment with Natalie as chaperone.”
“Natalie?”
“Richard and Thomas’s daughter.”
“The little girl. In the car?” she said, breathless, and her heart softened. “She’s their daughter?” She had not had time in their hasty retreat to even ask, or meet the girl. The wild ride back to their hotel had not allowed time for introductions.
“She is. And she is incredible, but that’s not what I want to talk about.” Matthew said. “We must work through this. I cannot spend another night without my wife.”
Lillian narrowed her gaze. “Fine, spill it then.”
Matthew took a big breath. “Amelie plucked us out of a market while I was babysitting her so her fathers could… have some intimate time.”
“Matthew Blackwell, doctor turned au pair,” Lillian smiled.
Matthew scowled. “In any case, Amelie had said that she knew Alistair and even hinted that you might be with him. So, I agreed to dinner at the Golden Dial with her to get more information and hopefully see you. Which I did. I did see you. When you kissed Alistair!”
“He kissed me! I was upset and worried and thought I was going mad with missing you because I thought I’d seen you in the arms of that cheeky little harlot. I was confused and he pulled me in before I knew what he was doing. You mean to tell me you did not kiss her?”
Matthew swallowed and backed away. “There can be no lies between us. I am afraid I did indeed use Miss Sheldon to get closer to you. We were at a loss and I needed any information I could get concerning you. She kissed me, yes, under quite some duress on my part. She said it was payment for getting us into The Golden Dial.”
“Under some duress? What does that even—”
“It was not as though I was staying in her hotel room!”
“I’ve been sleeping in a maid’s closet! Every night since we parted, amongst the rats and the dirty laundry! Thinking of nothing but getting back to you. Doing nothing but missing you!” Her eyes filled with tears and she rushed past him into the bedroom and slammed the door. Matthew watched with his heart breaking and wondering how they would ever survive this mess.
Richard and Thomas came through the door of the suite. Thomas poured both himself and his daughter water from the pitcher and took Natalie out to the patio to watch the procession of merchants packing up their wares below. When they were outside, Richard stared at Matthew who was breathing heavily and staring at the closed door.
“We both heard the last of that. You idiot,” Richard said.
“Yes, quite.”
“Well?”
“What am I supposed to do? She left me, to find adventure.”
“Upon the faulty assumption that she would be back before you even noticed.”
“But I was right! It was too dangerous, something did happen to her, and she should at least admit to that!”
“What did the Timekeeper promise you two, exactly?” Richard asked.
Matthew paused as his brain went through the verbal contract of their ‘supposed’ last assignment. “That we would be able to choose the time we lived in. And,” he swallowed and stopped. Richard lowered his gaze.
“And?”
“That we would be safe. That you and Thomas would be safe to live your lives as you pleased. With no further intervention from the Timekeepers. She promised that…that they would find her father and return him safely to her.”
“So she saw a future for all of the people she loved, safe and happy?”
Matthew was quiet at first. “Yes.”
“And you are angry that she wanted to risk that? For you? For her own father who risked so much to keep her from dying? For Thomas and I, and our child? You are angry that she would secure a future for all of us?” he motioned out the door to the laughing girl and his beloved husband. Matthew’s face blanched.
“I—”
“I’ve only known Lillian for a short while,” Richard’s voice was thick with emotion. “But I have loved her in every moment. She is bumbling and often crass. She is misguided, yes, at times. But when she came to me, crying in the library of Oxford, so heartbroken over losing you, she made me, a hardened and cynical lion, believe that a love strong enough to survive any fire could exist. She would not give up. She would not give in. She threw herself into the ether, risking death, just to find you again. And she was right,” Richard wiped a tear away and looked back to his beloved Thomas. “Love is all there really is.” Natalie’s laughter filled the space of their rooms and the distant sound of Lillian, still sobbing in the bedroom, filtered in.
“What do I do?” Matthew said, his voice cracking with emotion.
“What indeed?” Richard scowled. “Surely nothing out here in the hall will help.”
Matthew took a deep breath in. There was nothing he loved more in this world than Lillian. They had been through the worst of things. Danger, forced parting, murder, fire and unfair propriety. She had stayed by his side, protected him and kept him safe. She had done it all for him. For the people she loved. He had only selfishly thought what his life would be without her. If he had gone with her, if he had only agreed to do this together, they would not be suffering so.
What would her beautiful heart be, if not filled and committed to the ones she loved? It was all his fault. He let out the breath and stepped quietly into the bedroom. She had not locked it. He hoped that meant she wanted him to follow her. He closed it quietly and locked the door behind him.

Well, there you have it. The novel that has been a bit of a Moby Dick to my Ishmel. Really though. If I survive this one, I may just call myself a writer. Stay tuned, next week, for my ever-popular, always appreciate (she said, rolling her eyes) newsletter.

Xoxo, Happy Reading.

On Getting Un-Stuck

Posted on by sereichert

Argh… I have to tell you, there’s nothing more frustrating than staring at that blinking cursor with no words to keep it moving. I know I’ve long been a denier of the “writer’s block” theory. That we are only blocked when we stop moving and that every word out is a word that counts. But I’ve never felt this severe shortage of words before.

I’m a voracious writer when I get in my zone. To be clear, they aren’t the best chunks of writing every time and there’s often a lot of editing that needs to follow. But when it comes to the count, I’m kind of a rock star. Until this book. This final in a series of three. This book with a deadline. This book that should be no problem to write, because it has four of my favorite characters, and a fun premise, and all the adventure and romance available to it. This book that has stalled out on the sandy streets of 1920’s Cairo and I can’t seem to get it started again. It’s like I ran my character’s path straight into the side of a pyramid and there’s no where else to go.

So what does a writer do? When they’re boxed in? When they’ have 30,000 more words to get written in the span of a month? And the story is finished?

Well, we pivot. The book must go on. The story is not over, it’s threads are just hidden away. I’ve lost the path, perhaps even took an unintended side street that was not meant to be their final course. So, I’m struggling this week with some of my tried and true practices for ending the block and finding my way back into the flow. Normally, it would include taking a break and a step back to write something else, but I’ve been doing that. My brain has had plenty of breaks…I’m not gentle parenting her anymore. It’s time for tough love. Behold the bullet list.

  • I will write my major characters into a different scene, in a different place/time and see what happens
  • I will write three different endings to the story and work my way backwards from my favorite.
  • I will work my way backwards from my least favorite.
  • I will go back through and re-read the first three chapters, writing 1000 words as a continuation from those initial, more inspired thoughts.
  • I will look back through my synopsis of the series, see what was promised, and find two scenes to complete (out of order)
  • I will write at least three heated and NSFW scenes between characters that may or may not make it into the book to reestablish their passion and their dynamic so I can re inject some of that into the story-line that’s grown cold.
  • I will write my publisher, admit to my struggles, and ask for a respectable extension. Then I will give myself reasonable word count goals to get to that date, with room to spare for editing.

Okay, well, now that my plan is public I have no other choice to follow it. Sometimes the accountability of admitting to our failings and planning out what we intend to do, helps to keep the urge alive. Thanks for being my sponsors. Happy writing this week. I’ll let you know how it goes.

Honoring Your Quirk

Posted on by sereichert

Hello writers. How are you fairing in this strange, unhinged, cacophony of terror? Despite the political, cultural, and technological mess that we’re in, I hope that you’re shutting out distractions for at least a couple of hours a day to find some peace, and your own voice again.

Today, I wanted to talk about writing style. Not so much our voices as writers (though I’ll be covering that in a later post) but the way at which we approach the art, and the process of engaging in it. I’m in a busy season after signing on with my publishing company for another three-book series. It wouldn’t be so bad, but this is the first time I’ve proposed a series that was not yet complete. Which means, I now have a very real, somewhat daunting deadline of trying to write a novel (and polish it as well as I can) by the end of August. The first two books are done (mostly) so they will both be in editing by the end of this week. But the last book…

Let me start by explaining my process. I’ve written three trilogies. Two have been published, one is complete but won’t come out until 2026-2027. This newest one (my 4th) began with a Vella novel on Amazon (remember that flash in the pan?) and grew to a two book project that includes my first male-male romance as the second book. Both are fun, time-traveling fantasy romances, set in one of my favorite eras. All very exciting, and I had no trouble at all banging through the first drafts of them. Because I wrote them, as I always do, by puttering through whatever scene I was in the mood for at the time. Then I hodgepodged them together, as I always do, and fill in the gaps where needed.

Now that you have a little insight to my style (non-chronological, emotionally driven panster) I must tell you what a struggle this last, unwritten novel in the series is becoming. Because I had to write a proposal, I outlined it for my publisher. I never outline anything. I let the characters lead along a generalized path where there are key scenes I know I want to include. I had no key scenes starting out. I just knew a general path. It was all going along pretty well, for the first 20,000 words. And now…I’m stuck. I’ve pretty much written along the lines of my outline and I think the book won’t even make the 60,000 mark. In addition to that, when I’ve gone back to read, it all feels very flat. Like a Marvel movie. Like a dime-a-dozen romance. There’s no quirk. There’s no character depth. Even though it contains the same characters that I loved and developed for two books. So…what’s the deal?

Last night, after being stuck all week at that 20,000 word mark, I just let myself write a scene between the protagonist and the antagonist, a pivotal scene concerning the loss of someone very important. The concept was not in my outline. The scene was not planned, but just something my brain had been toying with in the shower after edits to the first novel started kicking in. I knew before starting this new scene, that it probably wouldn’t end up in the final version. It was just play.

But then…Suddenly there was passion. I saw true character coming out from underneath the gray and basic facade. I wrote over two thousand words in a matter of 20 minutes. That’s the kind of writing I’m used to. That’s my sweet spot. That’s my quirk. And I realized then, that for the last month I’ve been trying to write like other authors I know on deadlines. Straight through and stick to your outline. Keep it clean, time’s too limited to be able to waste it on multiple rounds of editing. The trouble is, there won’t be a book by the end of that limited time to edit, if I don’t write like my brain likes to write. I am not like any other writer. I’m quirky and I need to respect that.

So, that’s my lesson for you today. Yes, it’s important to try new methods and fart around with writing in different ways as a means to experiment and freshen up your routine, but I encourage you to find your quirk and respect it. What works for you, works. And when you’re on a deadline, do what works.

Happy writing. Now back to the grindstone.

Courting the Lion: An Excerpt and Call for Thoughts

Posted on by sereichert

Gentle Readers:

I’m so in love with my new couple and I’m beginning edits on their story. I just wanted to share this scene with you. I hope you enjoy. And while I appreciate any feedback, keep in mind that I do not debate religious or ‘moral’ issues, with trolls on line.

Photo by SevenStorm JUHASZIMRUS on Pexels.com

Thomas sat opposite of him and put his hands between his knees. Richard took his books from the satchel, donned his glasses and began to read.

“Are we not going to discuss the matter?”

“Are you going to discuss, or are you going to yell at me?” Richard said, over the top of his spectacles. The carriage started to amble through town, the hoofbeats and city noise keeping their conversation private. The blinds were open and Thomas looked out at the cobbled streets and bright doorways as they passed.

“Last night was—”

“Beautiful.” Richard said.

“A sin—”

“Thomas, I cannot—” Richard huffed, took off his glasses, tapped them on his knee and sat forward. “I cannot undo the years of abuse and hurt you have suffered. Not in a day of riding boats or carriages, and certainly not when we arrive at the source of it. I can only assure you that you are not alone. You are not the first man or woman to fall for one of their own. It is not something that we chose. Any more than our hair color or our height.”

“But the bible—”

“Has been interpreted and reinterpreted by hundreds of men in power who sought to repopulate the earth with the poor and pious as to remain in power.”

Thomas was silent. “Richard—”

“They do this with fear. Not for the love of a god, but the fear of his retribution. And it keeps us all subjugate. Do you honestly believe a God would make you, perfect as you are, and mistakenly lead you to sin? That love, in all its fantastical and natural forms could be wrong?”

“I do not know.”

“You are a learned man. Think on it.” Richard said, put his glasses back on and began to read. The carriage jostled and swayed as they left the smoother cobble stone streets of Chippenham and tracked on to the dirt road. Richard tried to focus on his book, poetry…a love sonnet, that could have been meant for man or woman, or anything in between. He’d said the word love to the duke. And the duke had not said anything in return.

It was silly to be in love after a week. But Richard had known Thomas for so much longer. Hadn’t he wished he could meet a man like that in his own time? When there wasn’t a chasm of hurt to travel across to reach him. Love was not love when it alteration finds, or bends with the remover to remove….

“It is an ever-fixed mark,” Richard whispered and stared out the window. Thomas sat, arm still crossed over his chest, eyes on the road that stretched out behind them, the rolling green fields. The stillness and the sway of a journey taking him back home to the expectations of his family.

Thomas let the swaying settle his mind. Richard could not change the years of abuse. But he could offer him a safe place. Thomas had been a great many things in his life. Rich, strong, kept and shaped. But never safe. He looked up, Richard was still staring out of the window, biting his bottom lip and thinking over whatever verse he’d just read. A warrior body, a scholar mind. Damn, if he didn’t love the man. He wanted to know more. He wanted to spend years learning what made Richard Shaw such an enigmatic mystery. He would not get to know him in silence. Or from so far away.

“Make space,” Thomas grumbled and came to Richard’s side of the carriage.

“My lord?” Richard began but the duke gently nudged him to the side and sat down, swinging his legs up on the seat and laying his head in Richard’s lap. Richard lifted his arms in surprise and looked down at the scowl on Thomas’ face.

“Well?” Thomas asked.

“What is it you expect of me?” Richard asked, his throat bobbing with a hard swallow.

“Read to me, Doctor of Books.” Thomas whispered, folded his hands across his stomach and closed his eyes. Richard smiled, the weight and warmth of Thomas’ head on his thigh bringing such a beautiful sense of ease. He began, soft, even and intoning the rich language of a man who knew the power of words. His hand fell to where Thomas’ were folded and he caressed the duke’s fingers. Soon, his own hands and eyelids felt heavy and he took of his glasses. Thomas was asleep, curled into his stomach. He gently caressed his forehead, brushed the dark blonde hair away from his eyes and leaned his head back on the cushion. He tried to think through it, be logical…breathe deeply and let go of what he could not change. He kept stroking Thomas’ soft hair and felt some of his tension ease. They were here, they were safe.

Photo by Rene Asmussen on Pexels.com

Westbury Falls is Live!!! And Other Cool Stuff

Posted on by sereichert

Two promotion blogs back to back? What the hell have I become? A corporate lackey? No–just an artist who’s excited to share her work as well as the work of some really stellar writers.

First things first. Westbury Falls is now available per chapter on Vella and here’s the link:

Westbury Falls

But why read it, you say, if I’ve gotten it up to chapter 10 for free here?

Well, because I’ve added things, changed the chapters around, and you’ll actually get to know what happens when things get steamier beneath all those layers of clothes and propriety. It’s a beautiful and intriguing mystery/sci-fi/steamy romance and I can’t wait to see how it ends (I’m mean–I’m pretty sure I know how it’ll end) Also, per legal reasons, I’m removing it from my website.

The good news is: You can read the first three episodes for free, and the tokens for subsequent chapters are really…really…inexpensive. (Like, I’ll make maybe $3.49 for everytime someone reads the whole book) So if nothing else, you’ll be supporting your friendly neighborhood author for a price less than a cup of coffee.

Second: My charming, delightful and wonderful co-paneling author and friend, Courtney Davis just released her newest book “Princess of Prias” (click on the title to take you directly to the order page). Davis is an author with 5 Prince Publishing, a wonderful small publishing company founded here in Colorado that has a fantastic and diverse line up of romance writers. Check out more of their titles here:

5 Prince Publishing

I’ll be doing some book reviews in the next few weeks of some of 5 Prince Publishing’s major authors as well as some of the cool writers I met with over Fan Expo.

Because I don’t want this to be entirely about promotion, here’s a little writing advice for the week:

I’m in the thick of my first real edits for my 8th novel and I’m realizing that I’m rewriting a great deal of it from scratch. But although its labor-intensive, I’m crafting a story that I like even more than the original and building a world that I want to spend some time in (say two more novels at least?) At the same time I’m trying to multi-market my work as much as possible. I sometimes wonder if I’m spreading my creative energy too thin. This is a new world for writers and authors. We are our own marketing staff. We have to have an online presence and a platform, and still manage to find the time to actually write and edit books.

Don’t forget your purpose. Don’t get so bogged down in the business side of writing that you forget to come back to the joy that drove you to start. I once heard someone say, “Don’t let your ambition get in the way of your joy” and that really struck me. I also believe that when we start with our joy, it is easier to believe in it and feel good about sharing it with others. So here’s the advice…let your joy be the source of your ambition, but make time to enjoy what you love without the endgame always being financial success.