On Letting Go and Holding On

Posted on by sereichert

Approximately three days ago, my daughter Madelyn was a boisterous and fancy-dress-loving two year old. She would wore through not one but two (in growing sizes) Tigger costumes, bringing light and bounciness to her preschool, the grocery store, the library story hour, and daily walks. She would sing and dance (usually in her underwear and draped in all the scarves she could find in my drawers), splash in puddles, cuddle up to me for hours a day, and she taught me everything I know about patience and the importance of staying present in the moment you’re in.

Today we’re getting the keys to her apartment, in Leeds, UK, where she’ll be attending University. Thousands of miles away from home.

Away from me.

And I knew this day would eventually come. I just didn’t think it would seem like three days worth of time, squished into 18 years. Getting to be next to her as she grew up through her boisterous youth, to her unsure and difficult middle school era, to the renaissance of her bloom where she came into her own thoughts, and opinions, and power in the last few years has been, hands down, the best adventure of my life.

Honestly, I don’t know how I managed to steer her little boat down this great big life river to where we’re at today. She’s such a sturdy and reliable vessel, that I often wonder if someone else raised her. Because on this day, and for the past few months really, I’ve been a wreck of a dingy.

Her resilience and perseverance are the only reasons I didn’t lock her in her room and tell her she could pick a nice online program to attend instead. For someone who has worked so hard to be self sufficient, patient, kind, hard working, and just in an unjust world…it would be a grave disservice to not let her spread her wings into this world that so desperately needs her. As my grandparents and parents have always said. We don’t raise them to stay at home and need us. We raise them to go out into the world and be good humans. So I’m learning to let go, I am leaning into embracing this time of her. Because it is. It’s her time now. And how amazing that she gets to spend it, invest in it, experience it, with me still as her mom?

There will be, inevitably, a lot of letting go and holding on in our lives. Family, jobs, relationships, loved ones, hopes, dreams…change and flow with the actions and inactions of the world. Learning when to loosen your grip and when to hold tighter is a difficult dance and the choreography is always changing. So this week I encourage you, as a writer, a human, and a soul…to think about what you’re holding on to. And ask you if it serves you…If not, why are your fingers so tight? What would happen, if you let go of something meant to fly? Not everything is ours to keep, after all.

For me, and Madelyn, letting go is an act of love that tells her I trust her, and I believe in her. It tells her that I’m excited for her life and for what she’ll do out there in the world. It tells her that I know she has brighter (and probably darker) days ahead and that both with teach her about life and finding her purpose. It tells her that I know she’s got this. But it also tells her that I am here and I will hold on to her in my heart, where she’ll always have a home. A big old oak tree to sit beneath when the world gets too loud and too busy. My roots will be there to sit within. My branches always here to give shelter. I will hold on to the bright memories and the endless giggles and curiosities, to remind myself that we are all borne as stardust into this universe and we are all born knowing. We are all, always, undeniably connected. Only the world makes us doubt these undeniable truths. I will hold onto this knowledge for her, in case the world makes her doubt it.

Hug your kiddos, hug your loved ones, hug yourself. (I’d caution against hugging strangers…best not to unless invited and both consenting) Remember you are stardust, glowing and bright. And that means, in terms of the vastness of the universe, that we’re never, really, very far away from each other even when we’re miles away.

Self Care for Writers

Posted on by sereichert

Hey there. I see you. Staring, blank eyed, into your screen. Just a thousand more words. Just get this poem revised. Just submit to one more journal. Post one more eye-catching reel. Just call three more bookstores. Just, just, just, just…

It isn’t hard to get caught up in the loop of hustling for your art. And I don’t mean that’s always a bad thing. We care about our work. We love our work. We want to share and celebrate our work. This world has a variety of pathways to do that (an overwhelming and convoluted sphere in itself), but it often amounts to at least a part time job in itself. Beyond the writing, the poem-ing, the editing, the revision, our creativity is in constant competition for the pesky day-to-day of living.

Psh. Family. Day jobs. Grocery shopping. Cleaning. Taxes. PTA meetings. Board meetings. Bake sales. Yard work. Caregiving. That contest you said you’d judge. Simultaneous vaccinations for every furry thing in the house… everything competing for space in your brain and on your schedule. I get burnt out just thinking about it all. So this week, we’re going to take a step back, put down the balls I’m juggling (I can’t type balls without giggling a little–Jesus Christ Sarah, pull it together) and talk about some things we can do as creatives/writers to keep ourselves sane, calm, and focused, in these over productive lives. I think you guys deserve a bullet list. It’s been awhile.

  • Sleep. Protect your goddamn sleep at all costs. Seriously. Priding yourself on four hours a night is only super cool to tech bros and cocaine addicts (or do I repeat myself?) Create a bedtime routine like you were a toddler. We turn off our phones, we brush our teeth, we stretch and meditate, we read something calming, we shut off the light and we settle in. (or whatever combination works for you) Every night. Limit your caffeine and your booze.
  • Find time to write for fun. I get it, all of us write and it’s all ‘supposed’ to be fun. But sometimes there are projects and deadlines. You should always have some outlet that isn’t related to your bigger goals. Journaling every day counts. I have a tiny notebook and every day I sit down to write one poem in only the space of two tiny pages. Only have 5 minutes? Do that. That’s enough. Have 20? Take it and make it your downtime.
  • Exercise. Listen you don’t have to run marathons. You could to chair yoga or mobility stretches. You could go for a walk or a bike ride. You could Jazzercise for all I care, Richard Simmons your heart out. Power lift or join a Cross-Fit cult. The brain works better when the blood is flowing. Not only that, but it will kick up your endorphins and hopefully help your sleep, posture, and overall sense of well-being. Movement matters
  • Read. Holy shit, I used to be terrible about this! I’d only pick up a book at the end of the day, maybe make it through a page, and fall asleep. I told myself I didn’t have time. I was a big dumb liar. There is time in the day. I read in the morning now, and a little at lunch, and again in the afternoon. A variety, some philosophy, some writing books, some fiction. A healthy diet of words help me to have fuel for my own.
  • Don’t take it so seriously. I’m not talking about just your writing. I’m talking about your life. Here’s a secret that capitalism and social media doesn’t want you to know. The statuses, the Amazon ratings, the likes and comments–none of it really matters. It’s an alternate plane of information that really doesn’t mean anything. Have you ever sat in your own skin consciously for a minute. Felt the reality of being? Known that if a giant EMP took out all technology suddenly, you would still exist in the world. We only get this one time, we only get the moment and the breath we’re in. If you never published another book, the world would still keep spinning. If you were rejected 600 times, the sun would still rise the next day. Silly human, stop obsessing about the trivial and just be present. Find your joy in the here and now.

Well, there you go. Take care of yourself. Get sunshine, good food, movement, and water. Treat yourself like your favorite houseplant. Talk gently to yourself. Forgive yourself. Take lots of big, deep belly breaths, and trust that whatever you have to give for today, is more than enough.

Worth for Awhile

Posted on by sereichert

A large part of human nature’s beauty lies in our failures and follies. Perfect people are rarely very interesting. As a writer, creating ‘perfect’ characters is a sure-fire way to distance your readers and lose their interest. Why? Because no one wants to read about someone who always gets it right. Who can share commonality with that? And yet…our reality is often ruled by what we, as actual humans, fail at.

When thinking about human frailty and my own failings I stumbled across the largest stone in my path of late; Self-Worth.

I know I’m not alone. I see you out there.

It’s more than fair to say that we are comparative beings. The media propagates it, competitive constructs in work and school demand it, and long-standing cultural threads tie our successes (and our failures) to what we’re worth in the eyes of the rest of the world.

Its the single most destructive lie we’ve ever been told.

And its easy to say that it doesn’t affect us. That we don’t care how we stand in relation to other people, that we don’t have a competitive nature, that we don’t feel the need to be anything else than what we are. I say those things all the time. And they rarely do more than offer a feeble disguise over the surface of self-doubt.

If we didn’t care, we’d cease to try. We’d stop looking for ways to improve. But something that should drive our greatness often tears us apart and we are left with shreds of the human we used to be, torn apart in an effort to create something more inspirational in the eyes of the world.

I was recently told, by a very generous soul, that my self-worth shouldn’t come from anyone but myself. That I couldn’t let the berating, criticism, or comparisons of the world let me feel any less than what I was worth. That it wasn’t the outside that should decide, but what was inside of me.

So it made me wonder; What am I worth?

In terms of chemistry, my physical make-up is probably no more than about $3.00 worth of material.

If you broke down my daily tasks and how much you’d have to pay someone else to do them, some would say I’d be worth about $140,000 a year. If you based my worth on what I contribute to the world with my writing we’re looking at a solid $50 a year. Monetarily, its not very impressive. And again, I’m basing my worth on what other’s consider useful tasks/materials.

So what am I worth? What are you worth? Sit still with yourself and ask the question:

“What do I do, what am I, that matters to me? That impacts the world? That brings me contentment?”

Deep…yes. Sometimes we gotta get past the cloak of simple thought to really understand why we matter. We have to, for the sake of our own self-preservation. After all; if you don’t see worth in yourself, you start to feel like a burden to the people you love. And all sorts of ugly outcomes arise from that train of thought…trust me, I’ve been building a scary set of tracks in that direction myself of late.

So I sat down, prompted by my friend’s words and suffering through a trough of depression, and asked myself what I was worth.

I came to the conclusion that for a long time I’ve let the words and actions of other people (in their own beautiful human imperfection) determine my self worth. If they were mad at something in our shared existence, I took it on as a fault of mine. As a problem that I didn’t fix or prevent. If comments were made about appearance, I took the darkest path of focusing on my imperfections and felt the need to correct them by any strange and unhealthy way possible.

It left me wanting and sick.

Why do I let my brain do that?

Because we’re taught to improve. To impress. To be better. To strive for more. Instead of just being what and who we are and understanding that we aren’t responsible for other people’s happiness or conforming to ideas of perfection. We must set boundaries to the information we let affect us. Even my friend’s well intentioned advice was still someone on the outside telling me what to think about my self worth. It’s not about letting someone tell me I am worth-while. Its about knowing my own worth and not letting the outside world sway that knowledge either negatively or positively.

Now there are times, when someone who loves us may come to us with good intention, and full hearts and offer us a viewpoint about something destructive they see in us. There are times when someone has honest praise to offer. With careful appreciation of the information we’re given we can chose to look at it with neutrality and see if there is helpful advice within it, and take it as an opportunity for self-reflection.

I love you guys, for all you are. Just as you are. Have a beautiful week and stretch your brains and hearts to fit the worth inside of you. It’s there.

“My dear,
In the midst of hate, I found there was, within me, an invincible love.
In the midst of tears, I found there was, within me, an invincible smile.
In the midst of chaos, I found there was, within me, an invincible calm.
I realized, through it all, that…
In the midst of winter, I found there was, within me, an invincible summer.
And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.

Truly yours,
Albert Camus”

Poetry 8-21-2025

Posted on by sereichert

So…this was written on a train (if the title doesn’t somehow give that way). Somewhere in the wilds of Norway, which still feels like the beating heart of my home. Some yearnings remain. After years, after miles, after all the weights we carry and let go. We still remain. Remember your wild heart. Yearn a bit more. Worry a bit less.

Thoughts from a Train


the gnarled and yet 
not-aching-to-be-straight aspens, 
forever reaching up
while tethered to their roots below
the largest organism,
still seems so alone, 
standing on the draping hills
and keeping a respectable distance
from one another

a rushing river teases between trees and
gives the snowy foam of passion
a rise and climax as it
dances across
unforgiving rocks 
on the edge of a desire
fluid against hard surfaces 
rutting in season 
and calm placation when 
the urgency subsides

I’m still trying to see through the trees
to find the rushing sound

hard rock faces, lining the tracks
to dark tunnels
where the rush of entry
changes the pressure of my body
and eyes flutter close
the dark and light dappling
through my eyelids and 
I feel the butterfly brush of lashes to cheeks
you’re lying there in the sun, 
now shade, 
now sun
beside me

I am sitting 
with all my desire, 
laying in warm beds
faraway from here
and the ways it will never reach me,
never catch up to me
through windows
along miles
in this cold space next to strangers
known
and unknown

I am heavy in obligation
weighed, like black holes contracting
around the reality they consume

but in my heart
still beats the wilderness
and still grows in brambles, 
and still peeks through evergreen thick
to remind me
that a river always rushes 
cold and powerful
ever cyclical and returning
between my crevasses and 
to the lowest points
of all the lovely roots
of this, my human desire
 
I still remain
wild

Artists Need Each Other

Posted on by sereichert

So yesterday I was invited to this really cool space in north Fort Collins, called Kestrel Fields Studio and Art Residency. The owner, Heather Matthews, is a delightful human who has created this space to help support not just artists in need of a space to work and focus their attention on their craft, but also as a gathering space for artists from all around. Last night, she invited a lively and varied crowd of Arts Administrators from the area to mingle, talk, and answer some important questions about what art means in our community, how we can work together, and what the future of art in our community could look like.

I won’t go into great detail but I did notice a few things that were brought up time and time again. First, that even in communities where the art scene (I’m covering it all; music, visual arts, performing arts, literary arts, etc) is vibrant, there is often a disconnect between artists sharing their work and the public being connected to it. We all know that funding for the arts has taken a hit under the current federal administration. When we couple that with an economy that’s currently circling the toilet bowl, private funds are also being withheld as the whole country braces for these depressive futures. In itself, this creates a depression and repression of a different kind. Creation of art is not free nor easy. It costs time, and material and effort.

Artists in America (with the exception of those billion dollar stars out there) are not paid well, if at all. Art is not considered worthy of compensation to a capitalist system. Why? Because it defies all the markers of capitalism. It is not meant to be consumed and thrown out in an never-ending wasteful cycle. It is not massed produced, or homogenized for easier consumption. Art is unique, and personal, and deep-rooted. It asks the observer to think and to feel, and to step outside of their own perceptions. Art is uncomfortable and often questions power. It is dangerous in all the right ways. Because people who think and ask you to question our societal confines are often discredited. After all, why would a system promote someone trying to shake us out of a stupor to acknowledge our humanity above powerful, greed-driven systems? Art does not serve systemic oppression.

The point is that art and artists in America are more often seen as quaint, quirky and starving, rather than being hard-working harbingers of change and progress. Unfortunately, the marker of respect in our society is tied with monetary compensation, and we do not give that to artists, no matter how they may improve our lives or move our souls. So…something to think about is how you interact, support, and uplift the artists in your community. First, by going to their shows, reading their books, reviewing them and spreading the word. Paying a cover designer when you can. Paying for someone who edits or writes copy for you. Paying a musician to preform at your event. That money goes directly back to the artists and therefor the community. And it speaks a louder truth that Art Is Worthwhile.

Along those lines, let’s talk about cross-support. A big issue that came up was the “siloing” (I feel like that’s a hot-topic word of late) of artists. Painters stay in gallaries, musicians only go to music festivals, writers stay home in their pajamas and turn their ringer off. Yes. It’s hard to step outside of our own comfort zones within our art. But the beautiful thing about art, in any sphere, is just what I mentioned above. Art makes you think. Makes you question. Gets you outside of your world and asks you to see something new. To question. To feel. And those questions and feelings, especially when planted in the seed of another artistic mind, will lead to a garden of beautiful, unique and expansive ideas. If you’re familiar with ekphrastic work, you know that a painting can inspire a poem. A poem can become a song lyric. A song can drive the hand of a painter. We are not siloed, we are an expansive field of fertile and ready soil. And at the risk of sounding sensual, we should start cross-pollinating. Not only for the health and vitality of our own art, but to support the minds and hearts of people who share in our struggle and joy of being translators of the soul into art.

I am proud of the community of writers and poets I work with. I am overjoyed to meet the artists who paint, and draw, and sing, and perform. I love to know how art and passion move through their bodies, and to feel kindred in their drive to create something that feels like touching the deep truths of humanity and shared experience. My ask of you today, whether you write or not, is to find out more about the artists in your community. Go to their shows, follow them on line, support them with words and presence if you don’t have the funds. But let them know they’re important. That they are seen. Because artists see you. They work and create to bring us all closer to understanding each other. And that’s something worth leaving my pajamas for.

Two Ears, One Mouth: The Power of Listening for Writers

Posted on by sereichert

I know it’s been a pretty poetry-heavy blog of late and I’m honestly not apologetic about that. Poetry is a grace that fits into my life better these days. It’s more accessible to write, to slip my fingers into it’s lines, and to distill so many of the big and difficult feelings I’m currently holding. If you don’t poetry, you should. (Yes, it’s a verb, and a noun). But for today, I wanted to write about something I think is a skill whose value is immeasurable for writers.

The power to listen. Now, I’ve always been kind of a quiet kid (until I know you better, then good luck getting me to shut up) and was subjected to all kinds of comments. “Doesn’t she know how to talk?”, “I guess she’s just not much of a joiner, huh?”, “She’s so quiet.” All of this and more almost berated me into more silence until I was into my adulthood, and was forced to be more proactive in communicating. Still, to this day, in a large crowd of people, I prefer to be the one slinging one question into the crowd and then softly withdrawing to the sidelines to watch the frenzy.

Because I learn more this way.

First: I learn about character, history (or backstory), as well as flaws and strengths. In the listening to their words, their thoughts, their stories in total, yes, but also… I learn how they speak, I listen for intonations, and body cues. I listen for changes in pitch and pace, I listen for old dialects and idioms sneaking through. I listen with my eyes to watch the way their hands talk, their body nervous or posturing. I listen to the subtext of history behind it all. I learn about humans, and their story when I listen. And learning about humans is such a fundamental skill for writers to have. Not because we want to poach a character straight out of our monthly PTA meeting (well, maybe you do, I’m not here to judge) but so that when we sit down with our characters we can visualize them. As they are, with all of their imperfections and mannerisms, and really start to build a world true to what they’re saying in words, thoughts, and actions.

Second, and perhaps more utilitarian, I learn about the world. Listening to people opens me up to experiences and knowledge that I don’t have, maybe that I may have never even wondered about. And every story that settles into my encyclopedia brain is a new idea, a richer understanding of an old idea, and a bigger picture of this fantastical world. Every human being is a conduit to experience I don’t have enough years to gather myself. What a wonderful way to learn, am I right?

Third, and this is a natural consequence of the last point, listening to someone is a sign of respect, of interest, and on some level, love and acknowledgment of their existence, their struggle, and their worth in the world. More than just getting that character quirk you’ve been struggling with for months, or learning that a group of hippos is called a ‘bloat’, you are validating the experiences and importance of another person’s life. You are willingly giving them your time and attention (finite resources) and being present with them. That matters. More than just as a writer, but as a human being.

So–next time you’re in a crowd, writer… pay attention. Focus in, feel the presence of being in someone’s audience and listen to the story they show and tell you. It may lead to the next grand idea, it may help you unstick your work, or it may just help another human being feel seen.

Poetry 7-31-2025

Posted on by sereichert

Hey there. Last week was a series of battles between work, life, and a newsletter. It was a growing time, a time of transition and time to try and wrap my head around the growing responsibilities in my life and what that means for my writing. It was also a time of softness. Moments of respite, and fostering some connections that felt good and expansive to my heart. Life is a wobbling balance act, and lately I’ve felt more wobbling than balance. So here’s some poetry, from both ends of the spectrum.

Meditation on Old Wounds

See how turbulent winds
blow sweet words away
sand on black top
sand on black top
clouds in blue sky 
the blue sky where nothing good sticks
where every promise comes with
an emergency life vest,
and when I get scared,
I can pull the cord
explode the meaning
dismiss it for a lie
another half-truth 
sugar sweetness to
worm their way in
and nothing is true
but the stink of my rejection and 
love is a dark cloud
I must constantly clear away
clear away
to empty blue skies
lest I be caught in the storm
once again battered
sand on black top
why do I continue reaching
for the chance to be seen 
to be known 
in all my stormy dark
when I am unknowable 
I will wiggle my way out of any noose
of supposed love
it only hurts
it only hurts
it only hurts

except
when
it doesn't


Reawaken

Feel this ancient rumbling
shake and tremble
below what was once 
barren ground
the river springs to life
from the soft and patient rains
bubbling up from 
the forgotten cradle
soaking the ground
feeding the forest
until it overflows
warm and crashing
over banks
mountainous peaks above
hardened in cold breaths
and warmed
with praise, of god-like hands
and the land settles 
into its rhythm 
of pulsing
electric 
joy

The Beautiful Writers Workshop: Hear Me Out

Posted on by sereichert

Tomorrow I’m hosting an in person writing event at The Gilded Goat in Fort Collins. If you’re in the area, you can register for it at Writing Heights. It’s free, but it will cost you two hours of your otherwise worrisome Friday night, and give you back a lightness in your heart. For a couple of hours we’ll enjoy playing around with ridiculous prompts, and find a flow, hopefully working on things we couldn’t during the week and all in a supportive and loving space. Even if you can’t join us, I hope that you can try the practice out yourself (write ten of the weirdest sentences you can think of: i.e. “A family’s toilet goes on strike” and follow it with abandon). I hope you can find out something fun, disturbing, and original in your own brain and spark some new projects. You clever writer, I bet they will be fabulous.

This week, in order to give your creative noodle a break, I thought I’d switch more to the editorial aspect of writing. Specifically, the sound of our writing and what it means for our readers.

Whether it’s poetry meant to be read aloud, stumbling through your first chapter at a promotional event, or having your book read by a parent to their child, the flow and sound of your “writing voice” matters and reading it out loud changes a lot about what you can only see on the page.

So, let’s talk about the benefits of using oral…

laugh

Okay. Sorry, that was the fifteen-year-old boy part of my brain thinking he’s clever.

Ahem.

Apologies.

This exercise doesn’t take much effort and is an easy way to edit a work in progress that may be in its final stages of completion. Or, if you’re a poet, this is by far the best way to gauge the power and purpose of your work.

Print out a chapter of your novel, a poem, or a short story (I suppose you can use your device or laptop—the girl who loves the feeling of paper between her fingers sighs to the encroaching dominance of technology).

Then read that piece out loud either to yourself or to your unwilling cat.

adorable angry animal animal portrait
*note: It isn’t that your cat doesn’t like your work, I’m just saying cats don’t, in general, like anything that doesn’t meet their own needs, and writing that does anything but pay homage to their divinity, tends to fall short in their demographic. (Photo by Pixabay on Pexels.com)

If you don’t have an audience, I encourage you to use a mirror.

Read vibrantly, read purposefully, read with intonation and depth. Meet your eyes in that mirror and feel the story, the dialogue; that stanza of hard cutting thought.

You will start to hear your particular voice emerge and you will also find editorial errors that are invisible during the brash sweep of only eyes without the mouth getting involved.

So, get your mouth involved (*snicker* *snort*)

Oh man… come on!

I think I’ll stop there for the week.

Go read your stuff out loud. Make marks on the paper (or device) where you notice inconsistencies, mistakes, or ‘not right’ words.

Change them, adapt them, smooth them out. It’s already good, just make it a little better.

Reincarnate

Posted on by sereichert

This week, an incredible poet, humanitarian, human being, and open hearted warrior, was called away. I have long held that some stardust burns too brightly, and the universe becomes jealous…takes it too soon. Perhaps we do not deserve them. We have not become enough of love. We are still too full of hate. We have not learned enough yet, to have deserved them.

Andrea Gibson was an inspiration for kindness. For loving one another, in a world that did not always love them. I hope they are at peace. I will think of them, in quiet mornings. In bird songs. When I sit next to someone touting beliefs meant to divide… I will keep writing poems. I will light up the dark, and do it all, over and over again.

dewdrop-morning-sun-mirror-blade-of-grass-106150

Reincarnate

the patter of rain,

softness of baby cheek,

and the feeling

that we’ve done it all before

cyclical sway of life,

birth to death,

and over again.

rain to ground,

grass rising,

breathing out,

clouds to earth

how quickly we forget our place

soul to body,

body to soul,

and over and over again

recycled lives going

round and round

until we get it right

until we find the answer

punch the ticket

off this spinning ride

i hope i get to love first

i hope i get to love last

i hope i get to love

to love

to love

until all my particles are spent

so it goes

On Getting Un-Stuck

Posted on by sereichert

Argh… I have to tell you, there’s nothing more frustrating than staring at that blinking cursor with no words to keep it moving. I know I’ve long been a denier of the “writer’s block” theory. That we are only blocked when we stop moving and that every word out is a word that counts. But I’ve never felt this severe shortage of words before.

I’m a voracious writer when I get in my zone. To be clear, they aren’t the best chunks of writing every time and there’s often a lot of editing that needs to follow. But when it comes to the count, I’m kind of a rock star. Until this book. This final in a series of three. This book with a deadline. This book that should be no problem to write, because it has four of my favorite characters, and a fun premise, and all the adventure and romance available to it. This book that has stalled out on the sandy streets of 1920’s Cairo and I can’t seem to get it started again. It’s like I ran my character’s path straight into the side of a pyramid and there’s no where else to go.

So what does a writer do? When they’re boxed in? When they’ have 30,000 more words to get written in the span of a month? And the story is finished?

Well, we pivot. The book must go on. The story is not over, it’s threads are just hidden away. I’ve lost the path, perhaps even took an unintended side street that was not meant to be their final course. So, I’m struggling this week with some of my tried and true practices for ending the block and finding my way back into the flow. Normally, it would include taking a break and a step back to write something else, but I’ve been doing that. My brain has had plenty of breaks…I’m not gentle parenting her anymore. It’s time for tough love. Behold the bullet list.

  • I will write my major characters into a different scene, in a different place/time and see what happens
  • I will write three different endings to the story and work my way backwards from my favorite.
  • I will work my way backwards from my least favorite.
  • I will go back through and re-read the first three chapters, writing 1000 words as a continuation from those initial, more inspired thoughts.
  • I will look back through my synopsis of the series, see what was promised, and find two scenes to complete (out of order)
  • I will write at least three heated and NSFW scenes between characters that may or may not make it into the book to reestablish their passion and their dynamic so I can re inject some of that into the story-line that’s grown cold.
  • I will write my publisher, admit to my struggles, and ask for a respectable extension. Then I will give myself reasonable word count goals to get to that date, with room to spare for editing.

Okay, well, now that my plan is public I have no other choice to follow it. Sometimes the accountability of admitting to our failings and planning out what we intend to do, helps to keep the urge alive. Thanks for being my sponsors. Happy writing this week. I’ll let you know how it goes.