I saved an earthworm…

To be exact, they were what I would deem a “nightcrawler”. On my rainy walk, with my rescue dog River, and her distaste for the wet (I think it’s the pit bull in her mix) we encountered the large under-dweller, struggling against the asphalt. I watched for a moment. Remembering, that as a child growing up in a dry state (Wyoming), we rarely saw worms that size. If ever you did, was a good omen to gardeners and those were the ones you never took fishing. I bent down lower than my 45 year old knees liked and gently picked up its twisting body, and placed them gently in my palm where it squirmed for freedom, even from a small safety. The rain poured down around us and I let myself feel all of the tickling, wriggling, slightly slimy motion of a life in peril. I took them tenderly towards the grass and out of the space where tomorrow’s sun on the blacktop would bake them, and set them down.

“There you go buddy, good luck.” I said and a woman walking her dog on the sidewalk, moved carefully away from me.

Why don’t we care for things anymore? When did we become so crass? How is it we have become too busy to save even the smallest of consciousnesses? I’ve been thinking a great deal about ‘modern’ life these days, and how less like actual life it feels. “Life” is suddenly something we are fed, by those who control the information. Life is on screens, and filtered to be pretty, it’s reductive, or ridiculous. Competitive and unrealistic. It’s shallow and degrading. When was the last time you held something in your hand that was real? A worm? Your child’s hand? Dirt from your garden? A pen? An apple? Someone you loved (known or in secret) arms wrapped tight and trying to stop time, just for a minute? When did you notice last, a being in struggle? Did you stop? Did you help?

I no longer want to be part of an unreal world. I don’t have years to waste on anything not authentic. What is the point? If I only have so many days, why would I spend them sucked into an algorithm? I want to hear my friend’s voices. I want to read their handwriting. I want to see them across a table or next to me on a walk. I don’t want to be force fed advertising, and told that I need wrinkle cream. As though the natural progression of my body is not something to rejoice in and enjoy. I don’t want to be told in spiraling doom scroll what this world amounts to in the number of likes or angry faces it has. Watch the volley of hatred and hurtful ignorance between neighbors be slung around like poisoned arrows. See artists reduced to fodder for machines, and the brainwashing of it all being NECESSARY, take us over, as though we have no choice in the matter. How can we really justify, as artists, “needing” a platform that abuses and misuses our hard work? I can’t. I never had any big hopes of making it in the industry anyway, so I’m not going to keep buying into a system of false promises, while it robs me of my creativity and passion.

We haven’t always been this way. Don’t you remember?

I know I will miss out. Your faces, your lives, the beauty of your progression in the world. I will not see you. I won’t get to laugh at your memes or comfort you in times of loss. But I will think of you. Just because I’m not there, posting weird writing shit, or poetry, or my bastard of a cat…I am here, thinking about you. Whether we’ve been friends since the fourth grade, or you just joined my writing group, or you read my books, or you gave birth to me…I love you. You don’t need the algorithm to tell you that. You don’t need Facebook as a go-between to keep us connected. I’m here. Loving you. Hoping good things for you. Wishing you a day better than you thought it would be, every day. Each one of you. No likes necessary.

I feel a bit like Neo. Taking the pill. To wake back up to what is real. And it’s scary. And I don’t know if I’ll just be forgotten. Maybe I will. But I suppose the hearts that forget me, I never really had residence in to begin with. Today’s the last day and I’m a little scared. The connection it offered was wonderful, the addiction it’s brought me to and the worry it sustains, is not healthy. For any of us. Here’s where you can find me:

  • BlueSky: @sereichertauthor
  • SubStack: @sarahreichertauthor
  • Website: https://www.sarahreichertauthor.com
  • email: director@writingheights.com
  • Address (I love letters and will send you one if you provide a return address): NCW, 4128 Main St, #144, Timnath, Colorado 80547

I hope I see you in the real life. I hope you find the balance you need. I hope you don’t give in to the idea that you’re data points and not a living, breathing, squirming, fighting, good-omen of humanity. I won’t be there anymore, but I’ll be around.

Photo by Grafixart_photo Samir BELHAMRA on Pexels.com

A Little Something…

Hello friends, writers and readers.

I hope this week finds you getting back into the swing of things and finding a groove. Whether that’s winding down summer and getting ready for fall, or getting your kiddos back into school, I hope you’re finding some time to rebalance, and recenter. I’ve got a little teaser for a book I’ve been working on this year. I thought it might be a change from the poetry I normally offer and maybe a preview of a book that will hopefully be coming out within the next year.

Enjoy!

No Words After I Love You: Excerpt

““I’ve never believed in God, but I believe even less now. If there ever was a God, then it was her. My planets revolved around her and the world did not deserve the warmth of her star. None of us deserved her.” Don knows I mean him; the great idiot has to know. I hang my head, chance a glance at the crowd, blurred through eyes that are viciously crying, despite my resolution to be angry over sad. “God doesn’t deserve her either.”

That’s all. That’s all I can get out and not point my finger at Don and his treacherous heart. How dare he ruin the last testament to my wife, even if I didn’t want to be here. How dare he show up and mourn a woman who was mine? I sit down next to my father who clears his throat and in it, speaks a volume of reprimands.

Denouncing God in front of the entire church on such a sacred day such as this, Charles?

“Add it to my tab, Dad,” I whisper beneath my breath.

The flurry doesn’t stop, and I think I sign some paperwork, and I collect the ashes, which were to be separated and scattered, between New York and Georgia. Both urns come home to the apartment, where a good old-fashioned wake has been dictated by my late bride. A wake.

Wakes are for Catholics, I’d said. She shrugged in her robe and took my chin in her hand.
They always seem like fun, is what she had said.

Of her own funeral, she wanted it to…seem fun. She wanted wine and music and dancing and laughing. I have the wine. I think Meg did that. Meg ordered the food too…It’s all here, and so is the endless trail of well-wishers, face after face. Graceless, awkward patting of my shoulder from nearly all. Gina was the hugger. They are not sure what to do with me.

The only thing that’s not here is Meg and I look at every new face that enters the apartment, every milling sheep as though she’s snuck in. Where in the hell is that girl? Maybe it’s my brain, trying to distract from my grief, but it’s got me worried. I haven’t talked to her since that morning when she asked me where to put the flowers after the service. I said I didn’t care. She said she thought she could donate them…

I said God could shove them up his ass. She said she was too short to reach, but she’d see what she could do…I unexpectedly smile in the middle of someone else’s story.

Where is Meg? Did she get left at the church? Left by the people she loved, once more? Orphaned again?
Two hours into the malicious and introvert nightmare, and the endless parade of people (thankfully Don must have taken my not-so-subtle hint and had the mind to stay away) is starting to quiet.

Meg walks in. I watch, from the kitchen as she sneaks through the front door, as if she’s trying to slip in without opening another wound. Her nose is pink and her eyes are watery from the cold. Or maybe its the grief.

She hangs up her scarf and that old threadbare coat. She pauses to say hello to my father, as if he deserved her softness. She’s walking through, not a soul recognizing the plainness of her, the very un-Broadway nature of Meg, in her simple black dress, probably the only one she owns, and probably only because Gina helped her find it. She gives people that awkward, tight-lipped smile that one offers in these situations, perhaps a handshake or a fluttering pat on the shoulder. But no words are exchanged.

My God, but she’s given me something to focus on. Poetry in her plainness, an anchor in this stormy sea.
I can tell she doesn’t want to be here. I can tell she knows she doesn’t belong.

I feel like she might try to sneak out. Give me some awful excuse tomorrow, like she was there but missed me in the hustle bustle of it all. But I can’t let that happen. Because she needs to know…she’s not abandoned. Someone notices. Gina begged me to notice her. As she passes the kitchen I reach out and take her wrist in my hand. It’s small and just the act of wrapping fingers around her bones halts her world.

I always think Meg is so much bigger, but she pulls easily into my arms and I’m just as startled as she is. The kitchen is quiet and I’m not sure why I react like such a desperate man, thinking she might leave. I’m not sure what to do now, with Meg so close. I cannot account for the grief in me. I am desperate. For any normalcy. For someone not in the business. Someone who…knows me.

“Where have you been?” I hiss.

“The park?”

My heart shoots up into my throat. The smallness of her wrist and how easily I was able to kidnap her into the kitchen makes me overpour in worry.

“By yourself?”

“I couldn’t—” she pauses and looks into my face. “I didn’t think you’d notice.”

“Didn’t think I’d notice? That you weren’t here?” Words come out of my mouth. I’ve been regulating all day. I can’t regulate with Meg.

“You’ve got a lot of people here and more socializing than I know you want to do. I didn’t want to be one more obligation for you.”

Martin, one of my favorite horn players from the pit of many a show-stopper, steps into the kitchen for another sandwich. He gives Meg an awkward, tight-lipped smile, and pats my shoulder lightly, before he leaves. My brain refocuses into the tired vulnerability, unguarded in her.

“Don’t leave me alone.”

“You’re not alone, everyone is here,” she points out.

“They’re here for her—” I ache. I look towards the sounds of laughter and stories in the next room over. In this sea, I am alone.

“I’m here for you,” Meg says and puts both of her hands on either side of my face. I look into her eyes, a quiet shore. I feel my face pinch up like I’m going to cry and that stupid girl, throws her arms around my waist and holds me. Buries her face in my chest, so I can cry and not be watched. She holds me so tight.
Like someone who loves you holds you. Without reserve, without any awkward pause, without worry for societal rules or false conclusions. I’m stunned into accepting. When was I last hugged? Hugged like a Midwestern girl hugs? Warm and close and like two hearts are trying to reach each other through the cage of ribs between. Never.

She smells like cold air and the traces of someone smoking on a park bench, and shampoo that’s soft and flowery. I could push her away and berate her for being stupid and sentimental. But my body sinks into the warmth. Fuck, I need a hug. A real one. Does she need it as badly as I do?

I put my arms around the smallness of her. I don’t know how tightly she needs this and I know I shouldn’t care, so I just hug her like I want to hug, and she shivers and I shiver back and I feel the tears welling up between us, a great lava flow started from an earthquake. I run my hands through her hair, and hold her tragic little brain next to my heart.

“My girl,” I whisper and catch myself.

Who’s girl? Which girl?

It demands an answer and I have to decide. “She was my girl.”

The grief flies its middle finger to my stoicism and Meg is so warm and close and just so…there…that I start to cry. And I don’t know what to do, so I just let it go. She’s whispering her anguish, I’m sorry, I’m sorry, I’m so sorry over and over like Meg was responsible for the treacherous cells or the decade long affair, or the loss of everything I thought was true. As if she was putting that on her plainly dressed shoulders.

Comfort in her warmth starts to feel like betrayal. I think she feels it too. I sniff and pull away. I’m too confused to have her so close. I’m too far into the middle of my grief, I’m bound to make poor choices. I can’t look at her in case any part of this ache is still in my eyes. She tries to look at me but I pat her shoulder like Martin patted mine. Awkwardly. Boundaries thrown up in defiance. I need to get out of this kitchen. Into a crowd where I can be unseen again. I pause and hand her a box of Kleenex before I go. I hear her sniff and pull out a couple before blowing her nose in a very…moose-like manner.

The honking of it brings the first tickle of a laugh I’ve felt in days.”

Survival of The Writer: And What National Novel Writing Month Teaches Us

I’m going to keep it brief and give you a little excerpt at the end of this blog to tie up another great year of NANOWRIMO. I hope that your month was successful and that it taught you something about your ability to persevere, in the face of ominous word counts, writer’s block doldrums, and persnickety characters that don’t do as they’re told.

I, for one, am proud of you. The winner of the goodie bag will be chosen this week and I’ll announce the name on the blog this week. Think of it as an early Christmas. I’m still curious to know how it went for all of you and if you have any pitfalls or successes you’d like to share, please send them my way. If this was your first or your 25th, I know that you got something out of the process.

If anything, it teaches us how to manage our time better, how to flow with the writing even when its not going how we think it should, and how to keep going even when its hard. I hope the very best for your project. My final piece of advice is this:

When the first day of December rolls around, I ask that you take that hard-earned manuscript you slaved over for a month, save it (Twice) and put it away. For a whole month. Don’t look at it, don’t tweak it. Don’t edit it. (the only exception is that if you’re really close to finishing something or the whole thing, keep extending your daily word count goal until you’re at a good stopping place). Don’t open it again until January 1st at the earliest. Give your brain and your thoughts time to settle and reflect, so you can come at it with fresh eyes and a begin the process of turning that beautiful raw material into a wondrous book.

Here’s a little (unedited) piece of my new project. Enjoy! (and Congratulations)

Photo by Taryn Elliott on Pexels.com

I wish the train would go faster, why do we have to keep stopping for people? I get off, shove my way through the current going down, swimming upwards like a desperate salmon. I keep the soup intact. I climb his stairs two at a time and the ache in my chest is probably equal parts worry and being terribly out of shape.
“Please answer. Please answer,” I whisper as I raise my finger to the antiquated brass button. Charlie rips the door open before I can even ring his bell. He looks wild. Unmoored. His eyes are fighting and strange. Like he’s made…decisions. I don’t know what to say so…Kansas takes over.
“Hey—”
“Get out of my way.”
“Where you going?” I ask and tilt my head to the side like an innocent farm girl, unaccustomed to dark thoughts.
“Out,” he grouches.
“I’ll go with you.” I shrug at this, and the soup and bread shrugs too. He glares at me; I can feel his mouth forming sharp blades of words.
“I’m suicidal.” The admission itself is a lifeline that he throws out. He could have said he had a meeting, or lawyers to talk to, or a walk to think. He hopes I’ll back down if he throws it, head on, into my face. I force myself to smirk and roll my eyes, even while I bully him backwards, my will and the box of warm food herding him.
“You’re hungry.”
“No!” he says, a split second before his stomach rises to greet me with a groan. “Just go, Meg. I’ll see you at the funeral.” His back is pressed to the not yet closed door.
“Who’s? Yours?” I pause, Charlie’s eyes go soft through the anger. “Get in the apartment, Charlie. Before it gets cold.” I force him back, and slam the door closed, putting myself between him and it. I set down the box and take off my coat and hang it up next to where he’s standing. He sighs, takes in a deep breath and closes his eyes.
“Meg,” he whispers.
“Let’s eat,” I say and take off his scarf for him, hanging it with reverence next to my shabby long trench. He gives in and throws his coat over the bright blue. As though he can’t look at it tonight. I take the box into the kitchen and start to unpack the hot soup and warm bread. I have to get the step stool to reach the bowls in the cabinet and Charlie is just standing there watching me, shirt with his cuffs rolled up, untucked and pining for the bridge or busy street that would have ended the pain.
But the pain can fade. I know. It can become livable. It’s been my asshole roommate for some time. I set down the bowls and crack open the top of the container. Charlie leans in, trying to feign disinterest.
“Is that—”
“Chicken and wild rice, from Saul’s private stash.”
Charlie fake glares and his stomach growls again. “You little shit.”
I don’t respond but I pass him a full bowl and a chunk of fresh bread. He holds them both in his hands, warm, soft. Little things to cling to in a world that was so desperate and cold five minutes ago. He doesn’t speak, but he sits at the island and I saddle up next to him.
I talk about work. I talk about an article I’m working on about AI, I talk about the impending writer’s strike. I keep my topics to things easy to let go of. I talk about anything, but leave spaces of silence for him to contribute. He doesn’t, but he presses his long thigh against mine under the counter, and finishes the rest of the soup.
I offer to stay. He says it’s unnecessary. The funeral is tomorrow. We have things to take care of. He shakes his head. He’s changed from the man marching to death. To someone resigned to accept it. But I’m wary, and I don’t want to return to my cold apartment. Not with his knee touching mine.
“I can take the couch.”
“No.”
“Charlie.”
“I’m fine.” He says, and I believe him, but I look at him like I’m not sure. “I’m gonna be fine.” He says, and nods. “I’ll see you tomorrow.”

Poetry 2-3-2022

It’s been awhile since I regaled you with a little verse. Okay, to be honest, I don’t know if I’ve ever ‘regaled’ anyone with anything I’ve written. But here’s a poem I scribbled down and now it’s part yours.

Photo by Rakicevic Nenad on Pexels.com
Misjudged

have you ever
thought you knew everything
about a human heart
only to find out,
in clips and phrases
the everyday
exchange of words,
those priceless commodities,
that you didn’t, in fact,
like them at all?

With every volley of
thought-provoking ideals
and self-doubting forays
trying to figure out the complexities
of life
and love
and sex
that every one of those micro chasms of worlds
in their lit-up brains
from the sadness to the fury
the senseless damage survived,
the deep, erotic bites hungered after
and the sweet forgiveness
you discover,

layer by layer

that you didn’t like them

not at all.

No—in all,

and all along,

you, in fact,

loved them.

Poetry 2/11/21

Good morning!

Just a quick reminder that the poetry anthology is accepting submissions until September of 2021. I’m already receiving some truly amazing work. In the next few months I will be featuring and promoting the poets who have submitted their work. I encourage you to support their work and check out their other writing endeavors. If you have something to contribute to the “Wilderness of Soul” please feel free to contact me at sereichert@comcast.net.

Today, I’m offering up a couple of poems in semi-celebration of this strange month of ‘love’. Enjoy the broad spectrum of heart.

 
SCARS
 Growing a scar is hard.
 The wound never stops throbbing
 It’s enough to keep you awake at night
 And irritated during the day.
 The thrashed skin, angry and red,
 Prying open at the slightest provocation
 So you wrap the bandage
 Good and tight,
 Until the rest of the limb
 Distal to the wound
 Throbs with its chokehold, 
 Gasping for blood. 
 No blood, 
 But no pain either
 And no dead skin, 
 Hanging to catch on your clothes.
 Reminding you
 At every minute
 Bump against door,
 Hair toss
 Or paper turn
 That someone,
 You love
 Cut you. 
 
 
 Lizzy
  
 We were girls in tall grass
 Running with scraped knees
 And dry throats.
  
 Disappearing into the past
 When things were simple
 When life was sunshine
 And big-dipper gazing
  
 We were the past 
 I can’t quite recall anymore
 But the whisper of memory I hold on to 
 Like the edge of a cliff
  
 What if I forget?
 Will we both stop existing?
 Will we snuff out 
 Without the constant loop playing 
 Over and over in my memory?
 Do I keep you alive?
 Or does your memory keep me?
  
 Your bike gears were gritty with sand
 and the vinyl on your seat was cracked
 so you never sat.
  
 You were never still.
 You were perpetual motion 
  
 And magic kept you aloft.
  
 How still and fallen you lay now.
 The earth is tender and cruel
 Around bones that once
 Commanded the rotation of the skies.