New Horizons and Old Loves

Life, man… It is a perpetual state of change. In fact, one of the only certainties about life is that it will change. And humans are no different than any other oxygen breathing, carbon-based sack of stardust. The world changes. We change with it, whether consciously or not. We discover things we didn’t know (I hope) we learn and make different choices (also—I hope and that they are in positive directions). We take hurt and either learn to heal or use it as a weapon on the other stardust sacks near us. We find excuses to fall back into bad habits, or reasons to springboard into better ways of living. We are a constant swirl of contradictions and brilliance.

As a beginning writer, I always thought I’d write the same kind of book for my whole life. Because I loved love. And I loved romance. And I enjoyed participating in the happily ever after of a good swoon-worthy book. But as the world evolves so do we, and I am no different. This is not to say that romance is some basic-bitch level writing, it absolutely is not. Romance is hard to pull off (sexual pun completely intended) in a way that is both believable and reaches for something we all wish we had. Its maddening and beautiful and some of my favorite books are still romances.

Back to my evolution.

It didn’t take me long to realize that while I love romance…it wasn’t the genre that fascinated me. The trouble began (I feel like this is one of those old 1960’s “don’t let this happen to you” videos in health class) probably when I started genre hopping like a vagabond onto railway cars in whatever direction the tracks were going. Just anywhere but here. I was thinking about how and why I seemed easily distracted into forays of genre crossing, experimental writing, and odd formats…And I just figured it out.

I’m a character follower. I can’t stick to a genre because my storytelling is like a puppy out on a walk that wants to jump on and follow every new person home. I want to stick my noses in their crotches and find out where they’ve been. Ok. That—that analogy went too far.

The point is… People interest me. Characters interest me. Whether I’m watching them pirate a space ship, imagining them breaking up the scar tissue of a thoroughbred horse, or fear for them as they get possessed by the spirit they’re hot for. I’m curious about people. How they live, how they deal, how they fail. How they love… what they love. How they keep on keeping on and manage to use their big old squishy hearts towards better ends. Or bitter ends.

So I guess I don’t stray too far from love. But I like the depth of how love incorporates itself into our lives, whether its romantic or not. Knowing this about me feels like untying a corset, a big breath in, a cutting of old ideas binding me into “what kind” of writer I am.

I’m a character writer.

Which means I can write poetry, or gay romance. I can write socially conscious plays, or epic space farmer odysseys. I can write song lyrics or philosophical observations on love and meaning (but I repeat myself). I can write about characters because I love and respect each of them. I care about them. I am curious about them. I am compassionate for them. I can be the journalistic eye that follows character and changes the world and myself through their experiences.

This year I’m wrapping up some older projects (urban fantasy-erotic-trilogy based on the legends of Norse and Scottish mythology? Yes please…Genetic killing machine learns she has a conscious? Don’t mind if I do… A time traveling, hot as hell gay romance between two of my new favorite characters? My heart is all a-twitter… A literary first person POV exploration of grief, loss, and how we let go without losing our hearts? My soul didn’t know my brain could write like that…)

But I’m also hopping on new rail cars. Tentatively, 2 plays covering everything from the cost of pro-life legislation on a micro level and the oft-ignored life ruination of the high school to prison pipeline for black youth, a book of erotic poetry, and exploring my horror side with short fiction. It’s all a little ethereal and unsettled yet, but I see the stardust of potential, tossed out in the frozen dark of space, lying in wait for a gravitational pull to gather it into new universes.

Oh, and signed up for another fucking marathon so…that was stupid. That stardust seed is a cackling massive black hole I should have clicked away from instead of looking at the price and going… “Hey! That’s a cheap way to suffer immensely.” I bet I could have paid somebody less to take a bat to my knees, with the same outcome…but here we are. Eternally hopeful and stubborn.

So here’s to new endeavors, in your writing and your life. Open up that perspective a little wider and let some of the stardust in. But keep love…at the heart of your universe.

Romancing The Story

Please tell me I’m not the only one who remembers these movies. I think, they may be partly to blame for my current profession (not the karate instructor—the other one, that pays even less). I loved the quirky, unrealistic way that the original frumpy romance novelist came upon adventure and began living the kinds of stories she only wrote about before. I also loved that by the second film we see her living this exotic and adventurous life and still suffering writers block brought on by lack of romance in her characters.

How I imagine I look as a tough-ass romance novelist
What I actually look like, flannel pjs and all.

Because no matter how much adventure, vine-swinging, sheik angering, and Jewel finding you do, if you’re not in love with your novel, no one else will be either.

Bam. Mic drop. Blog finished, I can go take a nap….

*sigh* ok, I’ll elaborate.

Romance isn’t just about what happens between the sheets in a typical Harlequin. Romance is about creating a smolder, a heat, an intrigue between your characters, and between your story and your readers.

When I titled this blog, I worried I would lose those writers who focus on different genres and have little need for ‘romance’. Suck that (respectfully), we all need romance. Humans are born to seek out connection. Now, the phases of it and levels of requirement are different. But the truth remains that if there isn’t chemistry between your characters…be it platonic, hate, or lust…the story will fall flat.

Well, gee whiz, Sarah, what do I do about my Scifi Cowboy Inter-dimensional six book series where no speaking women exist because I’m THAT kind of author.

how much talent, great story writing, and acting did we lose in this era from all the stereotypical, misogynistic bullshit? The world may never know.

First of all—ugh, way to cut out 50% of the entire thinking, capable, and amazing population and demote us to some hot object in a skimpy space suit, so 1960’s of you. Secondly, your ‘lone star’ lead has to have some connection to someone or something. A loyal side kick, his long-lost brother, his space ship, or *puke* if you must, even some hot object in a space suit.

Otherwise, he lacks a pathway for your reader to connect to him. Characters that ‘don’t need anybody’ are fine, but you may find that attitude extends to your readers. They won’t need him either. Characters, even the lone wolf, are better if they really do need people and are just too afraid to say something, until somewhere in act three.

“Hurrumph—well, I write non-fiction only. There is no romance. Its fact and common knowledge. I do not deal in fluff.”

Lady, (or mister?) listen. The numbers of readers you will get from a book that is all fact and no heart (i.e. romance) will be disappointing. I can’t think of a single person who goes back to their high school American history book and eats up 100 pages on the American Revolution (I’m sure they exist okay, there’s nothing wrong with a good ol’ informative book). I can, however, name numerous people all salivating over Hamilton tickets. Why? Because THAT story, makes us fall in love with the characters. The writer found romance in the people, situation, and actions of the time. It created a bond by connecting us to common feelings, needs, and emotions. And that’s what romance is really about in writing. Appealing to the human divine in all of us.

So, in this made-up month of love, explore your current work in progress and ask yourself if you are in love with these characters, their story. Ask if your character is hell-bent and heart centered on someone or something three-dimensional to ground themselves to. Is it throwing spice into the reading? Or is the plot fizzling? Where and how can you use romance to draw in and maintain your reader’s attention?

After all, romance is not romance, if it doesn’t have an anchor of reality at its heart.