Expecting The Unexpected

Posted on by sereichert

Remember Darkwing Duck?

Anyone? Anyone out there?

A child of the late 80’s and 90’s will remember the daring and billed crime fighter and his catchphrase of “Expect the Unexpected.” I’m pretty sure that phrase has since been taken over by an insurance company, or pregnancy tests, or police searches; but once, it was the mantra that a hero lived by to always be on the ready.

Adults live by it in more boring ways (insurance, family planning measures, radar alert gear on the dashboard of our cars). We’re taught to prepare for the unexpected. At least, in all of the adult ways we live by. But to expect the unexpected isn’t just about saving for a rainy day or assuring ourselves, in the most pessimistic of ways, that something bad will inevitably happen and we must be prepared for it, it’s also about preparing for opportunities.

How do we prepare for something that can’t be predicted? In a similar way as with expecting the worst; by keep open in our mindset that anything can happen and allow for flexibility in our plans.

Now, I’m a big believer in the fact that the only constant in our lives is inconsistency. Change. We can always count on things to change. The world turns, human’s doot around in their peculiar and quirky little ways and the tides of life fluctuate. Sometimes they recede, sometimes they tsunami. The more rigid we are, the harder we are pushed against by the ever-changing, chaos-driven shift of time that swirls around us. Or the more disappointed we become when that tide draws ever farther away from us.

But if we can shift our mindset to accommodate this certainty of the quirky dance of life around us, then we will be prepared to deal with the challenges and also find opportunities in them. Because when you open your mind, you can look past the immediate hurdles of a change, to the bigger picture beyond. This is the important part. Remember how I italicized that “anything” up there? Pay attention to that.

I like to call this the “Anything Can Happen” moment. Here’s the caveat; shhhh…come closer and I’ll tell you…little closer…little closer… okay that’s too close, did you have onions at lunch? Back up a bit, here’s it is:

You have to look at what’s beyond the obvious challenge, with a positive lens.

UGH! Positivity! No! I’m a bitter and jaded, starving artist! I don’t DO positivity! It’s sooooo naive!

Yep. Sometimes it can be. Trust me, I’m a former, card-carrying member of the Pessimistic Society of Debbie Downers. I still get stuck in that rut too. But, it always leads me to nothing but dead-ends because I’m limiting myself by the perceived constraints change seems to bring.

I’m not asking you to be all zipidy-do-dah-Disney-slap-happy-blind to reality. I’m asking that you take a step back and be a realist with an eye for what good can come from the situation. There’s always something good.

Expecting the unexpected means being at the ready. Not just for danger and doom, but for the possibility of something better. To always be in a position where you can slip through the crack of those opening doors and explore new paths, different ideas, an unobstructed view. I don’t want to ruin the surprise, but this can lead to an ever-increasing sense of well-being and a little more calm when faced with upheaval.

Stagnation may seem safer, but it will leave you treading water eventually and you’ll look back on the things you should have, could have, done but didn’t have the open mind and the faith to try.

In your writing life, which can often seem to err on the side of challenging rather than rewarding, I urge you to keep your mind open. To throw yourself into opportunity and be willing to accept with a sense of curiosity and humor the outcome. Life is chaos and beauty; destruction and creation. Remain flexible and willing to see the challenges in your life as opportunities to grow, to learn, and thereby succeed.

Where You Hang Your Hat

Posted on by sereichert

This particular phrase came to me me during a few years ago post, on the subject of home. This week, I’m on limited mental and emotional bandwidth due to stuff and things, so I decided to dust off this still-timely look at what home means, where home is, and all the hats we wear when we go ‘outside’ of it.

I’m from Wyoming, born and raised, with some detours along the way.

Wyoming has some pretty awesome colloquialisms (for more on that, please check out my Sweet Valley Series, set in Wyoming—very romantic-west) and “Home is Where You Hang Your Hat” is no exception. (Some other, unrelated, favorites; “wouldn’t mind if his boots were under my bed,” and “wish I had a swing like that on my back porch.”)

I could go into the history of hats, cowboy and otherwise, what they meant, where they came from, who wore them, the political and pop cultural significance each one carried, but you didn’t come here to listen to the historical social scientist in my back pocket, you came here for an expansion on home.

Cowboy Hat1

Hanging your hat up was something you used to do when you came in from a long day of work. I’m looking at you…slack-jawed twerker, with your suuuuper cool trucker’s hat turned sideways at the dinner table…you realize that it’s the same ‘model’ my 97 year-old grandfather would get free from NAPA (that’s the part store, not the wine country) and wear until the brim fell off… And, he wore it better but never at the table… sorry where were we?

Yes, gentlemen used to take off their hats inside and, in the case of coming home, would hang them on a hook or rack by the door.

A simple move that signified something so much more profound.

Hanging your hat, coming home, dropping the world at the door and breathing. Breathing in the place of your own, the space you occupy, the people who wait for you; who love you, who have seen your head without hat, your hair going gray. Coming home meant escaping the life’s demands and the outside world’s burdens and just be.

Why is it important, that we take off our ‘hats’ in today’s world? Why does it matter?

I’m glad you asked. It’s kinda why I’m here.

Humans these days are so connected by technology and the speed-of-light information bursts, that there’s really no such thing as a safe space anymore. Now your home has multiple outlets for this information to stream in, constant and blaring.

And the ‘hats’ have changed too, haven’t they? We used to wear one, maybe two. Now, we’ve got them stacked one on top of the other until they tilt in the breeze and wobble when we try to move forward. We’re doctors, and scientists, social activists and martyrs. Writers and poets, librarians and board members. We’re frienemies and friends, lovers and exes. We’re husbands and mothers, daughters, sons adopted or otherwise. Victim and accuser, the pious and the demon. We are presidents of PTAs and the one mom that always forgets cups. We’re the one to takes the dog to the vet and the kids to the dentist and forgets to pick up their dry cleaning. We’re the ones who need more sleep, but don’t get it. The ones to work long hours, for little recognition. The ones who scoff and say ‘its fine’ when it isn’t.

Caps For Sale
Caps For Sale: A Tale of a Peddler, Some Monkeys, and Their Monkey Business. Esphyr Slobodkina (how is it I never knew that was the full title?)

We’re chained to the images that we build on our social media pages and constantly feel the need to live up to the happy smiling selfie that the world thinks we are. It’s getting so one can’t even close the door and drop what’s not real for a few minutes.

And if you can’t ever drop it, how do you even know who you really are?

It’s no wonder we’re overmedicated, depressed, anxious and stressed. People constantly shoving hats into our hands, telling us what we should be, what we could be, showing off how beautifully they’re balancing their own stack with perfect pictures of perfect lives through perfect filters that they post fresh every day.

It can leave a person feeling that if they aren’t getting enough ‘likes’ that no one actually likes them. That the measure of being loved is dependent on some superficial and meaningless emoji.

Listen, kid, ain’t nobody that happy. Ain’t nobody that perfect.

And the brilliance of those images, I guarantee, is hiding the same nasty, visceral darkness that resides in each of us, fed on self-doubt and anger. Jealousy, dis-ease with the person in our skin, and the pressures squeezing through our walls each day.

I just want to go home.

Let’s go back to that place.

The place where you put your phone on the shelf by the door and kick off your shoes. Leave your meal un-Instagramed. Your run un-shared. Write down the cute thing your two-year-old said, and then tell your mom face-to-face over a cup of un-tagged, un-pinned coffee.

Wait for your meal in silence and anticipation. Look up something– in a book. When you feel the need, the itch to pick up that screen, or turn that television on, or otherwise disconnect from real life, don’t. Over half of our lives are spent looking at the world through our screens and its becoming a new, cold, disconnected home where we find no respite.

The ball is in your court, the stack of hats in your arms. Drop them all, for just a moment and pick up only the ones that satisfy your soul. Even those, hang up once in a while and sort through how they make you feel when you wear them.

Find your home by letting go of the things that are outside of who you feel you need to be. Find the home in the center of your chest, your truest self, and come back to that. Hang your hat there. That’s your home.

Worth for Awhile

Posted on by sereichert

A large part of human nature’s beauty lies in our failures and follies. Perfect people are rarely very interesting. As a writer, creating ‘perfect’ characters is a sure-fire way to distance your readers and lose their interest. Why? Because no one wants to read about someone who always gets it right. Who can share commonality with that? And yet…our reality is often ruled by what we, as actual humans, fail at.

When thinking about human frailty and my own failings I stumbled across the largest stone in my path of late; Self-Worth.

I know I’m not alone. I see you out there.

It’s more than fair to say that we are comparative beings. The media propagates it, competitive constructs in work and school demand it, and long-standing cultural threads tie our successes (and our failures) to what we’re worth in the eyes of the rest of the world.

Its the single most destructive lie we’ve ever been told.

And its easy to say that it doesn’t affect us. That we don’t care how we stand in relation to other people, that we don’t have a competitive nature, that we don’t feel the need to be anything else than what we are. I say those things all the time. And they rarely do more than offer a feeble disguise over the surface of self-doubt.

If we didn’t care, we’d cease to try. We’d stop looking for ways to improve. But something that should drive our greatness often tears us apart and we are left with shreds of the human we used to be, torn apart in an effort to create something more inspirational in the eyes of the world.

I was recently told, by a very generous soul, that my self-worth shouldn’t come from anyone but myself. That I couldn’t let the berating, criticism, or comparisons of the world let me feel any less than what I was worth. That it wasn’t the outside that should decide, but what was inside of me.

So it made me wonder; What am I worth?

In terms of chemistry, my physical make-up is probably no more than about $3.00 worth of material.

If you broke down my daily tasks and how much you’d have to pay someone else to do them, some would say I’d be worth about $140,000 a year. If you based my worth on what I contribute to the world with my writing we’re looking at a solid $50 a year. Monetarily, its not very impressive. And again, I’m basing my worth on what other’s consider useful tasks/materials.

So what am I worth? What are you worth? Sit still with yourself and ask the question:

“What do I do, what am I, that matters to me? That impacts the world? That brings me contentment?”

Deep…yes. Sometimes we gotta get past the cloak of simple thought to really understand why we matter. We have to, for the sake of our own self-preservation. After all; if you don’t see worth in yourself, you start to feel like a burden to the people you love. And all sorts of ugly outcomes arise from that train of thought…trust me, I’ve been building a scary set of tracks in that direction myself of late.

So I sat down, prompted by my friend’s words and suffering through a trough of depression, and asked myself what I was worth.

I came to the conclusion that for a long time I’ve let the words and actions of other people (in their own beautiful human imperfection) determine my self worth. If they were mad at something in our shared existence, I took it on as a fault of mine. As a problem that I didn’t fix or prevent. If comments were made about appearance, I took the darkest path of focusing on my imperfections and felt the need to correct them by any strange and unhealthy way possible.

It left me wanting and sick.

Why do I let my brain do that?

Because we’re taught to improve. To impress. To be better. To strive for more. Instead of just being what and who we are and understanding that we aren’t responsible for other people’s happiness or conforming to ideas of perfection. We must set boundaries to the information we let affect us. Even my friend’s well intentioned advice was still someone on the outside telling me what to think about my self worth. It’s not about letting someone tell me I am worth-while. Its about knowing my own worth and not letting the outside world sway that knowledge either negatively or positively.

Now there are times, when someone who loves us may come to us with good intention, and full hearts and offer us a viewpoint about something destructive they see in us. There are times when someone has honest praise to offer. With careful appreciation of the information we’re given we can chose to look at it with neutrality and see if there is helpful advice within it, and take it as an opportunity for self-reflection.

I love you guys, for all you are. Just as you are. Have a beautiful week and stretch your brains and hearts to fit the worth inside of you. It’s there.

“My dear,
In the midst of hate, I found there was, within me, an invincible love.
In the midst of tears, I found there was, within me, an invincible smile.
In the midst of chaos, I found there was, within me, an invincible calm.
I realized, through it all, that…
In the midst of winter, I found there was, within me, an invincible summer.
And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.

Truly yours,
Albert Camus”

Poetry 7-31-2025

Posted on by sereichert

Hey there. Last week was a series of battles between work, life, and a newsletter. It was a growing time, a time of transition and time to try and wrap my head around the growing responsibilities in my life and what that means for my writing. It was also a time of softness. Moments of respite, and fostering some connections that felt good and expansive to my heart. Life is a wobbling balance act, and lately I’ve felt more wobbling than balance. So here’s some poetry, from both ends of the spectrum.

Meditation on Old Wounds

See how turbulent winds
blow sweet words away
sand on black top
sand on black top
clouds in blue sky 
the blue sky where nothing good sticks
where every promise comes with
an emergency life vest,
and when I get scared,
I can pull the cord
explode the meaning
dismiss it for a lie
another half-truth 
sugar sweetness to
worm their way in
and nothing is true
but the stink of my rejection and 
love is a dark cloud
I must constantly clear away
clear away
to empty blue skies
lest I be caught in the storm
once again battered
sand on black top
why do I continue reaching
for the chance to be seen 
to be known 
in all my stormy dark
when I am unknowable 
I will wiggle my way out of any noose
of supposed love
it only hurts
it only hurts
it only hurts

except
when
it doesn't


Reawaken

Feel this ancient rumbling
shake and tremble
below what was once 
barren ground
the river springs to life
from the soft and patient rains
bubbling up from 
the forgotten cradle
soaking the ground
feeding the forest
until it overflows
warm and crashing
over banks
mountainous peaks above
hardened in cold breaths
and warmed
with praise, of god-like hands
and the land settles 
into its rhythm 
of pulsing
electric 
joy

The Beautiful Writers Workshop: Hear Me Out

Posted on by sereichert

Tomorrow I’m hosting an in person writing event at The Gilded Goat in Fort Collins. If you’re in the area, you can register for it at Writing Heights. It’s free, but it will cost you two hours of your otherwise worrisome Friday night, and give you back a lightness in your heart. For a couple of hours we’ll enjoy playing around with ridiculous prompts, and find a flow, hopefully working on things we couldn’t during the week and all in a supportive and loving space. Even if you can’t join us, I hope that you can try the practice out yourself (write ten of the weirdest sentences you can think of: i.e. “A family’s toilet goes on strike” and follow it with abandon). I hope you can find out something fun, disturbing, and original in your own brain and spark some new projects. You clever writer, I bet they will be fabulous.

This week, in order to give your creative noodle a break, I thought I’d switch more to the editorial aspect of writing. Specifically, the sound of our writing and what it means for our readers.

Whether it’s poetry meant to be read aloud, stumbling through your first chapter at a promotional event, or having your book read by a parent to their child, the flow and sound of your “writing voice” matters and reading it out loud changes a lot about what you can only see on the page.

So, let’s talk about the benefits of using oral…

laugh

Okay. Sorry, that was the fifteen-year-old boy part of my brain thinking he’s clever.

Ahem.

Apologies.

This exercise doesn’t take much effort and is an easy way to edit a work in progress that may be in its final stages of completion. Or, if you’re a poet, this is by far the best way to gauge the power and purpose of your work.

Print out a chapter of your novel, a poem, or a short story (I suppose you can use your device or laptop—the girl who loves the feeling of paper between her fingers sighs to the encroaching dominance of technology).

Then read that piece out loud either to yourself or to your unwilling cat.

adorable angry animal animal portrait
*note: It isn’t that your cat doesn’t like your work, I’m just saying cats don’t, in general, like anything that doesn’t meet their own needs, and writing that does anything but pay homage to their divinity, tends to fall short in their demographic. (Photo by Pixabay on Pexels.com)

If you don’t have an audience, I encourage you to use a mirror.

Read vibrantly, read purposefully, read with intonation and depth. Meet your eyes in that mirror and feel the story, the dialogue; that stanza of hard cutting thought.

You will start to hear your particular voice emerge and you will also find editorial errors that are invisible during the brash sweep of only eyes without the mouth getting involved.

So, get your mouth involved (*snicker* *snort*)

Oh man… come on!

I think I’ll stop there for the week.

Go read your stuff out loud. Make marks on the paper (or device) where you notice inconsistencies, mistakes, or ‘not right’ words.

Change them, adapt them, smooth them out. It’s already good, just make it a little better.

Reincarnate

Posted on by sereichert

This week, an incredible poet, humanitarian, human being, and open hearted warrior, was called away. I have long held that some stardust burns too brightly, and the universe becomes jealous…takes it too soon. Perhaps we do not deserve them. We have not become enough of love. We are still too full of hate. We have not learned enough yet, to have deserved them.

Andrea Gibson was an inspiration for kindness. For loving one another, in a world that did not always love them. I hope they are at peace. I will think of them, in quiet mornings. In bird songs. When I sit next to someone touting beliefs meant to divide… I will keep writing poems. I will light up the dark, and do it all, over and over again.

dewdrop-morning-sun-mirror-blade-of-grass-106150

Reincarnate

the patter of rain,

softness of baby cheek,

and the feeling

that we’ve done it all before

cyclical sway of life,

birth to death,

and over again.

rain to ground,

grass rising,

breathing out,

clouds to earth

how quickly we forget our place

soul to body,

body to soul,

and over and over again

recycled lives going

round and round

until we get it right

until we find the answer

punch the ticket

off this spinning ride

i hope i get to love first

i hope i get to love last

i hope i get to love

to love

to love

until all my particles are spent

so it goes

Poetry and Poetic Books

Posted on by sereichert

I’m going to drive ya’ll nuts, but there’s a link below, if you’re interested in buying my latest book; “No Words After I Love You”.

This stand alone novel is a journey through grief, friendship, creativity and love. It’s about how the heart heals, (or doesn’t) and all the ways humans punish themselves in an effort to be ‘strong’. It’s about deep-seated friends, the kind you’d answer the phone for, even if you don’t answer the phone. It’s about choosing your own family, and learning how to let go the wounds from the real one. Its about trying not to fall in love, even when your heart is already decided. It’s about soup, and rain on dirt roads, its about knowing how they take their coffee and a campaign for bushier, wilder eyebrows. It’s about denouncing god and still finding divinity. Check it out: BUY NO WORDS AFTER I LOVE YOU

And now, a short poem:

Daredevil

My heart does all her own stunts
Never one to sit back from the danger
or sip Rosé while someone else 
takes the fall

Oh no, she's always been 
all in

She sees the perilous ledge
the death defying leap
the broken bone canyon 
and nods with bravado
flicks her Marlborough into the abyss
exhales the clouds of calm
and dives in

My heart does all her own stunts
but the scars are starting to show
and the puckered skin 
and toughened hide
cannot beat as strongly
as her younger self once did
The bullets she's taken, stab wounds
and excisions
the irreparable losses that linger
in phantom limb syndrome
beat ragged and untimed

My heart does all her own stunts
but I cannot convince her to stop

The Beautiful Stuff Writers Workshop: Novelty #4- Character Part Deux

Posted on by sereichert

(image respectfully borrowed from Nick Cocozza’s amazing “selfies” series)

F*&k yeah, I just copied and pasted another great blog I wrote on Character (sorry for using F*&k in the first sentence, Mom). But if you haven’t followed me from the start you might have needed a reminder and I needed to work on some other projects. So… Ladies and Gents, enjoy Part Deux of Character.

From the dark, cavernous recesses of the author’s twisted mind springs forward all sorts of nasty and derelict creations.

Okay, that’s a touch overdramatic.

Frankly most writers will begin by creating a story from people they know or have read about. Sometimes we do it without even realizing it. Characters and personality traits that we admire, or equally cringe at, stay with us in that sometimes-twisted-but-always-magical realm of our subconscious. Realism in characters is important because it adds to their believability and with that, their ability to connect with our readers.

Why is it so important to connect your character to your reader?

We are a society of channel flippers, of instant gratification lovin’, drive-thru eatin’, convenience hounds. We have the attention spans of goldfish. If you can’t connect your readers to your character through the common ground of sympathetic and universal traits they will put your book down. And often, when a book lands on the nightstand, it never gets picked up again.

I shudder to think how many amazing stories were lost to the underside of the coffee table.

If your reader can’t identify with your character in even some small way, they will cease to care about that character and will not follow them, no matter how interesting the story is. The human element is very important.

So along with grabbing them from the beginning with an interesting and challenging first scene, you must hold your reader to a character that they care about, either because they relate to them, or because they are fascinated by their darker side. Their traits and foibles make your readers want to know what’s going to happen to them next. And that keeps them reading.

In the ignorance of youth, I used to think that my character could be anything and do anything. They could be perfect because I was building their world and I could make them flawless. They could be smart, and athletic, and beautiful, always saying and doing the right thing, always in control of their situation and aware of their future. (In the business we call these characters “Mary-Sue”s or “Sunshine Sallys”).

Snooze-o-rama and eye-roll Central.

Nobody, and I mean NOBODY, wants to read about some pristine person who’s practically perfect in every way.

For one, we don’t need perfection rubbed in our face. We get enough from the glaring social media machine. Secondly, a character that always says the right things, does the right things, and looks like a supermodel is not challenged and if they are, they do not fail. Characters that never fail are unrealistic, which means they cannot relate to the nerdy girl in her frumpy sweater and ripped jeans, curled up with your book (Yep, that’s me I just described). And what happens when that person doesn’t relate? The book is given a good chuck over the shoulder with a hearty ‘Good riddance’.

So make your characters dirty. Make them tarnished and worn. If they have to be beautiful, make them fundamentally broken somehow inside. If they are self-assured and intelligent, give them an outward physical challenge that hinders them. When a reader sees your character fail, they see the humanity within their own failures. More importantly, when they see them overcome the faults that stall their growth, they feel hopeful for their own path. They follow that character. They root for that character.

*In an amendment to this section, I would like to say, due to the overwhelming lack of Mary-Sue characters these days, they’re actually a bit of a phenomenon. So, if you must create a Mary-Sue, own the hell out of it. Make them so staggeringly perfect that its almost comical…or otherwise interesting. Think of the person with extraordinary good luck, that can’t do wrong, even when they try.*

As a beginner writer it’s tempting to live out the life you wish you had in your pages, and it’s okay to write those ideas down. But keep those rarities for yourself. When it’s time to write an amazing story for the world, give the reader a character they can root for.

This advice is straightforward for developing the protagonist’s character traits. But it’s equally important to give this attention to your antagonist.

Something tells me this guy has rope, a damsel, and a train to catch

No ‘good guy’ is all good, and no ‘bad guy’ is all bad. Even the worst ‘bad guy’ has to have reasoning in his actions. They must have something that drives them, and it has to be something we can understand on our basic human level, even if we don’t agree with it.

Having even a slight sympathetic response to an antagonist builds tension between the characters and gives your reader the nail-bite reaction. The opposing forces both come from places that can seem justified and ‘right’ in their position, which makes the battle all the more important on both sides and the outcome so much more brutal or celebratory.

This week’s exercise is to take a hard look at your characters. Do they have some baseline, deep-rooted faults? Are these faults causing interesting and plot-driving stumbling blocks? Are they loveable, and a little bit annoying? Are they dangerous, but still broken?

If you find that they’re not engaging enough, throw in a life-changing event into their past and rewrite them based on their new fault. Divorce, fire, murder, car accident, illness, or the loss of loved one can be good ideas to play with. Take away one of their defining traits and replace it with its opposite. Nothing you play with is set in stone, it’s just a way to grow your character’s depth and help you to know them better.

If you’re looking for a good reference, one of my favorite books on the subject is Writer’s Guide to Character Traits by Linda N. Edelstein, PH.D Writer’s Guide to Character Traits.

Good luck out there, kiddos. I’d love to hear if this helped you out and how!

Happy Writing.

Poetry 4-10-2025

Posted on by sereichert 
The Other Half Lives

She breaks the silence
with the crack of a match strike
instant whirl of smoke
and snap
open jumps the flame

She’s Magic on dark nights
when I need reprieve
from myself
when I yearn
to slip into someone
else’s skin and be
the one my parents
warned me about

The kind who lives truth
through match strikes
and bared teeth and
hard, dirty alleys
rough brick scraping
backs of thighs
and halting breath
that never begs

Unleashed from boredom
She carries the burning ember of strife
at the end of her cigarette and
coaxes the glowing cinder with
deep inhalations
Blowing out sinuous tails
through lips
split by love

Back again for more?
Quirked eyebrow, pierced and dauntless

yes, again
pray unbroken lips
with underground currents
of tightly wound desire.

S.E. Reichert

The Beautiful Writers Workshop: Novelty #3: Character

Posted on by sereichert

Good morning, writers! And a happy morning to you (or afternoon, or evening, whenever you tumbled out of bed–or back into it and are catching up on your bloggers). This week, in exploration of the novel, we’ll be talking characters.

I’m telling you now, because contrary to some reports out there, I’m not a complete idiot. A while back I did a decently in-depth study of character and I’m using a lot of that for this post. After all–the quicker I get the blogging part done, the quicker I can get back to my own novel and the characters I’m currently developing.

So without further ado– recycled Character Development:

Since character development is one of my favorite aspects of writing and I thought I’d pay homage to it’s process in a two part post.

So first, let’s address where characters come from.

I’ve had characters come to me in dreams (day or night), sometimes they’re inspired by true stories from news that I trip across. Sometimes they spring from hazy memories of a childhood friend, or the curious behavior of the neighbor across the street who steals decorative rock from the common area and smuggles it away in her purse. Any one adept at studying human nature and observing their fellow human beings can get inspiration simply from watching what our nutty human brethren do (and don’t do) in the course of their day.

Often, though never in their entirety, I write from people I know. By this I mean people I know both casually and intimately are good places to start for characters.

Although real people can help jumpstart the process, they rarely become the character in the final draft, and here’s why.

For one, it would be creepy (and, depending on the story and topic, possibly slanderous) to write about an actual person from your life, unless it is a memoir of said person and they are asking you for your help. Ethically, a writer looking to publish or share their work with the world must adhere to certain rules of respect and common decency concerning using the likeness of other people. That being said, you can (and should) borrow personality traits, history, and physical attributes that enhance your character’s believability, without putting someone’s life down, verbatim, on your page.

Secondly, even when based on someone you may know, something magical will inevitably happen when you put a ‘real’ person on a page and shove them into a conflict (the driving force of your story). Under the demands of a proper story arc, the character you began with will be forced to shift and evolve into someone else. You don’t know how your character will behave in an apocalyptic dystopia and the situations and decisions that they are faced and make will be a magical combination of what the author dreams up spontaneously, the character’s history and what the author needs them to do to move the story forward.

For example, Joe Smith may start off looking like your high school biology teacher but if you write him exactly as he was, including is normal day to day, your audience will be too bored to stick with his story.

Now, if you put the body of an alien in the school science lab’s freezer next to the dissected frogs, Joe Smith, your old biology teacher will automatically become way more interesting. And as he does, he will move away from the real person you started with and morph into a different character. A man of his own, alien-hiding, design.

They double-dog dared him.

A writer can tweak, correct, enhance and play with personality types, turning one, real-world person into a completely different but still realistic character. But it’s important to keep the relatable aspects of the initial ‘muse’, including the physical attributes that you can describe in realistic detail, or the personality types that can be explored in depth from a place of personal interaction.


What can be left behind are names, exact and undeniable physical description (don’t be a creeper) and any ‘boring’ or typical parts that may be cliché or expected. The character will change to be their own person with the natural progression of their role and development within your story.

The other method of character development is to begin with a story and let your mind follow the natural path of who lives it. This is one part plot-driven creation and one part spontaneous combustion.

An atomic bomb goes off, a virulent disease hits the population, a train switches tracks, a car runs through an intersection, an alien shows up in a freezer.

Start with an event and ask yourself; who would it affect most? Who stands to lose or gain the most? Who is equipped to deal with the situation? More interestingly, who is least able to cope with it and how do they survive?

Characters will find their way into your mind. They may look and act like someone you know or they may have a mind of their own. As a writer you will find that as your plotline advances the character will become less and less your creation and more a product of their history combined with their destiny.

We all have these personalities in our heads that sit dormant on the shelves until something shakes them loose. Most writers, (yes, I’m saying it) are a little bit schizophrenic. We are geniuses of introspection and observation. Humans are interesting and a good writer will watch and learn from their interactions how to build characters that could be a best friend or a worst enemy in their reader’s own world. They talk to us as we write their paths, they argue when we move too far away from their true reactions. They trip us up by throwing random but necessary bits of history our way that we hadn’t considered for the bigger picture. It’s maddening and magical all at once.

Next time we’ll talk about developing intricate characters and some tips I’ve picked up along my journey to make them somebody your reader’s will root for, love, and hate. Until then, take a few minutes today to think about some characteristics that you love and loathe in human beings and think about why they draw your attention.

Make a list of character traits that are interesting in both beneficial and detrimental ways.

Also, feel free to write or comment about your favorite characters, and if you’ve ever found yourself ‘accidently’ writing about someone from real life. Next time we’ll have an exercise on character development and I look forward to your responses!

Happy Writing!