Creativity and The Writer: Part 2

Hey kids. If I hadn’t mentioned it before, a lot of what I’m talking about this week (and last) I learned from a great class at the Wyoming Writers Conference a couple of weeks ago with William Missouri Downs, a screen and play writer with years of amazing experience. If you have the chance, check out his work. His class has been on replay in my mind so I thought I’d share the good stuff.

Last week we did a little basic housekeeping when you’re trying to foster a more creative life. This week, we’re going to go a bit deeper into what creativity is and why, sometimes, it can be hard to grasp.

First of all, creativity is not something you’re generally born with. There maybe certain individuals who seem to have an easier time being creative, but for the most part, anyone can become more creative. Because, at the root of creativity, is the ability to open your mind to new possibilities and new solutions, and that starts with a few things:

  1. Be curious…about everything. Read articles and blogs on anything that grabs your interest. Give yourself space to wonder and research, even if it’s about the mating habits of the Pygmy Sherbert Moth of Southern Cambodia. Learning about different and strange things will actually help your brain spark ideas and forge connections that you might not have before.
  2. Learn how to concentrate. It seems counter intuitive that creatives are able to sit and focus for long periods of time (maybe its that stereotype of the flighty artist, flitting around the room on several projects) but being able to concentrate, uninterrupted, leads to alpha states which leads to ‘flow writing’. And it also keeps you working at a problem until a reasonable solution is found. Think of it as mental stamina, and we all could use more of that.
  3. Set aside time for your art and PROTECT YOUR SOLITUDE. I don’t think more needs to be said, except that it also means being able to be alone, and creating boundaries (even with the people you love) to protect your writing space. When people in your life ask what they can do to help, be honest and ask for alone time to write and create.
  4. Look for options long after others have given up on a problem. Explore all angles and possibilities. Even the ridiculous and absurd solutions–find those and play, because one thing may lead to another, to another, eventually to the right thing. Whether it’s a plot hole, or a crisis resolution, be open to the strange and impossible. Being stuck is an opportunity to do something different, to get your head completely out of the box.
  5. Take chances and accept failure as part of the process. Failures lead to knowledge and knowing you will fail means you take every opportunity as a chance to learn more about what works and what doesn’t without judging it or yourself too much. Safety is not a place you learn anything.
  6. Have several different interests. Yes you’re a writer. But you’re also a yogi, or a bat tamer, or a bee keeper or a circus performer. Spend time learning and growing in as many places as you can. We should all actually strive to be Jacks and Janes of All Trades. After all, the whole saying is that “a jack of all trades is a master of none, but oftentimes better than a master of one.” This goes back to making those strange and creative connections between things and solving problems outside of the normal lanes of knowledge.
  7. Be persistent, write every day without fail. Meet your deadlines (other people’s or self-imposed), without fail. Yes, yes, I know there’s a lot of writing advice out there. And some people don’t write everyday and they’re perfectly happy and successful. I think writing everyday is not so much a direct line to your success in the field, so much as it’s an investment in yourself and a way to give back to your time, your space, and your own sanity.

There are plenty of exercises you can find in books and online to help boost your writing creativity but the habits above will help you cultivate a lifestyle where your brain can do what it was born to. And that’s, create.

Be willing to throw outrageous suggestions and ideas up on your board and not make judgements. Free flow new ideas out on a page without looking back as they land. Then give yourself an hour or a night and come back to it. Even if none of them seem viable, they may lead to different avenues that will be your next great idea.

Well, that’s the short, short version. I hope you have a creative week and feel free to email me here on the site if you have any questions or just want to chat about writing.

Good luck.

Opportunities, Potential, and Failure

I’m winging today’s post. It’s due tomorrow and I really didn’t have a direction to head (did I mention I lost my blog ‘plan’ for the year–there will be a lot of winging it in the next couple of months). So today, I wanted to talk about opportunity, our own potential, and reframing failure.

What do all of those things have to do with writing? So very much.

Whether you write for the love and fun of it, for yourself, for a small base of fans, for your dog, or for millions of avid readers, we are all engaged in a delicate balance of these three elements. Let’s take a look at them from a writerly perspective.

Opportunities

As a writer, or artist of any sort, when you decide to commit to your craft for whatever end result, you should look at ways to not just get those words in, but to improve them, challenge your writing’s boundaries, and explore different dimensions. Examples of creating and pursuing opportunities include:

  1. Submitting your work to journals, newsletters, publishers, or any other outside source for consideration.
  2. Signing up for classes, workshops, critique groups, retreats and conferences
  3. Writing outside of your genre or comfort zone as an exploration (you can do this concurrently with the two suggestions above)
  4. Sign up to give talks, open mic nights, teach a class (adult, young adult, children) about what you do know that would be helpful for other writers/artists.

The key to opportunity is to not limit yourself by your own doubt. You may see a dozen different submission calls, or invitations to teach or whatever, but if you’re constantly thinking your work won’t be good enough, your experience not deep enough, then you won’t ever put yourself out there. And the fact is, opportunities are rarely about stumbling into the ‘right place/right time’, they are usually more about putting yourself in the right place and the right time (creating and fostering the glints of opportunity you do find). So don’t limit your potential with self doubt. You never know what you’re capable of until you step up and try. That leads us to:

Potential

I’ll tell you the only real thing I know about human potential. It’s limitless.

Often times we are held back by our beliefs, our history, our trauma and our fears. Any thing ever in our life that told us we were not good enough, undeserving, or powerless, seeps in and builds little walls inside our brain. And we often think that once we reach those walls, that we are at the end of our capabilities. Reframing how you think about your potential is the key to opening up new roads. How do you reframe? Well, I guess first you have to set your sights on something without killing it.

How often do we tell ourselves, “I can’t do that”, “That’s impossible”, “That won’t work” even before we let ourselves think through the logistics? Probably a lot. Now–I’m not saying that EVERYTHING is possible. We can’t time travel (yet) and change mistakes from our past (why would you want to?). We can’t/shouldn’t aim for goals that hurt or destroy others. I’m saying in the field of your writing, you have no idea what you’re capable of.

So find out what drives you, what you want, what you dream of and write it all down (you’re a writer after all). Follow it up with small and manageable goals that move you forward, a little each day. This is the way we get over those walls. By building a ladder, one rung at a time, by destroying the wall, one brick at a time. Stay constant, stay consistent. And remember that self-doubt is an insult to your potential. If you want something, if you’re willing to work for it, then you deserve it and are capable of having it.

Well, that little pep talk was kind of exhausting let’s move on to my favorite of the three.

Failure

Failure! Fuck yes. Failure is my favorite and I’ll tell you why. Because failure means you were reaching for something better, something impossible, something unlikely and unsure. Failure means you stepped past your line of ‘acceptable risk’ and went rogue. Failure means you believed in something strongly enough to leap over that wall blocking your way. Failure is never a failure.

I’m already 102 submissions into my 100 rejections in a year challenge. Before I started this challenge, every rejection letter I got was a tiny little knife in the heart. A potential dream killer, a step closer to hanging up my pen and getting a real job. But you come to learn a few things:

  1. Failure is rarely fatal. (Ok–there is a disclaimer that you can totally fail something and end up killing yourself, so let’s not get into any discussions of Evil-Knievel stunts) Getting a rejection letter, even the worst and harshest one imaginable, will not kill you. But it may just teach you something.
  2. Failure teaches us. Failures aren’t setbacks as long as we learn something from them. Look I’ve had this kooky little story that I love, rejected like 40 times. Which tells me that even though I love it, there is something missing or needing cleaned up about it. I’m learning what makes a better story every time I write and send out a ‘less-good’ story. I learn that I can tweak and re-read and edit and cut out what doesn’t work. I learn to send it to the right markets. I learn to follow the submission guidelines. I learn that maybe my freak-flag is too much for some. Maybe it’s not enough for others.
  3. Repeated failure is a lesson book that you can take with you. In writing, especially, you learn what works and what does not. In life it is the same. And we gain these lessons and this experience from exploring and creating the opportunities for ourselves.

And just like that, I brought it full circle. Opportunity, Potential, Failure–rinse and repeat.

Go out there today and find or make an opportunity. Submit someplace new. Query an agent. Finish that novel. Get through that hard scene. None of these things need to be pretty or perfect. But they do need to get done.

Like this blog post.

VerseDay 11-28-19

I probably should have stuck to a Thanksgiving type of theme. But maybe this could be considered in gratitude for the strength we house within ourselves. The strength that keeps us standing up for every knocking down we take. Be grateful for all you have, but don’t forget to include your amazing human-ness.

Travel safe, enjoy the company you keep, and take the moments you can to breath and be present.

 

 

Acrobat

 

Tin cup chalice

Beaten down vessel

Watched by the hungry darkness

of her heart

To fail.

 

The told-you-so on the tip of lolling tongue

Ready to fire as I teeter on the edge, unbalanced.

The narrowed gaze of predatory glee

 

Any day now,

She’ll fall

Any day now,

She’ll wear out that last leg

She’s so precariously perched on.

 

Waiting to be the first

To gloat over my fallen corpse.

 

But I don’t fall

 

And I don’t wear out

 

I bear the dents,

Scratches and cracks

And still

 

I hold true.

 

I always hold true.

 

Any day. Every day.

 

If you really knew me,

The miracle you made

 

You would know this first.