Honoring Your Quirk

Posted on by sereichert

Hello writers. How are you fairing in this strange, unhinged, cacophony of terror? Despite the political, cultural, and technological mess that we’re in, I hope that you’re shutting out distractions for at least a couple of hours a day to find some peace, and your own voice again.

Today, I wanted to talk about writing style. Not so much our voices as writers (though I’ll be covering that in a later post) but the way at which we approach the art, and the process of engaging in it. I’m in a busy season after signing on with my publishing company for another three-book series. It wouldn’t be so bad, but this is the first time I’ve proposed a series that was not yet complete. Which means, I now have a very real, somewhat daunting deadline of trying to write a novel (and polish it as well as I can) by the end of August. The first two books are done (mostly) so they will both be in editing by the end of this week. But the last book…

Let me start by explaining my process. I’ve written three trilogies. Two have been published, one is complete but won’t come out until 2026-2027. This newest one (my 4th) began with a Vella novel on Amazon (remember that flash in the pan?) and grew to a two book project that includes my first male-male romance as the second book. Both are fun, time-traveling fantasy romances, set in one of my favorite eras. All very exciting, and I had no trouble at all banging through the first drafts of them. Because I wrote them, as I always do, by puttering through whatever scene I was in the mood for at the time. Then I hodgepodged them together, as I always do, and fill in the gaps where needed.

Now that you have a little insight to my style (non-chronological, emotionally driven panster) I must tell you what a struggle this last, unwritten novel in the series is becoming. Because I had to write a proposal, I outlined it for my publisher. I never outline anything. I let the characters lead along a generalized path where there are key scenes I know I want to include. I had no key scenes starting out. I just knew a general path. It was all going along pretty well, for the first 20,000 words. And now…I’m stuck. I’ve pretty much written along the lines of my outline and I think the book won’t even make the 60,000 mark. In addition to that, when I’ve gone back to read, it all feels very flat. Like a Marvel movie. Like a dime-a-dozen romance. There’s no quirk. There’s no character depth. Even though it contains the same characters that I loved and developed for two books. So…what’s the deal?

Last night, after being stuck all week at that 20,000 word mark, I just let myself write a scene between the protagonist and the antagonist, a pivotal scene concerning the loss of someone very important. The concept was not in my outline. The scene was not planned, but just something my brain had been toying with in the shower after edits to the first novel started kicking in. I knew before starting this new scene, that it probably wouldn’t end up in the final version. It was just play.

But then…Suddenly there was passion. I saw true character coming out from underneath the gray and basic facade. I wrote over two thousand words in a matter of 20 minutes. That’s the kind of writing I’m used to. That’s my sweet spot. That’s my quirk. And I realized then, that for the last month I’ve been trying to write like other authors I know on deadlines. Straight through and stick to your outline. Keep it clean, time’s too limited to be able to waste it on multiple rounds of editing. The trouble is, there won’t be a book by the end of that limited time to edit, if I don’t write like my brain likes to write. I am not like any other writer. I’m quirky and I need to respect that.

So, that’s my lesson for you today. Yes, it’s important to try new methods and fart around with writing in different ways as a means to experiment and freshen up your routine, but I encourage you to find your quirk and respect it. What works for you, works. And when you’re on a deadline, do what works.

Happy writing. Now back to the grindstone.

Book Review: The Serpent and The Firefly by Courtney Davis

Posted on by sereichert

I hate to admit how long it takes me to finish a book. I love to read, and if I had like ten more hours in my day I would do it all the time. I’ve started carrying around my e-reader (don’t hiss at me you physical book-philes, I love both versions but that tech is a lot easier when the page counts are high, to tote into a doctors appointment) in an effort to spend those free moments lost in worlds instead of lost in the spin of social media doom scrolling. And I’m not surprised to find that the more I read, the more I want to read. But the last book I read, I finished in under a week, so I know it was good.

My last book that I finished was The Serpent and The Firefly by Courtney Davis. Now, it’s kind of hard for me to be unbiased. One, because this beautiful little book shares a release date with Raising Elle (so they’re like fraternal, romance novel twins), and two, because I really love Courtney as a person and as an author. So I’m going to do my best to give you a good, honest rundown of the book.

I love urban fantasy and The Serpent and The Firefly checks so many boxes. From the description and back cover, I couldn’t have predicted how beautiful a world Davis was going to build. She does it in a seamless style that brings readers into a dark little underworld, glimmering on the edges of our reality. I love the variety of characters she brings in (interesting but not overwhelming) and hope that she expands on some of the groups of supernaturals in later books (I’m totally into the angel angle, and I want more nymphs!) Her main character, Jade, is thrown into an unexpected position of power, after having her magic hidden for years. Luckily, she has sexy and not quite trustable Baal, giving her some guidance. Not without cost, as he’s using her to regain his rule in hell. But I love the way she shows him tripping over his desire and need, the more he gets to know the adorable and floundering Jade. And let me be clear…I’m not a huge snake fan, but there are some scenes with Baal that made my little toes curl and think about the advantages of a forked tongue…ahem….moving on.

The chemistry between the two main characters is palpable and there’s a lot of good tension building that made me shake my fist every time they had a ‘nearly there’ moment, but the relationship they forge in the end is worth the wait and I love especially watching Jade’s progression from a timid woman in witness protection, to a full-on goddess who saves not just our world, but two other realms as well.

Davis’s writing is crisp and she gives her characters wonderful personality and dimension with dialogue and just enough description. She builds her worlds beautifully without smacking you over the head with too much narrative. Its a quick read but a lot of story happens in those pages. I’m definitely looking forward to her next series out in August, starting with The Vampires of Atlantis. For more info on Courtney and her books visit her at her website, or on her author page at 5 Prince Publishing.

Next week is poetry, then a little homage to a new challenge that I hope you’ll join me in for July.

Feel Like Makin’ Love

Posted on by sereichert

You’re welcome for getting that song stuck in your head.

Last week I talked about heat index and how to define your novels for submission or how to search for the right Goldilocks-level of heat for your preference. This week, I want to talk about writing engaging love scenes in your books.

No matter the level of heat you’re writing in, the sexiness of a scene doesn’t just depend on how many engorged members you’re throwing in there.

Photo by Pixabay on Pexels.com

Wow, what a visual. Yeah, that actually makes it less sexy thinking of it…penises getting thrown into bedrooms willy-nilly. Ha, willy-nilly…ugh. Ahem, let’s move on.

Let’s get something straight right away, sexiness isn’t about sex. Heat and desire, aren’t about sex. At least not for the majority of women. (Men, if you’re reading this, get a notebook.) Sexiness is about connection. Two strangers can have sex, and people will read it. Penthouse has proven this. But if you really want someone to read a whole book about two characters, follow them through the quagmire of plot arcs and dialogue, sex is the perfectly balanced frosting on the cake of it all. Two characters that are emotionally connected interacting in a physical way, drives up the excitement and anticipation in the reader tenfold.

It’s all about chemistry. It is vital when aiming to curl the toes of your readers, that you give your characters a connection that feels genuine, deeper than surface level, and tied to their emotional well-being. Then, when you get to the point of all that delicious teasing, it makes the ‘climax’ all the better. Because it isn’t just about physical satisfaction, it’s about connecting in the most intimate way with someone who really gets you. Who loves you. Who sees your scars and your war wounds, and kisses every one of them with acceptance and care.

So if you want to up the sexiness of your scenes, establish a good connection, (even if its enemies to lovers). Find a common ground between them, a exposition of trust that opens hearts, and a deeper understanding of one another that makes the sex even better because there will be less reserve, fear, or doubt involved.

And this brings me to another point, writing good connection between characters is a subtle art that you can employ in your dialogues, body language cues, and inner dialogue (if you write that POV).

Next, depending on your comfort level, what you crave in romance, the nature of your book, or the heat index you’re working on, be honest about the sex. It doesn’t always have to be pretty. Heads get bumped, knees get scraped, giggling ensues. Don’t shy away from the human experience and the parts that make it truly beautiful. With that remember that there are a lot of senses involved in the act. Sight, sounds, smells, touch, taste. Don’t be afraid to play around with them as a way to bring readers in. How far in you bring them is up to you, but even the best closed-door scenes have an awesome build up to the point the door slams shut.

Attraction, chemistry, and desire are the tenements of any good romance, but remember that it starts with connection. Human connection, in all its glorious messiness. Putting in those beautiful messy moments will help bring your characters in a place where the love they make is a natural and much anticipated progression in your book.